People From New York State

"They were a well-behaved group, too; getting in trouble often enough so there could be no doubt about their masculinity, but not enough so that the discipline officer would remember any of their names."

"“Yours is a minority opinion, Major, as I suppose you know,” Lord Darcy told him. “But it is one which should be heard more often. It is a question that deserves to be debated and discussed, and not simply have the answers assumed by those in authority.”"

"“You’re from Liverpool, of course,” He was very proud of his ability to place different accents. “No,” Sylvia told him. “Boston.”"

"“A dead man, Sir Moses,” Lord Darcy told him. “Remember, young man, he isn’t dead until I say he’s dead,” Sir Moses said. He pushed Lord Darcy aside and stepped over to the throne. He stared down at Master Sorcerer Dandro Bittman. “This man is dead,” Sir Moses said. “Indeed he is, Sir Moses,” Master Sean said, coming up behind him. “And that’s something that neither you with your bone cutting nor I with my spells, nor the finest healer with the most sensitive hands in the kingdom, can do aught about.”"

"The Duchess of Cumberland smiled at the little sorcerer. “Really, Master Dandro,” she said. “That’s certainly an orthodox view.” Master Dandro turned to her and smiled a rabbity smile. “Orthodoxy is my only doxy,” he said."

"“That man is a fool,” Lady Marta said, her dark eyes staring at Baron Hepplethong’s retreating back. “Most men are fools, but he carries it to unnatural extremes. I have the misfortune to be distantly related to him. He believes in the natural superiority of the white race, the noble class, and the male sex. He also feels that people who wear green are morally superior to those who wear red or brown. I do not jest.”"

"“We are greatly complimented, my lord,” Marquis Sherrinford said dryly. “You don’t think we’re gibbering madmen.”"

"[O]rdinarily, and in most philosophical works, too, we take it that each individual experience is perfectly private to, or is enjoyed only by, just that very individual [...]. But, for both so many philosophers and so many philosophically innocent thinkers, that may be no more than an enormously widespread and deeply ingrained error. In point of fact, the real situation may be that each of these experientially similar individuals is similarly related to the very same single experience [...] with me and all my overlappers, it really may be that each of us is having—in the way of having quite peculiar to experiences—on and the same individual experience."

"The Preservationist holds that, to save others from suffering truly serious losses, like the loss of life or limb, often it's wrong to lie, and to cheat, and to steal, even though nobody will ever suffer much from your doing any of that. By contrast, the Liberationist holds that, when necessary to lessen serious suffering, then, provided nobody suffers seriously in consequence of your so doing, it's always morally good to do all those unruly things and more."

"Here, we may well distinguish between Extreme Liberationism and Open Liberationism. So, as regards stealing, for example, the Extreme view holds that ... not only is it good to steal, but it's wrong not to do so. By contrast, Open Liberationism holds that it's at least good to steal and, while it's open to the (epistemic) possibility that it's wrong not to do so, it's also open to the possibility that it's not wrong. While I'm inclined to think that, in the end, even the Extreme view is correct, in this book it's enough to argue for Open Liberationism."

"There is no academic virtue in playing mediocre football and no academic vice in winning a game that by all odds one should lose...There has indeed been a surrender at Notre Dame, but it is a surrender to excellence on all fronts, and in this we hope to rise above ourselves with the help of God."

"With these dramatic words, Kant alludes to the two great problems and accomplishments of his philosophical career. On the one hand, he wants to know how we who as creatures are a mere part of nature can discover how all of nature … does and even must work. On the other hand, he wants to display the unconditional value that we have as rational rather than merely natural beings, … and that we are always free to act in accordance with and indeed for the sake of this principle, thus free to realize the unconditional value for which we unlike anything else in nature have the potential."

"It may seem as if Kant was content with such a radically dualistic view of human action, but ultimately he was not. … What Kant is assuming here is that morality is not just a matter of making rightful or virtuous choices, but also requires us to put those choices into practice by attempting to realize the goals or ends that they entail in the arena of action, that is, nothing less than the realm of spatial, temporal, and causal nature in which we live and act."

