First Quote Added
April 10, 2026
Latest Quote Added
"Where all the treasures of mankind must be saved, there one should find such a symbol that can open the inmost recesses of all hearts. The symbol of the Banner of Peace has been spread so surprisingly far and wide that people are quite sincerely asking whether it is original or an invention of later times. We have witnessed honest wonderment after having proved its ancient origins and spread. At present mankind is beginning to think with horror like troglodytes again, hoping to safeguard their property in underground depositories and caves. But the Banner of Peace just announces the principle. It argues that mankind has to find a way to agree, that its achievements are global and belong to all the nations. The Banner says: noli me tangere — do not touch — do not dare to disturb, to offend the Universal Treasure with a touch of destruction."
"The evolution of the New Era rests on the cornerstone of Knowledge and Beauty."
"The essence of striving to the far-off worlds is contained in the assimilation of a consciousness of our life in them. The possibility of life on them becomes for our consciousness, as it were, a channel of approach. Indeed, this consciousness must be dug through as a channel. People are able to swim, yet a considerable portion of them do not swim. Such an obvious fact as the far-off worlds completely fails to attract humanity. It is time to cast this seed into the human brain."
"The Great Helpers of humanity do not abandon the Earth so long as sufferings go unhealed. Wholehearted fellowship can easily heal the wounds of a friend — but it is necessary to develop the art of thinking in the name of Good. And this is not easy amid the day's hustle and bustle. But the examples of the Great Helpers of humanity can encourage and infuse new forces."
"Humanity must suffer very much before it comes to an understanding of the advantage of unity. Most destructive forces have been directed for the purpose of obscuring the embryos of unification. Each unifying agent is subject to personal danger. Each peace-maker is disparaged. Each worker is ridiculed. Each builder is called madman. Thus the servants of dissolution try to drive from the face of the Earth the Banner of Enlightenment. Work is impossible amid enmities. Construction is inconceivable amid explosions of hatred. Fellowship is battling with man-hatred. Let us keep in memory these old Covenants."
"A woman needs a man like a fish needs a bicycle."
"The Kingdom of God is plainly that state of temporal affairs which, by a proper distribution of labor, enables the entire human family to cultivate their best faculties. The Kingdom of God commences in this world, will progress in the next, and in all other worlds."
"You have prayed to these priests -- they have answered you with death. You have shed your tears at the feet of these kings -- they have fed upon your flesh. You have clutched the garments of these rich men -- they have quenched their thirst with your blood … NOW THE DAY OF PRAYERS AND TEARS HAS PASSED. THE DAY OF JUDGEMENT HAS COME."
"I would make the profession of every man, the rule by which to fashion his crest or coat of arms!... To the petifogger (sic), three links of a convict's chain, with the Penitentiary in the distance! To the Bank Director a Widow's Coffin, with a weeping Orphan on either side by way of heraldic supporters! Pah! There is no single word of contempt in the whole language, too bitter, to express my opinion of this magnificent Pretension - the Aristocracy of the Quaker City!"
"The numerous chimneys with their fantastic shapes rose grimly in the moonlight, like a strange band of goblin sentinels, perched of the roof to watch the mansion. The general effect was that of an ancient structure falling to decay, deserted by all inhabitants save the rats that gnawed the wainscot along the thick old walls. The door-plate that glittered on the faded door, half covered as it was with rust and verdigris, with its saintly name afforded the only signs of the actual occupation of Monk-hall by human beings: in all other respects it looked so desolate, so time-worn, so like a mausoleum for old furniture, and crumbling tapestry, for high-backed mahogany chairs, gigantic bedsteads, and strange looking mirrors, veiled in the thick folds of the spider's web."
