People From Wisconsin

"Once again the universe was spread far out before him and it was a different and in some ways a better universe, a more diagrammatic universe, and in time, he knew, if there were such a thing as time, he'd gain some completer understanding and acceptance of it. He probed and sensed and learned and there was no such thing as time, but a great foreverness. He thought with pity of those others locked inside the ship, safe behind its insulating walls, never knowing all the glories of the innards of a star or the vast panoramic sweep of vision and of knowing far above the flat galactic plane. Yet he really did not know what he saw or probed; he merely sensed and felt it and became a part of it, and it became a part of him — he seemed unable to reduce it to a formal outline of fact or of dimension or of content. It still remained a knowledge and a power so overwhelming that it was nebulous. There was no fear and no wonder, for in this place, it seemed, there was neither fear nor wonder. And he finally knew that it was a place apart, a world in which the normal space-time knowledge and emotion had no place at all and a normal space-time being could have no tools or measuring stick by which he might reduce it to a frame of reference. There was no time, no space, no fear, no wonder — and no actual knowledge, either."

"He sat and watched them come and he thought of going in to get a rifle, but he didn’t stir from his seat upon the steps. The rifle would do no good, he told himself. It would be a senseless thing to get it; more than that, a senseless attitude. The least that man could do, he thought, was to meet these creatures of another world with clean and empty hands."

"Beyond his own sure knowledge, he had not a shred of proof."

"There have been moments when I also wasn’t able to attach as much importance to football as it seemed to me I should."

"“McKay tells me that you went home sick,” she said. “Personally, I hope you don’t survive.”"

"My reluctance to use alien invasion is due to the feeling that we are not likely to be invaded and taken over. It would seem to me that by the time a race has achieved deep space capability it would have matured to a point where it would have no thought of dominating another intelligent species. Further than this, there should be no economic necessity of its doing so. By the time it was able to go into deep space, it must have arrived at an energy source which would not be based on planetary natural resources."

"If mankind were to continue in other than the present barbarism, a new path must be found, a new civilization based on some other method than technology."

"We came into a homeless frontier, a place where we were not welcome, where nothing that lived was welcome, where thought and logic were abhorrent and we were frightened, but we went into this place because the universe lay before us, and if we were to know ourselves, we must know the universe..."

"Space is an illusion, and time as well. There is no such factor as either time or space. We have been blinded by our own cleverness, blinded by false perceptions of those qualities that we term eternity and infinity. There is another factor that explains it all, and once this universal factor is recognized, everything grows simple. There is no longer any mystery, no longer any wonder, no longer any doubt; for the simplicity of it all lies before us..."

"Time is still the great mystery to us. It is no more than a concept; we don't know if it even exists..."

"“As an auxiliary to all of this,” he said, “I have found myself speculating upon a world in which no one ever grew up. I admit, of course, that it is a rather acrobatic feat of thinking, not entirely consistent, to leap from the one idea to the other. In a world where one was able to package his experiences, he merely would be able to relive at some future time the experiences of the past. But in a world of the eternally young he'd have no need of such packaging. Each new day would bring the same freshness and the everlasting wonder inherent in the world of children. There would be no realization of death and no fear born of the knowledge of the future. Life would be eternal and there'd be no thought of change. One would exist in an everlasting matrix and while there would be little variation from one day to the next, one would not be aware of this and there'd be no boredom...”"

"“I find it a most intriguing and amusing thing that it might be possible to package the experiences, not only of one's self, but of other people. Think of the hoard we might then lay up against our later, lonely years when all old friends are gone and the opportunity for new experiences have withered. All we need to do then is to reach up to a shelf and take down a package that we have bottled or preserved or whatever the phrase might be, say from a hundred years ago, and uncorking it, enjoy the same experience again, as sharp and fresh as the first time it had happened”... “I have tried to imagine,” said our host, “the various ingredients one might wish to compound in such a package. Beside the bare experience itself, the context of it, one might say, he should want to capture and hold all the subsidiary factors which might serve as a background for it — the sound, the feel of wind and sun, the cloud floating in the sky, the color and the scent. For such a packaging, to give the desired results, must be as perfect as one can make it. It must have all those elements which would be valuable in invoking the total recall of some event that had taken place many years before.”"

"Like so many other fairy tales, I thought it was a horror story."

"You do not understand what happens in war—a sort of sublime madness, an unholy hatred that is twisted into an unreasoning sense of righteousness…"

"Someone must have known, but I never did. I have often wondered. It was the only way, you see, that a war could still be fought. No human could go to fight that kind of war. So man’s servants and companions, the machines, carried on the war. I don’t know why they kept on fighting. I have often asked myself. They’d destroyed all there’d ever been to fight for and there was not use of keeping on."

