Rock Singers

"The sound was essentially background sound, myself, and Carl, Dennis and Al Jardine, Mike was our lead singer. The four of us put our voices together. We had done it really beautifully. We had a beautiful blend. We really did."

"Dennis surfed. I couldn't surf. I never learned how."

"It started out — my mom and dad took a little vacation to Mexico and they left $250 for food. But instead of food we went and bought some instruments. We got a bass, guitar and a set of drums. … I was 19. Dennis was 15. Carl was 17. Mike was 18. Al was 19. And so we wrote a song called "Surfin'" in my living room. We were all playing and singing and Mike and I wrote a song called "Surfin'" and that's how it all started."

"Did I suffer from depression? Yes, a little, from time to time. Yes. … I'm not as depressed as I was. I get depressed now and then but not very much anymore. … At the height of it it was just God-awful. It was really bad."

"I'm doing good. I've had a slight nervous breakdown in the '60s. I got through that. And I got through the '70s. And I was in a doctor's program during the '80s and then I met Melinda and we've been together ever since. I've got a happy life."

"We wanted to bring some love to the world. I thought we were good at doing that. Bringin' love to the world."

"I met Paul in 1967, Ringo in 1985, and I saw George Harrison in a nightclub somewhere in L. A. I never met John."

"It's funny how people are pickin' up on our music now, you know? I think it's wonderful that people like our music."

"I think because I felt so sad I had to bring out my feelings, and try to create music that would make me and all my friends feel better."

"It was very competitive in the '60s. And everybody caught the bug, y'know? It was like a “competitive bug.” And, as far as I could see, everybody was turning everybody on. … The Beatles were a part of that whole “competition” thing. Rubber Soul blew my mind. It really made me wanna record; it made me wanna cut. It sounds like a collection of songs that belong together, and it was an uplifting feeling. So I thought I'd make a collection of songs — called Pet Sounds — together. That's how I got that idea. … I'm proud of it. I think it's a very everlasting album. I'm very proud of the love that went into it. A lot of love went into that album. And people pick up on that too, and they really like it 'cause they feel the love."

"Being single is like liking a Phil Spector record."

"I would have the musicians keep playing over and over again till the sound made sense. I worked overtime on that; I worked hours to get it right. If the sound didn't make any sense, then I wouldn't know what to do — I'd be lost! It's instinct that tells me. I have an instinct for music, or a feeling about it, and I'll have my feelings guide my hands."

"You don't want to be scared all the time. There are other emotions besides fear. You've got anger. You've got jealousy. You've got joy. You've got fascination. You've got jealousy. You've got anger. You've got frustration. You've got hunger. You've got all those emotions. But that's how it's strung together. We strung all these hits together. One hit, strung it together. Another hit, strung it together. Another hit, strung it together. And pretty soon we had a string of hits."

"On all of [our Beach Boys records] I said this is a smash! this is a number one smash! And that's how I used to talk to people. I'd talk to Mike Love, I'd say we've got a Top Ten smash on our hands! On Billboard, on Cashbox. And then finally it'd go to number one and I'd call him and say, "We've made it to number one!" and he'd go, "Whoa!" We'd get excited, right. We couldn't help it. It's an exciting thing to get a number one record. A number one record is like the first time you ever fucked a girl, it's a thrill. You know what I mean?"

"All of us have the privilege of making music that helps and heals — to make music that makes people happier, stronger and kinder. Don't forget: music is God's voice."

"Being called a musical genius was a cross to bear. Genius is a big word. But if you have to live up to something, you might as well live up to that. God damn!"

"The one thing that stopped Pet Sounds from being the best album ever made was that the titles are not memorable at all. The tunes are just sensational, though. Ever since, I've been a giant fan of Brian."

"He's a modern day Stravinsky, the way he constructs his music, he's a madman.... He was doing stuff [40 years ago] that modern people do now, looping his work and stuff. There's a track on Smile with a whole bunch of tubas having a conversation with trumpets. It's great."

"I've always liked Brian Wilson all the way through The Beach Boys. But Pet Sounds blew me away. It’s still one of my favorite albums. When I first heard it, I thought, Wow, this is the greatest record of all time! Brian took the bass into very unusual places. The band would play in C, and Brian would stay in G. That kind of thing. It gave me great ideas. That musical invention of Brian Wilson was eye-opening, I mean, ear-opening. ... It was Pet Sounds that blew me out of the water. I love the album so much. I’ve just bought my kids each a copy of it for their education in life … I figure no one is educated musically ’til they’ve heard that album … I love the orchestra, the arrangements … it may be going overboard to say it’s the classic of the century … but to me, it certainly is a total, classic record that is unbeatable in many ways … I’ve often played Pet Sounds and cried."

"There is a new song, too complex to get all of first time around. It could come only out of the ferment that characterizes today's pop music scene. Brian Wilson, leader of the famous Beach Boys, and one of today's most important musicians, sings his own 'Surf's Up.' Poetic, beautiful even in its obscurity, 'Surf's Up' is one aspect of new things happening in pop music today. As such, it is a symbol of the change many of these young musicians see in our future."