"The maiden---pure and without stain--lay sleeping on the small couch that occupied one corner of the closet. Her fair limbs were enshrouded in the light folds of a night-robe, and she lay in an attitude of perfect repose, one glowing cheek resting upon her uncovered arm, while over the other, waved the loosened curls of her glossy hair. The parting lips disclosed her teeth, white as ivory, while her youthful bosom came heaving up from the folds of her night-robe, like a billow that trembles for a moment in the moonlight, and then is suddenly lost to view. She lay there in all the ripening beauty of maidenhood, the light falling gently over her young limbs, their outlines marked by the easy folds of her robe, resembling in their roundness and richness of proportion, the swelling fulness of the rose-bud that needs but another beam of light, to open it into its perfect bloom."
"So impressed by her writings was W. D. Howells as early as 1902 that he declared: "She has enriched the literary center of New York by the addition of a talent in sociological satire which would be extraordinary even if it were not altogether unrivaled among us.""
"The anarchist-feminists' denial of gender-based distinctions precluded their use of many of the arguments for equality utilized by the mainstream feminists during the late nineteenth and early twentieth centuries...even Charlotte Perkins Gilman, who almost alone among the younger generation of mainstream feminists stressed the similarities between men and women, also on occasion found it necessary or expedient to exploit the concept of a special relationship between woman's biology and her drive for equality. In 1912 Gilman wrote: "We are the makers of men, and because we are the makers of men, it is requisite that we should be citizens of the world we live in.""
"The theory that women had been members of a subject sex throughout long history, but coupled with a plan for their emancipation by socialism or communism, found expression with increasing force in the United States as the twentieth century advanced. Among the women who expounded this theory of woman none was more influential than Charlotte Perkins Stetson who long before her death in 1935 attained national and international fame as an exponent of a new feminism...In her writings she ranged from light, humorous verse and witty narrative poetry, through articles gravely gay and wholly serious books, to novels. Captivated by Edward Bellamy's Looking Backward, published in 1888, Mrs. Stetson discovered in idealistic socialism what she deemed the clue to the emancipation of women and joined the disciples of Bellamy. Henceforward, with growing stress, she dwelt on the economic aspects of the "woman question"...Her belief in woman's long subjection to man was embodied in the following lines, quoted from a poem in her collection entitled In This Our World: "Close, close he bound her, that she should leave him never/Weak still he kept her, lest she be strong to flee;/And the fainting flame of passion he kept alive forever/With all the arts and forces of earth and sky and sea." But the future could be different, she believed. It had been and was woman's economic dependence on man that kept her in thrall. This was Mrs. Gilman's contention, especially, in Woman and Economics. Hence, she concluded, woman - especially the mother as guardian of the social spirit in social evolution - when freed from economic bondage to her mate would achieve liberty and make her "culture" and her "religion" prevail over his culture and his religion. And this economic freedom was to be won through various economic institutions of a collectivist nature, especially a form of cooperative living that would ease, if not abolish, the home drudgery of woman. To the old doctrine, so often advanced by parsons and lay men, that "woman's place is in the home," Mrs. Gilman opposed the doctrine that woman's place is in community and public life. In a poem on the assumption of male prerogatives, she stated the case in boasting words by the male: "I sing to the wide world/And she to the nest." But Mrs. Gilman did not deride singing to the nest. She approved it and gave it social significance. She proposed, however, that henceforward there should be a common singing to the wide world, her idea being that such singing had been done by man alone."
