Women Activists From The United States

"And we think the world would benefit from a much more feminine approach to the problems we are facing in the world today. Yes. The world needs to be nurtured and loved and rocked and caressed -- it needs some softness to balance out. And, I think, little by little we'll be able to give it that -- besides strength, because, you know, we have the babies for a reason. Yes, indeed."

". . . Latino or Hispanic families are quite matriarchal, if you hadn't noticed -- despite what we let the men believe. Hey, that's the way it goes. The men know it too, but we have to keep that illusion alive for them -- that there're the boss. Hey, I see that strikes a cord. Thank God, the men are applauding too."

"Are you kidding me!"

"My home is my paradise. When I come home at night, I feel an overall peaceful sensation. We will never give this place up."

"When I began singing 'Conga' athletes from all over the world busted out of formation to dance with me, [and] I thought: 'Wow, what a great choreography!.' I thought it was planned. But then the tower started shaking and I thought: 'Great, first the bus, then the boat, now the tower!'"

"For 15 years [Miami Sound Machine and I] recorded and toured to establish a fan base. Now it's time for me to enjoy it."

"We [Emilio and I] fell in love with the Old World Florida ambience, beautiful beaches and warm people. We discovered Vero Beach when we were looking for a vacation home that was close to Miami but gave us a different feel than what we were used to. We hope to increase the awareness of Vero Beach by highlighting the many wonderful things that made us fall in love with it. We want the rest of the world to realize what a gem this place is. We hope to welcome our friends from the entertainment world at the opening as well as members of the community. It will be a warm, special and intimate event. We will open our doors the same way that Vero Beach opened its doors to us."

"We [Emilio and I] have diversified: We run four restaurants, a hotel, a recording studio, a publishing company, and we have our corporate offices and a lot of other real estate."

"[My first children's book] is very subliminal, let's put it that way. It even has a bit of a metaphysical little message in there [about how] we're all somehow connected and we all have a responsibility toward each other. Although you may feel alone in the world, you definitely are not."

"Just because we're celebrities, we shouldn't get dissed. What people might be complaining about is that they think a lot of these [other] celebrities don't write their own books. But I've written every word in this book -- both in English and in Spanish. I love music and I love children and I love animals, and it's a great combo of all those things."

"I saved her {pet bulldog Noelle's) life -- and she changed mine. [Noelle is the title character of The Magically Mysterious Adventures of Noelle the Bulldog -- Estefan's first children's book.]"

"I wanted to talk to very young kids about self-image and about being different and how that can be your strength, especially from the immigrant perspective."

"My friends call me 'Dolittle One' [a reference to her physical stature and affinity for animals]."

"I think I deserve this (honorary) law degree just because I have been sued so much . . . For those of you heading out into the world -- don't be scared, getting sued is the first sign of success. As long as you didn't do anything wrong -- don't worry about it. It's just part of this great country."

"I want my Cuba free!"

"Till I had you I didn't know that I was missing out. Had to grow up and see the world through different shades of doubt. Give me one more chance to dream again. One more chance to feel again through your young heart. If only for one day let me try. I wanna see Christmas through your eyes. I want everything to be the way it used to be. Back to being a child again, thinking the world was mine . . . I see the rain, you see the rainbow hiding in the clouds. Never afraid to let your love show. Won't you show me how. Wanna learn how to believe again. Find the innocence in me again, through your young heart. Help me find a way, help me try. I wanna see Christmas through your eyes. I want everything to be the way it used to be. Back to being a child again, thinking the world was kind. I wanna see Christmas, Christmas through your eyes."

"I just want to be happy, joyous and free."

"Why be afraid if I'm not alone? Though life is never easy, the rest is unknown. Up to now, for me, it's been hands aginst stone. Spent each and ev'ry moment, Searching for what to believe. Coming out of the dark, I finally see the light now. And it's shining on me. Coming out of the dark, I know the love that saved me, You're sharing with me. Starting again is part of the plan. And I'll be so much stronger holding your hand. Step by step I'll make it through; I know I can. It may not make it easier, But I have felt you near all the way . . . Forever and ever, I stand on the rock of your love. Love is all it takes, no matter what we face."

"Sometimes one bad decision can mess up your life. We seal our fate with the choices we make. But don't give a second thought to the chances we take... Surely, you say, it's not as bad as you make it sound. If we make a mistake, you can always turn it back around. Get back on the straight and narrow -- When I'm through having all my fun . . . We seal our fate with the choices we make . . ."

"For I've finally realized, that I could be infinitely better than before, definitely stronger. I'll face whatever comes my way, I'll savor each moment of the day, Love as many people as I can along the way. Help someone who's given up, even if it's just to raise my eyes and pray."

