First Quote Added
April 10, 2026
Latest Quote Added
"Sometimes it is hard to criticize, one wants only to chronicle. The good and mediocre books come in from week to week, and I put them aside and read them and think of what to say; but the "worthless" books come in day after day, like the cries and truck sounds from the street, and there is nothing that anyone could think of that is good enough for them. In the bad type of thin pamphlets, in hand-set lines on imported paper, people's hard lives and hopeless ambitions have expressed themselves more directly and heartbreakingly than they have ever expressed in any work of art: it is as if the writers had sent you their ripped-out arms and legs, with "This is a poem" scrawled on them in lipstick. After a while one is embarrassed not so much for them as for poetry, which is for these poor poets one more of the openings against which everyone in the end beats his brains out; and one finds it unbearable that poetry should be so hard to write — a game of Pin the Tail on the Donkey in which there is for most of the players no tail, no donkey, not even a booby prize."
"If there were only some mechanism (like Seurat's proposed system of painting, or the projected Universal Algebra that Gödel believes Leibnitz to have perfected and mislaid) for reasonably and systematically converting into poetry what we see and feel and are! When one reads the verse of people who cannot write poems — people who sometimes have more intelligence, sensibility, and moral discrimination than most of the poets — it is hard not to regard the Muse as a sort of fairy godmother who says to the poet, after her colleagues have showered on him the most disconcerting and ambiguous gifts, "Well, never mind. You're still the only one that can write poetry.""
"I thought/about the reading he'd given at our college in Texas/that year, incense adrift on the air, his harmonium/humming. We'd all gone into a sandalwood poetry/trance, sitting with legs crossed, smiling back at him."
"When you begin to read a poem you are entering a foreign country whose laws and language and life are a kind of translation of your own; but to accept it because its stews taste exactly like your old mother's hash, or to reject it because the owl-headed goddess of wisdom in its temple is fatter than the Statue of Liberty, is an equal mark of that want of imagination, that inaccessibility to experience, of which each of us who dies a natural death will die."
"Allen Ginsberg instructs: "First thought, best thought." Oh, to have my every spontaneous thought count as poetry!"
"Allen Ginsberg, born in 1926, was closer in age to Lowell than he was to the students of 1968. But Ginsberg, even in his forties, balding and a bit paunchy, with his thick beard and wreath of wild dark hair, had both the personal spirit and literary style that characterized the sixties. He was really a fifties figure, a central figure of the beat generation. But by 1968 many of the beats had faded. Jack Kerouac was dissipated from alcohol and did not approve of the antiwar movement. He accused his old friend Ginsberg of being unpatriotic. Neal Cassady died in Mexico in early 1968 while undertaking a fifteen-mile hike following a railroad line. He said he would pass the time counting railroad ties. But along the way he managed to get himself invited to a wedding party, where he spent hours drinking and taking Seconal. He was found the next day along the railroad tracks where he had spent the rainy night. Suffering from overexposure, he soon died, exiting in that free and offbeat style that had made his group famous. According to legend, his last words were, “Sixty-four thousand nine hundred and twenty-eight.” Despite losing many friends to alcohol and drugs, Ginsberg was a passionate believer in certain drugs, especially marijuana, psilocybin, and LSD. In fact, although he was a determined adversary of the Vietnam War and the American military and industrial war machine, there were three other topics that he seemed to bring up on most occasions. One was fair treatment for homosexuals. Always extremely candid in his poetry, some said graphic, about his own sexual preference, he was a gay rights activist before the term was invented. And he always championed his theories on the beneficial uses of narcotics as well as the unfair persecution of users. He was also a persistent believer in the value of Buddhist chants. By 1968, when Eastern religion had become a trend, it was easy to forget that Ginsberg had been very serious about his Buddhism for a number of years. Hinduism was also in vogue, especially having a guru, a new enough word in 1968 for the press to usually offer the pronunciation (goo-roo)."
"One of our universities recently made a survey of the reading habits of the American public; it decided that forty-eight percent of all Americans read, during a year, no book at all. I picture to myself that reader — that non-reader, rather; one man out of every two — and I reflect, with shame: "Our poems are too hard for him." But so, too, are Treasure Island, Peter Rabbit, pornographic novels — any book whatsoever."
