People From New York State

"All the art since the Renaissance seemed too men-oriented. I liked (the) object quality. An Egyptian pyramid, a Sung vase, the Romanesque church appealed to me. The forms found in the vaulting of a cathedral or even a splatter of tar on the road seemed more valid and instructive and a more voluptuous experience than either geometric or action painting."

"Instead of making a picture that was an interpretation of a thing seen, or a picture of invented content, I found an object and 'presented' it as itself alone. My first object was 'Window' [Museum of Modern Art, Paris], done in 1949. After constructed 'Window' with two canvases and a wood frame I realized that from then on painting as I had known it was finished for me. The new works were to be objects, unsigned, anonymous."

"My work is about structure. It has never been a reaction to Abstract Expressionism. I saw the Abstract Expressionists for the first time in 1954. My line of influence has been the 'structure' of the things I liked: French Romanesque architecture, Byzantine, Egyptian and Oriental art, Van Gogh, Cézanne, Monet, Klee, Picasso, Beckman.."

"Everything that I saw became something to be made, and it had to be exactly as it was, with nothing added. It was a new freedom: there was no longer the need to compose. The subject was there already made, and I could take from everything. It all belonged to me: a glass roof of a factory, with its broken and patched panels, lines on a road map, a corner of a Braque painting, paper fragments in the street. It was all the same: anything goes."

"Soon after completing the 'La Combe' series [circa 1950] I had a dream in which I was assisted by many children on a scaffold, painting a huge mural made up of square panels fitted together. Each panel was being painted by a child very quickly in long black strokes with huge brushes. The work was done in seconds. Upon waking I immediately made a reminder sketch of the mural. Later I made a drawing of many ink strokes, which I cut up into twenty squares and placed at random in a four-by-five grid.."

"Like the postcard collages, the colors are shapes in a landscape. In this case [his collage 'Napoleon at Würtsburg'] it is a painting of a landscape, not a photo as in the postcards [collages], and therefore a contrast of the traditional painting and a presentation of literal space on top of depicted space."

"I felt that everything is beautiful, but [not?] that which man tries intentionally to make beautiful; that the work of an ordinary bricklayer is more valid than the artwork of all but a very few artists."

"I made the photographs just like I draw.. .I wanted the photographs [Kelly made circa 1950 in Paris] to be enlightening to my art.."

"In 1949, I ceased figurative painting and began works that were object oriented. The drawings from plant life seem to be a bridge to the way of seeing that brought about the paintings in 1949 that are the basis for all my later work. After arriving in Paris in 1948, I realized that figurative painting and also abstract painting (though my knowledge of the latter was very limited) as I had known in the 20th century no longer interested me as a solution to my own problems. I wanted to give up easel painting which I felt was too personal."

"In my painting, negative space is never arbitrary. (I believe lithographs to be colored marks printed on a ground – the paper and the measure of the ground and the marks are to be considered of equal importance). In my painting, the painting is the subject rather than the subject the painting."

"I usually let them [his drawings] lies around for a long time. I have to get to really like it. And then when I do the painting I have to get to like that too. Sometimes I stay with the sketch, sometimes I follow the original idea exactly if the idea is solved. But most of the time there have to be adjustments during the painting. Through the painting of it I find the color and I work the form and play with it and it adjusts itself."

"My collages are only ideas for things much larger – things to cover walls. In fact all the things that I have done I would like to see much larger. I am not interested in painting as it has been accepted for so long – to hang on walls of houses as pictures. To hell with pictures – they should be the wall – even better – on the outside wall – of large buildings. Or stood up outside as billboards or a kind of modern 'icon'. We must make our art like the Egyptians, the Chinese & the African and the Island primitives – with their relation to life. It should meet the eye direct."

"This book [full of linoleum prints] will be an alphabet of pictorial elements without text, which shall aim at establishing a larger scale of painting, a closer contact between the artist and the wall, and a new spirit of art accompanying architecture."

"I'm interested in the mass and color, the black and the white, the edges happen because the forms get as quiet as they can be."

"I like to work from things that I see, whether they're man-made or natural or a combination of the two.. .The things that I'm interested in have always been there. The idea of a shadow and a natural object has existed, like the shadow of the pyramids, or a rock and its shadow; I'm not interested in the texture of the rock, or that it is a rock, but in the mass of it, and its shadows."

"Simple, I don't like the word simple. I like easy better. I want to forget about the technique. I sweat and worry but I don't want it look like that; but you can’t separate the artist and his technique."

"Mr. Ferriss makes little pretense of practicing what he preaches, at least if you count self-promotion as "work.""

"Lacking an external focus, the mind turns inward on itself and creates problems to solve, even if the problems are undefined or unimportant. If you find a focus, an ambitious goal that seems impossible and forces you to grow, these doubts disappear."

"It's amazing how someone's IQ seems to double as soon as you give them responsibility and indicate that you trust them."

"Creating demand is hard. Filling demand is easier. Don't create a product, then seek someone to sell it to. Find a market - define your customers - then find or develop a product for them."

