Poets From The United States

"Now if we do wanna live the thug life and the gangsta' life and all that, OK, so stop being cowards and let's have a revolution. But we don't wanna do that, dudes just wanna live "character", they wanna be "cartoons", but if they really wanted to do something, they was that tuff, alright, let's start our own country, let's start a revolution, let's get outta' here, let's do something. But they don't wanna do that, they wanna pimp our communities and portray this image that they know we all can't survive and make, and that's what I saw."

"Prison kills your spirit, straight up. It kills your spirit. There is no creativity, there's none of that."

"America is the biggest gang in the world."

"The guns are turning away from Europe and Russia and Iran and Iraq and they're turning to us."

"Jail is big business, believe me. I'm in jail, I see the big business. You can feed a whole town off one jail. This jail is in the middle of a town that feeds everybody. Everybody works here, this is the main income. So if there were no criminals, nobody would work."

"I'm known as a survivor now, I hope so, for the jail thing, bullets and everything, controversies and everything, I hope so. And I want to be in the future known as somebody. You know I want people to be talking about me like you know: "remember when he was real bad, remember when Tupac was real bad". You know what I mean, they do that about a lot of actors now, like John Travolta I read stories like "remember you were wild". And all these other people, and now they're like sweet hearts. We all should get that chance, I just want my chance."

"I think that I'm really, I was a reactionary, and now I don't do that any more. Same person, but I don't react. Before, I reacted. I didn't like the cameras, so I spit."

"I think being humble is sexy."

"Marlon Brando is not a gangster-actor, he's an actor. Axl Rose and them are not gangster rock-and-rollers, they're rock-and-rollers right. So I'm a rapper, this is what I do. I'm an artist."

"I know how it's gonna be when I die. It's going to be no noise, you ain't going to hear people screaming. I'mma fade out."

"It's not my liking for guns, what about the NRA? We all have the rights to bear arms, I have that, I have that same right as you do. Just because I'm black doesn't mean I shouldn't have a gun; I legally own guns."

"The only way I've been practicing my whole life, to live my life is to be responsible for what I do. I don't know how to be responsible for what every black male did, I don't know. And yes, I am gonna say that I'm a thug, that's because I came from the gutter and I'm still here! I'm not saying I'm a thug because I wanna rob you or rape people and things. I'm a business man, I mean, you know I'm a business man because you find me at my places of business."

"I made a metamorphose, I'm a new person today, because I used to strongly and honestly, honestly! I feel like I can represent my generation so much because I honestly did not care whether I lived or died. But now I can not die, with people thinking I'm a rapist or a criminal, I can not leave until this shit is straight, you know I'm not suicidal. I can't go until ya'll really know what time it is. And then after that, BOOM!, It's all over and we can see how this shit fall, but that's how it is, and the reason being is because if I can't live free, if I can't live with the same respect as the next man, I don't wanna be here, because god has cursed me to see what life should be like, If God wanted me to be this person and be happy here, he wouldn't let me feel so oppressed, he wouldn't let me feel so trampled on, you know what I'm saying, he wouldn't let me think the things I think. So I feel I'm doing Gods work, you know what I'm saying just because I don't have nothing to pass around for people to put money in a bucket don't mean I ain't doing God's work."

"The main thing for us to remember is that, the same crime element that white people are scared of, black people are scared of. The same crime element that white people fear, black people fear. So we defend our self from the same crime element that they are scared of, you know what I'm saying, while they are waiting for legislations to pass and everything, we're next door to the killer, we're next door to him you know. Because we up in the projects where it's 80 niggas in the building. All them killers that they letting out, they're right there in that building. Just because we're black we get along with the killers or something? We get along with rapist's because we're black and from the same hood? What is that? We need protection too."

"I'm not thuggin' for me, I'm thuggin' for my family, I pay all the bills, I feed my whole family, wrong or right, I do and I can't stop."

"I have no patience for anybody that doubts me, none at all."

"If your not cheering for me, for what I'm doing, don't cheer for me. Don't cheer cause you think I'm cute, you know what I'm saying, screw that. Cheer for me for what I'm doing, for what I stand for, and when I go to jail you should cheer louder."

"I believe honestly that I can talk. I believe that I have the ability to reason, I have logic, I have compassion, I have understanding. If we talk there's no problem you know what I'm saying. But that's not what happened. People used what they heard in media and that's how they come at me, and then you know we got a clash."

