Poets From The United States

"O Carpenter of Nazareth, Whose mother was a village maid, Shall we, Thy children, blow our breath In scorn on any humble trade? Have pity on our foolishness And give us eyes, that we may see Beneath the shopman's clumsy dress The splendor of humanity!"

"This man has home and child and wife And battle set for every day. This man has God and love and life; These stand, all else shall pass away."

"The scene shall never fit the deed. Grotesquely wonders come to pass. The fool shall mount an Arab steed And Jesus ride upon an ass."

"For, once he thrilled with high romance And tuned to love his eager voice. Like any cavalier of France He wooed the maiden of his choice. And now deep in his weary heart Are sacred flames that whitely burn. He has of Heaven's grace a part Who loves, who is beloved in turn."

"Perhaps he lives and dies unpraised, This trafficker in humble sweets, Because his little shops are raised By thousands in the city streets. Yet stars in greater numbers shine, And violets in millions grow, And they in many a golden line Are sung, as every child must know."

"He is the lord of goodly things That make the poor man's table gay, Yet of his worth no minstrel sings And on his tomb there is no bay."

"Here is a shop of wonderment. From every land has come a prize; Rich spices from the Orient, And fruit that knew Italian skies, And figs that ripened by the sea In Smyrna, nuts from hot Brazil, Strange pungent meats from Germany, And currants from a Grecian hill."

"When Dawn strides out to wake a dewy farm Across green fields and yellow hills of hay The little twittering birds laugh in his way And poise triumphant on his shining arm. He bears a sword of flame but not to harm The wakened life that feels his quickening sway And barnyard voices shrilling "It is day!" Take by his grace a new and alien charm. But in the city, like a wounded thing That limps to cover from the angry chase, He steals down streets where sickly arc-lights sing, And wanly mock his young and shameful face; And tiny gongs with cruel fervor ring In many a high and dreary sleeping place."

"I have no vision of gods, not of Eros with love-arrows laden, Jupiter thundering death or of Juno his white-breasted queen, Yet have I seen All of the joy of the world in the innocent heart of a maiden."

"An iron hand has stilled the throats That throbbed with loud and rhythmic glee And dammed the flood of silver notes That drenched the world in melody."

"There is no strange and distant place That is not gladdened by His face. And every nation kneels to hail The Splendour shining through Its veil."

"Vain is the chiming of forgotten bells That the wind sways above a ruined shrine. Vainer his voice in whom no longer dwells Hunger that craves immortal Bread and Wine. Light songs we breathe that perish with our breath Out of our lips that have not kissed the rod. They shall not live who have not tasted death. They only sing who are struck dumb by God."

"The bugle echoes shrill and sweet, But not of war it sings to-day. The road is rhythmic with the feet ⁠Of men-at-arms who come to pray. The roses blossom white and red ⁠On tombs where weary soldiers lie; Flags wave above the honored dead ⁠And martial music cleaves the sky. Above their wreath-strewn graves we kneel, ⁠They kept the faith and fought the fight. Through flying lead and crimson steel ⁠They plunged for Freedom and the Righteousness. May we, their grateful children, learn ⁠Their strength, who lie beneath this sod, Who went through fire and death to earn ⁠At last the accolade of God.In shining rank on rank arrayed They march, the legions of the Lord; He is their Captain unafraid, The Prince of Peace . . . Who brought a sword."

"Yes, God forgives and men forget, And you're forgiven and forgotten. You might be gaily sinning yet And quick and fresh instead of rotten. And when you think of love and fame And all that might have come to pass, Then don't you feel a little shame? And don't you think you were an ass?"

"I think that I shall never see A poem lovely as a tree. A tree whose hungry mouth is prest Against the earth's sweet flowing breast; A tree that looks at God all day, And lifts her leafy arms to pray; A tree that may in Summer wear A nest of robins in her hair; Upon whose bosom snow has lain; Who intimately lives with rain. Poems are made by fools like me, But only God can make a tree."

"In a wood they call the Rouge Bouquet, There is a new-made grave today, Built by never a spade nor pick, Yet covered with earth ten meteres thick. There lie many fighting men. Dead in their youthful prime Never to laugh nor love again Nor taste the Summertime."

"At present, I am a poet trying to be a soldier. To tell the truth, I am not interested in writing nowadays, except in so far as writing is the expression of something beautiful … The only sort of book I care to write about the war is the sort people will read after the war is over — a century after it is over."

"He always seemed to come at a subject through a perspective slightly askew, as if he viewed reality through a glass lightly."

