Poets From England

"She sees the Best that glimmers thro’ the Worst, She feels the Sun is hid but for a night, She spies the summer thro’ the winter bud, She tastes the fruit before the blossom falls, She hears the lark within the songless egg, She finds the fountain where they wail’d ‘Mirage’!"

"For nothing worthy proving can be proven, Nor yet disproven: wherefore thou be wise, Cleave ever to the sunnier side of doubt, And cling to Faith beyond the forms of Faith!"

"For Knowledge is the swallow on the lake That sees and stirs the surface-shadow there But never yet hath dipt into the abysm"

"Thou that singest wheat and woodland, tilth and vineyard, hive and horse and herd; All the charm of all the Muses often flowering in a lonely word."

"Love's arms were wreathed about the neck of Hope, And Hope kiss'd Love, and Love drew in her breath In that close kiss and drank her whisper'd tales. They said that Love would die when Hope was gone. And Love mourn'd long, and sorrow'd after Hope; At last she sought out Memory, and they trod The same old paths where Love had walked with Hope, And Memory fed the soul of Love with tears."

"Where love could walk with banish'd Hope no more."

"Love lieth deep; Love dwells not in lip-depths."

"Flower in the crannied wall, I pluck you out of the crannies, I hold you here, root and all, in my hand, Little flower — but if I could understand What you are, root and all, and all in all, I should know what God and man is."

"Speak to Him thou for He hears, and Spirit with Spirit can meet — Closer is He than breathing, and nearer than hands and feet."

"And the parson made it his text that week, and he said likewise, That a lie which is half a truth is ever the blackest of lies, That a lie which is all a lie may be met and fought with outright, But a lie which is part a truth is a harder matter to fight."

"His deeds yet live, the worst is yet to come. Yet let your sleep for this one night be sound: I do forgive him!"

"The woods decay, the woods decay and fall, The vapours weep their burthen to the ground, Man comes and tills the field and lies beneath, And after many a summer dies the swan. Me only cruel immortality Consumes: I wither slowly in thine arms, Here at the quiet limit of the world, A white-hair'd shadow roaming like a dream The ever-silent spaces of the East, Far-folded mists, and gleaming halls of morn."

"And draw them all along, and flow To join the brimming river, For men may come and men may go, But I go on forever."

"I come from haunts of coot and hern, I make a sudden sally, And sparkle out among the fern, To bicker down a valley."

"We love not this French God, the child of hell, Wild War, who breaks the converse of the wise; But though we love kind Peace so well, We dare not even by silence sanction lies. It might be safe our censures to withdraw, And yet, my Lords, not well; there is a higher law."

"He clasps the crag with crooked hands; Close to the sun in lonely lands, Ring'd with the azure world, he stands.The wrinkled sea beneath him crawls; He watches from his mountain walls, And like a thunderbolt he falls."

"Come not, when I am dead, To drop thy foolish tears upon my grave, To trample round my fallen head, And vex the unhappy dust thou wouldst not save. There let the wind sweep and the plover cry; But thou, go by.Child, if it were thine error or thy crime I care no longer, being all unblest: Wed whom thou wilt, but I am sick of Time, And I desire to rest. Pass on, weak heart, and leave me where I lie: Go by, go by."

"But oh for the touch of a vanished hand, And the sound of a voice that is still!"

"Break, break, break At the foot of thy crags, O Sea! But the tender grace of a day that is dead Will never come back to me."

"Break, break, break, On thy cold gray stones, O Sea! And I would that my tongue could utter The thoughts that arise in me."

"Then some one spake: "Behold! it was a crime Of sense avenged by sense that wore with time." Another said: "The crime of sense became The crime of malice, and is equal blame." And one: "He had not wholly quench'd his power; A little grain of conscience made him sour." At last I heard a voice upon the slope Cry to the summit, "Is there any hope?" To which an answer peal'd from that high land, But in a tongue no man could understand; And on the glimmering limit far withdrawn God made Himself an awful rose of dawn."

"All the windy ways of men Are but dust that rises up, And is lightly laid again."

"As shines the moon in clouded skies, She in her poor attire was seen; One praised her ankles, one her eyes, One her dark hair and lovesome mien. So sweet a face, such angel grace, In all that land had never been. Cophetua sware a royal oath: "This beggar maid shall be my queen!""

"I grow in worth, and wit, and sense, Unboding critic-pen, Or that eternal want of pence, Which vexes public men, Who hold their hands to all, and cry For that which all deny them — Who sweep the crossings, wet or dry, And all the world go by them."