"I was working as a secretary in Chicago when I went with a friend to hear Allen Ginsberg read...That night Allen Ginsberg broke open the world of writing for me. He wrote in the vernacular. This was real language, living and passionate. He wrote out of his own sexuality, not the way he had been programmed to believe it should be, but as he experienced it in his body and mind. He wrote with emotion and sometimes with humor. His poems were those of a Jew and a radical. As I sat there almost bolting out of my seat, he peeled off me all the veneer of graduate school...Because he was writing honestly, he offered to all of us a poetic license to tell our own truths...The academics may make a fuss about Ginsberg now that he is safely dead and it is fifty years since Howl broke a hole in the wall that had been erected around real poetry with the capacity to move people."
"Of the Beat triumvirate, Kerouac was probably both the most pathetic and least noxious. Psychologically, he was a mess—as indeed were Ginsberg and Burroughs. But, unlike them, Kerouac lacked the knack of sanctifying his pathologies and inducing others to bow down in obeisance."
"there are also times when there is chaos in the world that is so powerful, and the world's weapons have gotten so strong... What are we going to do about the bomb? I don't know what the people with right politics and gentle weapons such as words can do. I remember during the Vietnam War Allen Ginsberg declared an end to the war on PBS, and he did it poetically."
"Gay poets Allen Ginsberg and Jack Spicer set a post-beatnik tone for the dropout culture."
"His bouncing back has to do with irrepressible joy and his spirit of fun. Somehow we are going to solve the world's problems with fun and theater. And with laughter. The reason this is all set in the Sixties, too, is that the monkey was here, in the Sixties. Abby Hoffman, Allen Ginsberg, you know? They were monkey spirits, trying to change the world with costumes and street theater."
"I am also happily quite unable to suppress the surreal occasion when Alan Ginsberg and Gregory Corso, the distant "Beat Poets" of San Francisco, made a curious kind of state visit to the Universities. It was something of a genial occasion – Alan Ginsberg was a genial poet, I remember, – and read his sub-standard Walt Whitman rhetoric for a long, long time. At the end, eventually, the undergraduate hippy-colony was joined by a few members of the Senior Common Room (I think the occasion took place in New College), among them Lord David, after dinner at High Table, dressed in a dinner-jacket. I was standing next to Lord David, when the bearded Beatnik asked him: "Who do you love, man?" To which Lord David replied: "my family and my friends"."
"Toni Morrison and I and Leslie Marmon Silko traveled through China together five years ago, with Allen Ginsberg, Gary Snyder, and Francine du Plessix Gray...Ginsberg and Snyder are Buddhists. Gary Snyder had that book, Cold Mountain Poems, and we went to the Cold Mountain Monastery where he presented the poems to the monks that were there. And there was a painting on the wall that was the same painting that was in his book, which he identified with. And it felt really good because though the Chinese have wiped out the temples, his temple was still there. Allen Ginsberg went to a monastery that came from Tibetan teachings, and found symbols that he recognized, especially some kind of old bone that he worshipped."
"If we meet an honest and intelligent politician, a dozen, a hundred, we say that they aren't like politicians at all, and our category of politician stays unchanged; we know what politicians are like."
"At the start of the Iraq War, Bush issued an executive order banning photos of soldiers' caskets returning from Iraq and Afghanistan, neatly decoupling the disastrous war from its body count. Following Hurricane Katrina, the Bush administration's decisive intervention was to ban images of dead bodies floating down the boulevards of New Orleans. And President Bush's advance team has banished protesters from appearing anyplace where cameras might capture them. It is all part of an elaborate effort to create a Potemkin presidency, where reality is defined and managed by those in power. Beat poet Allen Ginsberg explained the rationale best: "Whoever controls the media, the images, controls the culture.""
"Nobody knows whether we were catalysts or invented something, or just the froth riding on a wave of its own. We were all three, I suppose."
"You assume we are all sexually stable; while on the other hand, as I have become acquainted with people, I find that they are all perverted sinners, one way or another, that the whole society is corrupt and rotten and repressed and unconscious that it exhibits its repression in various forms of social sadism."
