Playwrights From The United States

"I guess I was the most unbohemian of all bohemians. My bohemianism consisted of not wanting to get involved with the stupid stuff that I thought people wanted you to get involved with — ... namely America..."

"A man is either free or he is not. There cannot be any apprenticeship for freedom."

"I remember the first time I met Amiri Baraka, who was then Leroi Jones. I was doing The Amen Corner and he was a student at Howard University. I liked him right away. He was a pop-eyed little boy poet. He showed me a couple of his poems. I liked them very much. And then he came to New York a couple of years later. He came to New York when I came back to New York from Paris. And by this time I knew the business. I'd been through the fucking business by that time. I was a survivor. And I remember telling him that his agent wanted him to become the young James Baldwin. But I told him you're not the young James Baldwin. There's only one James Baldwin and you are Leroi Jones and there's only one Leroi Jones. Don't let them run this game on us, you know? You're. Leroi Jones, I'm James Baldwin. And we're going to need each other. That's all I said. He didn't believe it then but time took care of that. ("He believes it now?") Yes he knows it now."

"The Black Artist's role in America is to aid in the destruction of America as he knows it. His role is to report and reflect so precisely the nature of the society, and of himself, in that society, that other men will be moved by the exactness of his rendering, and if they are black men, grow strong through this moving, having seen their own strength, and weakness, and if they are white men, tremble, curse, and go mad, because they will be drenched with the filth of their evil."

"Art in an abstract setting is one thing, but art where you’re actually telling people to do things becomes dangerous…"

"One of the most persistent traits of the Western white man has always been his fanatical and almost instinctive assumption that his systems and ideas about the world are the most desirable, and further that people who do not aspire to to them, or at least think them admirable, are savages or enemies. The idea that Western thought might be exotic if viewed from another landscape never presents itself to most Westerners."

"The poor Negro always remembered himself as an ex-slave and used this as the basis of any dealings with the mainstream of American society. The middle class black man bases his whole existence on the hopeless hypothesis that no one is supposed to remember that for almost three hundred years there was slavery in America, that the white man was a master, the black man a slave. This knowledge, however, is at the root of the legitimate black culture of this country. It is this knowledge, with its attendant muses of self-division, self-hatred, stoicism, and finally quixotic optimism, that informs the most meaningful of Afro-American music."

"You cannot stop struggling just because you’ve got a black guy walking around saying some stuff. Just because his skin is your color don’t mean his brain is the same as yours; if you’re going to bomb Libya you’re nuts. So it’s a continual struggle to raise the level of social consciousness in the country. Not only for black people but for everybody who needs that change."

"I've been poor and I've been rich. Rich is better!"

"A good night for the fireplace to be crackling with flames - or so he figured, Crumpling the papers he could only see As testimonials to long plateaus of emptiness."

"I've let you teach too many science fiction classes," I said. Dr. Identity's pupils mutated into large asterisks. "It's possible. More likely, however, I'm just a product of the future. and the future's been extinct for a long time."

"I used to have boundaries up all the time, which is limiting. I never want to feel limited. If anything is life changing, being the descendant of a slave is. I went into therapy 10 years ago because I needed to work that out. I’ve gotten better. Everything about me is more fluid, much less rigid. I’m gonna do everything I can, feel everything I can, until it hurts. Then I’ll stop. All they did was buy us–it’s not an honor, it’s just something that happened. Our gifts belong to us."

"Robert Staples sees in Ntozake Shange's play For Colored Girls "a collective appetite for black male blood." Yet it is my female children and my Black sisters who lie bleeding all around me, victims of the appetites of our brothers."

"Multiculturalism is a white people joke. Black people have always been here as different. People need to stop saying that there is one way to be–and then the issue will disappear. I don’t tell Navajos they can’t speak Navajo. I don’t tell Asians they can’t eat noodles. Because black people have refused to eat potatoes and cabbage, white people are terrified. Now that we’re saying “I’m talkin’ Zulu, I’m changin’ my name, my child’s goin’ to a black school with Muslims,” white people get upset and have to call it something. Multiculturalism isn’t about culture, it’s about power."

"I write for young girls of color, for girls who don’t even exist yet, so that there is something there for them when they arrive. I can only change how they live, not how they think. I want to say, “Here, look where you can live, look what you can think.” I concentrate on giving this to young people because they are the treasurers of black culture."

"We realized we were on our own and started bonding together, Latina women writers like Cherrie Moraga, Jewelle Gomez, black writers like Audre Lorde and Ntozake Shange, who wrote For Colored Women, we understood we had to support each other or nobody would."

"No. I’m not trying to go away from anybody. I don’t go where my feelings get hurt. If you’re going to be nice to me, I’ll come."

"i found god in myself & i loved her/i loved her fiercely"

"We must not let our oppression deny us the earth."

"Hopefully, these characters bring us closer to a sense of self: honest and honored. Icons: Toussaint L'Ouverture to José Martí to lesser known heroes, Atahualpa and Denmark Vesey. We lace our visions with Celia Cruz and Aretha Franklin."

"There is a line in Ntozake Shange's for colored girls who have considered suicide/ when the rainbow is enough. In the play, the woman in purple speaks after having struggled to deal with all the psychic and physical aspects of herself that the culture ignores or demeans. She sums herself up in these wise and peaceful words: “here is what i have . . ./poems/big thighs/lil tits/&/so much love”. This is the power of the body, our power, the power of the wildish woman."

"I have spent my life undoing language until it works for me. We must not only repossess the language, we must deslaveryize it."