"It's a constant man-ego-check going on in the streets, in this world."

"It's like a battle, trying to find the right words to say at the right time."

"I gotta big mouth, I can't help it, I talk from my heart, I'm real you know what I'm sayin whatever comes comes. But my controverse problems, It's not my fault, I try to find my way in the world you know, I try to be somebody instead of just, make money off of everybody. You know what im saying, so I go down paths that haven't been traveled before and I usually mess up, but I learn, you know what I'm saying, I come back stronger, I'm not talking ignorant, you know what I'm saying. So obviously put thought into what I do. So I think my mouth, my controverse, I have not been out of the paper since I joined Digital Underground, I've been in all, you know what I'm saying, my name has not been not uttered, you know what I'm saying, and that's good for me because I don't wanna be forgotten. If I'm forgotten then that means I'm comfortable and that means I think everything is okay."

"I want, when they see me, They know that everyday when I'm breathing is for us to go further. Everytime I speak I want the truth to come out. Not one person even realizes that I have white relatives, my cousin just had a son who is “White” but everytime I speak I want a shiver so yes, I do omit things that I feel are not accurately portraying my “character”. I don't want them to be like; they know what I'm gonna say, because it's polite. Im not saying I'm gonna rule the world or I'm gonna change the world, but I guarantee you that I will spark the brain that will change the world. And that's our job, It's to spark somebody else watching us. We might not be the one's, but let's not be selfish and because we not gonna change the world let's not talk about how we should change it. I don't know how to change it, but I know if I keep talking about how dirty it is out here, somebody's gonna clean it up."

"You have to work from one point to go to another. So I admire work ethic, I think it should be re-inforced through out our neigbourhoods, that everybody should work hard, practice makes perfect, you have to be diligent with what you want, you have to apply your self, you have to motivate your self. You have to do for-self by your self, and then you can do things for other people. But that's what I had to do, I had to do for-self."

"To dance with the naked [blow-up] doll, that was me! That's what I mean by I'm real, I'm truly hardcore, because I needed the money and I had to work. So if he told me that for me to get paid I had to go out there in bikini briefs and hop on top of this [blow-up] doll and that's how I gotta get paid, and I was homeless at the time, that's what I had to do. But What I did was not let him pimp me, you know what I'm saying. It wasn't like I just did that because that was my order. As soon as I got the check's to say what was on my mind, I said what was on my mind. And we have a platinum record now, you know what I'm saying."

"They got money for wars, but can't feed the poor."

"What I want you to take seriously, is what we have to do for the youth. Because we're coming up in a totally different world. This is not the same world that you had this is not 6th Street its not. You grew up, we grew up B.C. Before crack. That's just saying it all. You understand? We did not grow up without parents. You had parents that told you this and that and told you what went on back in the day. You have young kids, fourteen, coming home and their mama is smoking out, going to their best friend to get the product. You understand what I'm saying? So that means it's not just about you taking care of "your" child. It's about you taking care of "these children". It hurts that I got to, it bothers me, not hurts, that I have to sidestep my youth to stand up and do some shit that somebody else is suppose to be doing. You understand what I'm saying? There's too many men out here for me to be doing this, because it ain't my turn yet. I'm supposed to be following behind him getting the knowledge. I don't even got a chance to get the fucking knowledge. I can't go to college. There's too much problems out here. I don't got the money. Nobody does. You understand what I'm saying? So what I'm saying is, it's not as easy as we're mapping it out to be. We've got to stay real. Before we can be new African we've gotta be black first. You understand? We've gotta get our brothers from the streets like Harriett Tubman did. Why can't we look at that and see exactly what she was doing? Like Malcolm did, the real Malcolm, before the Nation of Islam. You've got to remember, this was a pimp. You know what I'm saying, we forgot about all that. In our strive to be enlightened we forgot about all our brothers in the street, about all our dope dealers, our pushers and our pimps, and that's who's teaching the new generation, because y'all not doing it. I'm sorry. But, it's the pimps and pushers who's teaching us. So, if you got a problem with how we were raised, its because they was the only ones who could do it. They the only ones who did it, because everybody else wanted to go to college, and you know, yeah everything's changed, they were the ones telling you 'the white man ain't shit, there you go, check this out young blood, you take this product, you switch it, you get money and that's how you beat the white man, you get money, you get the hell up out of here.' Nobody else did that. So I don't wanna hear shit about nobody telling me who I can't love and respect until you start doing what they did. To me, this is Mecca. This is the black family. You know what I'm saying? But, what makes it that much sadder, what makes me wanna cry, is that when I leave this place, so does Mecca. You understand what I'm saying? We're going back to the real deal. Right out there, you're going see the same sisters and Brenda, they're right out there, and y'all are going to get in your cars and drive the fuck home."

