Political Activists

"A number of engineers became so-called disciples of Frederick W. Taylor, even though he had passed on to his reward in 1915. A considerable number of engineers took up the so-called scientific management of Frederick Taylor and further embroidered it and publicized themselves as efficiency engineers and management consultants. Henry L. Gantt had been Taylor's assistant at the Midvale Steel and the Bethlehem Steel Company. Gant, , Leffingwell, Emerson, H. K. Hathaway, , and were among the many prominent advocates of Taylor's efficiency system with some variations."

"We owe nothing in our origins from Adam Smith, Ricardo, Pareto, Proudhon, Bakunin, Karl Marx, Lenin, or any of the rest of the political philosophies. We do owe a debt to J. Willard Gibbs, Nikola Tesla, Steinmetz, Mac and John Rusk, and a thousand other American chemists, engineers, scientists, and technologists."

"Technocracy originated in the winter of 1918-19 when Howard Scott formed a group of scientists, engineers, and economists that became known as the Technical Alliance--a research organization. Howard Scott was chief engineer of this group. The Alliance lasted about fourteen years. Its membership embraced many of America's top scientists and engineers, including such personalities as: Frederick Ackerman, architect; , statistician; Thorstein Veblen, economist; L. K. Comstock, electrical engineer, and Charles Steinmetz. It conducted what became known as the famous 'Energy Survey of North America.' Out of the survey, and under the guiding genius of Howard Scott, there emerged a completely new way of looking at life and human affairs. The social assets and liabilities (in a physical sense) of North America were laid bare for the first time. The social trends and tendencies were analyzed scientifically and for the first time in history a continental area (North America) had a glimpse of its future, or at least of the broad alternatives."

"Technocracy's heyday lasted only from June 16, 1932, when the New York Times became the first influential press organ to report its activities, until January 13, 1933, when Scott, attempting to silence his critics, delivered what some critics called a confusing, and uninspiring address on a well-publicized nationwide radio hookup."

"Why, since people must outnumber the minority that comprises the State and its oppressive forces, have they submitted so meekly to it?"

"Anarchy had been a word of fear in many countries for a long time, nowhere more so than in this one; nothing in that time, not even the word "Communism," struck such terror, anger, and hatred into the popular mind; and nobody seemed to understand exactly what Anarchy as a political idea meant any more than they understood Communism, which has muddied the waters to the point that it sometimes calls itself Socialism, at other times Democracy, or even in its present condition, the Republic. Fascism, Nazism, new names for very ancient evil forms of government — tyranny and dictatorship — came into fashion almost at the same time with Communism; at least the aims of those two were clear enough; at least their leaders made no attempt to deceive anyone as to their intentions. But Anarchy had been here all the nineteenth century, with its sinister offspring Nihilism, and it is a simple truth that the human mind can face better the most oppressive government, the most rigid restrictions, than the awful prospect of a lawless, frontierless world. Freedom is a dangerous intoxicant and very few people can tolerate it in any quantity; it brings out the old raiding, oppressing, murderous instincts; the rage for revenge, for power, the lust for bloodshed. The longing for freedom takes the form of crushing the enemy — there is always the enemy! — into the earth; and where and who is the enemy if there is no visible establishment to attack, to destroy with blood and fire? Remember all that oratory when freedom is threatened again. Freedom, remember, is not the same as liberty."

"A cultivated style would be like a mask. Everybody knows it's a mask, and sooner or later you must show yourself — or at least, you show yourself as someone who could not afford to show himself, and so created something to hide behind... You do not create a style. You work, and develop yourself; your style is an emanation from your own being."

"You can't write about people out of textbooks, and you can't use jargon. You have to speak clearly and simply and purely in a language that a six-year-old child can understand; and yet have the meanings and the overtones of language, and the implications, that appeal to the highest intelligence."

"Our being is subject to all the chances of life. There are so many things we are capable of, that we could be or do. The potentialities are so great that we never, any of us, are more than one-fourth fulfilled."

"Human life itself may be almost pure chaos, but the work of the artist — the only thing he's good for — is to take these handfuls of confusion and disparate things, things that seem to be irreconcilable, and put them together in a frame to give them some kind of shape and meaning. Even if it's only his view of a meaning. That's what he's for — to give his view of life."

"There seems to be a kind of order in the universe, in the movement of the stars and the turning of the earth and the changing of the seasons, and even in the cycle of human life. But human life itself is almost pure chaos. Everyone takes his stance, asserts his own rights and feelings, mistaking the motives of others, and his own."

