Philosophers From France

"Such words as spontaneity, sincerity, gratuitousness, richness, enrichment — words which imply an almost total indifference to contrasts of value — have come more often from their [the surrealists’] pens than words which contain a reference to good and evil. Moreover, this latter class of words has become degraded, especially those which refer to the good, as Valéry remarked some years ago. Words like virtue, nobility, honor, honesty, generosity, have become almost impossible to use or else they have acquired bastard meanings; language is no longer equipped for legitimately praising a man’s character."

"In a general way, the literature of the twentieth century is essentially psychological; and psychology consists of describing states of the soul by displaying them all on the same plane, without any discrimination of value, as though good and evil were external to them, as though the effort toward the good could be absent at any moment from the thought of any man."

"There is a certain kind of morality which is even more alien to good and evil than amorality is."

"In the interest of public security it would be advisable that this person be distanced from Le Puy, where she has never ceased to preach revolt."

"In her relatively short life, Simone Weil … created a body of work whose intellectual scope and acuity are remindful of religious thinkers such as Blaise Pascal or Søren Kierkegaard. Since no book by Simone Weil appeared in her lifetime and only a few of her writings were intended for publication, a noteworthy reception of her ideas took place only when selections of her notes, diaries and fragments began to be published posthumously after World War II."

"Simone Weil's intellectual and existential search encompassed several of the major religious and sapiential traditions. Since her religiosity was imbued by Greek thought, Gnosticism, Chinese wisdom, Christian mysticism, and Indian philosophy, it is not surprising that scholars have been especially attentive to her perceptive elaborations on the universal truths informing these — at first sight — hardly compatible spiritual world views."

"Given that only the religion of pervasive kenosis can be truly universal, no single historical individual can exhaust its fullness by virtue of his redemptive acts, and no religious institution can grasp and articulate its meaning by means of dogmatic or doctrinal teachings. In the last resort, it is in the name of religious universalism that Simone Weil calls for a reversion of historical Christianity to its origins as a religion of kenosis."

"Simone Weil, je le sais encore maintenant, est le seul grand esprit de notre temps et je souhaite que ceux qui le reconnaissent en reçoivent assez de modestie pour ne pas essayer d’annexer ce témoignage bouleversant. Pour moi, je serais comblé si l’on pouvait dire qu’à ma place, et avec les faibles moyens don’t je dispose, j’ai servi à faire connaitre et à répandre son oeuvre dont on n’a pas encore mesuré tout le retentissement."

"In the last years of her life she worried that all beliefs, even religious ones, risk idolatry. Her insistence upon "a convention ratified by God" is another example of the thoroughly personal knowledge of God that she sought, and one gathers, believed herself to have attained. She seemed persuaded that under the auspices of the Church such personal knowledge simply does not come about; on the contrary, parishioners turn idolatrous and mistake a ritual, a habit, and alas, a social custom (to go to church on Sunday, say) for such a convention."

"Weil’s critique of modern science consists of two parts, the first directed at classical (Newtonian) science, the latter at contemporary science, especially twentieth-century relativity and quantum mechanics. In each, Weil detects a species of thoughtlessness or failure of that prayerful attention that marks all genuine study and intellectual accomplishment."

"The assimilation of algebra by mathematical physics, a process spanning the eighteenth and extending into the nineteenth century, exacerbates the implicit thoughtlessness of classical science by subordinating scientific cognition to symbolic formulae increasingly devoid of insight. In the process, a genuine encounter with natural necessity, revelatory of divine providence, is lost to science, Symbolic or algebraic physics represents the collectivization of thought, as it were, where science itself is rendered a technique of knowledge production and thought ceases to be the activity of any responsible individual. … This process reaches its logical conclusion in twentieth-century physics, where science is reduced finally to a form of symbolic manipulation the only value of which is predictive success and technological domination of nature."

"The reader of her work finds himself confronted by a difficult, violent and complex personality; and the assistance of those who have the advantage of long discussions or correspondence with her, especially those who are under the peculiar conditions of the last five years her life, will be a permanent value in the future. … After reading Waiting on God and the present volume I saw that I must try to understand the personality of the author and that the reading and re-reading of all her work was necessary for this slow process of understanding. In trying to understand her, we must not be distracted … by considering how far, and at what points we agree or disagree. We must simply expose ourselves to the personality of a woman of genius, of a kind of genius akin to that of the saints. … I cannot conceive of anybody's agreeing with all of her views, or of not disagreeing violently with some of them. But agreement and rejection are secondary: what matters is to make contact with a great soul. Simone Weil was one who might have become a saint. Like some who have achieved this state, she had greater obstacles to overcome, as well as greater strength for overcoming them, then the rest of us. A potential saint can be a very difficult person. I suspect that Simone Weil could be at times insupportable. One is struck, here and there, by contrast between an almost superhuman humility and what appears to be an almost outrageous arrogance."