"I could issue manifestos summoning seraphim to revolt against the Heavenly State we're in, or trumpets to summon American mankind to rebellion against the Authority which has frozen all skulls in the cold war, That is, I could, make sense, invoke politics and try organize a union of opinion about what to do to Cuba, China, Russia, Bolivia, New Jersey, etc. However since in America the folks are convinced their heaven is all right, those manifestos make no dent except in giving authority & courage to the small band of hipsters who are disaffected like gentle socialists. Meanwhile the masses the proletariat the people are smug and the source of the great Wrong. So the means then is to communicate to the grand majority- and say I or anybody did write a balanced documented account not only of the lives of America but the basic theoretical split from the human body as Reich has done- But the people are so entrenched in their present livelihood that all the facts in the world-such as that China will be 1/4 of world pop makes no impression at all as a national political fact that intelligent people can take counsel on and deal with humorously & with magnificence. So that my task as a politician is to dynamite the emotional rockbed of inertia and spiritual deadness that hangs over the cities and makes everybody unconsciously afraid of the cops- To enter the Soul on a personal level and shake the emotion with the Image of some giant reality-of any kind however irrelevant to transient political issue- to touch & wake the soul again- That soul which is asleep or hidden in armor or unable to manifest itself as free life of God on earth- To remind by chord of deep groan of the Unknown to most Soul- then further politics will take place when people seize power over their universe and end the long dependence on an external authority or rhetorical set sociable emotions-so fixed they don't admit basic personal life changes-like not being afraid of jails and penury, while wandering thru gardens in high civilization."
"1. You can't win. 2. You can't break even. 3. You can't even get out of the game."
"I smoke marijuana every chance I get."
"America, Sacco & Vanzetti must not die."
"He (Bob Creeley) introduced me to Charles Olson, Allen Ginsberg-and Ginsberg has been a major model of mine. Olson has been a major model."
"The CIA and the Mafia are in cahoots"
"who copulated ecstatic and insatiate with a bottle of beer a sweetheart a package of cigarettes a candle and fell off the bed, and continued along the floor and down the hall and ended fainting on the wall with a vision of ultimate cunt and come eluding the last gyzym of consciousness."
"Carl Solomon! I’m with you in Rockland where you’re madder than I am I’m with you in Rockland where you must feel very strange I’m with you in Rockland where you imitate the shade of my mother I’m with you in Rockland where you’ve murdered your twelve secretaries I’m with you in Rockland"
"who let themselves be fucked in the ass by saintly motorcyclists, and screamed with joy, who blew and were blown by those human seraphim, the sailors, caresses of Atlantic and Caribbean love, who balled in the morning in the evenings in rosegardens and the grass of public parks and cemeteries scattering their semen freely to whomever come who may."
"America I'm putting my queer shoulder to the wheel."
"America I've given you all and now I'm nothing."
"A few days after the Congress ended, David and I encountered Allen Ginsberg in Hyde Park talking to a large crowd of flower children. Someone in the crowd around him asked his opinion of Che Guevara. Ginsberg replied that Ché was uptight, that he should just sit down and get stoned on coca leaf with the Indians in Bolivia. The questioner grew angry and yelled to the crowd: "The Indians chew coca to numb hunger pains, not for fun, and that's why Ché is there, it's about hunger and disease, not about getting high." Ginsberg laughed, and said, "I'll bet those are some happy, hungry Indians, chewing coca," and resumed chanting."
"who lit cigarettes in boxcars boxcars boxcars racketing through snow toward lonesome farms in grandfather night."
"The climate of our culture is changing. Under these new rains, new suns, small things grow great, and what was great grows small; whole species disappear and are replaced."
"The war is language, language abused for Advertisement, language used like magic for power on the planet."
"The only thing that can save the world is the reclaiming of the awareness of the world. That's what poetry does. By poetry I mean the imagining of what has been lost and what can be found—the imagining of who we are and the slow realization of it."
"Millions of fathers in rain Millions of mothers in pain Millions of brothers in woe Millions of sisters nowhere to go Millions of daughters walk in the mud Millions of children wash in the flood A Million girls vomit & groan Millions of families hopeless alone Millions of souls nineteen seventy one homeless on Jessore road under grey sun A million are dead, the million who can Walk toward Calcutta from East Pakistan"
"I saw Bob Dylan a couple of weeks ago (this being, what, December 1994?) and he was saying… “Who owns all the money? Who owns the media?”. As he travels around the world, he notices that all the media change their story every week, and someone is directing that. And “Who owns all the money?”, he was saying. And it was like he knew that he had a great deal of power, to influence people’s psyches, or minds, or thinking, or psychology, or opinion-ation, and yet his power was miniscule, compared to the power of the moguls of the media. And in America it’s only 22 people who run… who own… 80 percent of the mass-media, so that the… it would be very difficult for a poem… for a poet… to overcome that barrage of bullshit. On the other hand, poetry is the only place where you get an individual person telling his subjective truth, what he really thinks, as distinct from what he wants people to think he thinks (like a politician or someone preparing an editorial in a dignified newspaper). So if you need the historical truth of what people think inside, you have to follow Shelley (and his admonition is that poets are the “unacknowledged legislators of the race”) — or what William Carlos Williams said more acutely was, “The government is of words”. After all, the people making political speeches, they’re writing prose, if not poetry, and they are trying to get a little flowery language in there, but the language is shifty, and the language is manipulative, and people who are advertising, or even doing ordinary mass-media, are still inhibited and can’t say what they really think, but the poet can say what he really thinks, authentically, and that’s the advantage, and it’s longer-lasting than the immediate radio-broadcast or television-broadcast, because a poem is like a radio that can broadcast continually, for thousands of years. And so, in the long run, it may have an ameliorating effect on the spirit."
