Short Story Writers From England

"Any human anywhere will blossom in a hundred unexpected talents and capacities simply by being given the opportunity to do so."

"I do not think writers ought ever to sit down and think they must write about some cause, or theme... If they write about their own experiences, something true is going to emerge."

"Parents should leave books lying around marked "forbidden" if they want their children to read."

"This has been going on for 30 years. I've won all the prizes in Europe, every bloody one, so I'm delighted to win them all. It's a royal flush."

"[On her first marriage ] I don't think marriages are like that now. It's when you walk into a role. The life was all laid down, what you ate, everything you did, and I went through it all as if it were a role in a play, really, and I hated it bitterly."

"I have to face the fact that I and my high-minded comrades, both those in that chimerical Communist Party in Southern Rhodesia, and many I have met since ... were of the stuff of those murderers with a clear conscience. We were lucky, that's all."

"Oh Christ. I couldn't care less. … I can't say I'm overwhelmed with surprise. I'm 88 years old and they can't give the Nobel to someone who's dead, so I think they were probably thinking they'd probably better give it to me now before I've popped off."

"What matters most is that we learn from living."

"Why were the Europeans bothered about the Soviet Union at all? It was nothing to do with us. China had nothing to do with us. Why were we not building, without reference to the Soviet Union, a good society in our own countries? But no, we were all — in one way or another — obsessed with the bloody Soviet Union, which was a disaster. What people were supporting was failure. And continually justifying it."

"I'm always astounded at the way we automatically look at what divides and separates us. We never look at what people have in common. If you see it, black and white people, both sides look to see the differences, they don't look at what they have together. Men and women, and old and young, and so on. And this is a disease of the mind, the way I see it. Because in actual fact, men and women have much more in common than they are separated."

"It was OK, us being Reds during the war, because we were all on the same side. But then the Cold War started. Almost overnight we became enemies of people who were close friends — they crossed the street to avoid us."

"All political movements are like this — we are in the right, everyone else is in the wrong. The people on our own side who disagree with us are heretics, and they start becoming enemies. With it comes an absolute conviction of your own moral superiority. There's oversimplification in everything, and a terror of flexibility."

"Literature is analysis after the event."

"The current publishing scene is extremely good for the big, popular books. They sell them brilliantly, market them and all that. It is not good for the little books. And really valuable books have been allowed to go out of print. In the old days, the publishers knew that these difficult books, the books that appeal only to a minority, were very productive in the long run. Because they're probably the books that will be read in the next generation. It's heart-breaking how often I have to say when I'm giving talks, "This book is out of print. This book is out of print." It's a roll call of dead books."

"The Golden Notebook for some reason surprised people but it was no more than you would hear women say in their kitchens every day in any country. … I was really astounded that some people were shocked."

"The automatic reaction of practically any young person is, at once, against authority. That, I think, began in the First World War because of the trenches, and the incompetence of the people on all fronts. I think that a terrible bitterness and anger began there, which led to communism. And now it feeds terrorism. Anyway, that's my thesis. It's very oversimplified, as you can see."

"I knew, and it was an illumination — one of those things one has always known, but never understood before — that all sanity depends on this: that it should be a delight to feel the roughness of a carpet under smooth soles, a delight to feel heat strike the skin, a delight to stand upright, knowing the bones are moving easily under flesh. If this goes, then the conviction of life goes too. But I could feel none of this. … I knew I was moving into a new dimension, further from sanity than I had ever been."

"You want me to begin a novel with The two women were alone in the London flat?"

"There was a kind of shifting of the balances of my brain, of the way I had been thinking, the same kind of realignment as when, a few days before, words like democracy, liberty, freedom, had faded under pressure of a new sort of understanding of the real movement of the world towards dark, hardening power. I knew, but of course the word, written, cannot convey the quality of this knowing, that whatever already is has its logic and its force. I felt this, like a vision, in a new kind of knowing. And I knew that the cruelty and the spite and the I.I.I.I. of Saul and of Anna were part of the logic of war; and I knew how strong these emotions were, in a way that would never leave me, would become part of how I saw the world."

"Sometimes I pick up a book and I say: Well, so you've written it first, have you? Good for you. O.K., then I won't have to write it."

"Do you know what people really want? Everyone, I mean. Everybody in the world is thinking: I wish there was just one other person I could really talk to, who could really understand me, who'd be kind to me. That's what people really want, if they're telling the truth."

"It seems to me like this. It's not a terrible thing — I mean, it may be terrible, but it's not damaging, it's not poisoning, to do without something one really wants. It's not bad to say: My work is not what I really want, I'm capable of doing something bigger. Or I'm a person who needs love, and I'm doing without it. What's terrible is to pretend that the second-rate is the first-rate. To pretend that you don't need love when you do; or you like your work when you know quite well you're capable of better."

"There's only one real sin, and that is to persuade oneself that the second-best is anything but the second-best."

"It isn’t only the terror everywhere, and the fear of being conscious of it, that freezes people. It’s more than that. People know they are in a society dead or dying. They are refusing emotion because at the end of very emotion are property, money, power. They work and despise their work, and so freeze themselves. They love but know that it’s a half- love or a twisted love, and so they freeze themselves."

"The point is, that the function of the novel seems to be changing; it has become an outpost of journalism; we read novels for information about areas of life we don’t know — Nigeria, South Africa, the American army, a coal-mining village, coteries in Chelsea, etc. We read to find out what is going on. One novel in five hundred or a thousand has the quality a novel should have to make it a novel — the quality of philosophy."