"Indeed, once Kant had discovered the Humean problem of skepticism about the universality and necessity of first principles, he generalized it not only to the first principles of “speculative philosophy,” that is, theoretical cognition, but also to the first principle of practical philosophy, the fundamental principle of morality. Thus, from a methodological point of view, Kant’s project in philosophy became that of undermining both Humean and Pyrrhonian skepticism in both theoretical and practical philosophy, and, much more incidentally, along the way refuting Cartesian skepticism about external objects as a nagging but by no means central problem in theoretical philosophy."

"I have final say on the plot and characters, she has final say on the words and descriptions."

"Rejection is nature's way of telling you to write a better book."

"For his groundbreaking insight into the evolution of altruism, Price merits a special place in the history of evolutionary biology. The painful irony is that his struggle to extinguish all selfish motives in his own life nearly prevented him from achieving it."

"Believers in psychic phenomena — such as telepathy, clairvoyance, precognition and psychokinesis — appear to have won a decisive victory and virtually silenced opposition... What is unique about the present is, that during the last 15 years, scarcely a single scientific paper has appeared attacking the work of the parapsychologists."

"A model that unifies all types of selection (chemical, sociological, genetical, and every other kind of selection) may open the way to develop a general ‘Mathematical Theory of Selection’ analogous to communication theory... Selection has been studied mainly in genetics, but of course there is much more to selection than just genetical selection... yet, despite the pervading importance of selection in science and life, there has been no abstraction and generalisation from genetical selection to obtain a general selection theory and general selection mathematics"

"In the first reel (of '), you see a close-up of art critic Gregory Battcock as he is receiving a blow-job. Like the silent version, the person who is performing oral sex on him is out of the frame. Battcock looks somewhat bored during the proceedings. He drinks wine and some water. Towards the end of the first reel, he gets a phone call from a friend named Bob who has just returned from the trip. While they are chatting, the camera pans down to reveal the back of the head of someone who is going down on Battcock while he chats on the phone. Battcock tells the guy to come over and see him in about 33 minutes (the length of reel two). At the end of the reel, Battcock tells the guy going down on him that the caller's 'mother finally died'. The guy responds with something along the line of 'Oh, really'. During reel two, Warhol moves the camera --tilting up and down to the guy on the floor whose face is never revealed. There are also some occasional zooms in and out of Battcock's face. At one point, Battcock starts to eat an apple and begins choking. The guy on the floor tells him 'You shouldn't eat so fast.' The film ends without the sexual act being completed (at least from what I can tell..."

"What is video art? How does it differ from commercial television? Is video art linked to such traditional art forms as painting and sculpture? Is it a totally new phenomenon?"

"(Performance) art is, perhaps, the first art phenomenon to clearly demonstrate that modern art has become antiquated. Modern art is based upon a single assumption. That the artwork is only what it is.It is not a picture or a metaphor for something else. It is, say, a photograph, first and only. Or, perhaps, it is a painting, first and only. This assumption still looms above us all. We automatically accept it. We fall back upon it whenever we have a problem in criticizing, accepting, or understanding a work of art."

"Video art is art that will stretch the boundaries of the art world."

"Before man was aware of art he was aware of himself. Awareness of the person is, then, the first art. In performance art the figure of the artist is the tool for the art. It is the art."

"Warhol's art can both subvert (up to a point) formal art and, at the same time, offer socially provocative documents to the ordinary, white, middle-class citizen. Blacks and the poor do not like Warhol's art or movies. Documents that are mainly intended as deliberate references to a predominant white culture cannot incite the imaginations of those who don't give a fuck for that culture in the first place, even if they did understand what it was all about. This inability of Warhol to reach blacks and the poor represents the weakest aspect of his art. Warhol's art implies a certain disgust on the part of the artist for culture — a disgust he shares in common with New Left revolutionaries and progressive activist artists and critics. His latest decision, to stop painting altogether, is a deliberate step in the direction away from culture itself. It is also an inevitable step, as the very notion of art works that possess a quality as items to be traded upon the New York art exchange is incompatible with the socialisation of art. Modern culture is a repressive, police agency. The police function of modern culture has been recognized by Warhol. His paintings of electric chairs, police attacks, most-wanted men, and car crashes all seem to reflect in art the reality of an official culture of repression rather than of life."

