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April 10, 2026
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"Tillie Olsen's is a unique voice. Few writers have gained such wide respect based on such a small body of published work...Among women writers in the United States, "respect" is too pale a word: "reverence" is more like it. This is presumably because women writers, even more than their male counterparts, recognize what a heroic feat it is to have held down a job, raised four children and still somehow managed to become and to remain a writer. The exactions of this multiple identity cost Tillie Olsen 20 years of her writing life. The applause that greets her is not only for the quality of her artistic performance but, as at a grueling obstacle race, for the near miracle of her survival."
"Tillie Olsen's short story "I Stand Here Ironing" shows the ways in which a woman's ideas about change and progress and growth may be interpreted through her own experience...This is a personal story of a woman's problems, as my friend wrote. But it is also a political overture orchestrated out of the dailiness of Olsen's life and of the women she knew. This story tells us that change comes slowly, across the generations; that there is often damage in growth, some of it irreparable; that men, self-absorbed in their own turmoils, often abandon women and children; that help, however well-meaning, is often steeped in privileges of class (or race), and may in any event, as in this case, be too late."
"I very much dislike the word "race," and I never use it. I use the word "racist." Race is not a fact. There is only one race: human. Skin color is less than 2 percent of the DNA."
"We lefties said over and over and over again, "If Hitler and Mussolini and Franco win there, there's going to be World War II." If only we'd had enough power, millions of people would be alive and the Holocaust would never have happened."
"There was a guy who testified before the Un-American Activities Committee that it was at the house of Jack and Tillie Olsen that everybody was ordered to throw their party books into the fireplace. The only thing he goofed on was that we never had any fireplace, let alone the fact that it never happened. I was president of the PTA. A neighbor called one morning and said, "Do you have your radio on?" I said, "No." And she said, "Well, you'd better put it on. It's about you." I said, "About me?" So I turned it on fast and heard I was "an agent of Stalin who'd been empowered to take over the San Francisco school system.""
"There's been some change, as is evident by the number of women writers who are read. And education itself has somewhat changed. There's a lot more encouragement, a lot more writing classes. It was the women's movement that gave women in academe a certain strength. If you'd look at the old reading lists, maybe George Eliot, the Bront‘s, Virginia Woolf might be taught. At Stanford, I think it was 1971, they needed somebody [to teach their first-ever course on women's literature], and my name was suggested. Well, I had no credentials. I had never gone to college. And there was quite a to-do about whether or not I had the qualifications. It was supposed to be a small class. I went into this auditorium. It was jammed. There were, I think, four guys, one of whom went out and then came back again and then went out and then came back again. There were over 100 women there, including faculty wives. By and large, none of this had ever been taught at Stanford before."
"The great college of motherhood. You learn so much about human development, human capacity. And it doesn't have to do with whether you have wealth and advantage or not. It has to do with the parenting those first few years before the world comes in with its enormous effect. The ecstasy of achievement when you first learn to walk, the passion for language. When children first learn to talk sentences, you usually can't shut them up. When they learn how to climb, for instance, again the ecstasy of achievement, that real hunger to learn, to have experiences, to be on top of something."
"In that Czarist Russia, Jewish girls were not taught even to read and write. It took (my mother) becoming a revolutionary and joining the Bund, the Jewish Bund, a socialist organization, to learn to read and love books."
"The whistles always woke Mazie. They pierced into her sleep like some guttural-voiced metal beast, tearing at her; breathing a terror. During the day if the whistle blew, she knew it meant death-somebody's poppa or brother, perhaps her own-in that fearsome place below the ground, the mine. (first lines)"
"The college of activism--that whole participation with others in trying to make change for the better. When I had only one child, I was already a labor activist. I did leaflets for unions in the old mimeograph days way back in 1932 and '33. And of course, '34 was the year when union organizations finally were really winning. The General Strike was my second-ever arrest. The city jail was just packed. We'd be serenaded every night from the men's section with "Let Me Call You Sweetheart.""
"It's hard for me to talk about the terrible things that have happened in my lifetime because they didn't need to be."
"I buy 100 copies at a time of the Universal Declaration of Human Rights. It was Eleanor Roosevelt's great work...I sometimes, if it's an adult audience, ask how many of them are familiar with the Universal Declaration of Human Rights. Most highly educated people have never read it. It's a tragic erasure of our heritage...It was such a time of hope. The Universal Declaration of Human Rights includes economic rights."
"What does hope have to do with it? It depends on time, circumstances, whether or not your writing lives the life of being read, taught. Certainly, for years, I wrote of women's lives, working class lives, when few others were. I do know that the two talks printed in Silences had real impact at the time, as did my reading lists--for academics, especially. I haven't published a lot of fiction. I haven't published a lot of anything. But it does go on, it's taught, anthologized. That's very dear to me, and dearest of all are the people whom it has affected. I know that for some people, they feel that it's their life or the life of their mother, or alcoholic relative [that I'm writing about], or they suffer over a daughter and think, "my wisdom came too late" [as the speaker says in "I Stand Here Ironing"]."