"It is my firm belief that all our lives we are preparing to be somebody or something, even if we don’t do it consciously. And the time comes one morning when you wake up and find that you have become irrevocably what you were preparing all this time to be. Lord, that could be a sticky moment, if you had been doing the wrong things, something against your grain. And, mind you, I know that can happen. I have no patience with this dreadful idea that whatever you have in you has to come out, that you can’t suppress true talent. People can be destroyed; they can be bent, distorted and completely crippled. To say that you can’t destroy yourself is just as foolish as to say of a young man killed in war at twenty-one or twenty-two that that was his fate, that he wasn’t going to have anything anyhow. I have a very firm belief that the life of no man can be explained in terms of his experiences, of what has happened to him, because in spite of all the poetry, all the philosophy to the contrary, we are not really masters of our fate. We don’t really direct our lives unaided and unobstructed. Our being is subject to all the chances of life. There are so many things we are capable of, that we could be or do. The potentialities are so great that we never, any of us, are more than one-fourth fulfilled. Except that there may be one powerful motivating force that simply carries you along, and I think that was true of me. … When I was a very little girl I wrote a letter to my sister saying I wanted glory. I don’t know quite what I meant by that now, but it was something different from fame or success or wealth. I know that I wanted to be a good writer, a good artist."

"Love without marriage can sometimes be very awkward for all concerned; but marriage without love simply removes that institution from the territory of the humanly admissible, to my mind. Love is a state in which one lives who loves, and whoever loves has given himself away; love then, and not marriage, is belonging. Marriage is a public declaration of a man and a woman that they have formed a secret alliance, with the intention to belong to, and share with each other, a mystical estate; mystical exactly in the sense that the real experience cannot be communicated to others, nor explained even to oneself on rational grounds."

"I'm not afraid of life and I'm not afraid of death: Dying's the bore."

"I finished the thing; but I think I sprained my soul."

"The real sin against life is to abuse and destroy beauty, even one's own — even more, one's own, for that has been put in our care and we are responsible for its well-being."

"Miracles are instantaneous, they cannot be summoned, but come of themeselves, usually at unlikely moments and to those who least expect them."

"They had both noticed that a life of dissipation sometimes gave to a face the look of gaunt suffering spirituality that a life of asceticism was supposed to give and quite often did not."

"For myself, and I was not alone, all the conscious and recollected years of my life have been lived to this day under the heavy threat of world catastrophe, and most of the energies of my mind and spirit have been spent in the effort to grasp the meaning of those threats, to trace them to their sources and to understand the logic of this majestic and terrible failure of the life of man in the Western world. In the face of such shape and weight of present misfortune, the voice of the individual artist may seem perhaps of no more consequence than the whirring of a cricket in the grass, but the arts do live continuously, and they live literally by faith; their names and their shapes and their uses and their basic meanings survive unchanged in all that matters through times of interruption, diminishment, neglect; they outlive governments and creeds and the societies, even the very civilization that produced them. They cannot be destroyed altogether because they represent the substance of faith and the only reality. They are what we find again when the ruins are cleared away."

"The road to death is a long march beset with all evils, and the heart fails little by little at each new terror, the bones rebel at each step, the mind sets up its own bitter resistance and to what end? The barriers sink one by one, and no covering of the eyes shuts out the landscape of disaster, nor the sight of crimes committed there."

"I don't want any promises, I won't have false hopes, I won't be romantic about myself. I can't live in their world any longer, she told herself, listening to the voices back of her. Let them tell their stories to each other. Let them go on explaining how things happened. I don't care. At least I can know the truth about what happens to me, she assured herself silently, making a promise to herself, in her hopefulness, her ignorance."

"In 1935 in Paris, living in that thin upper surface of comfort and joy and freedom in a limited way, I met this most touching and interesting person, Emma Goldman, sitting at a table reserved for her at the Select, where she could receive her friends and carry on her conversations and sociabilities over an occasional refreshing drink. She was half blind (although she was only sixty-six years old), wore heavy spectacles, a shawl, and carpet slippers. She lived in her past and her devotions, which seemed to her glorious and unarguably right in every purpose. She accepted the failure of that great dream as a matter of course. She finally came to admit sadly that the human race in its weakness demanded government and all government was evil because human nature was basically weak and weakness is evil. She was a wise, sweet old thing, grandmotherly, or like a great-aunt. I said to her, "It's a pity you had to spend your whole life in such unhappiness when you could have had such a nice life in a good government, with a home and children." She turned on me and said severely: "What have I just said? There is no such thing as a good government. There never was. There can't be." I closed my eyes and watched Nietzsche's skull nodding."