"Charlotte Perkins Gilman-brilliant, outspoken, and iconoclastic-was both a socialist and a leader of the organized women's rights movement. Undoubtedly the most radical of the second generation of suffrage leaders, she attacked the home and domesticity because of its deadening influence on the female mind and spirit, and she announced her willingness-even eagerness-to abandon the conventional social structure to which most of her sisters in the mainstream feminist movement were committed. Gilman's socialism was non-Marxist; Edward Bellamy, the author of Looking Backward and a sequel, Equality, had influenced her profoundly. Both of Bellamy's utopian visions, but particularly the latter, advocated participation of women in the work force in traditionally masculine occupations such as engineering and the skilled crafts as well as in more conventionally feminine pursuits; economic equality; and the removal of domestic tasks, including child care, to the public realm. Gilman concurred that equality would never be possible without full participation in economic life. And such participation required the socialization of childrearing and domestic tasks. Men and children, as well as women, would benefit under the new arrangement. An economically independent woman would marry for love, and children would grow to maturity in an environment that consisted not merely of an untrained mother's efforts, but of the attention of specialists in child care and education. Although she attacked conventional domestic arrangements, Gilman was not against the family. She argued: "Like all natural institutions the family has a purpose; and is to be measured primarily as it serves that purpose; which is, the care and nurture of the young. To protect the helpless little ones, to feed and shelter them, to ensure them the benefits of an even longer period of immaturity, and so to improve the race-this is the original purpose of the family." Men, she determined, had subverted that purpose: "What man has done to the family, speaking broadly, is to change it from an institution for the best service of the child, to one modified to his own service, the vehicle of his comfort, power and pride." In order to create a mutually rewarding family life a family "based on love and ... maintained because of its happiness and use"-society must destroy the old notion of home." People trained for the tasks of cooking, cleaning, and child care could better perform house-keeping duties than the isolated wife. Women would become free to develop their special talents, and Gilman believed that a free womanhood was necessary to full social development."
"The mother as a social servant instead of a home servant will not lack in true mother duty.... From her work, loved and honored though it is, she will return to her home life, the child life, with an eager, ceaseless pleasure, cleansed of all the fret and fraction and weariness that so mar it now."
"I read "The Yellow Wallpaper" and found another example of a woman who was locked away by her husband because she was different from other women-too strong, too assertive, and a writer. The captivity drives her mad, too."
"Gilman, like Bebel and Engels, integrated the causes of labor and feminism; but she altered the priorities: "The great woman's movement and labor movement of today are parts of the same pressure, the same world-progress. An economic democracy must rest on a free womanhood; and a free womanhood inevitably leads to an economic democracy." Gilman's practical device for freeing women before the victory of socialism was the cooperative apartment house, containing common kitchens, laundry facilities, and nurseries, thus liberating the individual couple from the unshared burden of those responsibilities. Her idea never came to fruition, and William O'Neill has suggested that her scheme was inadequate: "Her solution to the problem was largely mechanical, a matter of revised domestic arrangements, which would free women for outside work. The alternative would seem to have been some kind of socialist order that would provide the institutions public nurseries, paid maternity leaves, and the like-necessary to fulfill the promise of feminine emancipation. Surprisingly enough, the key writings of this professed socialist neglected the point. She believed that feminism would have to socialize the home, but she apparently believed it possible to have socialized homes in a capitalist society.... Mrs. Gilman was a socialist and a feminist, yet in her mind the two remained separate and distinct causes. In the end, her failure to integrate them prevented her from fully utilizing the insights she had gained from each.""
"As the drive for the vote heated up in the years before World War I, another less sharply defined movement emerged among more radical women, who called themselves feminists. While women like Charlotte Perkins Gilman and Crystal Eastman supported the suffrage campaign, their ideas moved beyond women's political rights to include more modern themes of economic independence and more modern sexual relationships and marriages…Unlike the votes-for-women movement, feminism placed the cutting edge of change in women's private lives, not in their public roles. Charlotte Perkins Gilman was a feminist favorite for her conviction that the family-oriented life of the middle class was narrow and inefficient, a point she explored in her pathbreaking books Women and Economics (1890) and The Home (1903)."
"Where young boys plan for what they will achieve and attain, young girls plan for whom they will achieve and attain."
"There is no female mind. The brain is not an organ of sex. As well speak of a female liver."
"The labor of women in the house, certainly, enables men to produce more wealth than they otherwise could; and in this way women are economic factors in society. But so are horses."
"To-day there is hardly a woman of intelligence in all America, to say nothing of other countries, who is not definitely and actively concerned in some social interest, who does not recognize some duty besides those incident to her own blood relationship."
"Only as we live, think, feel, and work outside the home, do we become humanly developed, civilized, socialized."
