Women Activists From The United States

"I still remember my mother reading the newspaper at the table when I was a kid. Apparently the Nazi party has just gotten itself together, and Hitler is in power. It must be around 1939, maybe a little earlier. My mother says to my father, “Look, Zenia, it’s beginning again.” Those words— “it’s beginning again”—have reverberated in my ears all my life. It’s beginning again. The fear you hear in those words. As a person who has never really suffered any prejudice, I remember those words."

"Tillie Olsen and I didn’t know it, but we were part of a movement."

"(What advice do you give to younger writers?) Have a low overhead. Don’t live with anybody who doesn’t support your work. Very important. And read a lot. Don’t be afraid to read or of being influenced by what you read. You’re more influenced by the voice of childhood than you are by some poet you’re reading. The last piece of advice is to keep a paper and pencil in your pocket at all times, especially if you’re a poet. But even if you’re a prose writer, you have to write things down when they come to you, or you lose them, and they’re gone forever. Of course, most of them are stupid, so it doesn’t matter. But in case they’re the thing that solves the problem for the story or the poem or whatever, you’d better keep a pencil and a paper in your pocket."

"I think that’s what literature is about; it’s the struggle for truth. It’s the struggle for what you don’t understand"

"If you look out that window, it’s so amazing, and the countryside is being murdered. People don’t understand what is being done to their countryside. In some parts of the world, they seem to understand it better than here. Here we don’t seem to get it that the fields are being wrecked by poisons and the air is close to the end of breathable. There is a great effort in America to stay happy and not worry and not understand and not do anything about it."

"I want people to look at the world and see what’s happening to it and take some action. This planet is so lovable. It is so various and so lovable, including all sorts of parts of the world that I’ve never seen, and I’ve seen more than most people. Just in what your eyes see, and how people live on the earth, it’s amazing, but it’s going to end if we don’t get our leaders to pay attention."

"Human beings come from several million years of development, which is quite wonderful. I have a lot of regard for what human beings have become. It took us a million years to learn how to speak to each other, and we did it. It took us another million years to work with each other, and we did it. I think the human race is remarkable…Until we live in a world where we stop abusing each other and the other creatures, we will not have reached our perfection."

"(What moves you most in a work of literature?) I’m not yet the writer I aspire to be, but at my age, great books written by women over 60 give me hope. Diana Athill, Colette, Harriett Doerr, Marguerite Duras, Grace Paley, Elena Poniatowska, Jean Rhys, Mercé Rodoreda, to name but a few."

"Her peers have praised her publicly. Philip Roth called her a "genuine writer of prose," and Herbert Gold, "an exciting writer." Susan Sontag, perhaps selling short Paley's deliberate artistry, called her "a rare kind of writer"-a "natural." Donald Barthelme said simply she was "wonderful.""

"On the literary front, Grace Paley is the nation’s — one of the most acclaimed writers in the nation."

"All over the world, she is read as a master storyteller in the great tradition: People love life more because of her writing."

"(Whom do you consider your literary heroes?) Toni Morrison, Grace Paley, Emily Brontë, Ray Bradbury, all for different reasons, all adored...I had the extreme honor of reading with Grace several times. On one occasion there was the potential of some political differences with the audience. Nervous, I asked Grace what we should do if we were heckled. She said, “Honey, we’ll just sink to their level.” Then she stood on a box because she was too tiny to reach the microphone and quickly made everyone fall in love with her."

"things are in motion. Grace Paley has said, when people stand up, other people discover they've got legs. While there are limits to this kind of analogy (not everyone can stand, or has legs for that matter), the motion is unmistakeable."

"people joke about leaflet prose, but I've been writing and reading leaflets and I challenge my sister and brother writers to try to write a leaflet that moves people to action. I've seen it done. The Women's Pentagon Action statement, written in 1980 by Grace Paley in collaboration with dozens of women, actually inspired a lot of us to take action."

"Grace Paley's outrageously wise story, "Zagrowsky Tells.""

"Grace Paley says, "By the third line, I know whether it's going to turn into a poem or a story. With poems, I talk to people. In stories, they talk to me.""

""Can you think of a writer (besides Chekhov) who is holy and an artist?" "Grace Paley." She (Mary Gordon) smiled. "Well, yes." Obviously."

"Heroes: Grace Paley, Tillie Olsen, Shirley Chisholm — what a generation!"

"if you’re going to be involved with the Left, you’ve got to start thinking about Israel. Melanie Kaye/Kantrowitz and I became very committed to supporting the Women in Black in ‘87. I formed a group here, the Jewish Women’s Committee to End the Occupation (JWCEO) with Clare Kinberg and Grace Paley. We wanted to be identified as Jews protesting."