"The human heart is not yet so corroded that it can read off the extinction of these two men without a shock to the very roots of its belief in justice and humanity."

"Far away and long ago, I read Emma Goldman's story of her life, her first book in which she told the grim, deeply touching narrative of her young life during which she worked in a scrubby sweatshop making corsets by the bundle. At the same time, I was reading Prince Kropotkin's memoirs, his account of the long step he took from his early princely living to his membership in the union of the outcast, the poor, the depressed, and it was a most marvelous thing to have two splendid, courageous, really noble human beings speaking together, telling the same tale. It was like a duet of two great voices telling a tragic story. I believed in both of them at once. The two of them joined together left me no answerable argument; their dream was a grand one but it was exactly that — a dream. They both lived to know this and I learned it from them, but it has not changed my love for them or my lifelong sympathy for the cause to which they devoted their lives — to ameliorate the anguish that human beings inflict on each other — the never-ending wrong, forever incurable."

"They both spoke nobly at the end, they kept faith with their vows for each other. They left a great heritage of love, devotion, faith, and courage — all done with the sure intention that holy Anarchy should be glorified through their sacrifice and that the time would come that no human being should be humiliated or be made abject. Near the end of their ordeal Vanzetti said that if it had not been for "these thing" he might have lived out his life talking at street corners to scorning men. He might have died unmarked, unknown, a failure. "Now, we are not a failure. This is our career and our triumph. Never in our full life could we hope to do such work for tolerance, for justice, for man's understanding of man as now we do by accident. Our words — our lives — our pains — nothing! The taking of our lives — lives of a good shoemaker and a poor fish peddler — all! That last moment belongs to us — that agony is our triumph." This is not new — all the history of our world is pocked with it. It is very grand and noble in words and grand, noble souls have died for it — it is worth weeping for. But it doesn't work out so well. In order to annihilate the criminal State, they have become criminals. The State goes on without end in one form or another, built securely on the base of destruction. Nietzsche said: "The State is the coldest of all cold monsters," and the revolutions which destroy or weaken at least one monster bring to birth and growth another."

"I shut my eyes and clenched my hands behind me and saw, in lightning flashes, myself doing ferocious things, like pushing him down an endless flight of stairs, or dropping him without warning into a bottomless well, or stringing him up to a stout beam and leaving him to dangle, or — or other things of the sort; no guns, no knives, no baseball bats, nothing to cause outright bloodshed, just silent, grim, sudden murder by hand was my intention. All this was far beyond my bodily powers of course, and I like to believe beyond my criminal powers too. For I woke when we struck the searing hot light of the August morning as if I had come out of a nightmare, horrified at my own thoughts and feeling as if I had got some incurable wound to my very humanity — as indeed I had. However inflicted, a wound there was, with painful scar tissue, left upon my living self by that appalling event. My conscience stirs as if, in my impulse to do violence to my enemy, I had assisted at his crime."

"In the morning when we began straggling out in small parties on our way to the trial, several of us went down in the elevator with three entirely correct old gentlemen looking much alike in their sleekness, pinkness, baldness, glossiness of grooming, such stereotypes as no proletarian novelist of the time would have dared to use as the example of a capitalist monster in his novel. We were pale and tightfaced; our eyelids were swollen; no doubt in spite of hot coffee and cold baths, we looked rumpled, unkempt, disreputable, discredited, vaguely guilty, pretty well frayed out by then. The gentlemen regarded us glossily, then turned to each other. As we descended the many floors in silence, one of them said to the others in a cream-cheese voice, "It is very pleasant to know we may expect things to settle down properly again," and the others nodded with wise, smug, complacent faces. To this day, I can feel again my violent desire just to slap his whole slick face all over at once, hard, with the flat of my hand, or better, some kind of washing bat or any useful domestic appliance being applied where it would really make an impression — a butter paddle — something he would feel through that smug layer of too-well-fed fat."

"It was no consolation to say their long ordeal was ended. It was not ended for us and — perhaps I should speak for myself — their memory was already turning to stone in my mind. In my whole life I have never felt such a weight of pure bitterness, helpless anger in utter defeat, outraged love and hope, as hung over us all in that room — or did we breathe it out of ourselves?"