"In her political thinking she appears as a strong critic of both Right and Left; at the same time or truly a lover of order and hierarchy than even most of those who call themselves Conservative, and more truly a lover of the people than most of those who call themselves Socialist."

"What she cared about was human souls. Her study of human rights and human obligations exposes the falsity of some of the verbiage still current which was used during the war to serve as a moral stimulant."

"Her life is almost a perfect blending of the Comic and the Terrible, which two things may be opposite sides of the same coin. In my own experience, everything funny I have ever written is more terrible than it is funny, or only funny because it is terrible, or only terrible because it is funny. Well Simone Weil's is the most comical life I have ever read about, and the most truly tragic and terrible."

"By saying Simone Weil's life was both comic and terrible I am not trying to reduce it, but mean to be paying her the highest tribute I can, short of calling her a saint, which I don't believe she was. Possibly I have a higher opinion of the comic and terrible than you do. To my way of thinking it includes her great courage and to call her anything less would be to see here as merely ordinary. Of course, I can only say, as you point out, this is what I see, not, this is what she is — which only God knows."

"I have read everything by Simone Weil, who was an extraordinary woman gifted with immense empathy. But I think she might have profited from some better advice. She was not physically strong and yet, in order to directly experience the struggle of working people, she undertook factory work that was too much for her. And she also fought in the Spanish Civil War and, being somewhat clumsy, stepped into a pail of boiling oil, was severely burned, and went to Portugal to recuperate. Later, she would eat only the minimal portion of food she believed was available to people in occupied France—a few potatoes perhaps. She had been diagnosed with tuberculosis, and this may well have contributed to her death. (Then, as you see her, she is more of an inspiration than a model.) EP: Yes, an inspiration. She could not have been a model for me because I am neither a genius nor a mystic and, like Leonora, I had children I loved and for whom I was responsible, so that even if I had discovered a vocation of this sort in myself, I could not have lived such an extreme life."

"[By 1939] Simone Weil had developed a social and political awareness which it took the war and the German occupation to awaken in many French intellectuals and beyond which many of them, including Sartre, have never progressed."

"Simone Weil was one of the most remarkable women of the twentieth, or indeed of any other century. I have great sympathy for her, but sympathy is not necessarily congeniality. It would be easier to write of her if I liked what she had to say, which I strongly do not. …I think Simone Weil had both over- and under-equipped herself for the crisis which overwhelmed her — along, we forget, immersed in her tragedy, with all the rest of us. She was almost the perfectly typical passionate, revolutionary, intellectual woman — a frailer, even more highly strung Rosa Luxemburg. … She made up her own revolution out of her vitals, like a spider or silkworm. She could introject all the ill of the world into her own heart, but she could not project herself in sympathy to others. Her letters read like the more distraught signals of John of the Cross in the dark night."

"Although a few commentators have noted the influence of Simone Weil on the thought of Albert Camus, their relationship has never been fully explored … I shall examine several aspects of that influence in … Weil's critique of Marxism which Camus adopted in L'Homme Révolté… the conception of the rebel as an artisan which Camus also used in L'Homme Révolté, and … Weil's mysticism, to which Camus was reluctantly though definitely drawn. … I shall consider more fully the different conceptions of freedom and justice which appear in their writings and argue that their contributions to political thought here lay with their appreciation of the impulse in modern man to seek and impose absolute values. In this context, we shall see that Camus and Simone Weil provide different routes to individual authenticity and integrity in an absurd world."

"Most sins can be traced back to the social element. They spring from a thirst to appear and to dominate. It is not that Simone Weil rejects the social element as such; she knows that our environment, roots and traditions form bridges, metaxu between earth and heaven; what she repudiates is the totalitarian city — symbolized by the ‘Great Beast’ of Plato and the Beast of the Apocalypse — whose power and prestige usurp God’s place in the soul. Whether it shows itself under a conservative or a revolutionary aspect, whether it consists of adoring the present or the future city, social idolatry always tends to stifle and to replace the true mystic tradition. All the persecutions of prophets and saints are due to it; through it Antigone and Joan of Arc were condemned and Jesus Christ crucified. The social Beast offers man a substitute for religion which allows him to transcend his individuality without surrendering his self and so, at small cost, to dispense with God; a social imitation of the highest virtues is possible by which they are immediately degraded into pharisaism: "The pharisee is he who is virtuous out of obedience to the Great Beast.""