"Sadly, at least two wonderful "untold tales" of the Sleeper were lost when Roger Zelazny passed away. I know that Roger had always intended to bring back Croyd's boyhood friend Joey Sarzanno, and tell the story of the crystallized woman that Croyd kept in his closet. But he never had the chance, and now he never will. Croyd will continue to be a part of Wild Cards — Roger deliberately crafted the character so he would be easy for the other writers to use, and always delighted in seeing what we did with him — but it would take an unusual amount of hubris for any of us to attempt to write either of those two stories, and it is not something I would encourage. They were Roger's stories. No one else could do 'em justice."

"He was a poet, first, last, always. His words sang. He was a storyteller without peer. He created worlds as colorful and exotic and memorable as any our genre has ever seen."

"Zelazny likes to develop different systems of magic, but his emphasis is on systems. He feels the magic should be worked out and contain no contradictions. It should run more like science and not be too supernatural in which anything goes. That route leads to magic being a crutch to move the plot along. He also likes to use the mystery plot. He feels that there is an elegance to having a puzzle overlaid on a fantasy or SF novel. The mystery helps build the mythic elements in fantasy, but is also akin to the process of discovery in science."

"For absent friends — Kathy Acker and Roger Zelazny, and all points between."

"Roger Zelazny died as I completed the first chapter of The Wake and his memorial informed the second chapter."

"Zelazny, telling of gods and wizards, uses magical words as if he himself were a wizard. He reaches into the subconscious and invokes archetypes to make the hair rise on the back of your neck. Yet these archetypes are transmuted into a science fictional world that is as believable — and as awe-inspiring — as the world you now live in."

"His stories are sunk to the knees in maturity and wisdom, in bravura writing that breaks rules most writers only suspect exist. His concepts are fresh, his attacks bold, his resolutions generally trenchant. Thus leading us inexorably to the conclusion that Roger Zelazny is the reincarnation of Geoffrey Chaucer."

"The work ... abounds in literary, historical and mythological allusions. The sensitivities revealed are far-ranging, capable of fine psychological and sociological analysis, and are as responsive to the contemporary as to the traditional... There is no other writer who, dealing with the struggle between life and death on such a fantastically rarefied level can evoke so much hunger for the stuff of living itself."

"My favorite form is the short story. From an aesthetics stand point you really have to pare down to the bone. You can't write a throw-away scene."

"When I started writing my first novel, ...And Call Me Conrad, they always say: "Write about what you know" and I said "Well, if I get a nice sort of combination SF and Fantasy with these resonances from Greek Mythology it might be pretty good. It would also give me a chance to start filling in my background on all those things I don't know much about but should if I want to be an SF writer." So I sat down and made a list of everything I felt I should know more about. Astrophysics, oceanography, marine biology, genetics... Then when I'd finished the list I read one book in each of these areas. When I'd finished I went back and read a second book until I'd read ten books in each area. I thought that it wouldn't turn me into a terrific, fantastic expert but I'd at least have enough material there to know if I was saying something wrong. And I'd also know where to turn to get the information I want to make it right. While I was doing this, to keep the words and cheques flowing I wrote books involving mythology. And once I started picking up things involving astrophysics I'd write stories that played with those sorts of things. So that's why I started out with mythology."

"I try to write every day. I used to try to write four times a day, minimum of three sentences each time. It doesn't sound like much but it's kinda like the hare and the tortoise. If you try that several times a day you're going to do more than three sentences, one of them is going to catch on. You're going to say "Oh boy!" and then you just write. You fill up the page and the next page. But you have a certain minimum so that at the end of the day, you can say "Hey I wrote four times today, three sentences, a dozen sentences. Each sentence is maybe twenty word long. That's 240 words which is a page of copy, so at least I didn't goof off completely today. I got a page for my efforts and tomorrow it might be easier because I've moved as far as I have"."

"I'd had a long talk with Bob Silverberg, who was very influential on my early career. He'd, out of the kindness of his heart, at a convention told me that he thought I'd made several mistakes in the way I was disposing of my stories. And I said, "I don't understand what you mean, but I'll be glad to buy you a few drinks, if you'll tell me about it". So we adjourned to the bar and sat there a couple of hours. He was drinking Bloody Marys back then; I was drinking Black Russians. And he told me all sorts of things which carried me over the next several years; it was a lot of information for a couple of drinks. He told me that the first thing I should do if I wanted to write full-time was to get a really good agent. He said that after a while the business end of writing takes too much of the writing time. Better to pay someone ten percent and find that you're still more than ten percent ahead in the end. Which is true. My present agent says that he always feels that a good agent during the course of a year should earn back for his client at least the ten percent he takes by way of commission, so the client's really nothing out. And what he should ideally do is make him more money than the ten percent."