"I remember small, slender Mrs. Sacco with her fine copper-colored hair and dark brown, soft, dazed eyes moving from face to face but still smiling uncertainly, surrounded in our offices by women pitying and cuddling her, sympathetic with her as if she were a pretty little girl; they spoke to her as if she were five years old or did not understand — this Italian peasant wife who, for seven long years, had shown moral stamina and emotional stability enough to furnish half a dozen women amply. I was humiliated for them, for their apparent insensibility. But I was mistaken in my anxiety — their wish to help, to show her their concern, was real, their feelings were true and lasting, no matter how awkwardly expressed; their love and tenderness and wish to help were from the heart. All through those last days in Boston, those strangely innocent women enlisted their altar societies, their card clubs their literary round tables, their music circles and their various charities in the campaign to save Sacco and Vanzetti. On their rounds, they came now and then to the office of my outfit in their smart thin frocks, stylish hats, and their indefinable air of eager sweetness and light, bringing money they had collected in the endless, wittily devious ways of women's organizations. They would talk among themselves and to her about how they felt, with tears in their eyes, promising to come again soon with more help. They were known as "sob sisters" by the cynics and the hangers-on of the committee I belonged to who took their money and described their activities as "sentimental orgies," of course with sexual overtones, and they jeered at "bourgeois morality." "Morality" was a word along with "charitable" and "humanitarian" and "liberal," all, at one time, in the odor of sanctity but now despoiled and rotting in the gutter where suddenly it seemed they belonged. I found myself on the side of the women; I resented the nasty things said about them by these self-appointed world reformers and I thought again, as I had more than once in Mexico, that yes, the world was a frightening enough place as it was, but think what a hell it would be if such people really got the power to do the things they planned."

"In the reckless phrase of the confirmed joiner in the fight for whatever relief oppressed humanity was fighting for, I had volunteered "to be useful wherever and however I could best serve," and was drafted into a Communist outfit all unknowing; this no doubt because my name was on the list of contributors to funds in aid of Sacco and Vanzetti for several years. Even from Mexico, I sent what bits of money I could, when I could, to whatever group solicited at the moment: I never inquired as to the shades of political belief because that was not what was important to me in that cause, which concerned common humanity."

"The trial of Jesus of Nazareth, the trial and rehabilitation of Joan of Arc, any one of the witchcraft trials in Salem during 1691, the Moscow trials of 1937 during which Stalin destroyed all of the founders of the 1924 Soviet Revolution, the Sacco-Vanzetti trial of 1920 through 1927 — there are many trials such as these in which the victim was already condemned to death before the trial took place, and it took place only to cover up the real meaning: the accused was to be put to death. These are trials in which the judge, the counsel, the jury, and the witnesses are the criminals, not the accused. For any believer in capital punishment, the fear of an honest mistake on the part of all concerned is cited as the main argument against the final terrible decision to carry out the death sentence. There is the frightful possibility in all such trials as these that the judgment has already been pronounced and the trial is just a mask for murder."

"When happily ever after fails And weve been poisoned by these fairy tales The lawyers dwell on small details Since daddy had to fly But I know a place where we can go Thats still untouched by man Well sit and watch the clouds roll by And the tall grass wave in the wind. You can lay your head back on the ground And let your hair fall all around me. Offer up your best defense But this is the end This is the end of the innocence."

"I've been tryin' to get down to the Heart of the Matter Because the flesh will get weak And the ashes will scatter So I'm thinkin' about forgiveness Forgiveness Even if you don't love me anymore."

"I've been learning to live without you now But I miss you sometimes The more I know, the less I understand All the things I thought I knew, I'm learning them again."

"I've been tryin' to get down to the Heart of the Matter But my will gets weak And my thoughts seem to scatter But I think it's about forgiveness Forgiveness Even if, even if you don't love me anymore."

"I see you around sometimes and my heart just melts. You're looking like if you had your wish, you'd be somewhere else. And it just breaks my heart to see you here this way. Someday I'll get the nerve to walk up to you and say This is the last worthless evening that you'll have to spend. Just gimme a chance to show you how to love again."

"We can do the innuendo, We can dance and sing And when it's said and done We haven't told you a thing, We all know that crap is king, give us dirty laundry."

"Got the bubble-headed bleach blonde who comes on at five She can tell you 'bout the plane crash with a gleam in her eye It's interesting when people die: give us dirty laundry."

"Power over others is necessarily demoralizing to the master and degrading to the subject."

"Each generation repeats its leaders. Each sees men endowed with superior inventiveness, energy, and genius for business, inspired by love of power and possession, launch selfish schemes-Carnegies, Rockefellers, Goulds…Each generation has had its Henry George, its Bellamy, its Bryan, intent on persuading mankind that he had found the way, could lead men to the good life. In each generation employer and employee have faced the decision-war or cooperation."