"My good blade carves the casques of men, My tough lance thrusteth sure, My strength is as the strength of ten, Because my heart is pure."

"But we grow old. Ah! when shall all men's good Be each man's rule, and universal Peace Lie like a shaft of light across the land, And like a lane of beams athwart the sea, Thro' all the circle of the golden year?"

"Meet is it changes should control Our being, lest we rust in ease. We all are changed by still degrees, All but the basis of the soul."

"The slow sweet hours that bring us all things good, The slow sad hours that bring us all things ill, And all good things from evil, brought the night In which we sat together and alone, And to the want, that hollow'd all the heart, Gave utterance by the yearning of an eye, That burn'd upon its object thro' such tears As flow but once a life. The trance gave way To those caresses, when a hundred times In that last kiss, which never was the last, Farewell, like endless welcome, lived and died."

"Of love that never found his earthly close, What sequel? Streaming eyes and breaking hearts? Or all the same as if he had not been? Not so. Shall Error in the round of time Still father Truth? O shall the braggart shout For some blind glimpse of freedom work itself Thro' madness, hated by the wise, to law System and empire? Sin itself be found The cloudy porch oft opening on the Sun? And only he, this wonder, dead, become Mere highway dust? or year by year alone Sit brooding in the ruins of a life, Nightmare of youth, the spectre of himself! If this were thus, if this, indeed, were all, Better the narrow brain, the stony heart, The staring eye glazed o'er with sapless days, The long mechanic pacings to and fro, The set gray life, and apathetic end. But am I not the nobler thro' thy love? O three times less unworthy! likewise thou Art more thro' Love, and greater than thy years."

"Half light, half shade, She stood, a sight to make an old man young."

"At length I saw a lady within call, Stiller than chisell'd marble, standing there; A daughter of the gods, divinely tall, And most divinely fair."

"You must wake and call me early, call me early, mother dear; Tomorrow 'ill be the happiest time of all the glad New-year; Of all the glad New-year, mother, the maddest merriest day, For I'm to be Queen o' the May, mother, I'm to be Queen o' the May."

"I built my soul a lordly pleasure-house, Wherein at ease for aye to dwell. I said, "O Soul, make merry and carouse, Dear soul, for all is well.""

"Self-reverence, self-knowledge, self-control, These three alone lead life to sovereign power. Yet not for power (power of herself Would come uncall'd for) but to live by law, Acting the law we live by without fear; And, because right is right, to follow right Were wisdom in the scorn of consequence."

"mother Ida, many-fountain'd Ida, Dear mother Ida, harken ere I die. For now the noonday quiet holds the hill: The grasshopper is silent in the grass: The lizard, with his shadow on the stone, Rests like a shadow, and the winds are dead. The purple flower droops: the golden bee Is lily-cradled: I alone awake. My eyes are full of tears, my heart of love, My heart is breaking, and my eyes are dim, And I am all aweary of my life."

"Have I not found a happy earth? I least should breathe a thought of pain. Would God renew me from my birth I'd almost live my life again. So sweet it seems with thee to walk, And once again to woo thee mine — It seems in after-dinner talk Across the walnuts and the wine —"

"Yet fill my glass: give me one kiss: My own sweet Alice, we must die. There's somewhat in this world amiss Shall be unriddled by and by. There's somewhat flows to us in life, But more is taken quite away. Pray, Alice, pray, my darling wife, That we may die the self-same day."

"He often lying broad awake, and yet Remaining from the body, and apart In intellect and power and will, hath heard Time flowing in the middle of the night, And all things creeping to a day of doom."

"With blackest moss the flower plots Were thickly crusted, one and all; The rusted nails fell from the knots That held the pear to the gable wall. The broken sheds looked sad and strange: Unlifted was the clinking latch; Weeded and worn the ancient thatch Upon the lonely moated grange. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!'"

"Where Claribel low-lieth The breezes pause and die, Letting the rose-leaves fall: But the solemn oak-tree sigheth, Thick-leaved, ambrosial, With an ancient melody Of an inward agony, Where Claribel low-lieth."

"Like ballad burthen music kept, As on the Lariano crept To that fair port, below the castle Of Queen Theodolind, where we slept; Or hardly slept, but watched awake A cypress in the moonlight shake, The moonlight touching o’er a terrace One tall agave above the lake."