"she knew so well how be free in them"

"who does the world need more these days than Grace Paley? I’m fudging, of course, because these two stories were published originally in different books, but The Collected Stories by Grace Paley is as good a manual as I know of what fiction can accomplish on the page and in the world."

"Grace, guide us! What is politics to you?/You are such a brave activist!/How do we live, what do we do?/Politics is simply the way human beings treat/one another on the earth."

"It is, as Paley has said elsewhere, not the I" but the "we" that is important."

"Poet Robert Pinsky knew Paley for more than 20 years, and he loved her poetry and short fiction. "They're completely lucid," he said. "They take the materials of a life, and make those materials immensely beautiful — that's art.""

"At the age of 62, Grace Paley has published just three collections of stories, a total of 45 tales. But nearly all of them are remarkable for their clarity, their sense of place, their sympathies. As Philip Roth has said, Paley's stories display "an understanding of loneliness, lust, selfishness, and fatigue that is splendidly comic and unladylike"...Paley is a genuine article, unpretentious, funny, and wise. In the words of her neighbor and colleague in fiction, Donald Barthelme, she is a "wonderful writer and troublemaker." Paley's second-floor living room is vintage Village. Bookshelves crammed with Babel and Chekhov and Marx, records piled into a Hellman's mayonnaise box, a sad rag rug, artifacts of politics, woolly pillows strewn on the floor, three empty light sockets in the ceiling. The lived-in look."

"What I love most in Grace Paley's poetry is her unquenchable sense that the artist's life is not somewhere at the margins of community, that a dialogue is necessary between the poet and her people. The North American enterprise has injured this dialogue. Paley's exuberant, heartbreaking, committed poems call it back to health."

"she tells her sad/funny stories and wry parables, in a wisecracking, ironic New York voice that sounds like no other-except, amazingly, Isaac Babel...Paley can do for time what astrophysicists do for space: whether stretching or shrinking it, they deepen the mystery with every advance in describing it...With its vision of universal reconciliation, Paley's sensibility simply cannot be restricted by the ordinary boundaries of space or time. Paley has sometimes been criticized for allowing her passionate commitment to politics to "interfere" with her art, but the two feed each other, are in fact one. Paley is as political as García Marquez or Camus. In story after story she demonstrates the inseparability of "private" and "public" passions-especially the passion to save the children, which she implicitly equates with saving the world. In Paley's universe children ("babies, those round, staring, day-in-day-out companions of her youth"), the ever-precarious next generation, are the raison d'être of political action. When Faith asks herself, recalling the PTA struggles of a bygone time, "Now what did we learn that year?" her answer is "The following: Though the world cannot be changed by talking to one child at a time, it may at least be known.""

"Grace Paley makes me weep and laugh-and admire. She is that rare kind of writer, a natural, with a voice like no one else's: funny, sad, lean, modest, energetic, acute."

"Grace Paley...is funny and poignant, a writer of great power and great delicacy. She is one of our finest-and most original-poets."

"Fiction for me is a way of "writing what you don’t know about what you know," to quote Grace Paley."

"Success for a woman means absolute surrender, in whatever direction. Whether she paints a picture, or loves a man, there is no division of labor possible in her economy. To the attainment of any end worth living for, a symmetrical sacrifice of her nature is compulsory upon her."

"to fashion silence into words"

"What happened to Ms. Fluke’s free speech? Since when has it been okay to target people who testify before policy makers with vicious, unwarranted and defamatory attacks? You may think that all of your misconduct disappears because you label yourself an entertainer. Well, we are not entertained – we are disgusted. You think that your non-apology apology coming on the heels of advertisers abandoning your show will make them come back? I guess even some of your advertisers do not find you all that entertaining. We hope that your advertisers continue to show the good sense and judgment that you lack by abandoning your show in droves."

"I wanted Sandra to know that I thought her parents should be proud of her, and that we want to send a message to all our young people that being part of a democracy involves argument and disagreements and debate, and we want you to be engaged, and there's a way to do it that doesn't involve you being demeaned and insulted, particularly when you’re a private citizen."

"The reason I called Ms. Fluke is because I thought about Malia and Sasha, and one of the things I want them to do as they get older is to engage in issues they care about, even ones I may not agree with them on. I want them to be able to speak their mind in a civil and thoughtful way. And I don't want them attacked or called horrible names because they're being good citizens."

"I don't know what's in Rush Limbaugh's heart, so I'm not going to comment on the sincerity of his apology. What I can comment on is the fact that all decent folks can agree that the remarks that were made don't have any place in the public discourse."

"The fact of the matter is the President was expressing his support for her, and his disappointment in the kind of attacks that have been leveled at her to her, and his appreciation for her willingness to stand tall and express her opinion."