"Charlotte Perkins Gilman's socialism was non-Marxist; Edward Bellamy, the author of Looking Backward and a sequel, Equality, had influenced her profoundly. Both of Bellamy's utopian visions, but particularly the latter, advocated participation of women in the work force in traditionally masculine occupations such as engineering and the skilled crafts as well as in more conventionally feminine pursuits; economic equality; and the removal of domestic tasks, including child care, to the public realm."

"From boyhood—when I was an ardent admirer of Robert Owen—I have been interested in socialism, but reluctantly came to the conclusion that it was impracticable, and also to some extent repugnant to my ideas of individual liberty and home privacy. But Mr. Bellamy has completely altered my views on this matter. He seems to me to have shown that real, not merely delusive liberty, together with full scope for individualism and complete home privacy, is compatible with the most thorough industrial socialism—and henceforth I am heart and soul with him."

"Mr. Bellamy's ideas of life are curiously limited; he has no idea beyond existence in a great city; his dwelling of man in the future is Boston (U.S.A.) beautified. In one passage, indeed, he mentions villages, but with unconscious simplicity shows that they do not come into his scheme of economical equality, but are mere servants of the great centres of civilisation. This seems strange to some of us, who cannot help thinking that our experience ought to have taught us that such aggregations of population afford the worst possible form of dwelling-place, whatever the second-worst might be. In short, a machine-life is the best which Mr. Bellamy can imagine for us on all sides; it is not to be wondered at then this his only idea of making labour tolerable is to decrease the amount of it by means of fresh and ever fresh developments of machinery."

"It was the genius of Edward Bellamy that he took Utopia out of the region of hazy dreamland and made it a concrete program for the actual modern world. A reviewer of Looking Backward wrote: Men read the Republic or the Utopia with a sigh of regret. They read Bellamy with a thrill of hope. His picture of a better world, and the hope and expectation of its fulfillment, were transmitted through the years until those who looked to him as the source of their initial inspiration constituted an important part of the army of social progress."

"Progress is for the convinced ochlocrats a consoling Utopia of madly increased comfort and technicism. This charming but dull vision was always the pseudoreligious consolation of millions of ecstatic believers in ochlocracy and in the relative perfection and wisdom of Mr. and Mrs. Averageman. Utopias in general are surrogates for heaven; they give a meager solace to the individual that his sufferings and endeavors may enable future generations to enter the chiliastic paradise. Communism works in a similar way. Its millennium is almost the same as that of ochlocracy. The Millennium of Lenin, the Millennium of Bellamy, the Millennium as represented in H. G. Wells's, Of Things to Come, the Millennium of Adolf Hitler and Henry Ford — they are all basically the same; they often differ in their means to attain it but they all agree in the point of technical perfection and the classless or at least totally homogeneous society without grudge or envy."

"Not only were women the chief attendants at religious functions, but it was largely through their influence on the men that the latter tolerated, even so far as they did, the ecclesiastical pretensions...Less educated, as a rule, than men, unaccustomed to responsibility, and trained in habits of subordination and self-distrust, they leaned in all things upon precedent and authority. Naturally, therefore, they still held to the principle of authoritative teaching in religion long after men had generally rejected it."

"Though the state will enforce no private contracts of any sort, it does not forbid them."

"But there was a minority of the cultured. Were they bigoted also? Were they tools of ecclesiastics? On the contrary, they always held a calm and tolerant attitude on religious questions and were independent of the priesthoods. If they deferred to ecclesiastical influence at all, it was because they held it needful for the purpose of controlling the ignorant populace."

"[...] with a high grade of intelligence become universal the world was bound to outgrow the ceremonial side of religion, which with its forms and symbols, its holy times and places, its sacrifices, feasts, fasts, and new moons, meant so much in the child-time of the race. The time has now fully come which Christ foretold in that talk with the woman by the well of Samaria when the idea of the Temple and all it stood for would give place to the wholly spiritual religion, without respect of times or places, which he declared most pleasing to God."

"Youth was as noble in your day as now, and dreamed the same great dreams of life's possibilities. But when the young man went forth into the world of practical life it was to find his dreams mocked and his ideals derided at every turn. He found himself compelled, whether he would or not, to take part in a fight for life, in which the first condition of success was to put his ethics on the shelf and cut the acquaintance of his conscience. You had various terms with which to describe the process whereby the young man, reluctantly laying aside his ideals, accepted the conditions of the sordid struggle. You described it as a 'learning to take the world as it is,' 'getting over romantic notions,' 'becoming practical,' and all that. In fact, it was nothing more nor less than the debauching of a soul."