Romantic Poets

"Emily Dickinson was always stirred by the existences of women like George Eliot or Elizabeth Barrett, who possessed strength of mind, articulateness, and energy. (She once characterized Elizabeth Fry and Florence Nightingale as "holy"-one suspects she merely meant, "great.")"

"I praise Thee while my days go on; I love Thee while my days go on: Through dark and dearth, through fire and frost, With emptied arms and treasure lost, I thank Thee while my days go on.And having in thy life-depth thrown Being and suffering (which are one), As a child drops his pebble small Down some deep well, and hears it fall Smiling — so I. THY DAYS GO ON."

"Feminist literary critics have shown how in the 19th century women writers began to acknowledge women as their muses and their role models...Elizabeth Barrett Browning admired the work of George Sand and Mme. de Staël, while her work, in its turn, was an inspiration to Emily Dickinson.,,all of the American nineteenth-century woman's rights leaders considered Elizabeth Barrett Browning's Aurora Leigh an inspiration. The list could be indefinitely extended to show the almost desperate search of writing women for authoritative female predecessors."

"Anger has always played a role in poetry...You can find powerful anger in Elizabeth Barrett Browning’s poems on slavery and child labor. In her anti-slavery poem “A Curse for a Nation,” she has an angel explaining that “A curse from the lips of womanhood / Is very salt, and bitter, and good.” Barrett Browning was roundly condemned in her own time for writing about politics."

"Whatever's lost, it first was won; We will not struggle nor impugn. Perhaps the cup was broken here, That Heaven's new wine might show more clear. I praise Thee while my days go on."

"By anguish which made pale the sun, I hear Him charge his saints that none Among his creatures anywhere Blaspheme against Him with despair, However darkly days go on."

"Life Loves/to change, wrote poet John Masefield,/in the cobbled town of Ledbury, Herefordshire,/Elizabeth Barrett Browning's town too./.../I felt drunk on general coziness.../thinking of Elizabeth,/whose "father never spoke to her again," once she/had a child (what was his problem?),/and Masefield, who suffered intense seasickness/yet wrote about going down to the sea/as if it were his favorite act/.../Life loves to change-but some of us want to/stay."

"Take from my head the thorn-wreath brown! No mortal grief deserves that crown. O supreme Love, chief misery, The sharp regalia are for Thee Whose days eternally go on!For us, — whatever's undergone, Thou knowest, willest what is done, Grief may be joy misunderstood; Only the Good discerns the good. I trust Thee while my days go on."

"Since when was genius found respectable?"

"Man, the two-fold creature, apprehends The two-fold manner, in and outwardly, And nothing in the world comes single to him. A mere itself, — cup, column, or candlestick, All patterns of what shall be in the Mount; The whole temporal show related royally, And build up to eterne significance Through the open arms of God."

"And truly, I reiterate, . . nothing's small! No lily-muffled hum of a summer-bee, But finds some coupling with the spinning stars; No pebble at your foot, but proves a sphere; No chaffinch, but implies the cherubim: And, — glancing on my own thin, veined wrist, — In such a little tremour of the blood The whole strong clamour of a vehement soul Doth utter itself distinct. Earth's crammed with heaven, And every common bush afire with God: But only he who sees, takes off his shoes, The rest sit round it, and pluck blackberries, And daub their natural faces unaware More and more, from the first similitude."

"Nay, if there's room for poets in the world A little overgrown, (I think there is) Their sole work is to represent the age, Their age, not Charlemagne's, — this live, throbbing age, That brawls, cheats, maddens, calculates, aspires, And spends more passion, more heroic heat, Betwixt the mirrors of its drawing-rooms, Than Roland with his knights, at Roncesvalles."

"That he, in his developed manhood, stood A little sunburnt by the glare of life; While I . . it seemed no sun had shone on me."

"Whoso loves Believes the impossible."

"The face, which, duly as the sun, Rose up for me with life begun, To mark all bright hours of the day With hourly love, is dimmed away — And yet my days go on, go on."

"The growing drama has outgrown such toys Of simulated stature, face, and speech: It also peradventure may outgrow The simulation of the painted scene, Boards, actors, prompters, gaslight, and costume, And take for a worthier stage the soul itself, Its shifting fancies and celestial lights, With all its grand orchestral silences To keep the pauses of its rhythmic sounds."

"Every wish Is like a prayer—with God."

"If I married him, I would not dare to call my soul my own, Which so he had bought and paid for: every thought And every heart-beat down there in the bill,– Not one found honestly deductible From any use that pleased him!"

"God answers sharp and sudden on some prayers, And thrusts the thing we have prayed for in our face, A gauntlet with a gift in't."

"The heart which, like a staff, was one For mine to lean and rest upon, The strongest on the longest day With steadfast love, is caught away, And yet my days go on, go on.And cold before my summer's done, And deaf in Nature's general tune, And fallen too low for special fear, And here, with hope no longer here, While the tears drop, my days go on."

"Good critics, who have stamped out poets' hope, Good statesmen, who pulled ruin on the state, Good patriots, who for a theory risked a cause."