"The sublimity of color in Hodgkin's pictures can be thought of as, first of all, expressive of gratitude — for the world that resists and survives the ego and its discontents."

"The white race is the cancer of human history? Who was this woman? Who and what? An anthropological epidemiologist? A renowned authority on the history of cultures throughout the world, a synthesizer of the magnitude of a Max Weber, a Joachim Wach, a Sir James Frazer, an Arnold Toynbee? Actually, she was just another scribbler who spent her life signing up for protest meetings and lumbering to the podium, encumbered by her prose style, which had a handicapped parking sticker valid at Partisan Review. Perhaps she was exceptionally hell-bent on illustrating McLuhan's line about indignation endowing the idiot with dignity, but otherwise she was just a typical American intellectual of the post-World War II period."

"The theme that runs through Susan's writing is this lifelong struggle to arrive at the proper balance between the moral and the aesthetic … There was something unusually vivid about her writing. That's why even if one disagrees with it — as I did frequently — it was unusually stimulating. She showed you things you hadn't seen before; she had a way of reopening questions."

"(You lived in New York for over a decade. What are some of your fondest memories of that time?) LV: Incredibly enlightening friendships: Susan Sontag, Jerome Bruner"

"I will always remember my encounter with the writer and cultural icon Susan Sontag, largely because I met the great [mathematician] Benoit Mandelbrot on the same day. It took place in 2001, two months after the terrorist event of September, in a radio station in New York. Sontag, who was being interviewed, was piqued by the idea of a fellow who "studies randomness" and came to engage me. When she discovered that I was a [stock market] trader, she blurted out that she was "against the market system" and turned her back to me as I was in mid-sentence, just to humiliate me (note here that courtesy is an application of the Silver Rule), while her assistant gave me a look as if I had been convicted of child killing. I sort of justified her behavior in order to forget the incident, imagining that she lived in some rural commune, grew her own vegetables, wrote with pencil and paper, engaged in barter transactions, that type of stuff.No, she did not grow her own vegetables, it turned out. Two years later, I accidentally found her obituary (I waited a decade and a half before writing about the incident to avoid speaking ill of the departed). People in publishing were complaining about her rapacity; she had squeezed her publisher, Farrar, Straus and Giroux, for what would be several million dollars today for a novel. She shared, with a girlfriend, a mansion in New York City, later sold for $28 million. Sontag probably felt that insulting people with money inducted her into some unimpeachable sainthood, exempting her from having skin in the game."

"Looking back on her own earlier writings, Susan Sontag has remarked: "Now the very idea of the serious (and the honorable) seems quaint, 'unrealistic,' to most people.""

"Sontag's cool exile was a disaster for the American women's movement. Only a woman of her prestige could have performed the necessary critique and debunking of the first instant-canon feminist screeds, such as those of Kate Millett or Sandra Gilbert and Susan Gubar, whose middlebrow mediocrity crippled women's studies from the start. No patriarchal villains held Sontag back; her failures are her own."

"Harold Bloom scribbled in the margin of a draft of my dissertation in 1971, "Mere Sontagisme!" It saddened me, but I knew Bloom was right. Sontag, who should have been Jane Harrison's successor as a supreme woman scholar, had become synonymous with a shallow kind of hip posturing."

"She moved readily from references to philosophers, poets, literary theoreticians and film auteurs. Reviewers were, rightly, dazzled. Though she changed her mind repeatedly, it was always done with style and conviction. If you wanted to argue with Sontag, you had to enter into her work in terms of the way a stance, a position, made sense as an intervention."

"Unlike many politically engaged writers, Sontag never hankered after the security of a finished system of thought. If she acquired a reputation for contrarian thinking it was because she responded directly to historical events, which rarely conform to ideological stereotypes."

"Through four decades, public response to Ms. Sontag remained irreconcilably divided. She was described, variously, as explosive, anticlimactic, original, derivative, naïve, sophisticated, approachable, aloof, condescending, populist, puritanical, sybaritic, sincere, posturing, ascetic, voluptuary, right-wing, left-wing, profound, superficial, ardent, bloodless, dogmatic, ambivalent, lucid, inscrutable, visceral, reasoned, chilly, effusive, relevant, passé, ambivalent, tenacious, ecstatic, melancholic, humorous, humorless, deadpan, rhapsodic, cantankerous and clever. No one ever called her dull. … Ms. Sontag was a master synthesist who tackled broad, difficult and elusive subjects: the nature of art, the nature of consciousness and, above all, the nature of the modern condition. Where many American critics before her had mined the past, Ms. Sontag became an evangelist of the new, training her eye on the culture unfolding around her."

