Women Activists From The United States

"Any Black person in amerika, if they are honest with themselves, has got to come to the conclusion that they don't know what it feels like to be Free."

"Once you're in prison, there are plenty of jobs, and, if you don't want to work, they beat you up and throw you in the hole. If every state had to pay workers to do the jobs prisoners are forced to do, the salaries would amount to billions. License plates alone would amount to millions. When Jimmy Carter was governor of Georgia, he brought a Black woman from prison to clean the statehouse and babysit Amy. Prisons are a profitable business. They are a way of legally perpetuating slavery. In every state, more and more prisons are being built and even more are on the drawing board. Who are they for? they certainly aren't planning to put white people in them. Prisons are part of this government's genocidal war against Black and Third World people."

"I remember how i felt in those days. I wanted to be an amerikan just like any other amerikan. I wanted a piece of amerika's apple pie. Believed we could get our freedom just by appealing to the consciences of white people. I believed that the North was really interested in integration and civil rights and equal rights. I used to go around saying, "our country," "our president," "our government." When the national anthem was played or the pledge of allegiance spoken, i stood at attention and felt proud. I don't know what in the hell i was feeling proud about, but i felt the juice of patriotism running through my blood. Nobody in the world, nobody in history, has ever gotten their freedom by appealing to the moral sense of the people who were oppressing them."

"we who rip off billions of dollars every year through tax evasions, illegal price fixing, embezzlement, consumer fraud, bribes, kickbacks, and swindles. They call us bandits, yet every time most Black people pick up our paychecks we are being robbed. Every time we walk into a store in our neighborhood we are being held up. And every time we pay our rent the landlord sticks a gun into our ribs."

"White people's fear of Black people with guns will never cease to amaze me. Probably it's because they think about what they would do were they in our place. Especially the police, who have done so much dirt to Black people- their guilty conscience tells them to be afraid. When Black people seriously organize and take up arms to fight for our liberation, there will be a lot of white people who will drop dead from no other reason than their own guilt and fear."

"My name is Assata ("she who struggles") Olugbala ( "for the people" ) Shakur ("the thankful one"), and I am a 20th century escaped slave. Because of government persecution, I was left with no other choice than to flee from the political repression, racism and violence that dominate the US government's policy towards people of color. I am an ex political prisoner, and I have been living in exile in Cuba since 1984. I have been a political activist most of my life, and although the U.S. government has done everything in its power to criminalize me, I am not a criminal, nor have I ever been one. In the 1960s, I participated in various struggles: the black liberation movement, the student rights movement, and the movement to end the war in Vietnam. I joined the Black Panther Party. By 1969 the Black Panther Party had become the number one organization targeted by the FBI's COINTELPRO program. because the Black Panther Party demanded the total liberation of black people, J. Edgar Hoover called it the "greatest threat to the internal security of the country" and vowed to destroy it and its leaders and activists."

"When George Washington was fighting for freedom in the Revolutionary War, he was fighting for the freedom of "whites only." Rich whites, at that. After the so-called Revolution, you couldn't vote unless you were a white man and you owned a plot of land. The Revolutionary War was led by some rich white boys who got tired of paying heavy taxes to the king. It didn't have anything at all to do with freedom, justice, and equality for all."

"It never ceases to amaze me how far people have to stretch in order to denounce the one corporation that gives away everything for free"

"Tech companies expropriate ad money from capitalists to build a superintelligence & don’t pay dividends! ... Silicon Valley is firmly post-capitalist. There just isn’t a name for it yet, nor an intellectual (assessment)"

"she has become an astroturfer par excellence for the company, including showing up in a comment section to bash my reporting on Google’s vast for-profit surveillance operation"

"One of my fondest personal memories was Lena Horne and Mike Douglas. We were booked to do "Here's to My Lady" and a prolonged medley together on a Kraft Music Hall Special. I was so thrilled, I kept making mistakes in rehearsal just so we'd have to do it over again."

"My friend, Miss Lena Horne"

""Always be smarter than the people who hire you.“"

"I made a promise to myself to be kinder to other people."

"It's so nice to get flowers while you can still smell the fragrance."

"Don't be afraid to feel as angry or as loving as you can, because when you feel nothing, it's just death."

"I am not alone. I am free. I no longer have to be a credit, I don't have to be a symbol to anybody, I don't have to be a first to anybody. I don't have to be an imitation of a white woman that Hollywood sort of hoped I'd become. I'm me, and I'm like nobody else."