"The novel has become a function of the fragmented society, the fragmented consciousness. Human beings are so divided, are becoming more and more divided, and more subdivided in themselves, reflecting the world, that they reach out desperately, not knowing they do it, for information about other groups inside their own country, let alone about groups in other countries. It is a blind grasping out for their own wholeness, and the novel-report is a means toward it."

"The two women were alone in the London flat. "The point is," said Anna, as her friend came back from the telephone on the landing, "the point is, that as far as I can see, everything's cracking up.""

"What is so painful about that time is that nothing was disastrous. It was all wrong, ugly, unhappy and coloured with cynicism, but nothing was tragic, there were no moments that could change anything or anybody. From time to time the emotional lightning flashed and showed a landscape of private misery, and then — we went on dancing."

"We spend our lives fighting to get people very slightly more stupid than ourselves to accept truths that the great men have always known. They have known for thousands of years that to lock a sick person into solitary confinement makes him worse. They have known for thousands of years that a poor man who is frightened of his landlord and of the police is a slave. They have known it. We know it. But do the great enlightened mass of the British people know it? No. It is our task, Ella, yours and mine, to tell them. Because the great men are too great to be bothered. They are already discovering how to colonise Venus and to irrigate the moon. That is what is important for our time. You and I are the boulder-pushers. All our lives, you and I, we’ll put all our energies, all our talents into pushing a great boulder up a mountain. The boulder is the truth that the great men know by instinct, and the mountain is the stupidity of mankind."

"None of you ask for anything — except everything, but just for so long as you need it."

"I was taken around and shown things as a "useful idiot" […] that’s what my role was […] I can’t understand why I was so gullible."

"There is only one way to read, which is to browse in libraries and bookshops, picking up books that attract you, reading only those, dropping them when they bore you, skipping the parts that drag — and never, never reading anything because you feel you ought, or because it is part of a trend or a movement. Remember that the book which bores you when you are twenty or thirty will open doors for you when you are forty or fifty — and vice versa. Don’t read a book out of its right time for you."

"Does political correctness have a good side? Yes, it does, for it makes us re-examine attitudes, and that is always useful. The trouble is that, as with all popular movements, the lunatic fringe so quickly ceases to be a fringe; the tail begins to wag the dog. For every woman or man who is quietly and sensibly using the idea to look carefully at our assumptions, there are twenty rabble-rousers whose real motive is a desire for power over others. The fact that they see themselves as antiracists or feminists or whatever does not make them any less rabble-rousers."

"What they [critics of Lessing's switch to science fiction] didn't realize was that in science fiction is some of the best social fiction of our time."

"Political correctness is the natural continuum from the party line. What we are seeing once again is a self-appointed group of vigilantes imposing their views on others. It is a heritage of communism, but they don't seem to see this."

"With a library you are free, not confined by temporary political climates. It is the most democratic of institutions because no one — but no one at all — can tell you what to read and when and how."

"Space or science fiction has become a dialect for our time."

"All one's life as a young woman one is on show, a focus of attention, people notice you. You set yourself up to be noticed and admired. And then, not expecting it, you become middle-aged and anonymous. No one notices you. You achieve a wonderful freedom. It's a positive thing. You can move about unnoticed and invisible."

"My major aim was to shape a book which would make its own comment, a wordless statement: to talk through the way it was shaped. As I have said, this was not noticed."

"The great secret that all old people share is that you really haven't changed in seventy or eighty years. Your body changes, but you don't change at all. And that, of course, causes great confusion."

"In the writing process, the more the story cooks, the better. The brain works for you even when you are at rest. I find dreams particularly useful. I myself think a great deal before I go to sleep and the details sometimes unfold in the dream."

"You can only learn to be a better writer by actually writing. I don't know much about creative writing programs. But they're not telling the truth if they don't teach, one, that writing is hard work and, two, that you have to give up a great deal of life, your personal life, to be a writer."

"It can be considered a rule that the probable duration of an Empire may be prognosticated by the degree to which its rulers believe in their own propaganda."

"This world is run by people who know how to do things. They know how things work. They are equipped. Up there, there's a layer of people who run everything. But we — we're just peasants. We don't understand what's going on, and we can't do anything."

"You know, whenever women make imaginary female kingdoms in literature, they are always very permissive, to use the jargon word, and easy and generous and self-indulgent, like the relationships between women when there are no men around. They make each other presents, and they have little feasts, and nobody punishes anyone else. This is the female way of going along when there are no men about or when men are not in the ascendant."

"There are no laws for the novel. There never have been, nor can there ever be."

"I think it possible that Marxism was the first attempt, for our time, outside the formal religions, at a world-mind, a world-ethic. It went wrong, could not prevent itself from dividing and subdividing, like all the other religions, into smaller and smaller chapels, sects, and creeds. But it was an attempt."

"There are certain types of people who are political out of a kind of religious reason [...] I think it's fairly common among socialists: They are, in fact, God-seekers, looking for the kingdom of God on earth. A lot of religious reformers have been like that, too. It's the same psychological set, trying to abolish the present in favor of some better future — always taking it for granted that there is a better future. If you don't believe in heaven, then you believe in socialism. When I was in my real Communist phase, I and the people around me really believed — but, of course, this makes us certifiable — that something like 10 years after World War II, the world would be Communist and perfect."

"In university they don't tell you that the greater part of the law is learning to tolerate fools."

"If a fish is the movement of water embodied, given shape, then cat is a diagram and pattern of subtle air."