"Some might think Sontag's renunciation of communism an exception to this record of nearly perfect political foolishness. In a 1982 speech at New York's Town Hall, she announced that communism was no more than "fascism with a human face." The remark drove bien-pensants up the (still standing Berlin) wall. Others who had fallen for the dream of communism had got off the train as long as 50 years earlier. And whatever can Sontag have meant by "a human face" to describe a monstrous system of government that in Russia, Eastern Europe, China and Cambodia slaughtered scores of millions of people?"

"During the Vietnam War, Sontag went off to Hanoi as one of those people Lenin called "useful idiots"—that is, people who could be expected to defend Communism without any interest in investigating the brutality behind it. There she found the North Vietnamese people noble and gentle, if a touch boring and puritanical for her tastes. Doubtless that trip led to her most famous foolish remark, when she said that "the white race is the cancer of human history," later revising this judgment by noting that it was a slander on cancer."

"[Sontag] belongs less to the history of literature than to that of publicity. Anyone with the least intellectual pretension seemed to have heard of, if not actually read, her."

"At its best, our relationship was rather like the one between Dame Edna and her feeble sidekick Madge—or possibly Stalin and Malenkov. Sontag was the Supremo and I the obsequious gofer. … Most important, I became adept at clucking sympathetically at her constant kvetching: about the stupidity and philistinism of whatever local sap was paying for her lecture trip, how no one had yet appreciated the true worth of her novel The Volcano Lover, how you couldn't find a decent dry cleaner in downtown San Francisco, etc., etc."

"Susan Sontag's perceptive, often controversial, thoughts continually challenged all those who read them, and made a hugely important contribution to recent American thought. … Susan Sontag will be remembered as a fearless thinker whose pronouncements on everything from sex to photography to language had a formative impact on not one, but four, generations."

"chief priestess of both high modernism and high postmodernism"

"Styles change, style doesn't."

"The charges against most of the people detained in the prisons in Iraq and Afghanistan being nonexistent — the Red Cross reports that 70 to 90 percent of those being held seem to have committed no crime other than simply being in the wrong place at the wrong time, caught up in some sweep of "suspects" — the principal justification for holding them is "interrogation." Interrogation about what? About anything. Whatever the detainee might know. If interrogation is the point of detaining prisoners indefinitely, then physical coercion, humiliation and torture become inevitable. Remember: we are not talking about that rarest of cases, the "ticking time bomb" situation, which is sometimes used as a limiting case that justifies torture of prisoners who have knowledge of an imminent attack. This is general or nonspecific information-gathering, authorized by American military and civilian administrators to learn more of a shadowy empire of evildoers about whom Americans know virtually nothing, in countries about which they are singularly ignorant: in principle, any information at all might be useful. An interrogation that produced no information (whatever information might consist of) would count as a failure."

"The Bush administration has committed the country to a new, pseudo-religious doctrine of war, endless war — for "the war on terror" is nothing less than that."

"Soldiers now pose, thumbs up, before the atrocities they commit, and send off the pictures to their buddies and family. What is revealed by these photographs is as much the culture of shamelessness as the reigning admiration for unapologetic brutality. Ours is a society in which secrets of private life that, formerly, you would have given nearly anything to conceal, you now clamor to get on a television show to reveal."

"People do these things to other people. Not just in Nazi concentration camps and in Abu Ghraib when it was run by Saddam Hussein. Americans, too, do them when they have permission. When they are told or made to feel that those over whom they have absolute power deserve to be mistreated, humiliated, tormented. They do them when they are led to believe that the people they are torturing belong to an inferior, despicable race or religion. For the meaning of these pictures is not just that these acts were performed, but that their perpetrators had no sense that there was anything wrong in what the pictures show."

"The expression of satisfaction at the acts of torture one is inflicting on helpless, trussed, naked victims is only part of the story. There is the primal satisfaction of being photographed, to which one is more inclined to respond not with a stiff, direct gaze (as in former times) but with glee. The events are in part designed to be photographed. The grin is a grin for the camera. There would be something missing if, after stacking the naked men, you couldn't take a picture of them."

"An erotic life is, for more and more people, that which can be captured on digital photographs and on video. And perhaps the torture is more attractive, as something to record, when it has a sexual component."

"Space reserved for being serious is hard to come by in a modern society, whose chief model of a public space is the mega-store."

"Nobody can think and hit someone at the same time."

"Too much remembering embitters. To make peace is to forget. To reconcile, it is necessary that memory be faulty and limited."

"Perhaps too much value is assigned to memory, not enough to thinking."

"Someone who is perennially surprised that depravity exists, who continues to feel disillusioned (even incredulous) when confronted with evidence of what humans are capable of inflicting in the way of gruesome, hands-on cruelties upon other humans, has not reached moral or psychological adulthood."

"To speak of reality becoming a spectacle is a breathtaking provincialism."