"An author is known by the worlds he creates. The measure of his greatness is the degree of clarity and the consistency with which he builds his spirit’s habitation, the depth and height it offers the reader who enters it. Eleanor Farjeon’s world is construed of fantasy, romance, and an abounding yea-saying joy in the experience of life. It is the stuff that dreams are made of, and as dangerous as dynamite except for those who have genius in their blood, a compassionate heart, a sense of wonder at the multitudinous miracles to be met in one day’s living in this world, and the blessed proportion of wit, humor and nonsense. All these she has."

"No doubt she wrote "Morning Has Broken" for children, since they were so surely her preferred audience, but it is as engaging a piece of theology as one is likely to find. … the quality of the day has a head start for me if the worship includes Farjeon's poem/hymn. Farjeon subtitled her poem "For the First Day of Spring." I suspect that the inspiration came to her on such a day, and I agree that it is a perfect way to enter that lovely season. But the wonder of the poem, of course, is that on such a day the poet found herself transported to the first days of creation. … So it is that I recommend Farjeon's poem not only for the first day of spring, but as the right way to begin every day. What better than to look out on a new day — any new day — as an unspoiled gift from the hand of God, "fresh from the Word"? … One wonders if Farjeon expected children to get it? Personally, I am confident she did. She wasn’t one to talk down to her readers, nor was she one to underestimate their capacities. I suspect she knew that what children lack in intellectual training they make up for in innate perceptiveness — and perhaps especially in their refusing to let literalism get in the way of reality. We adults lose our appetite for Eden. After so many battles with the real world, as we experience it, we find it hard to imagine that things can be perfect. So it is that a child can sing "Sweet the rain's new fall, / Sunlit from heaven," while adults calculate what the rain will do for market futures or for the prospects of this afternoon's ball game. I remember a summer morning nearly half a century ago. As I returned from a walk, I picked up an earthworm from the sidewalk and took it to my then four-year old daughter, who couldn't have a dog because the parsonage was next door to the church. "I've got a pet, I've got a pet!" she squealed. I wouldn't trade ten seconds of childish ecstasy for a full day of adult disillusionment. Eleanor Farjeon was quite right to tell children that the first day of spring is a return to Eden and this blackbird that sings is "like the first bird." And she was more than right in thinking that children would get it."

"Great Britain has blessed the world of children with a number of poets and storytellers. … But perhaps no one was more loved by children in the British Isles or published more books than Eleanor Farjeon. She once said that she was "singing songs before she could write, and even before she could speak, and as soon as she could guide a pencil she began to write them down." When she died in 1965 at the age of eighty-four, she had published more than eighty books of stories and poems for children."

"Although her voice was faint she could still joke, for one day taking my hand she felt a large ring, which she raised close to her face for inspection. With a faint smile she whispered, "Ah, like Edith Sitwell I see." She was given the last rites by her priest and died on June 5th. Eleanor was buried in the romantic little churchyard which spans the side of Hampstead Hill between the Protestant church in Church Row and the Catholic church in Holly Walk. Her grave is generally smothered by a big rambler rose and is hard to discover. She was never keen on personal publicity."

"I was touched and surprised when, one day in her eighties, she said a little sadly, yet with the confidence of one who can face her own limitations, "I have always tried to use what little talent I had to the full". This remark had to do with the statement in the preface to Silver-Sand and Snow, … that – "In my youth I dreamed of being a 'real' poet, but half way through my life that dream died, and whatever figments of it remained went into writing songs and verses for children.""

"I was a little overworked. I had been reading a great number of manuscripts in the preceding weeks, and the mere sight of typescript was a burden to me. But before I had read five pages of Martin Pippin, I had forgotten that it was a manuscript submitted for my judgment. I had forgotten who I was and where I lived. I was transported into a world of sunlight, of gay inconsequence, of emotional surprise, a world of poetry, delight, and humor. And I lived and took my joy in that rare world, until all too soon my reading was done. My most earnest wish is that there may be many minds and imaginations among the American people who will be able to share that pleasure with me. For every one who finds delight in this book I can claim as a kindred spirit."

"He could not be captured, He could not be bought, His running was rhythm, His standing was thought; With one eye on sorrow And one eye on mirth, He galloped in heaven And gambolled on earth. And only the poet With wings to his brain Can mount him and ride him Without any rein, The stallion of heaven, The steed of the skies, The horse of the singer Who sings as he flies."

"His tail was a fountain. His nostrils were caves. His mane and his forelock Were musical waves. He neighed like a trumpet. He cooed like a dove. He was stronger than terror And swifter than love."

"From the blood of Medusa Pegasus sprang. His hoof of heaven Like melody rang."