"It was several minutes. They had a very good conversation. I think he, like a lot of people, feels that the kinds of personal attacks that she's -- that have been directed her way are inappropriate. The fact that our political discourse has become debased in many ways is bad enough. It is worse when it's directed at private citizen who was simply expressing her views on a matter of public policy."

"The President called Georgetown University law student Sandra Fluke … because he wanted to offer his support to her. He wanted to express his disappointment that she has been the subject of inappropriate, personal attacks, and to thank her for exercising her rights as a citizen to speak out on an issue of public policy. And it was a very good conversation."

"This is about women's health, and women and men all over America are scratching their heads and saying: Are we fighting against contraception? Are we turning the clock back 60 or 70 years? It makes no sense."

"This is what America saw, a Republican House of Representatives that is so hostile to women's health that they didn't even think about having a person on there who was a female, nor did they have anyone on there that agreed it is important that women have access to birth control knowing that for many women birth control is medicine, knowing that 99 percent of women, sometime in her lifetime, utilized birth control."

"For millions of American women, reading the news this morning was like stepping into a time machine and going back 50 years, seeing the headlines and the photos of this all-male panel in the House talking about a woman's right to access birth control, and no women on the panel. It turns out the chairman of the House oversight committee decided he was not going to allow a young woman who had been asked by the minority to testify and tell her story--actually of a friend who had lost an ovary because of her lack of contraception coverage. So this 19-year-old woman was left to watch, like the rest of us, as all five men addressed the committee about how they supported efforts to restrict access to care. I am sure by now many of my colleagues here have seen this picture of this all-male panel, the picture that says a thousand words. It is one that most women thought was left behind when pictures only came in black and white."

"Mr. President, I have said it time and time again all across New York State at event after event: We need more women's voices in our decisionmaking process. We need more women at the table in government and in business. When women are at the table, they bring a very different perspective to the same problems, a different set of solutions, a different approach. At the end of the day, the outcomes are better when women's voices are heard."

"When female members of the House committee asked for a woman to testify along with the men, they were denied. Their request was simple: to allow Sandra Fluke, a Georgetown Law School student, to testify on this panel of all men. As a woman she could speak firsthand about how this rule would impact women. But their request was denied because the chairman said Sandra Fluke was unqualified. How can a woman be unqualified to talk about women's health care? Yet every one of these men on the panel was deemed to be qualified to talk about women's health care. I am disappointed. I know it is a disappointment that is shared by millions of women across this country. I am saddened that here we are, in 2012, and a House committee would hold a hearing on women's health and deny women the ability to share their perspective."

"Today, in light of the recent controversy surrounding Rush Limbaugh's attack on Sandra Fluke, Rep. Tim Ryan (OH-17) introduced a bill to ensure that the Pentagon avoids supporting programs that exhibit values contrary to the basic values of the Armed Forces and the United States."

"A young law student, Sandra Fluke, came before this body, before the Members of Congress, and testified regarding coverage for family planning and contraceptives. She was then publicly derailed as being a slut and a prostitute. I would hope the days of derogatory terms to silence women's opinions are over forever, particularly when they speak about truth."

"Here's how sorry Rush Limbaugh is for his attacks on a law school student who dared to give her opinion about access to contraception coverage. He's so sorry that a full transcript of his tirade, including the words he "apologized" for, was available yesterday under the heading "Most Popular" on the home page of his Web site. He's so sorry that the verbatim document of his March 1 rant, in which he repeated his name-calling of Sandra Fluke and mocked Democrats for criticizing him, is right on his Web site today under the title "Left freaks out over Fluke remarks.""

"Madam Speaker, Rush Limbaugh's appalling attack on Georgetown student Sandra Fluke is no isolated incident, but part of a broader GOP assault on women's health. Republicans have ushered in Women's History Month with legislation to allow employers and insurance companies to deny women needed health coverage."

"Yesterday, I mentioned that I slept well on my Sleep Number bed, and I slept well on my Sleep Number bed last night because they canceled their advertising on the Rush Limbaugh show. I mentioned that advertisers are accessories to the crime when radio people go too far and destroy someone's character, or try to, and make libelous statements. Limbaugh did that when he called Sandra Fluke some names, said she did some things or whatever, that were wrong, totally wrong. Eleven advertisers have pulled their advertising because they don't want to, in the future, be accessories to such conduct."

"Mr. Speaker, last night, I rested very well on my Sleep Number bed knowing that the company had pulled its ads from Rush Limbaugh's show. In light of Limbaugh's recent misogynistic attack on Georgetown student Sandra Fluke's fight to obtain affordable, legal birth control for women, I have been drawn to the important part that advertisers play in politics. The use of airwaves to spread hatred of women is wrong. Those advertisers who support broadcasters who do so are nothing less than accessories to the crime. Advertisers' money keeps these vitriolic and hateful shows and hosts on the air."