"Brian didn't really write lyrics to the songs; he edited them. That means he might have simply said that he didn't like a particular line. I would then have tried to convince him of its merit, if I felt strongly about it, or I would have written an alternate in an attempt to get closer to what he seemed to be after. None of this is to say that he didn't supply words to some of the songs. He did. But his role was more to react to what I did after I did it, rather than to direct it before it occurred or even as it was occurring. It's fair to say that the general tenor of the lyrics was always his and the actual choice of words was usually mine. I was really just the interpreter."

"I think about God, yes, and I wonder if there is a God. And if there is a God, will God please help me through my hard trips."

"When people hear music that is spiritual it gets through. Music that is Godlike and loving gets through. I don’t have any power in this world, but I have spiritual power. I think God gave me my music and my talent. I’m trying to get across a feeling of spirituality; I think I have a spiritual influence on people."

"First putting the funk in the rock and roll beat."

"No one person has been imitated more than Little Richard."

"If it hadn't been for Little Richard, I would not be here. I entered the music business because of Richard - he is my inspiration. I used to sing like Little Richard, his Rock 'n' Roll stuff, you know. Richard has soul, too. My present music has a lot of him in it."

"When I was in high school I wanted to be like Little Richard."

"There would have been no DEEP PURPLE if there had been no Little Richard."

"The first 45 I ever played was by Little Richard. Even today, I constantly listen to Little Richard."

"Little Richard, man, was the god! I grew up on Little Richard in the rocking 50's."

"Richard is an original, and the songs he's written and the songs he's done and made famous are just one of a kind.""

"He is the King of Rock 'n' Roll."

"Once you have seen this man you know instantly that you have seen the greatest Rock n Roll legend of our time."

"Little Richard represented what I wanted to be. He was, and still is, my idol."

"Little Richard is twice as valid artistically and important historically as Elvis Presley, the Beatles, and the Rolling Stones put together."

"Little Richard is a great originator. He was right there at the start, a thrilling performer."

"In the spiritual poll of Rock n Roll, Little Richard is a tried and true original. Since his beginning, all have picked up from his style and from his music, from the early Beatles to Mick Jagger today. At one time it was all Little Richard's original raving craving thing."

"After hearing Little Richard on record, I bought a saxaphone and came into the music business. Little Richard was my inspiration."

"Little Richard's records were the best Rock 'n' Roll records."

"I love Little Richard. He is a great entertainer and he has done so much for our music."

"Little Richard was a one-of-a-kind show business genius. He influenced so many people in the business."

"Little Richard is the beginning of Rock 'n' Roll."

"Elvis was bigger than religion in my life. Then this boy at school said he'd got this record by somebody called Little Richard who was better than Elvis. We used to go to this boys house after school and listen to Elvis on 78s: we'd buy five ciggies loose and some chips and go along. The new record was Little Richard's 'Long Tall Sally'. When I heard it, it was so great I couldn't speak. You know how you are torn. I didn't want to leave Elvis but this was so much better. We all looked at each other. I didn't want to say anything against Elvis, even in my mind. How could they both be happening in my life? And then someone said, "It's a nigger singing." I didn't know negroes sang. So Elvis was white and Little Richard was black. This was a great relief. "Thank you God," I said. "There is a difference between them." But I though about it for days at school, of the labels on the records of Elvis and Little Richard. One was yellow and the other was blue, and I thought of the yellow against the blue."

"I want to do with my guitar what Little Richard does with his voice."

"The most exciting moment of my life was appearing on the same stage as Little Richard."

"I had heard so much about the audience reaction that I thought there must be some exaggeration. But it was all true. He drove the whole house into a complete frenzy. There's no single phrase to describe his hold on the audience. I couldn't believe the power of Little Richard on stage. He was amazing. Chuck Berry is my favorite, along with Bo (Diddley), but nobody could beat Little Richard's stage act. Little Richard is the originator and my first idol."

"I never thought I'd ever meet Little Richard. He was my idol at school. The first song I ever sang in public was 'Long Tall Sally,' at a Butlins holiday camp talent competition! I love his voice and I always wanted to sing like him."

"Little Richard was not only a giant but a pioneer of the so-called Rock 'n' Roll music industry. He had such a unique voice and style that no one else has matched it... Rock 'n' Soul is here to stay!"

"Richard opened the door. He brought the races together. When I first went on the road there were many segregated audiences. With Richard, although they still had the audiences segregated in the building, they were there TOGETHER. And most times before the end of the night, they would all be mixed together. Up until then, the audiences were either all black or all white and no one else could come in. His records weren't boy-meets-girl-girl-meets-boy things, they were FUN records, all fun. And they had a lot to say sociologically in our country and the world. The shot was fired here and heard around the world." "When Richard opened his mouth, man, everyone could enjoy it. He's got a voice that would make 'em jump up and down... that's the first time I ever saw spotlights and flicker lights used at a concert show. It had all been used in show business but he brought it into our world."

"...I loved him, man. He had to push, push, push for everything and I don’t think there was one popular entertainer– from Elvis onwards – who he didn’t affect. I really don’t think he knew how much people were affected by him, but that was probably a good thing. It made him who he was. He was still the guy who took all the ingredients of rock’n’roll, prepared the meal and served it up, who still had that passion for being himself to the end – for letting himself go free."