"…The characters in Sassafras did say awful things and trash one another, but there are people who do. In the time of the Sassafras narrative certain women's collectives existed that were very dramatic and people had a lot of lovers. We didn't even call it promiscuity. It was very different from the environment today. People today sit down and think about how they really want to be monogamous. It was not anybody's goal fifteen years ago."

"I think I always see a young child or an adolescent of color, but not necessarily right this minute. I started writing because there's an absence of things I was familiar with or that I dreamed about. One of my senses of anger is related to this vacancy—a yearning I had as a teenager. I hate that word. But as an adolescent—to have done something that I didn't have and I didn't know what it was 'cause I had never heard about it…"

"…I think unless black women are writing the pieces, we're being left out the same way we used to be left out of literature. We don't appear in things unless we write them ourselves. In the white male literary establishment women attain what looks like positions of power or influence or economic stability, but they're structured in such a way that they become unthreatening."

"it doesn’t matter where I live. Just give me a room to write in."

"…gender is cultural: we have menarche to deal with, virginity, menopause, pregnancy, childbirth; these things are unavoidable. And in some places they've been wise enough to have ritual and ceremony about significant events. It is unfortunate in our culture-meaning north American mainstream culture—that all this has been minimized to the point where little girls are even afraid to say that they are starting to menstruate when they should be very happy. Grown women are afraid to say that they are approaching the menopause, when that means that they have lived a whole successful life. They've lived so long that they can have this…"

"I went to a concert where Ntozake Shange was reading. There, everything exploded for me. She was speaking a language that I knew-in the deepest parts of me-existed, and that I had ignored in my own feminist studies and even in my own writing. What Ntozake caught in me is the realization that in my development as a poet, I have, in many ways, denied the voice of my brown mother-the brown in me. I have acclimated to the sound of a white language which, as my father represents it, does not speak to the emotions in my poems-emotions which stem from the love of my mother. The reading was agitating. Made me uncomfortable. Threw me into a week-long terror of how deeply I was affected. I felt that I had to start all over again. That I turned only to the perceptions of white middle-class women to speak for me and all women. I am shocked by my own ignorance."

"‘Dear God,’ she prayed, ‘let me be something every minute of every hour of my life.’"

"“Gender is not sane. It's not sane to call a rainbow black and white.”"

"Any power-over position forwards a culture that oppresses the transgendered. We should look for positions that allow us to bring out the power we have within us, and to acknowledge the power of others."

"Standing with freaks never hurt anyone - it’s when we agree that we deserve the oppression and the ridicule that accompanies the freak’s position in the culture - that’s when the wound is mortal."

"They believe (foolishly I think) that the power they have and exert over others is a good thing and they want to hang on to it, they're terrified of losing this stuff. What I'm talking about is what's been called '.'"

"'Male privilege' is assuming one has the right to occupy any space or person by whatever means, with or without permission. It's a sense of entitlement that's unique to those who have been raised male in most cultures - it's notably absent in most girls and women. Male privilege is not something that's given to men in this culture; it's something that men take. It's not that women don't have the ability to have and wield this privilege; some do. It's that in most cases, this privilege is withheld from them culturally and emotionally. Male privilege is woven into all levels of the culture, from unearned higher wages to more opportunities in the workplace, from higher quality, less expensive clothing to better bathroom facilities. Male privilege extends into sexual harassment, rape, and war. Combine male privilege with capitalism (which rewards greed and acquisition) and the mass media (which, owned by capitalists, highlights only the reward of acquisition and makes invisible its penalties), and you have a juggernaut that needs stopping by any means. Male privilege is not the exclusive province of men; there are some few women who have a degree of this horrifying personality trait. Male privilege is, in a word, violence."

"If we don't show ourselves the same amount of compassion we show others, we'll eventually come to resent the compassion we have for others. I think there's little enough compassion in the world right now, so we need to grow our own to compensate for that."

"I tell people that I’ve never been hurt by an honest question, and that’s true: it’s a cruel opinion that hurts, not a question."

"There are only people who are fluidly-gendered, and … the norm is that most of these people continually struggle to maintain the illusion that they are one gender or another."

"A simple fact entered my head one day and put an end to my revolt against the Deity. It occurred to me that God was not engaged in corrupting the mind of man but in creating it. This may sound like no fact at all, or like the most childish of quibbles. But whatever it is, it brought me a sigh of relief, a slightly bitter sigh. I was relieved because instead of beholding a man as a finished and obviously worthless product, unable to bring sanity into human affairs, I looked on him (in my conversion) as a creature in the making. And lo, I was aware that like my stooped and furry brothers, the apes, I am God's incomplete child. My groping brain, no less than my little toe, is a mechanism in His evolution-busy hands."

"The movies are an eruption of trash that has lamed the American mind and retarded Americans from becoming cultured people."

"How My Egoism Died"

"A movie is never any better than the stupidest man connected with it."

"I was afraid you would think I was bragging."

"Trying to determine what is going on in the world by reading newspapers is like trying to tell the time by watching the second hand of a clock."

"The only practical way yet discovered by the world for curing its ills is to forget about them."

"There is nothing as dull as an intellectual ally after a certain age."

"People's sex habits are as well known in Hollywood as their political opinions, and much less criticized."

"Writing a good movie brings a writer about as much fame as steering a bicycle. It gets him, however, more jobs. If his movie is bad it will attract only critical tut-tut for him. The producer, director, and stars are the geniuses who get the hosannas when it's a hit. Theirs are also the heads that are mounted on spears when it's a flop."

"In Hollywood, a starlet is the name for any woman under thirty who is not actively employed in a brothel."

"Movies are one of the bad habits that have corrupted our century. They have slipped into the American mind more misinformation in one evening than the Dark Ages could muster in a decade."

"The honors Hollywood has for the writer are as dubious as tissue-paper cuff links."