Poets From The United States

"And indeed there will be time To wonder, “Do I dare?” and, “Do I dare?”"

"And time yet for a hundred indecisions, And for a hundred visions and revisions."

"There will be time to murder and create."

"The yellow fog that rubs its back upon the window-panes, The yellow smoke that rubs its muzzle on the window-panes, Licked its tongue into the corners of the evening."

"In the room the women come and go Talking of Michelangelo."

"Let us go then, you and I, When the evening is spread out against the sky Like a patient etherized upon a table."

"A good half of the effort of understanding what the Indian philosophers were after and their subtleties make most of the great European philosophers look like school boys..."

"No one can become really educated without having pursued some study in which he took no interest—for it is a part of education to interest ourselves in subjects for which we have no aptitude."

"The majority of mankind is lazy-minded, incurious, absorbed in vanities, and tepid in emotion, and is therefore incapable of either much doubt or much faith; and when the ordinary man calls himself a sceptic or an unbeliever, that is ordinarily a simple pose, cloaking a disinclination to think anything out to a conclusion."

"The years between fifty and seventy are the hardest. You are always being asked to do more, and you are not yet decrepit enough to turn them down."

"Long ago I studied the ancient Indian languages, and while I was chiefly interested at that time in philosophy, I read a little poetry too; and I know that my own poetry shows the influence of Indian thought and sensibility."

"Fortunate the man who, at the right moment meets the right friend; fortunate also the man who at the right moment meets the right enemy. I do not approve the extermination of the enemy; the policy of exterminating or, as it is barbarously said, liquidating enemies, is one of the most alarming developments of modern war and peace, from the point of view of those who desire the survival of culture. One needs the enemy... A country within which the divisions have gone too far is a danger to itself: a country which is too well united - whether by nature or by device, by honest purpose or by fraud and oppression - is a menace to others."

"No verse is free for the man who wants to do a good job.…Poetry…remains one person talking to another....no poet can write a poem of amplitude unless he is the master of the prosaic."

"The division between those who accept, and those who deny, Christian revelation I take to be the most profound division between human beings."

"It is certain that a book is not harmless merely because no one is consciously offended by it."

"When we read of human beings behaving in certain ways, with the approval of the author, who gives his benediction to this behavior by his attitude towards the result of the behavior arranged by himself, we can be influenced towards behaving in the same way."

"The 'greatness' of literature cannot be determined solely by literary standards; though we must remember that whether it is literature or not can be determined only by literary standards."

"If we take the widest and wisest view of a Cause, there is no such thing as a Lost Cause, because there is no such thing as a Gained Cause. We fight for lost causes because we know that our defeat may be the preface to our successors' victory, though that victory itself will be temporary; we fight rather to keep something alive than in the expectation that it will triumph."

"I am tired with my own life and the lives of those after me."

"It is self-evident that St. Louis affected me more deeply than any other environment has ever done. I feel that there is something in having passed one's childhood beside the big river, which is incommunicable to those people who have not. I consider myself fortunate to have been born here, rather than in Boston, or New York, or London."

"Only those who will risk going too far can possibly find out how far one can go."

"I am glad you have a Cat, but I do not believe it is So remarkable a cat as My Cat. My Cat is a Lilliecat Hubvously. What a lilliecat it is. There never was such a Lilliecat. Its Name is and its one Idea is to be Useful!!"

"It is a test (a positive test, I do not assert that it is always valid negatively), that genuine poetry can communicate before it is understood."

"My general point of view may be described as classicist in literature, royalist in politics, and Anglo-Catholic in religion."

"... were we led all that way for Birth or Death? There was a Birth, certainly, We had evidence and no doubt. I had seen birth and death, But had thought they were different; this Birth was Hard and bitter agony for us, like Death, our death. We returned to our places, these Kingdoms, But no longer at ease here, in the old dispensation, With an alien people clutching their gods. I should be glad of another death."

"There were times we regretted The summer palaces on slopes, the terraces, And the silken girls bringing sherbet."

"‘A cold coming we had of it, Just the worst time of the year For a journey, and such a long journey: The ways deep and the weather sharp, The very dead of winter.’"

"A dangerous person to disagree with."

"Mr. Aldous Huxley, who is perhaps one of those people who have to perpetrate thirty bad novels before producing a good one, has a certain natural — but little developed — aptitude for seriousness."

"Atheism should always be encouraged (i.e. rationalistic not emotional atheism) for the sake of the Faith."

"Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different."

"When I read the poetry of Walt Whitman, I could understand why he answered the question, “Do I contradict myself?" with "Very well then I contradict myself. I am large, I contain multitudes.""

"With Whitman, the exhilarations are specifically aimed at the pioneer; I don't see any obstructions. I don't see the Indians coming in the opposite direction. I don't see Indian massacres. I don't see brutalities, scalpings, and burning and torturing. It's a sanitized version of infinite wheat fields. I think a great poet has a deeper sense of evil, a wickedness of malice and malignity."

"I would think Walt Whitman probably had more influence on my whole poetic thinking than anybody, but I never dreamed of trying to write in the Whitman manner."