"The sun was setting, throwing a fog-like dusk across the stream and trees, and there was a coolness in the air. It was time, I knew, to be getting back to camp. But I did not want to move. For I had the feeling that this was a place, once seen, that could not be seen again. If I left and then came back, it would not be the same; no matter how many times I might return to this particular spot the place and feeling would never be the same, something would be lost or something would be added, and there never would exist again, through all eternity, all the integrated factors that made it what it was in this magic moment."

"We, as a Congress, have to stand up to a president who acts like the Bill of Rights and the Constitution were repealed on September 11."

"That’s what I like about you, senator, you’re kicking it old-school."

"I can’t see a damn soul in D.C. except Russ Feingold who is even worth considering for President. The rest of them seem to me so poisonously in hock to this system of legalized bribery they can’t even see straight."

"Senator Russ Feingold is an embarrassment to the US Senate, which makes him an authentic hero of the Republic. The Wisconsin senator gets up and says out loud what half of the country is thinking and talks about every day."

"I don’t want there to be a catastrophe, I hope there never is another one, there probably will be, but it is really terrible that we need, we seem to rely on very bad things happening in order to come together. We’ve got to do better than that."

"Anything short of radical change to the Republican party’s war on voters of color is merely feigned outrage. Even if the white supremacists are condemned, even if the entire Republican party rises up in self-professed outrage at white supremacists, if voter suppression and other such racist policies survive, the white supremacists are winning. And America is losing."

"The lesson from Charlottesville is not how dangerous the neo-Nazis are. It is the unmasking of the Republican party leadership. In the wake of last weekend’s horror and tragedy, let us finally, finally rip off the veneer that Trump’s affinity for white supremacy is distinct from the Republican agenda of voter suppression, renewed mass incarceration and the expulsion of immigrants."

"I would urge you to be as restrained as you can be as the next steps occur. I don’t know exactly what they’re going to be, this could be one of the most challenging times in the history of our country."

"Something is happening in this country tonight. I don’t understand it completely. I don’t think anybody does."

"In 2001, I first voted against the PATRIOT Act because much of it was simply an FBI wish list that included provisions allowing our government to go on fishing expeditions that collect information on virtually anyone. Today’s report indicates that the government could be using FISA in an indiscriminate way that does not balance our legitimate concerns of national security with the necessity to preserve our fundamental civil rights. This is deeply troubling. I hope today’s news will renew a serious conversation about how to protect the country while ensuring that the rights of law-abiding Americans are not violated."

"For so many who had been driven from their office buildings, these five weeks were only the prelude to spending months cloistered in cramped and inadequate office space while they advised senators on some of the toughest calls they would ever have to make ... As the gap widened between perceptions of fear or danger in Washington and in much of the rest of the country, I believe it had a significant influence on why representatives reacted to terrorism concerns in a way that was fundamentally different from most of their constituents."

"This conduct is right in the strike zone of the concept of high crimes and misdemeanors."

"Opening up the Arctic National Wildlife Refuge to oil drilling is bad public policy that has no place in the budget process,. The Budget Committee needs to leave drilling in the Arctic Refuge behind and focus on crafting this year’s budget package."

"The president and others say that if we leave, it will just be chaos in Iraq. Well, right now when you come to Iraq, you can't even drive from the airport to the Green Zone."

"Americans want to defeat terrorism and they want the basic character of this country to survive and prosper. They want both security and liberty, and unless we give them both, and we can if we try, we have failed."

"I voted against NAFTA, GATT, and Permanent Most Favored Nation status for China, in great part because I felt they were bad deals for Wisconsin businesses and Wisconsin workers. At the time I voted against those agreements, I thought they would result in lost jobs for my state. But, Mr. President, even as an opponent of those trade agreements, I had no idea just how bad things would be."

"I strongly disagree with the President's characterization today of NAFTA as a "success", and with his call on Congress to pass CAFTA this year. These comments are out of touch with American businesses and workers who have been forced to compete on an uneven playing field for years under bad deals like NAFTA."

"Of course, there is no doubt that if we lived in a police state, it would be easier to catch terrorists. If we lived in a country that allowed the police to search your home at any time for any reason; if we lived in a country that allowed the government to open your mail, eavesdrop on your phone conversations, or intercept your email communications; if we lived in a country that allowed the government to hold people in jail indefinitely based on what they write or think, or based on mere suspicion that they are up to no good, then the government would no doubt discover and arrest more terrorists. But that probably would not be a country in which we would want to live. And that would not be a country for which we could, in good conscience, ask our young people to fight and die. In short, that would not be America."

"Anita, I have just come the comforting conclusion that I'll have to paint acres and acres of water color landscapes before I will look for even a passably fair one. After about ten attempts — I certainly have to laugh at myself — It's like feeling around in the dark — thought I knew what I was going to try to do but I find I don't — and guess I'll only find out by slaving away at it. I feel — like a wreck — Have been working like mad all day — and you know how deliciously disgusted with every thing one can be — when the sun begins to go down — and one has been working ones head off all day. It gives me the sensation I used to have when I was a youngster and was going away from home on the train — It is a very special sort of sick feeling."