"It's not going to stop until we stop it. And it's not just white men that's doing this to Brenda. It's not just white men that's keeping us trapped. It's 'black', and we have to find the new African in everybody. In all of us, because if we keep running around looking for black and who got the most colors on or who got the baddest dashiki, we're still going to, excuse my language, we're still going to get fucked. Because it hurts me that my mother right now is going though, you know, she has to get clean. This is somebody I watched travel the whole country. You know what I'm saying? During the time when our women were scared to speak up. But, a Black Panther she spoke at Harvard, Yale, everywhere and now. I see my mother as what's really going on. You know what I'm saying? I don't see no big parade around my mother now. She's got a dozen fucking awards, and I don't see nobody there. You understand what I'm saying? So out of this, I take that lightly. I take all this lightly."

"First, I want to say peace to my mother. She's not here, but I've got to give a 'peace out' to her, because I wouldn't be here if it wasn't for my mother. And, I look in the front of this thing and it says 'start from within to rebuild our original greatness.' Right? Okay, well that's what my mother did. You know what I'm saying? And I'm listen about freedom fighters and strugglers. Well you got to understand when it was 'in' to have a gun and be in the streets, my mother gave that up to be in a house and wash the dishes and feed us. You know what I'm saying? And put the thoughts in our brain. We didn't get any of that history from all of those soldiers that we lost. We got none of that. They all went to jail if you can remember that. They all went to penitentiaries. We didn't see none of that knowledge. If it was not for my mother, that stayed home, and didn't go out and do all that, then I wouldn't have shit, excuse my language. But, I wouldn't have been nowhere. So what I want to do hopefully is. I want to be, not I want to be, I am Tupac Shakur. I have to be a reminder that we cant chill out. No, it not time cool out in banquets, its still on. It's on just like it was on when you were young and you want to say 'fuck that'. Just like you said 'fuck that', back then. So how come, now that I'm twenty years old and ready to start some shit, everybody's telling me to 'calm down'. Don't curs them, go to school, go to college. Well, fuck that. We have had colleges for awhile now. You know what I'm sayin? There's still Brenda's out there and niggas are still trapped. You know what I'm saying? And it gets me, irked. You know what I'm saying? Because I understand that it's not going to stop. You know what I'm saying?"

"It's not just about you taking care of "your" child. It's about you taking care of these children."

"You grew up, we grew up B.C. Before crack. That's just saying it all. You understand? You don't have parents... You have young kids, fourteen, coming home and their mama is smoking out, going to their best friend to get the product."

"What I want you to take seriously is what we have to do for the youth."

"It's not going to stop until "we" stop it. And it's not just white man that's doing this to Brenda. It's not just white man that's keeping us trapped. It's "black." And we have to find the new African in everybody... But before we can be African, we gotta be black first."

"First, I wanna say 'peace' to my mother. She's not here but I gotta give a 'peace out' to her because I wouldn't be here if it wasn't for my mother."

"In all my years of defending inner-city clients I have never introduced music before as a mitigating circumstance in a murder case. But I do believe it applies in this case. Without the music riling him up, I do not think that this incident would have occurred."

"The trooper’s family has filed a civil suit against Shakur and Interscope, claiming the record’s violence-laden lyrics incite “imminent lawless action.” One of the album’s songs, “Soulja’s Story,” speaks of “blasting” a police officer and “droppin’ the cop” after a traffic stop. Quayle likened the album to rapper Ice-T’s notorious “Cop Killer,” which Time Warner Inc. pulled off the market this summer. “Once again we’re faced with an irresponsible corporate act,” Quayle said in Houston after he spoke with the late trooper’s daughter, Kimberly Davidson. “There is absolutely no reason for a record like this to be published by a responsible corporation.”"