"There are tons of things in your home and life that you don't use, need, or even particularly want. They just came into your life as impulsive flotsam and jetsam and never found a good exit. Whether you're aware of it or not, this clutter creates indecision and distractions, consuming attention and making unfettered happiness a real chore. It is impossible to realize how distracting all the crap is - whether porcelain dolls, sports cars, or ragged T-shirts - until you get rid of it."

"Effectiveness is doing the things that get you closer to your goals. Efficiency is performing a given task (whether important or not) in the most economical manner possible. Being efficient without regard to effectiveness is the default mode of the universe."

"Being busy is a form of laziness - lazy thinking and indiscriminate action."

"Being busy is most often used as a guise for avoiding the few critically important but uncomfortable actions."

"Being overwhelmed is often as unproductive as doing nothing, and is far more unpleasant. Being selective - doing less - is the path of the productive. Focus on the important few and ignore the rest."

"If you are insecure, guess what? The rest of the world is, too. Do not overestimate the competition and underestimate yourself. You are better than you think."

"Just as modern man consumes both too many calories and calories of no nutritional value, information workers eat data both in excess and from the wrong sources."

"I've trained myself to propose solutions instead of ask for them, to elicit responses instead of react, and to be assertive without burning bridges. To have an uncommon lifestyle, you need to develop the uncommon habit of making decisions, both for yourself and for others."

"In excess, most endeavors and possessions take on the characteristics of their opposite."

""If only I had more money" is the easiest way to postpone the intense self-examination and decision-making necessary to create a life of enjoyment - now and not later."

"If the potential damage is moderate or in any way reversible, don't give people the chance to say no. Most people are fast to stop you before you get started but hesitant to get in the way if you're moving. Get good at being a troublemaker and saying sorry when you really screw up."

"People who avoid all criticism fail. It's destructive criticism we need to avoid, not criticism in all forms."

"Money is multiplied in practical value depending on the number of W's you control in your life: what you do, when you do it, where you do it, and with whom you do it."

"Alternating periods of activity and rest is necessary to survive, let alone thrive. Capacity, interest, and mental endurance all wax and wane. Plan accordingly."

"To enjoy life, you don't need fancy nonsense, but you do need to control your time and realize that most things just aren't as serious as you make them out to be."

"Doing less meaningless work, so that you can focus on things of greater personal importance, is NOT laziness. This is hard for most people to accept, because our culture [American] tends to reward personal sacrifice instead of personal productivity."

"A person's success in life can usually be measured by the number of uncomfortable conversations he or she is willing to have."

"If, as is nearly always the case, music appears to express something, this is only an illusion,and not a reality."

"The grand old Book of God still stands; and this old earth, the more its leaves are turned over and pondered, the more it will sustain and illustrate the Sacred word."

"The hope of the nation and of Christendom, and of the lands called heathen, alike is to be found in the indoctrination of little children in the knowledge of God's truth; for the missionaries will tell you that the adult heathen population of to-day are to die heathen; the minister will tell you that the adult, virtually heathen population of Christian lands to-day are to die in that condition, unless God showers down altogether unprecedented grace — with only such occasional exceptions as confirm this general and terrible law. If this be so, the hope of Christianity is in childhood. Towards childhood must be directed the work of the sappers and miners of the church. Here is the weak point of the enemy's fortress. Here let the breach be made, and his topmost turret shall be laid low."

"Jesus loves me—this I know, For the Bible tells me so"

"Underneath all the arches of Scripture history, throughout the whole grand temple of the Scriptures, these two voices ever echo, man is ruined, man is redeemed."

"Then Jesus spoke: "Bring here thy burden, And find in me a full release; Bring all thy sorrows, all thy longings, And take instead my perfect peace. Trying to bear thy cross alone! — Child, the mistake is all thine own.""

"And now my cross is all supported, — Part on my Lord, and part on me; But as He is so much the stronger, He seems to bear it — I go free."

"Christianity was the temple that was to be eternal, and on it, as unconscious builders, men were laboring in all the ages from the creation."

"All we want in Christ, we shall find in Christ. If we want little, we shall find little. If we want much, we shall find much; but if in utter helplessness we cast our all on Christ, He will be to us the whole treasury of God."

"Without religion, man is an atheist, woman is a monster. As daughter, sister, wife, and mother, she holds in her hands, under God, the destinies of humanity. In the hours of gloom and sorrow we look to her for sympathy and comfort. Where shall she find strength for trial, comfort for sorrow, save in that gospel which has given a new meaning to the name of "mother", since it rested on the lips of the child Jesus?"

"Man, being essentially active, must find in activity his joy, as well as his beauty and glory; and labor, like every thing else that is good, is its own reward."

"The cardinal method with faults is to overgrow them and choke them out with virtues."

"The only way to hasten the kingdom is to hasten growth; to hasten work, and that, too, along the very lines in which the "resounding loom of time" is weaving in its various-colored threads."