"For fans of Sita Sings the Blues Ms. Paley’s imaginative leaps and blend of styles are part and parcel of the film’s visual and aural originality. “You can actually feel how much time went into it,” said Alison Dickey, a film producer and one of the jurors who nominated Ms. Paley for Film Independent’s Someone to Watch honor, to be announced at the Spirit Awards next Saturday. “We see so many films, and when you come across one like this, you just feel like you’ve stumbled upon a gem.”"

"I got a DVD in the mail, an animated film titled "Sita Sings the Blues." It was an [sic] version of the epic Indian tale of Ramayana set to the 1920's jazz vocals of Annette Hanshaw. Uh, huh. I carefully filed it with other movies I will watch when they introduce the 8-day week. Then I was told I must see it. I began. I was enchanted. I was swept away. I was smiling from one end of the film to the other. It is astonishingly original. … Paley works entirely in 2-D with strict rules, so that characters remain within their own plane, which overlaps with others. This sounds like a limitation. Actually, it becomes the source of much amusement. Comedy often depends on the device of establishing unbreakable rules and then finding ways to break them. The laughs Paley gets here with 2-D would be the envy of an animator in 3-D. She discovers dimensions where none exist. This is one of the year's best films."

"Mimi: I like you! Eunice: So what? You like everyone. I want assholes to like me — that’ll mean I’m really special!"

"Mimi: Silencing you because I don’t like what you say is censorship. Silencing you because I can make more money that way is copyright. They’re totally different! Eunice: The profit motive makes it OK."

"Mimi: Copyright’s all about balance: balancing creators’ and the public’s need for free expression… Eunice: with copyright lawyers’ need for paychecks!"

"Everyone wants me to make another movie and I'm like "Yeah, I'm doing quilts." Yeah, I have ideas. I have to be really, really obsessively moved. Like I have to have no other choice to do a project that takes that much time and it has to be a motivation other than just that I know that I will get approval for it. Much as I love approval, I mean it's extremely tempting. I want it. And I have a lot of doubts about following my muse when my muse leads me down some weird path. Again, like quilts. But I also know that if I do something just because I know people will approve of that, that's not really going to help me as an artist. So I'm not ruling out doing another film, but I'm only going to do it if I have no other choice, which was the case with Sita Sings the Blues."

"Pronounced “me-me and you-ness.” Mimi has pointy ears and Eunice has floppy ears"

"I am not a copyright reformer. I am a copyright abolitionist."

"Because I didn't sell it to a distributor, it can be in lots of film festivals. It's been in, I think, at least 200 festivals, it's won more than 35 awards which is great. I like that! If I had gone with a distributor they would have immediately said no to film festivals which I do not understand why distributors do, but that's what they do."

"Audiences want to support artists. Which is pretty much how it's always been except during the last 100 years where it's turned into this really vicious, cutthroat, nasty business with all these blood-thirsty, parasitic middle-men. But historically, artists were relatively poor and supported directly by their audiences. There's a great book called The Gift by Lewis Hyde. You know, art is a gift and it turns out the audience is happy to give back."

"Total box office so far has been $22,350 … that trickles down to $3,000 for me. Which really isn't much, but it's fine. People are seeing the film and they're seeing it the the way it should be seen. I do not feel like the distributors are ripping me off. I feel like this is the model of film distribution and this is the reality of it and fortunately my income is not dependent on it."

"When you shut down neurons to prevent them from transmitting signals, we call that "brain damage." Copyright is brain damage. It's brain damage in the great mind, and it's brain damage in the individual mind."

"My grand total for the free film was $132,000, and that is a business model I am totally sticking to. And everything that I do now is totally free."

"You don't deserve to be paid because you choose to do something that somebody else may, or may not, want. If you want to be paid for your work, you negotiate that beforehand. Otherwise I would just be walking around talking. Here I am talking now. "You owe me money", right? … It's up to you whether or not you want to do work with no contract. I think artists do need to do work with no contract, because what we're motivated by is not money. We're motivated by a need to express ourselves and to get our ideas out. That's the motivation. It turns out that when people like it they frequently will support you if you give them a means, but this is not a contract."

"In ten years I think the [copyright] laws are going to be worse and I also think they are going to be less relevant. I mean, already the difference between the laws and people's behaviour, It's like they're different planets. I'm not hopeful for the laws changing. A lot of other people are, so maybe we will have meaningful copyright reform. I doubt it. I don't think it matters. I think the tools are available for people to create and share culture and they're going to do that and they might be doing it illegaly and at a certain point it's going to be more than the system can handle. I will say that if the power structure as it exists wants to continue they're going to have to reform because it's not sustainable. Copyright law as it is, it's just completely out of touch with human behaviour."