"Well, I decided that as a teenager that I really didn't know enough to describe character well and I was wasting my time. I'd learned as much as I could about story telling techniques and it wasn't a matter of technique any more. It was a matter of substance. As a result I said I was going to wait until I was a lot older and had more experience. So it was that after I got out of college I'd been away from SF for about four years. I'd read SF steadily from when I was eleven until I started college. When I started college I said, "I'm not going to read that while I'm here, I'm going to learn poetry and other things of that sort" in fact I wrote a lot of poetry then."

"“When you talk about being an ‘anticipator,’ of having a pretty good idea of when something’s going to happen—or how, or who will be there—isn’t that a kind of divination?” “No. I think it’s more a kind of subconscious knack for dealing with statistics, against a fairly well-known field of actions.”"

"It is a city of neat cottages and cobbled streets where wander cats without number, for the enlightened legislators of long ago laid down laws for our protection. A good, kind village, where travelers take their ease and pet the cats, making much of them, which is as it should be."

"I thought about the Elder Gods and wondered at how they might change things if the way were opened for their return. The world could be a good place or a nasty place without supernatural intervention; we had worked out our own way of doing things, defined our own goods and evils. Some gods were great for individual ideals to be aimed at, rather than actual ends to be sought, here and now. As for the Elders, I could see no profit in intercourse with those who transcend utterly. I like to keep all such things in abstract, Platonic realms and not have to concern myself with physical presences."

"Never trust a cat, anyway. All they’re good for is stringing tennis racquets."

"“Why do you tell me this?” “Perhaps because I am a cat and it amuses me to be arbitrary and do you a good turn.”"

"“...And I have seen stranger things in a long and colorful career.” “Exactly. So what is the problem in believing my story?” “You’ve nothing to back it up with. Even if you’re right, I’m still right in not believing without evidence.”"

"After signing it, he added the postscript: By the time you read this, you will already be dead."

"“And you, I take it, are Red Dorakeen?” “That is correct. Anything I can do for you?” “As a matter of fact, yes. You can die.”"

"I had no doubts as to the correctness of my own beliefs, that human nature could be altered, that man could be forced to evolve morally."

"There are circumstances under which the anomalous should be courted. Ignorance is one of them."

"He was one of those scientist-artists who comes along every few centuries to justify the existence of that overworked word “genius.”"

"Anyone who rushes toward an unknown peril simply to satisfy a desire for excitement is a fool."

"Life is seldom so pivotally crisis-conditioned a thing as novelists would have us believe. While it is true that we sometimes recover from shocks with a sense of the freshness of reality and the wonder of existence, this state of mind does pass away—and fairly rapidly, at that—leaving both reality and ourselves untransfigured once more."

"Is not love itself a form of a spell, where one is loved and the other loves, and the one who loves is compelled to do the other’s bidding? Of course. It is the same thing."

"“Mercy, I have learned, is a thing that is withheld from one whenever he most needs it,” he said. “Yet when he is in a position to grant it himself, those who withheld it previously cry out for it.”"

"I have noted, too, that when it comes to matters of security the laws are considerably relaxed."

"“You were both correct,” said Morningstar. “It is the same thing that you both describe, although neither of you sees it as it really is. Each of you colors reality in keeping with your means of controlling it. For if it is uncontrollable, you fear it. Sometimes then, you color it incomprehensible. In your case, a machine; in theirs, a demon.”"

"So do not speak to me of souls when you have never seen one, man."

"“From the shape of a cloud I know that a man in a distant city will quarrel with his wife three seasons hence and a murderer will be hanged before I finish speaking. From the falling of a stone I know the number of maidens being seduced and the movements of icebergs on the other side of the world. From the texture of the wind I know where next the lightning will fall. So long have I watched and so much am I part of all things, that nothing is hidden from me.” “You know where I go?” “Yes.” “And what I would do there?” “I know that, too.” “Then tell me if you know, will I succeed in that which I desire?” “You will succeed in that which you are about, but by then it may not be what you desire.” “I do not understand you, Morningstar.” “I know that, too. But that is the way it is with all oracles, Jack. When that which is foreseen comes to pass, the inquirer is no longer the same person he was when he posed the question. It is impossible to make a man understand what he will become with the passage of time; and it is only a future self to whom a prophecy is truly relevant.”"