"Instruct me how to thank thee! Oh, to shoot My soul's full meaning into future years, That they should lend it utterance, and salute Love that endures, from life that disappears!"

"I seek no copy now of life's first half: Leave here the pages with long musing curled, And write me new my future's epigraph, New angel mine, unhoped for in the world!"

"How do I love thee? Let me count the ways. I love thee to the depth and breadth and height My soul can reach, when feeling out of sight For the ends of Being and ideal Grace. I love thee to the level of everyday's Most quiet need, by sun and candlelight. I love thee freely, as men strive for Right; I love thee purely, as they turn from Praise. I love thee with the passion put to use In my old griefs, and with my childhood's faith. I love thee with a love I seemed to lose With my lost saints,—I love thee with the breath, Smiles, tears, of all my life! —and, if God choose, I shall but love thee better after death."

"Because God's gifts put man's best dreams to shame."

"If thou must love me, let it be for nought Except for love's sake only. Do not say "I love her for her smile —her look —her way Of speaking gently,—for a trick of thought That falls in well with mine, and certes brought A sense of pleasant ease on such a day" - For these things in themselves, Beloved, may Be changed, or change for thee,—and love, so wrought, May be unwrought so. Neither love me for Thine own dear pity's wiping my cheeks dry,— A creature might forget to weep, who bore Thy comfort long, and lose thy love thereby! But love me for love's sake, that evermore Thou may'st love on, through love's eternity."

"When our two souls stand up erect and strong, Face to face, silent, drawing nigh and nigher, Until the lengthening wings break into fire At either curvèd point, — what bitter wrong Can the earth do to us, that we should not long Be here contented?"

"Here's ivy! — take them, as I used to do Thy flowers, and keep them where they shall not pine. Instruct thine eyes to keep their colours true, And tell thy soul, their roots are left in mine."

"God only, who made us rich, can make us poor."

"Thou hast thy calling to some palace-floor, Most gracious singer of high poems! where The dancers will break footing, from the care Of watching up thy pregnant lips for more."

"Hush, call no echo up in further proof Of desolation! there's a voice within That weeps . . . as thou must sing . . . alone, aloof."

"Of writing many books there is no end; And I who have written much in prose and verse For others' uses, will write now for mine,— Will write my story for my better self, As when you paint your portrait for a friend, Who keeps it in a drawer and looks at it Long after he has ceased to love you, just To hold together what he was and is."

"Go from me. Yet I feel that I shall stand Henceforward in thy shadow."

"Life, struck sharp on death, Makes awful lightning. His last word was, 'Love–' 'Love, my child, love, love!'–(then he had done with grief) 'Love, my child.' Ere I answered he was gone, And none was left to love in all the world."

"Dreams of doing good For good-for-nothing people."

"Guess now who holds thee?"—"Death," I said. But there The silver answer rang—"Not Death, but Love."

"Knowledge by suffering entereth, And life is perfected by death."

"The beautiful seems right By force of Beauty, and the feeble wrong Because of weakness."

"And Chaucer, with his infantine Familiar clasp of things divine."

"And Marlowe, Webster, Fletcher, Ben, Whose fire-hearts sowed our furrows when The world was worthy of such men."

"By thunders of white silence."

"But since he had The genius to be loved, why let him have The justice to be honoured in his grave."

"And that dismal cry rose slowly And sank slowly through the air, Full of spirit's melancholy And eternity's despair; And they heard the words it said,— "Pan is dead! great Pan is dead! Pan, Pan is dead!""

"She has seen the mystery hid Under Egypt's pyramid: By those eyelids pale and close Now she knows what Rhamses knows."

"There Shakespeare, on whose forehead climb The crowns o’ the world; oh, eyes sublime With tears and laughter for all time!"

"Oaths fell from his mouth with a gentleness and sweetness which the blessings of other men cannot reach. His essays of Elia are full of this bright humour, this tender criticism. A ripple of tender laughter rips through them, just broke here and there by a sob."

"I have done all that I came into this world to do. I have worked task work, and have the rest of the day to myself."

"The mixture spoils two good things, as Charles Lamb (Elia) used to say of brandy and water."

"Surely it is a matter of joy, that your faith in Jesus has been preserved; the Comforter that should relieve you is not far from you. But as you are a Christian, in the name of that Saviour, who was filled with bitterness and made druken with wormwood, I conjre you to have recourse in frequent prayer to 'his God and your God,' the God of mercies, and father of all comfort. Your poor father is, I hope, almost senseless of the calamity; the unconscious instrument of Divine Providence knows it not, and your mother is in heaven."

"I have indeed lived nominally fifty years, but deduct out of them the hours which I have lived to other people, and not to myself, and you will find me still a young fellow. For that is the only true time, which a man can properly call his own, that which he has all to himself; the rest, though in some sense he may be said to live it, is other people's time, not his. The remnant of my poor days, long or short, is at least multiplied for me three-fold. My ten next years, if I stretch so far, will be as long as any preceding thirty."