"♡ Copying is an act of love. Please copy & share."

"Copying is not theft Stealing a thing leaves one less left Copying it makes one thing more That's what copying's for. Copying isn't theft If I copy yours, you have it too One for me and one for you That's what copies can do. If I steal your bicycle, You have to take the bus But if I just copy it, There's one for each of us! Making more of a thing That is what we call copying Sharing ideas with everyone That's why copying... ...Is fun!"

"The corporations that hold these copyrights are media companies that also control most of the new media that comes out. Estimates vary, but it's said that 98 percent of all culture is unavailable right now because of copyrights. So the reason they hold the copyrights isn't because they want to get paid, it's because they don't want all the old stuff competing with the media stream that they control now."

"Our idea, which art in the ether, that cannot be named: Thy vision come, thy will be done, on Earth as it is an abstraction. Give us this day our daily spark and forgive our criticisms, as we forgive those who critique against us. And lead us not into stagnation, but deliver us from ego, for thine is the vision, the power and the glory forever. Amen."

"I love money! Just because it's free doesn't mean I don't like money. And actually I've made more money this way than any distributor said I could possibly make, which isn't much because independent distributors are notoriously without money. So the most money any distributor told me I could possibly hope to make on this film, total, maximum, in my wildest dreams was $50,000, and they said much more realistic would be $10,000 or $25,000 and the biggest advance I was offered, I think, was $20,000 and that's for locking up all the rights."

"Yes, I know bad bad people can also use the .fla files for dastardly deeds (the dreaded hypothetical “Nazi Porn Version” that always comes up at Q&A’s). Bad bad people can use our shared Language and Technology for evil too, but I’m not going to constipate culture out of fear of imaginary worst-case scenarios. I’m confident much more good will come from this than bad, and that’s motivation enough for me. It’s Free Culture, baby. If programmers can tinker with the Free Software’s source code, artists can tinker with Sita Sings the Blues‘ source files."

"I don't think distributors are cheating or evil or anything like that, I just think that the business model is unsustainable so they truly don't have money. There's just not much money in this particular model."

"Go away, Give me a chance to miss you. Say goodbye, It'll make me want to kiss you. I love you so Much more when you're not here, Watchin all the bad shows, Drinking all of my beer.I don't believe Adam and Eve Spent every goddamn day together. If you give me some room, there will be room enough for two."

"So, so what? I'm still a rock star, I got my rock moves, And I don't need you. And guess what, I'm having more fun. And now that were done, I'm gonna show you tonight I'm alright, I'm just fine. And you're a tool. So, so what? I am a rock star, I got my rock moves. And I don't want you tonight."

"I'm not here for your entertainment. You don't really want to mess with me tonight. Just stop and take a second. I was fine before you walked into my life. 'Cause you know it's over Before it began. Keep your drink, just give me the money. It's just you and your hand tonight."

"Maybe if I act like that, that guy will call me back. What a Paparazzi girl, I don't wanna be a stupid girl. Baby if I act like that, flipping my blond hair back, Push up my bra like that. I don't wanna be a stupid girl."

"If someone said three years from now You'd be long gone, I'd stand up and punch them up, Cause they're all wrong. I know better, 'Cause you said forever, And ever. Who knew."

"How many times have you sat across from me? And how many times have you told me you were leaving? I'm not trying to listen cuz it's all the same. And why, why are you constantly believing That I, I could ever give you what you needed? Baby, baby please don't put your faith in me."

"Baby, Oh the secret's safe with me. There's nowhere else in the world that I could ever be. And baby don't it feel like I'm all alone? Who's gonna be there after the last angel has flown And I've lost my way back home? I think nobody knows, no. I said nobody knows. Nobody cares.It's win or lose, not how you play the game. And the road to darkness has a way Of always knowing my name. But I think nobody knows, No no. Nobody knows, no no no no."

"Dear Mr. President, Come take a walk with me. Let's pretend we're just two people And you're not better than me. I'd like to ask you some questions If we can speak honestly.What do you feel when you see All the homeless on the street? Who do you pray for at night Before you go to sleep? What do you feel When you look in the mirror? Are you proud?"

"I'm safe, Up high. Nothing can touch me. But why do I feel this party's over? No pain, Inside. You're like protection. How do I feel this good sober?"

"Why was I the last to know That you weren't coming to my show? You coulda called me up to say good luck, You coulda called me back, you stupid fuck."

"I don't wanna be the girl who has to fill the silence; The quiet scares me 'cause it screams the truth."