"Light for the spirit and nourishment for the soul, Simone Weil’s work does not have to be brought "up to date," since it emanates from that summit of being which overhangs all times and places. How could one put a date on a particular thought by Plato or Marcus Aurelius, a verse by Aeschylus, or the utterance of a Shakespearean hero ? The same is true, and in exemplary fashion, for Simone Weil. True light does not fade, and a true fountain need never be replenished. To speak of what is timeless is also to speak of what is universal. The undeserved privilege of presenting Simone Weil’s first book to the public has brought me countless favourable comments from the four corners of the globe. What strikes me most about these is that they come from individuals of such diverse backgrounds, social status, cultural milieu, etc, and that reading this work has left a deep impression on all their souls, as they found in it the revelation of an inner truth for which they had, up until then, been waiting in vain. At the twilight of a century whose accelerated history has led to the rise and fall of so many idols, this book increasingly appears like a message from eternity, addressed to eternal man, this "Nothingness capable of God," who is enslaved by gravity and liberated by grace."

"I knew her very well, I have had long discussions with her. For a period of time she was more or less in sympathy with our cause, but then she lost faith in the proletariat and in Marxism. It's possible that she will turn toward the left again."

"Ca va faire, je pense, 23 ans que tu as fait ton entrée dans le monde phénoménal pour le plus grand emmerdement des recteurs et des directrices."

"O Earth! all bathed with blood and tears, yet never Hast thou ceased putting forth thy fruit and flowers."

"Feminist literary critics have shown how in the 19th century women writers began to acknowledge women as their muses and their role models... Elizabeth Barrett Browning admired the work of George Sand and Mme. de Staël, while her work, in its turn, was an inspiration to Emily Dickinson. Margaret Fuller and Sarah Orne Jewett acknowledged their indebtedness to Mme. de Staël, the author of Corinne... The list could be indefinitely extended to show the almost desperate search of writing women for authoritative female predecessors."

"Who talks from thought and reflection is rarely eloquent; Madame de Staël was the only exception I ever knew to that rule."

"Madame de Staël, daughter of M. Necker, is now at the head of the colony of French noblesse, established near Mickleham. She is one of the first women I have ever met with for abilities and extraordinary intellect."

"The human mind always makes progress, but it is a progress in spirals."

"The desire of the man is for the woman, but the desire of the woman is for the desire of the man."

"Le sens de ce mot, chez les Grecs, en est la plus noble définition: l'enthousiasme signifie Dieu en nous ."

"Ces règles ne sont que des barrières pour empêcher les enfants de tomber."

"La recherche de la vérité est la plus noble des occupations, et sa publication un devoir."

"L'admiration pour le beau se rapporte toujours à la Divinité."

"La religion n'est rien si elle n'est pas tout, si l'existence n'en est pas remplie."

"La voix de la conscience est si délicate, qu'il est facile d'étouffer; mais elle est si pure, qu'il est impossible de la méconnaître."

"L'esprit consiste à connaître la ressemblance des choses diverses et la différence des choses semblables."

"There is perhaps too much freedom in Protestantism to satisfy a certain religious austerity, which may seize upon the man who is overwhelmed by great misfortunes; sometimes even in the habitual course of life, the reality of this world disappears all at once, and we feel ourselves in the middle of its interests as we should at a ball, where we did not hear the music; the dancing that we saw there would appear insane."

"Innocence in genius, and candor in power, are both noble qualities."

"Be happy, but be so by piety."

"Tout comprendre rend très-indulgent."

"Ought not every woman, like every man, to follow the bent of her own talents?"

"Atheism exists only in coldness, selfishness, and baseness."

"Let us then blend everything: love, religion, genius, with sunshine, perfume, music, and poetry."

"Beauty is one in the universe, and, whatever form it assumes, it always arouses a religious feeling in the hearts of mankind."

"Love is the emblem of eternity; it confounds all notion of time; effaces all memory of a beginning, all fear of an end: we fancy that we have always possessed what we love, so difficult is it to imagine how we could have lived without it."

"Genius is essentially creative; it bears the stamp of the individual who possesses it."

"When men do wrong, it is out of hardness; when women do wrong, it is out of weakness."

"La vue d'un tel monument est comme une musique continuelle et fixée, qui vous attend pour vous faire du bien quand vous vous en approchez."

"You do not reach the sublime by degrees; the distance between it and the merely beautiful is infinite."