"The antidomesticity of Charlotte Perkins Gilman influenced their views on social organization; both Henrietta Rodman and Crystal Eastman tried to encourage the construction of apartment houses based on the Gilmanesque model. Nevertheless, they did not share Gilman's pronounced antierotic biases."
"I do not want to be a fly, I want to be a worm!"
"There are things in that wallpaper that nobody knows about but me, or ever will."
"You think you have mastered it [the wallpaper pattern], but just as you get well under way in following, it turns a back-somersault and there you are. It slaps you in the face, knocks you down, and tramples upon you."
"I'm getting really fond of the room in spite of the wallpaper. Perhaps because of the wallpaper."
"It becomes bars! The outside pattern, I mean, and the women behind it is as plain as can be. I didn't realize for a long time what the thing was that showed behind, that dim sub-pattern, but now I am quite sure it is a woman. By daylight she is subdued, quiet. I fancy it is the pattern that keeps her so still."
"The stony-minded orthodox were right in fearing the first movement of new knowledge and free thought. It has gone on, and will go on, irresistibly, until some day we shall have no respect for an alleged "truth" which cannot stand the full blaze of knowledge, the full force of active thought."
"The color is repellent, almost revolting: a smouldering unclean yellow, strangely faded by the slow-turning sunlight."
"Through watching so much at night, when it changes so, I have finally found out. The front pattern does move-and no wonder! The woman behind shakes it!"
"This wallpaper has a kind of sub-pattern in a different shade, a particularly irritating one, for you can only see it in certain lights, and not clearly then."
"The latest and highest form of Feminism has great promise for the world. It postulates womanhood free, strong, clean and conscious of its power and duty."
"For many years I suffered from a severe and continuous nervous breakdown tending to melancholia — and beyond. During about the third year of this trouble I went, in devout faith and some faint stir of hope, to a noted specialist in nervous diseases, the best known in the country. This wise man put me to bed and applied the rest cure, to which a still-good physique responded so promptly that he concluded there was nothing much the matter with me, and sent me home with solemn advice to "live as domestic a life as far as possible," to "have but two hours' intellectual life a day," and "never to touch pen, brush, or pencil again" as long as I lived. This was in 1887. I went home and obeyed those directions for some three months, and came so near the borderline of utter mental ruin that I could see over. Then, using the remnants of intelligence that remained, and helped by a wise friend, I cast the noted specialist's advice to the winds and went to work again — work, the normal life of every human being; work, in which is joy and growth and service, without which one is a pauper and a parasite — ultimately recovering some measure of power. Being naturally moved to rejoicing by this narrow escape, I wrote The Yellow Wallpaper, with its embellishments and additions, to carry out the ideal (I never had hallucinations or objections to my mural decorations) and sent a copy to the physician who so nearly drove me mad. He never acknowledged it."
"Many years later I was told that the great specialist had admitted to friends of his that he had altered his treatment of neurasthenia since reading The Yellow Wallpaper. It was not intended to drive people crazy, but to save people from being driven crazy, and it worked."
"A normal feminine influence in recasting our religious assumptions will do more than any other one thing to improve the world."
"A million million worlds that move in peace; A million mighty laws that never cease; And one small ant-heap, hidden by small weeds, Rich with eggs, slaves and store of millet-seeds. They sleep beneath the sod And trust in God."
"Said I, in scorn all burning hot, In rage and anger high, "You ignominious idiot, Those wings are made to fly!""
"The fragmentation of armed groups is among our major concerns"
"There is a universal element in man which he can assert by so acting as if the purpose of the Universe were also his purpose. It is the function of the supreme ordeals of life to develop in men this power, to give to their life this distinction, this height of dignity, these vast horizons."
"We need to feel that no effort is ever wasted, that no honest reaching out toward the good is vain, that the great All is pressing forward toward a transcendent goal. And there is but a single way to obtain this conviction. It is not possible to enter into the nature of the Good by standing aloof from it — by merely speculating upon it. Act the Good, and you will believe in it. Throw yourself into the stream of the world's good tendency and you will feel the force of the current and the direction in which it is setting. The conviction that the world is moving toward great ends of progress will come surely to him who is himself engaged in the work of progress. By ceaseless efforts to live the good life we maintain our moral sanity. Not from without, but from within, flow the divine waters that renew the soul."