"Battcock was close friends with Andy Warhol and starred in several of the artist’s films, including "Batman Dracula," 1964 and "Horse," 1965, as well as Gregory Markopoulos' films "Galaxie," 1966 and "Iliac Passion," 1967. He became a special correspondent for Arts Magazine also in 1967. His interest in cinema led him to write articles about other Warhol films such as, “Notes on the Chelsea Girls: A Film by Andy Warhol,” 1967, and “Warhol Film,” 1968. Battcock contributed to the re-definition of what the art world categorizes as art in that many of his anthologies address "new" fields of the aesthetic exploration of media such as film and video."

"My work's an attempt to challenge notions about nudity in a public space and how the body is represented in our culture."

"When you see 300 people naked in Grand Central Station, or a river of flesh flowing through the beauty aisles of Selfridges department store, it makes you think about all sorts of social and political issues."

"I make installations and the final result is a video projection and the photograph. If I didn’t make video projections, then call me one thing; if I didn’t make photos, then call me another. I’m in between an installation artist, video artist and photographer. And when you work with nude bodies, you’re immediately called a pornographer or a fashion photographer."

"For me, the nude body is like a raw material.. another artist might use oil or clay. I love the fact that, en masse, it can be turned into an infinite number of shapes or abstractions, while the setting I choose.. rural, urban, indoors or out.. is like a canvas."

"A second hard truth: Much research points to the widespread existence of unconscious bias. Many people in our white-majority culture have unconscious racial biases and react differently to a white face than a black face. In fact, we all, white and black, carry various biases around with us. I am reminded of the song from the Broadway hit, Avenue Q: “Everyone’s a Little Bit Racist.” Part of it goes like this: Look around and you will find. No one’s really color blind. Maybe it’s a fact. We all should face. Everyone makes judgments. Based on race. You should be grateful I did not try to sing that."

"But if we can’t help our latent biases, we can help our behavior in response to those instinctive reactions, which is why we work to design systems and processes that overcome that very human part of us all. Although the research may be unsettling, it is what we do next that matters most."

"Over the next 40 years, he rose to lead that department. Pop was the tall, strong, silent type, quiet and dignified, and passionate about the rule of law. Back during Prohibition, he heard that bootleggers were running beer through fire hoses between Yonkers and the Bronx."

"But racial bias isn’t epidemic in law enforcement any more than it is epidemic in academia or the arts. In fact, I believe law enforcement overwhelmingly attracts people who want to do good for a living—people who risk their lives because they want to help other people. They don’t sign up to be cops in New York or Chicago or L.A. to help white people or black people or Hispanic people or Asian people. They sign up because they want to help all people. And they do some of the hardest, most dangerous policing to protect people of color."

"One reason we cannot forget our law enforcement legacy is that the people we serve and protect cannot forget it, either. So we must talk about our history. It is a hard truth that lives on."

"There is a reason that I require all new agents and analysts to study the FBI’s interaction with Dr. Martin Luther King, Jr., and to visit his memorial in Washington as part of their training. And there is a reason I keep on my desk a copy of Attorney General Robert Kennedy’s approval of J. Edgar Hoover’s request to wiretap Dr. King. It is a single page. The entire application is five sentences long, it is without fact or substance, and is predicated on the naked assertion that there is “communist influence in the racial situation.” The reason I do those things is to ensure that we remember our mistakes and that we learn from them."

"But that leads me to my third hard truth: something happens to people in law enforcement. Many of us develop different flavors of cynicism that we work hard to resist because they can be lazy mental shortcuts. For example, criminal suspects routinely lie about their guilt, and nearly everybody we charge is guilty. That makes it easy for some folks in law enforcement to assume that everybody is lying and that no suspect, regardless of their race, could be innocent. Easy, but wrong."