"Little is written about revolutionaries, let alone Jews who became atheists, "idealists," some people might term them, not "realists." I like to quote William James, who said, "The world can and has been changed by those to whom the ideal and the real are dynamically contiguous." It was their struggle to do this and make needed changes. There was a period in my parents' lives--it was a period in our country's life--when the ideal and the real were dynamically contiguous. They really felt that the international movement was going to change the world and make it a more just, human place. They were young when they came here, but they'd lived so very, very much. The world is so different from the world of their youth and the world of my youth. Still, power is primarily held by people of wealth and position. By and large, class interest still rules in our country. Who are the people who make policy and how do they get there? You may get an elite education, but you don't learn labor history (which means the lives of most of humanity)."
"Material considerations thwarted me at every turn. It was my money-earning ability that determined my right to exist, and I got through in a way-but what a way! Having spent so much of my time maneuvering to make enough cash with which to live decently, I count most of that effort a hindrance to my development, both as a man and as an artist. Instinctively most men are proud to be able to provide for themselves and their dependents, and I was no exception to the rule. That duty I accepted willingly. Still it seemed to me unworthy of any one to make that the main reason for living."
"Sometimes a prosperous individual will say to me: "Any man can succeed in his ambition if he really wants to. Take you, for instance. Haven't you accomplished what you wanted to do?" And I answer: "Yes" Then I have a repentant feeling for saying that because "No" would be quite as correct. I tell him that "Yes" is only one small word of a full, honest answer: only a little part of the whole truth. I point out that I was compelled to waste about half of my life scheming and worrying over the problem of making enough money to keep going, while attempting at the same time to put aside some of it for lean years and old age, like a dog hiding a bone. This exercise of my acquisitive sense, this trying to mix business with creative ability-though it did not strangle my talent-might have done so except for fortuitous circumstances, kind and encouraging parents, limited competition, and an instinct which told me it ought not to be strangled if I could possibly help it. Or perhaps a little bird singing in a tree-top just for joy helped to give me the hint. Finally I achieved a kind of success."
"It took me a long time to understand why so much that surrounded me was too ugly to tolerate without protest. But eventually I learned the reason. I saw that the conduct of my fellow-men could not be otherwise than disappointing, in fact parasitical and corrupt, and that most of our troubles emanated from a cause which manifestly would grow worse so long as we put up with it. That cause was Capitalism. Man's natural self-interest. become perverted and ruthless! The motivating principle of business (though not openly confessed), when summed up, meant: "Get yours; never mind the other fellow." I saw, too, that our law-makers and judges of the meaning of the law put property rights first and left human rights to shift for themselves."
"With more and more governments, however crude and experimental, dedicated to industrial democracy and universal brotherhood, the era of peace and joy in living will come on earth."
"the big war of 1914-1918 was not my war. It was plainly not a war for democracy but for plutocracy; not for peace but for plunder, and to make our country military-minded. It was capitalism's war-not mine."
"In my youth I hoped for no higher status in life than to be among those who would follow in the wake of Thomas Nast, Joseph Keppler, and Bernhard Gillam, outstanding artists in the field of political caricature. And when in my early twenties I grew familiar with the political and social satires of the graphic artists of England and France across two centuries, these gave even greater stimulus to my ambition. Dreamily I anticipated that my destiny was to succeed as a caricaturist of some influence in public affairs."
"experience proved that those in authority of publishing institutions were seldom impressed by that which was new or even a little different. Of course, they would tell us they wanted "something new" and were "looking for originality," but generally speaking they would accept nothing but the trite."
"the change is at hand-the old order is cracking. It has been said that 'the cure for democracy is more democracy'"
"I do believe that man is destined to be released for a more ennobling life, when each one of us can go even farther with our talent or natural ability than we thought possible."
"I can see no hope for humanity so long as one's right to live depends upon one's ability to pay the cost of living imposed by those who exploit our daily needs. I think I know human nature well enough to know that the average individual works better when encouraged and praised, and does his worst when humiliated and looked upon as a slave. Some kind of congenial work is necessary to contentment. From the small boy tinkering with the construction of a toy to the old lady knitting, with no thought in their minds of cash payment-we see the desire of human beings to be doing something with their minds and hands. If the continual pressure for monetary gain whenever we render any kind of service were removed, I believe people would enjoy working for the common good. This is demonstrated over and over again in time of floods and other disasters when the call to communal welfare is the only incentive."