"I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night."
"One of the most obvious facts about grown-ups to a child is that they have forgotten what it is like to be a child."
"who poverty and tatters and hollow-eyed and high sat up smoking in the supernatural darkness of cold-water flats floating across the tops of cities contemplating jazz."
"Delmore carries such a petty, personally involved, New Yorkish atmosphere around with him it's almost unpleasant for me to see him. He thinks that Schiller and St Paul were just two Partisan Review editors."
"Kenneth Rexroth, patriarch of the San Francisco Renaissance, called Muriel Rukeyser "the best poet of her exact generation.""
"I was giving a reading at some university. Down in the front row of the auditorium was a young lady in a leather microskirt and a leather microbolero, tied with a leather bootlace, and nothing else whatever. I said, "I have an extremely wide repertory. What would you like — sex, revolution, or mysticism?" She looked up and said quietly, "What’s the difference?""
"See Life steadily, see it whole."
"I discovered Rexroth and I was really excited about him. It was the first contemporary poetry I read, and it was alive for me. It became a kind of model for how I wanted to write."
"All my life I have been attracted by Catholicism. But what attracted me was not its Christianity, but its paganism. The Scholastic Philosophers entertained me not because they were apologists for Jesus but because they were refinements of Aristotle. The liturgical life of the Church moved me because it echoes the most ancient responses to the turning of the year and the changing seasons, and the rhythms of animal and human life. For me the Sacraments transfigured the rites of passage, the physical facts of the human condition — birth, adolescence, sexual intercourse, vocation, sickness and death, communion, penance. Catholicism still provides a structure of acts, individual and at the same time communal, physical responses to life."
"The dumping of the mentally ill, full of these new psychiatric drugs, into the streets is a scandal. It’s been carried furthest in New York, where whole sections of the decayed Upper West Side are being filled with pensioners and psychotic patients on stelazine, lithium carbonate, and everything else under the sun. They can’t diagnose the patient, so they give him the whole psychiatric pharmacopoeia at once, and he walks around in a psychotic trance beautifully painted all over with petrochemicals."
"You learn nothing if you carry with you a journalistic system of values, which is invented to save reporters from experience."
"Ex-cons always say, "You never know what makes the wheels go round until you’ve done time in the joint." This is even more true of psychiatric hospitals. It is a perfect mass hypostatization of society, the organization of the Social Lie."
"In America we have nothing that takes the place of the gods and goddesses and heroes and demigods of the ancient world. There is nothing to connect us with the soil. We have no mythology. It has never been possible to construct one."
"Marriage is the last sacrament available to modern man, and with the terrible destruction of interpersonal relations by capitalism and its war-making State, it is not very available, nor is it surely enduring. But then, vision does not come with guarantees."
Heute, am 12. Tag schlagen wir unser Lager in einem sehr merkwürdig geformten Höhleneingang auf. Wir sind von den Strapazen der letzten Tage sehr erschöpft, das Abenteuer an dem großen Wasserfall steckt uns noch allen in den Knochen. Wir bereiten uns daher nur ein kurzes Abendmahl und ziehen uns in unsere Kalebassen-Zelte zurück. Dr. Zwitlako kann es allerdings nicht lassen, noch einige Vermessungen vorzunehmen. 2. Aug.
- Das Tagebuch
Es gab sie, mein Lieber, es gab sie! Dieses Tagebuch beweist es. Es berichtet von rätselhaften Entdeckungen, die unsere Ahnen vor langer, langer Zeit während einer Expedition gemacht haben. Leider fehlt der größte Teil des Buches, uns sind nur 5 Seiten geblieben.
Also gibt es sie doch, die sagenumwobenen Riesen?
Weil ich so nen Rosenkohl nicht dulde!
- Zwei auĂźer Rand und Band
Und ich bin sauer!