"Order is the barrier that holds back the flood of death. We must all of us on this train of life remain in our allotted station. We must each of us occupy our preordained particular position. Would you wear a shoe on your head? Of course you wouldn't wear a shoe on your head. A shoe doesn't belong on your head. A shoe belongs on your foot. A hat belongs on your head. I am a hat. You are a shoe. I belong on the head. You belong on the foot. Yes? So it is. In the beginning, order was proscribed by your ticket: First Class, Economy, and freeloaders like you. Eternal order is prescribed by the sacred engine: all things flow from the sacred engine, all things in their place, all passengers in their section, all water flowing. all heat rising, pays homage to the sacred engine, in its own particular preordained position. So it is. Now, as in the beginning, I belong to the front. You belong to the tail. When the foot seeks the place of the head, the sacred line is crossed. Know your place. Keep your place. Be a shoe."

"When's the last time you got laid? Like Gilliam said, holding a woman is much better with two arms."

"I believe it is easier for people to survive on this train if they have some level of insanity. As Gilliam well understood, you need to maintain a proper balance of anxiety and fear and chaos and horror in order to keep life going. And if we don't have that, we need to invent it. In that sense, the Great Curtis Revolution you invented was truly a masterpiece."

"We move forward."

"You've seen what people do without leadership. They devour one another."

"Chris Evans - Curtis Everett"

"You ever been to the tail section? Do you have any idea what went on back there? When we boarded? It was chaos. Yeah, we didn't freeze to death, but we didn't have time to be thankful. Wilford's soldiers came and they took everything. A thousand people in an iron box. No food, no water... After a month, we ate the weak... You know what I hate about myself? I know what people taste like. I know that babies taste best... There was a woman. She was hiding with her baby. And some men with knives came. They killed her and they took her baby. And then an old man-no relation, just an old man-stepped forward and he said, "Give me the knife." And everyone thought he'd kill the baby himself. But he took the knife and he cut off his arm. And he said, "Eat this, if you're so hungry. Eat this, just leave the baby." I had never seen anything like that. And the men put down their knives... You've probably guessed who that old man was. That baby was Edgar. And I was the man with the knife. I killed Edgar's mother... And then one by one, other people in the tail section started cutting off arms and legs and offering them. It was like a miracle. And I wanted to. I tried, it's... A month later, Wilford's soldiers brought those protein blocks. We've been eatin' that shit ever since. 18 years I've hated Wilford. 18 years I've waited for this moment. And now I'm here... Open the gate. Please."

"Have you ever been alone on this train? When was the last time you were alone? You can't remember, can you? So please do. Take your time."

"David Oyelowo - Steven Jacobs"

"Tyler Labine - Robert Franklin"

"We’ve taken a different approach to the origin of the mythology. It was apes being brought into domestic households and being enslaved, but we’ve taken a different approach, which is a more scientific approach with how the apes have evolved. I actually find that more plausible. To speculate on a period of time, we’d be talking about generations and generations of how a chimpanzee could actually evolve into a humanoid creature, which could cause a revolution. I think there needs to be some sort of scientific reasoning behind that, and that’s what we’ve gone for."

"If you look back at the original Mary Shelley’s original Frankenstein, he’s as conflicted as that character. There is a real moral twilight to him. Will is a scientist that experiments on animals, and there’s a huge moral quandary to that. I’m sure if you ask anyone in that field how they feel about that, they would never be able to give a black and white answer about if they believe it to be right or wrong. It’s something that’ll keep them up at night. I think that’s where the drama in his character lies."

"Andy Serkis - Caesar"

"To be honest with you, I think “science-fiction” is called science-fiction for a reason. I’m not a major fan of Arthur C. Clark, because I think his science is so phenomenally researched and plausible, that it becomes incredibly dry as a result. If you look at a Philip K. Dick story, he’s a fantastic science-fiction writer because he’s skirting away from the plausibility factor, because it’s all about story to him. He’s using it for a metaphor in our real world, so then we can understand it in that way. To me, that’s more interesting. I was trying to be as respectful and faithful to real world science as we possibly could, but that’s really not the driving force of the story."

"You make history, I make money."

"(distant shouting) Stupid monkey! NOOOOOOOO! NOOOOOOOO!"

"James Franco - Dr. Will Rodman"

"Yeah, there was a certain… what’s the right way to say this without sounding critical, because it’s not my place, but there was a certain camp to the Tim Burton film that this film doesn’t have."

"You think that's funny, huh? [...] You'll learn who's boss, soon enough."

"Sometimes, the new kid on the block gets picked on."

"It's a madhouse!"

"(shrilly) Daddy!"

"(to Charles) I'm a pilot, I've got to get to the airport - how am I gonna get there now! (explosive) Answer the goddamn question! (calmer) I'm done. The police can handle it."

"(to Will) I swear, you know everything about the human brain except the way it works."

"Frieda Pinto - Caroline Aranha"

"(shouting venomously) You're going nowhere mister! You and your son are going to pay for this! I sure hell aren't falling for you. This is your problem, you made the mess! [...] I'm not through with you! You stay right there!"

"It's okay. He didn't mean it."

"Well, I can't say that I approve. They're not people, you know."

"Oh, he's a smart one, isn't he?"

"I get more peace in the God-damned ape house."

"(shouting) Caesar, stop!"

"I love chimpanzees. I'm also afraid of them. And, it's appropriate to be afraid of them."

"Hey Todd, come inside for breakfast."

"As for Caesar, kneel down, kneel down and wonder!"

"Right away, Caesar displayed signs of intelligence heightened intelligence, so I kept him and brought my work home. By 18 months, Caesar was signing up to 24 words. By age two, Caesar completing puzzles and models designed for children eight years and up. At age three, Caesar continues to show cognative skills that far exceed that of his human counterpart. He completed the Lucas Tower in 15 moves, a perfect score. I maintain my hypothesis that A. the green in his eyes indicates that the ALZ-112 was passed genetically from mother to son and B., that in the absence of damaged cells that need replacing, the drug in his system has radically boosted healthy brain functioning."

"My father's immune system continues to reject the 112 virus, rendering the gene therapy obsolete. His health is deteriorating, and the disease is progressing rapidly. I need a more aggressive virus strain, a faster delivery method, because at this rate...I can't lose them both. I won't lose them both."

"(to Will) If I see that animal near my house or my kids again- [...] Damn right, it won't."

"John Lithgow - Charles Rodman"

"Brian Cox - John Landon"

"Tom Felton - Dodge Landon"

"Jason Cope - Ethan Zwirner"

"Langley Kirkwood - Judge Lex"

"Deobia Oparei - TJ"

"Warrick Greer - Caleb"

"Peach Trees. This is Ma-Ma. Somewhere in this block are two Judges. I want them dead. Until I get what I want, the block is locked down. All clan, every level, hunt the Judges down. Everyone else, clear the corridors and stay the fuck out of our way until the shooting stops. If I hear of anyone helping the Judges, I will kill them and the next generation of their family. As for the Judges...sit tight, or run. Makes no difference. You're mine."