"I do not think of myself as having arrived at any degree of achievement commensurate with my potential talent and capacity for work. I am just one among the many who have tried to approximate some measure of integrity in a world that is a sorry bewilderment of wretchedness and affluence."
"So most of us pray not for riches, but for just enough to assure our living in normal comfort and perhaps a little extra for funeral expenses at the end."
"During the last four decades of his life-journey, as this chronicle has revealed, it became more and more evident that there was one wrong, one thing over all, standing in the way of honest and contented living the unjust treatment of those who produce the wealth of the world by those who own most of that wealth; and that the continual fight between the moneyed interests and the working people (including artists) was the vital problem of our time. Now, during these recurring and ever-increasing conflicts, is it not obvious that we have to take sides? I think it has come to that, for all of us."
"Individual development depends upon mass-solution of the economic problems of everyday living. The inventors, thinkers, and the common man have made this world ripe for healthful leisure, and have created far more than enough goods for all. But through all this progress the business man has assumed the right to the lion's share while those who did the creating and hard work were compelled to fight for whatever they could get-or starve."
"I hope it will not be said of me that my cartoons never hurt. To be a caricaturist all one's life of the kind whose pictures "never hurt" is my idea of futility. It should not be the function of a political caricaturist just to be funny. The operation sometimes calls for cruelty. But to produce a cartoon that is nothing but an insulting burlesque of a public man is not my idea of a forceful cartoon. However, it often happens that a public man serves as a symbol of wrong because of his record and as such he should be a cartoonist's subject, not to be attacked as a man so much as the idea for which he stands. When one feels that everybody, even the most predatory of capitalists, is also a victim of his own system, one's steel is in danger of not being ground sharp enough for effective attack. But not to hurt with an idea and the manner of expressing it proves that the cartoonist is nothing but a court jester whom the money monarchs like to have around, and when he dies they will say "he never hurt.""
"One week-end during that trial I went up to Monroe to see my folks. They made me feel at home as always, doing everything possible to insure my comfort. But I noticed that greetings from some of my old acquaintances around town lacked the warmth of the past. They talked with me nervously and seemed to be in a hurry, as if they might be open to criticism if they were seen tarrying with one who had been accused of disloyalty to his country."
"Editors of most of the magazines where I had long had entree also shied at my offerings. Sometimes they attempted to explain, but there was no need-it was obvious that they could not afford to continue using the work of one who was being prosecuted by the government on sedition charges. Thus I had difficulty in making a living. But there was one editor who stood by me-Jacob Marinoff, of the Big Stick, a Jewish humorous weekly, which also was under surveillance by the federal authorities."
"Of course clergymen and other paid teachers and moralists admonished us to be upright and unselfish, and for people with good incomes it was easy to condemn those living on the edge of poverty as inferior, impractical, shiftless, and lacking respect for the social code. It was easy to shout thief at the other fellow when you had no temptation to steal-I mean steal in a petty way. But stealing in a big way was often accepted as good business judgment."
"My world had grown small and shaky. I learned what ostracism means. Men and women whom I had counted as friends found it convenient to pass me on the street without speaking, or were brief and impersonal in their conversation. And often I felt that I was being pointed out as a treasonable being to be shunned as one would the plague."
"Slacker had come into the language as a term of frequent use. Bundles of Hearst newspapers had been burned in Times Square because Hearst was slow in swinging to the Allied cause but in a few weeks he had swung, and American flags were printed all over his daily sheets. So-called pro-Germans were being tarred and feathered by mobs in the West. Frank Little of the I.W.W. executive board had been lynched by business men in Butte, Montana. And new and appalling tales of cruelty to conscientious objectors were coming out of the prisons where they were confined."
"The term "Wobbly", said to have been fastened on the I. W. W. members in derision by a Los Angeles editor, had been adopted by them with enthusiasm."
"I found that life was a continual struggle for most of us-and this on a plane not much above that of the struggle of wild animals-and that society dismissed this obvious truth as a negligible factor in determining human conduct as well as our mental and physical well-being. I began to see that this economic battle persisted even in the midst of an exhaustless plenty, and that most humans lived and died trying to succeed in a material sense, in short, to reach the goal of a triumphant animalism."
"Where was I headed? I didn't quite know. I had talent, facility, and a desire to produce-but steadily my market was diminishing. I fell back on illustrated jokes, and even here struck a snag. Tramps were no longer so funny to me as they had been. And my attitude toward the farmer had changed-I no longer wanted to depict him as a mere comic character. His life was all too often bound up with tragedy. The Populists had been right in many of the things they had said about the farmer's plight."
"Now that I was awakening to the realities of the economic struggle, I realized that I could no longer conscientiously deal with certain subjects in the way that editors wanted them handled. I had ideas for pictorial attacks on institutions hooked up with the money power, but there was no sale for these. The few papers which dared strike at the system were small, and had no money to pay for my product. And I had to live and support a family."