"Vice President Dan Quayle, broadening his attack on Hollywood, Tuesday blasted the recording industry for producing rap music that he said had led to violence. Quayle called on the Time Warner Inc. subsidiary, Interscope Records, to withdraw the album “2pacalypse Now” by rap artist Tupac Amaru Shakur from stores. Quayle charged that the record was responsible for the death of a Texas state trooper, who was shot to death in April by a suspect who allegedly was listening to the album on the tape deck of a stolen truck when he was stopped by the officer."

"On March 28, 1997, Judge John D. Rainey, who presided over the libel suit Linda Sue Davidson brought against 2Pac, concluded: “2Pacalypse Now is both disgusting and offensive. That the album has sold hundreds of thousands of copies is an indication of society’s aesthetic and moral decay. However, the First Amendment became part of the Constitution because the Crown sought to suppress the Framers’ own rebellious, sometimes violent views. Thus, although the Court cannot recommend 2Pacalypse Now to anyone, it will not strip Shakur’s free speech rights based on the evidence presented by the Davidsons.”"

"In July 1993, a jury convicted Howard of capital murder and sentenced him to death. The next day, Linda Sue Davidson moved forward with a lawsuit against 2Pac, Time Warner, and Interscope Records. She didn’t believe that 2Pacalypse Now merited First Amendment protection, alleging that the music was obscene, contained what she called “fighting words,” defamed officers like her husband, and incited imminent illegal conduct in individuals like Howard. More specifically, 2Pac’s music ultimately led to her husband’s demise. “Our goal is to punish Time Warner and wake up the executives who run the music business,” said Jim Cole, the attorney representing Linda Sue Davidson. “This suit isn’t just about some storyteller spouting militant rhetoric here. 2Pac is dangerously serious. This suit is about stopping giant corporations from shamelessly making money off music designed to incite impressionable young men to shoot and kill cops like Bill.”"

"A few weeks after the song’s release, what was a fictionalized story became very real. On October 17, Tupac was crossing the street in downtown Oakland, California, when police officers Alexander Boyovich and Kevin Rodgers stopped him. They accused him of jaywalking and asked to see his ID. In the police report, they referred to Tupac by his middle name, Amaru, and called him angry and hostile. They said Tupac told them, “This is just two white cops who want to stop a n-----.” A month later at a press conference, Tupac told his side of the story. As he was preparing to enter Union Bank, the officers approached him. Tupac asked why they were requesting to see his ID. He accused them of having a slave-master mentality before allegedly being thrown onto the concrete, cuffed, and choked until he was left unconscious. He was put in jail for seven hours for resisting arrest and later released."

"Tired of being trapped in this vicious cycle If one more cop harasses me I just might go psycho And when I get ‘em, I’ll hit ’em with the bum rush Only a lunatic would like to see his skull crushed Yo, if you’re smart you’ll really let me go, G But keep me cooped up in this ghetto and catch the Uzi They got me trapped."

"Accept no substitutes; I bring truth to the youth."

"Throughout all the years of the Masses and the Liberator, when he was a contributor of poems with an elemental sweep, I never happened to meet Carl Sandburg. But I think of him as a voice of the people, and with more reverence for the true Christian spirit and sympathy for the lowly than could be found in an average church full of pious members of the faith"

"The late Mr. Sandburg was a public performer of the first rank ("Ker-oh-seen!" he crooned in one of the first TV pitches for the jet-engine — ole banjo on his knee, white hair mussed by the jet-stream), a poet of the second rank (who can ever forget that feline-footed fog?) and a biographer of awesome badness."

"Mr. Sandburg possesses a powerful imagination, which plays over and about his realistic themes and constantly ennobles them. ...strikes, and factories, and slaughter-houses, and railroad trains, all take on a lyric quality under his touch. ...When Carl Sandburg left college, he was no longer an unskilled labourer, working with his hands. He was a thinking man, with a brain charged with ideas and emotions, determined to do his part in bringing about the millennium. For Carl Sandburg... is a revolutionary; he must push the world to where he is convinced it ought to be. ...again and again, he deserts the seer's mountain peak for the demagogue's soap-box. ...Mr. Sandburg is like a man striving to batter down a jail with balls of brightly coloured glass. ...Whether constant preoccupation with disease is a healthy form of literature, whether it acts as a curative, is open to question. But we can surely say that to be curative the disease must be treated unsentimentally and truly. Mr. Sandburg has aimed at doing this, has striven hard to do it. For this, one honours him above his fellows. For this, and the spirit of beauty which pervades his work."