"Now, Pop enjoyed a good beer every now and again, but he ordered his men to cut those hoses with fire axes. Pop had to have a protective detail, because certain people were angry and shocked that someone in law enforcement would do that. But that’s what we want as citizens—that’s what we expect. And so I keep that picture of Pop on my office wall to remind me of his integrity, and his pride in the integrity of his work."

"I worry that this incredibly important and incredibly difficult conversation about race and policing has become focused entirely on the nature and character of law enforcement officers, when it should also be about something much harder to discuss. Debating the nature of policing is very important, but I worry that it has become an excuse, at times, to avoid doing something harder."

"Let me start by sharing some of my own hard truths. First, all of us in law enforcement must be honest enough to acknowledge that much of our history is not pretty. At many points in American history, law enforcement enforced the status quo, a status quo that was often brutally unfair to disfavored groups. It was unfair to the Healy siblings and to countless others like them. It was unfair to too many people."

"I am descended from Irish immigrants. A century ago, the Irish knew well how American society—and law enforcement—viewed them: as drunks, ruffians, and criminals. Law enforcement’s biased view of the Irish lives on in the nickname we still use for the vehicles we use to transport groups of prisoners. It is, after all, the “paddy wagon.”"

"Serious debates are taking place about how law enforcement personnel relate to the communities they serve, about the appropriate use of force, and about real and perceived biases, both within and outside of law enforcement. These are important debates. Every American should feel free to express an informed opinion—to protest peacefully, to convey frustration and even anger in a constructive way. That’s what makes our democracy great. Those conversations—as bumpy and uncomfortable as they can be—help us understand different perspectives, and better serve our communities. Of course, these are only conversations in the true sense of that word if we are willing not only to talk, but to listen, too."

"Law enforcement ranks are filled with people like my grandfather. But, to be clear, although I am from a law enforcement family, and have spent much of my career in law enforcement, I’m not looking to let law enforcement off the hook. Those of us in law enforcement must redouble our efforts to resist bias and prejudice. We must better understand the people we serve and protect—by trying to know, deep in our gut, what it feels like to be a law-abiding young black man walking on the street and encountering law enforcement. We must understand how that young man may see us. We must resist the lazy shortcuts of cynicism and approach him with respect and decency."

"Unfortunately, in places like Ferguson and New York City, and in some communities across this nation, there is a disconnect between police agencies and many citizens—predominantly in communities of color."

"The Irish had tough times, but little compares to the experience on our soil of black Americans. That experience should be part of every American’s consciousness, and law enforcement’s role in that experience—including in recent times—must be remembered. It is our cultural inheritance."

"Likewise, police officers on patrol in our nation’s cities often work in environments where a hugely disproportionate percentage of street crime is committed by young men of color. Something happens to people of good will working in that environment. After years of police work, officers often can’t help but be influenced by the cynicism they feel."

"I have been registered Republican for most of my adult life. Not registered any longer."

"Thank you, President DeGioia. And good morning, ladies and gentlemen. Thank you for inviting me to Georgetown University. I am honored to be here. I wanted to meet with you today, as President DeGioia said, to share my thoughts on the relationship between law enforcement and the diverse communities we serve and protect. Like a lot of things in life, that relationship is complicated. Relationships often are."

"Given Georgetown’s remarkable history, and that of President Healy, this struck me as an appropriate place to talk about the difficult relationship between law enforcement and the communities we are sworn to serve and protect."

"With the death of Michael Brown in Ferguson, the death of Eric Garner in Staten Island, the ongoing protests throughout the country, and the assassinations of NYPD Officers Wenjian Liu and Rafael Ramos, we are at a crossroads. As a society, we can choose to live our everyday lives, raising our families and going to work, hoping that someone, somewhere, will do something to ease the tension—to smooth over the conflict. We can roll up our car windows, turn up the radio and drive around these problems, or we can choose to have an open and honest discussion about what our relationship is today—what it should be, what it could be, and what it needs to be—if we took more time to better understand one another."