"we got a hint of how the Espionage Act would be used as a club against people with anti-war beliefs"
"Perhaps no editor has been so guilty of stirring up the baser passions of human beings as Hearst. Often in his early years as an editor and publisher, he did some political arousings on the side of the workers. It helped him get circulation. Gradually, however, he evolved a policy which prevailed over all liberal doctrines that he might advocate-devoting his publications to the will of the big moneyed interests to have and to retain everything that they possessed and to insure their hopes of getting more through their 'superior intelligence'"
"Listening to lectures on the class struggle (after I discovered that such a struggle had been going on for ages), I found that I had a great deal in common with the everyday workers. In other years I had felt that as a newspaper artist I was a member of a profession which enjoyed important privileges and in which a man might possibly rise to fame and fortune. But I saw now that everyone who did productive work of any kind was at the mercy of those who employed him. They could make or break him whenever they so willed...I was living in a world morally and spiritually diseased, and I was learning some of the reasons why."
"with this feeling, I poised in my mind some other questions as to the soundness of beliefs I had long held, based upon copy-book maxims drilled into one generation of American children after another: "Merit wins...Survival of the fittest...You can't change human nature...The best people...The poor you have with you always...and the whole long line of rubber-stamp moral precepts. What were these but glittering emblems set up by the moneyed class to serve its own purposes? Born bourgeois, my brain had been filled from infancy with the nonsense of super-patriotism, with the lily-white virtues of imperialism added in due time. I had harbored these false values because I didn't know any better. I had been a drifter, innocent and sheep-minded long enough."
"Most of us who were cooperatively bringing out the Masses were agreed upon that. Some channel of protest must be safeguarded for those who had not been stampeded into dumb obeisance to the world's war-makers."
"Every one of us is born with some kind of talent. In early manhood or womanhood each individual begins to see a path, though perhaps dimly, that beckons to him or her. All of us have this leaning toward, or desire for doing ably, a certain kind of work, and only want an opportunity to prove our capacity in that direction. These hunches, these signs of one's natural trend, are usually right, and are not to be thrust aside without regret in later life. I am antagonistic to the money-making fetish because it sidetracks our natural selves, leaving us no alternative but to accept the situation and take any kind of work for a weekly wage. We are expected to "make good," which is another way of saying make money. Therefore we do things for which we have no real understanding and often no liking, without thought as to whether it is best for us, and soon or late find that living has become drab and empty."
"A conviction founded on bitter experience is often overthrown by a passing mood. We forget the sorrow that taught us our truth, and fall right into the same kind of sorrow again. It is easier to bear the loss of something you need than to have something you don't need but can't lose."
"in 1933, fifty-three years after the sweeping defeat of this movement which had reaped so much editorial and oratorical abuse, its supposed evil nature had been forgotten, and Congress voted for the payment of government bonds in currency, one of the demands of the Greenback convention in 1880. And in the intervening years other planks in the Greenback platform had been embodied in government policies or had been generally approved in principle."
"Usually politics was my theme, varied now and then, on an off day, by some travesty on prevailing fads."
"I have always been sensitive to competent oratory, and from that year to the present time have heard all kinds-most of it I would say, as one of Plutarch's noble Grecians or Romans put it, "tall and lofty like a cypress tree, but bearing no fruit.""
"Journalism today is for the most part gentlemanly and decorous, in so far as the relations among newspapers in the big cities are concerned."
"Inspiration from my youthful partial knowledge of Dore's work had carried me a long way. But now I was becoming acquainted with the political and social satires of other leading graphic artists in England and France-Hogarth, Rowlandson, John Leech, George Cruikshank, John Tenniel, Daumier, and Steinlen, and all of these held important and increasing values for me."
Heute, am 12. Tag schlagen wir unser Lager in einem sehr merkwürdig geformten Höhleneingang auf. Wir sind von den Strapazen der letzten Tage sehr erschöpft, das Abenteuer an dem großen Wasserfall steckt uns noch allen in den Knochen. Wir bereiten uns daher nur ein kurzes Abendmahl und ziehen uns in unsere Kalebassen-Zelte zurück. Dr. Zwitlako kann es allerdings nicht lassen, noch einige Vermessungen vorzunehmen. 2. Aug.
- Das Tagebuch
Es gab sie, mein Lieber, es gab sie! Dieses Tagebuch beweist es. Es berichtet von rätselhaften Entdeckungen, die unsere Ahnen vor langer, langer Zeit während einer Expedition gemacht haben. Leider fehlt der größte Teil des Buches, uns sind nur 5 Seiten geblieben.
Also gibt es sie doch, die sagenumwobenen Riesen?
Weil ich so nen Rosenkohl nicht dulde!
- Zwei außer Rand und Band
Und ich bin sauer!