"Good deeds remain good, no matter whether we know how the world was made or not. Vile deeds are vile, no matter whether we know or do not know what, after death, will be the fate of the doer. We know, at least, what his fate is now, namely, to be wedded to the vileness. The question for anyone to decide, who hesitates between good and evil, is whether he aspires to be a full-weight man, or merely the fragment, nay, the counterfeit of a man. Only he who ceaselessly aims at moral completeness is, in the true sense, a human being."
"The question what to believe is perhaps the most momentous that anyone can put to himself. Our beliefs are not to be classed among the luxuries, but among the necessaries of existence. They become particularly important in times of trouble. They are like the life-boats carried by ocean ships. As long as the sea is smooth and there is every appearance of a prosperous voyage, the passengers seldom take note of the boats or inquire into their sea-worthiness. But when the storm breaks and danger approaches, then the capacity of the boats and their soundness become matters of the first importance."
"Ethical religion affirms the continuity of progress toward moral perfection. It affirms that the spiritual development of the human race cannot be prematurely cut off, either gradually or suddenly; that every stone of offence against which we stumble is a stepping-stone to some greater good ; that, at the end of days, if we choose to put it so, or, rather, in some sphere beyond the world of space and time, all the rays of progress will be summed and centred in a transcendent focus."
"There may be, and there ought to be, progress in the moral sphere. The moral truths which we have inherited from the past need to be expanded and restated. In times of misfortune we require for our support something of which the truth is beyond all question, in which we can put an implicit trust, " though the heavens should fall." A merely borrowed belief is, at such time, like a rotten plank across a raging torrent. The moment we step upon it, it gives way beneath our feet."
"The consolations of the moral ideal are vigorous. They do not encourage idle sentiment. They recommend to the sufferer action. Our loss, indeed, will always remain loss, and no preaching or teaching can ever make it otherwise. But the question is whether it shall weaken and embitter, or strengthen and purify us, and lead us to raise to the dead we mourn a monument in our lives that shall be better than any pillared chapel or storied marble tomb. The criterion of all right relations whatsoever is that we are helped by them. And so, too, the criterion of right relations to the dead is that we are helped, not weakened and disabled, by them."
"Let us learn from the lips of death the lessons of life. Let us live truly while we live, live for what is true and good and lasting. And let the memory of our dead help us to do this. For they are not wholly separated from us, if we remain loyal to them. In spirit they are with us. And we may think of them as silent, invisible, but real presences in our households."
"The condition of all progress is experience. We go wrong a thousand times before we find the right path. We struggle, and grope, and hurt ourselves until we learn the use of things, and this is true of things spiritual as well as of material things. Pain is unavoidable, but it acquires a new and higher meaning when we perceive that it is the price humanity must pay for an invaluable good."
Heute, am 12. Tag schlagen wir unser Lager in einem sehr merkwürdig geformten Höhleneingang auf. Wir sind von den Strapazen der letzten Tage sehr erschöpft, das Abenteuer an dem großen Wasserfall steckt uns noch allen in den Knochen. Wir bereiten uns daher nur ein kurzes Abendmahl und ziehen uns in unsere Kalebassen-Zelte zurück. Dr. Zwitlako kann es allerdings nicht lassen, noch einige Vermessungen vorzunehmen. 2. Aug.
- Das Tagebuch
Es gab sie, mein Lieber, es gab sie! Dieses Tagebuch beweist es. Es berichtet von rätselhaften Entdeckungen, die unsere Ahnen vor langer, langer Zeit während einer Expedition gemacht haben. Leider fehlt der größte Teil des Buches, uns sind nur 5 Seiten geblieben.
Also gibt es sie doch, die sagenumwobenen Riesen?
Weil ich so nen Rosenkohl nicht dulde!
- Zwei außer Rand und Band
Und ich bin sauer!