"(Women you respect most?) Georgia O'Keeffe, Martha Graham. For reasons plain to all-among them, common to both, an inviolate independence of spirit in pursuing their arts, the wholeness of their gifts of the imagination."

"And that - that's death riding high in the sky. All these things have death in them.. ('Ever since the middle Twenties', I said') ..Exactly, ever since I realized O'Keeffe couldn't stay with me."

"Though she decided early that she had little aptitude for singing, Georgia played both the and the piano with considerable skill. Music was a source of great pleasure and sustenance to her throughout her life, and her later decision to concentrate exclusively on art was a difficult one for her to make."

"In comparing a natural black iris to the O'Keeffe painting titled 'Black Iris', there is no denying the edge of realism, but there is also no denying the lack of detail. Her paint brush blatantly neglected to add the feathery golden pollen of an iris's stigma as well as the wrinkled texture of the iris's velvet-like petals. Instead, she created softness in the petals that resembles human flesh, and tinted it in pale, pinkish tones rather than the bluish, black hues of a black iris."

"I hate flowers — I paint them because they're cheaper than models and they don't move!"

"The unexplainable thing in nature that makes me feel the world is big fat beyond my understanding — to understand maybe by trying to put it into form. To find the feeling of infinity on the horizon line or just over the next hill."

"It is surprising to me to see how many people separate the objective from the abstract. Objective painting is not good painting unless it is good in the abstract sense. A hill or tree cannot make a good painting just because it is a hill or a tree. It is lines and colours put together so that they say something. For me that is the very basis of painting. The abstraction is often the most definite form for the intangible thing in myself that I can only clarify in paint. … I found I could say things with color and shapes that I couldn't say any other way — things I had no words for."

"I don't remember where I picked up the head — or the hollyhock. Flowers were planted among the vegetables in the garden between the house and the hills and I probably picked the hollyhock one day as I walked past. My paintings sometimes grow by pieces from what is around.. .I have used these things to say what is to me the wideness and wonder of the world as I live in it."

"There are people who have made me see shapes — and others I thought of a great deal, even people I have loved, who make me see nothing. I have painted portraits that to me are almost photographic. I remember hesitating to show the paintings, they looked so real to me. But they have passed into the world as abstractions - no one seeing what they are."

"After I had been in Canada painting the wide white barns along the Saint Lawrence river, I thought how different the life of the Canadian farmer was from life in Cebolla. So I painted [in 1945] the Cebolla church which is so typical of that difficult life. I have always thought it one of my very good paintings, though its message is not as pleasant as many of the others."

"I find that I have painted my life, things happening in my life — without knowing. After painting the Shell and shingle [c, 1926] many times, I did a misty landscape of the mountain across the lake, and the mountain became the shape of the shingle — the mountain I saw out my window, the shingle on the table in my room. I did not notice that they were alike for a long time after they were painted."

"I painted 'the Shelton with Sunspots' [New York], in 1926. I went out one morning to look at it before I started to work and there was the optical illusion of a bite out of one side of the tower made by the sun, with sunspots against the building and against the sky. I made that painting beginning at the upper left and went off at the lower right without going back."

"The clean clear colours [of a Shanty farm] were in my head. But one day as I looked at the brown burned wood of the Shanty, I thought 'I can paint one of those dismal-coloured paintings like the men. I think just for fun I will try — all low-toned and dreary with the tree besides the door.' In my next show [c. 1923], 'The Shanty' went up. The men seemed to approve of it. They seemed to think that maybe I was beginning to paint.. ..that was my only low-toned dismal-coloured painting."

"Later I had two green ones [alligator pears] — not so perfect. I painted them several times [c. 1920] when the men [American modernist artists, a.o. Marsden Hartley ] didn't think much of what I was doing. They were all discussing Paul Cézanne, with long involved remarks about the 'plastic quality' of his form and colour. I was an outsider. My colour and form were not acceptable. It had nothing to do with Cézanne or anything else. I didn't understand what they were talking about why one colour was better than another.. .Years later when I finally got to Cézanne's Mont Sainte-Victoire in the south of France, I remember sitting there thinking, 'How could they attach all those analytical remarks to anything he did with that mountain?' All those entire words piled on top of that poor little mountain seemed too much."

"Bement [her art teacher] told me things to read. He told me of exhibitions to go and see [c. 1917].. ..the two books that he told me to get were Jeromy Eddy 'Cubists and Post-impressionism' and Kandinsky 'On the Spiritual of Art'... It was some time before I really begun to use the ideas. I didn't start at until I was down in Carolina — alone — thinking things out for myself."