"Whitman to me is the most fascinating of American poets. Whitman started to write the great poetry from scratch after he had written all that junk for newspapers, the sentimental lyrical poems. All of a sudden he wrote Leaves of Grass. When I was teaching at the University of Nebraska, my friend James Miller was chairman of the English Department. He wrote the first book attempting to make a parallel between the structure of Leaves of Grass and the steps of the mystical experience as in St. John of the Cross. I was completely bowled over by this, not having been able to explain how Whitman came to write “Song of Myself,” which is unlike anything not only in American literature, but unique in all the world. The parallels to it are mystical literature. Miller tried to show that there was actual evidence for this kind of experience, which evidently happens at a particular moment in someone's life. ... When I saw the negative reaction to Whitman with the great ruling critics of the time, I couldn't believe it. Eliot never really gave up hammering away on Whitman, neither did Pound. Although Pound makes little concessions. Whitman, you know, didn't have any influence in this country until Allen Ginsberg came along."

"Whitman is a "bad influence"; that is, he cannot be imitated."

"Whitman’s masterpiece, his whole vision, is exactly about this: life as a quest for truth, love, beauty, goodness, and freedom; life as the art of becoming human through the cultivation of the human soul."

"I make a pact with you, Walt Whitman — I have detested you long enough."

"I read a lot. In poetry, I liked W. H. Auden more than anyone. I loved British writers and the novels I grew up with, Twain, Dickens, and so on. I was not influenced say by Walt Whitman or anyone like that. His freedom was not my freedom, and so it didn’t affect me."

"When Whitman in Song of Myself wrote "Camerado, this is no book. Who touches this touches a man, and "What I assume you shall assume," he articulated an abiding impulse latent within all poetry. The women's poetry movement today is a carrier of that same impulse and makes it possible for us to "assume" more than we did before."

"Anyone can visit Walt Whitman's birthing corner on/Long Island./The guide points and says, There, right there, he was/born./Some visitors can't move on quickly/to the next room./They are hypnotized./What if Walt had never left this corner or stepped out/into the streets/to do and say all he did?/Then who would we be?"

"Walt was always working on the same book/First edition did not/have his name on cover/He reviewed himself in newspapers anonymously/quoted Ralph Waldo Emerson/without permission/on the spine/Emerson was not thrilled/Take a breath/Full breath/That's what I call a poet"

"Behold great Whitman, whose licentious line Delights the rake, and warms the souls of swine; Whose fever'd fancy shuns the measur'd pace, And copies Ovid's filth without his grace. In his rough brain a genius might have grown, Had he not sought to play the brute alone; But void of shame, he let his wit run wild, And liv'd and wrote as Adam's bestial child. Averse to culture, strange to humankind, He never knew the pleasures of the mind. Scorning the pure, the delicate, the clean, His joys were sordid, and his morals mean. Thro' his gross thoughts a native vigour ran, From which he deem'd himself the perfect man: But want of decency his rank decreas'd, And sunk him to the level of the beast. Would that his Muse had dy'd before her birth, Nor spread such foul corruption o'er the earth."

"I like the freedom that Walt Whitman was using to play with and shape the American language. Especially in writing Tripmaster Monkey-I just lifted lines from Leaves of Grass. You would think they were modern Sixties' slang-"Trippers and Askers" and "Linguists and Contenders Surround Me"-all of that-"Song of the Open Road," "Song of Occupations"-I just took those for title headings for my book. I like the rhythm of his language and the freedom and the wildness of it. It's so American. And also his vision of a new kind of human being that was going to be formed in this country-although he never specifically said Chinese-ethnic Chinese also I'd like to think he meant all kinds of people. And also I love that throughout Leaves of Grass he always says "men and women," "male and female." He's so different from other writers of his time, and even of this time. Even a hundred years ago he always included women and he always used [those phrases], "men and women," "male and female.""

"I felt some really exciting things were happening with the language in the Sixties because people were finding that vocabulary for psychedelic states or visions or social action. But as I was working with that language, I saw too how it had its roots a hundred years ago in Whitman. So if it goes back a hundred years to Whitman, then it goes back thirty more to Poe. I feel very much in that tradition, showing people how 1960 was using language of the 1860s. Because we don't remember. Walt Whitman said, "Look to the East, that's also your motherland." He already had that idea that our myths are not just from Europe, but from Asia. So I'm saying, "Look at Asia," because we already know that we come from Europe. For a long time when we say classical, we meant Greek and Roman. And I'm saying, "Look, there's more classics, more.""

"I mean to carry on in the tradition of Walt Whitman. Whitman says, "I sing the body electric" and "I sing the body from top to toe." He writes about his goal of celebrating the modern man as he calls it, and he sings the American self."

"I know the formal element in Walt Whitman's poetry found and enormous echo throughout the world. Yet Walt Whitman's significance lies elsewhere. He combined the contemplation of nature and of civilization which are apparently either contradictory, into a single intoxicating vision of life, because he always had sight of the transitoriness of all phenomena. He said: "Living is the little that is left over from dying." so he gave his whole heart to every leaf of grass. I admire in him the reconciliation of art and nature. When the war between the Northern and Southern States in America, which first really set in motion the power of our present machine world, first broke out, Walt Whitman became a medical orderly. He did what all of us ought to do, particularly today. He helped the weak, the sick and the defeated. He was a Christian and–with a close affinity to us Jews–he was therefore an important measure of the status and worth of humanity."

"Walt Whitman; I love his poetry."

"One Whitman is miracle enough, and when he comes again it will be the end of the world."

"I always knew in my heart Walt Whitman’s mind to be more like my own than any other man’s living. As he is a very great scoundrel this is not a pleasant confession."