"The Review of Reviews... avers that Mr. Sandburg's 'amazing impressions of Chicago' are making history, and the Observer... thinks that 'no one can fail to be moved' by his 'experiments in the loose forms popularized by Whitman.' But the New Statesman... cannot quite stomach Mr. Sandburg. Again its critic... can find nothing better to say than that 'Mr. Sandburg sometimes overtops mere crudity,' and... can only add that Mr. Sandburg has 'achieved a few good things where a poetic sensitiveness survives the crushing effect of much American journalism.' The Saturday Review is at least downright in its likes and dislikes; its critic finds that the American poet 'makes up for a lack of limpidity and music by sheer brutality,' or 'with a total bankruptcy of metre.' But then, the Saturday Review is conservative, which Mr. Sandburg emphatically is n't."

"Translators, again-the most abused and patient lot of folk on earth-are helpful in making us better acquainted; though we hope the time will soon come when citizens of the twenty-one republics will no longer need translators. There is no reason for our not speaking each other's language...Ernesto Montenegro, on the other hand, has introduced Sandburg, Frost, Robinson, Masters, and many other North American poets to the Spanish reading public."

"The Sandburg heaven is nothing but the common street seen upside down. It's a place where the Lord isn't even a president, but a sort of composite of his own kin of earth folk and earth things. The imagistic poem, Loam, concentrates this thought... There are certain well intentioned mortals who, as soon as they hear the mere name, poetry... grovel, and then indulge in a whole category of spasms to the tune of that monstrosity, idol-worship.They are priest and congregation of every institution and gathering where Art and Uplift are synonymous. Fellows like Sandburg... don't belong to such devotional conclaves. Sandburg lives on the level. If he has dealings with poetry he has them on the ground common to both, as to trees, rocks and streams. ...the first thing I saw on the table of this man poet—Robert Frost, by the way—was a copy of Sandburg's Cornhuskers. Does the coincidence require commentary?"

"Sandburg in his poems uses neither metre nor rhyme, but if he gives an impression of ragged ease it is not much more than a surface impression. His verse... is highly organized; it is not free verse at all, in the common acceptance of the word. Rather it is repetitive verse. He uses parallel constructions; he repeats words and phrases with great skill; thereby he produces effects as complex and difficult sometimes as those of Swinburne's most intricate ballades. ...Sandburg is alien to most of the Anglo-Saxon elements in American life. Its aspects which he chooses to describe are those precisely which distinguish it from life in England. He talks about stockyards, wide sweeping prairies, the growth of mushroom cities, Hell on the Wabash, Watch your Step. He talks about booze runners, hankey panks, humpties (whatever they are) bulls, and Charlie Chaplin. He never mentions tea, gentlemen, golf, or any other of our briticisms. He is an American; not an Amayrican with the r trilled lightly against the upper teeth as in Back Bay, but a ril Amurricn. He avoids the language along with everything else that is English. He never wrote an American dictionary, but he does something more hazardous and exciting: he writes American. With earlier authors American was a dialect; it was the speech of the comedian and the soubrette; the hero, when serious, declaimed his Sunday-best Oxford. The case is opposite with Sandburg. He writes American when he is pompous, philosophic, sentimental; in a word when he is most upstage... Sandburg writes American like a foreign language, like a language freshly acquired in which each word has a new and fascinating meaning. It is a language, in fact, which never existed before; the separate words existed, but in the speech of no one man; Sandburg was the first to thesaurize them."

"There is a growing tendency, as his fame goes up in the world, to speak of Carl Sandburg as a He man, an eater of raw meat, a hairy one. In Chicago newspaper local rooms he is spoken of as John Guts. I do not think of him so although I've a suspicion that he sometimes writes under the influence of this particular dramatization of his personality. Buried deep within the He man, the hairy meat eating Sandburg there is another Sandburg, a sensitive, naive, hesitating Carl Sandburg, a Sandburg that hears the voice of the wind over the roofs of houses at night, a Sandburg that wanders often alone through grim city streets on winter nights, a Sandburg that knows and understands the voiceless cry in the heart of the farm girl of the plains when she comes to the kitchen door and sees for the first time the beauty of our prairie country. The poetry of John Guts doesn't excite me much. Hairy, raw meat eating He men are not exceptional in Chicago and the middle west. As for the other Sandburg, the naive, hesitant, sensitive Sandburg—among all the poets of America he is my poet."

"The greatest cunning is to have none at all."