People From New York City

"Having said all this, I acknowledge that “I got mine” from the government over the course of many years. Thus, as I say so long,” one component of my last-gasp disquiet stems from pompously worrying about biologists who are starting out or are in mid-career."

"Whether or not a researcher of a certain notoriety deserves that the ‘support system’ [to] keep him going, there is a far more general problem: What props up biological research, at least in the vaunted US of A, involves a situation so deeply imbued with entitlement mentality that it has sunk into institutional corruption. A principal symptom of this state of affairs involves the following: People are hired after they have undergone long stints of training; and a potential hiree must present a large body of documented accomplishments. In my day you could get a faculty job with zero post-doc papers, as in the case of yours truly; but now the CV of a successful applicant looks like that of a newly minted full Professor from olden times. Notwithstanding these demands, and the associated high quality of a fledgling faculty-level type, the job starts with some “set-up” money for equipping the lab; but next to no means are provided to initiate that ‘research program’ and to sustain it during the years to come."

"US institutions (possibly also those in other countries) behave as though they… are entitled to research funding, which will magically materialize from elsewhere: “Get a grant, serf! If you can’t do it quickly, or have trouble for some years — or if your funding doesn’t get renewed, despite continuing productivity — forget it!” But what if there are so many applicants (as there are nowadays) that even a meritorious proposal gets the supplicant nowhere or causes a research group to grind prematurely to a halt? What if the situation is worsened when the government at hand is anti-science and otherwise squanders its resources on international adventurism?"

"The rationale for the vast network of government welfare programs as well as regulation and control over private enterprise is based on the socialist analysis of the market economy."

"If government goes beyond securing liberty and instead violates it through regulation, redistribution, and planning, then citizens are victims of legal plunder."

"Liberals say they are for civil liberties and personal freedom, but they continue to advocate government regulation of business, redistribution of wealth, and various forms of social engineering to manipulate human relationships and attitudes."

"Each of us, Leonard Read said, must become candles of liberty in the darkness of collectivist ideas. The brighter we each shine through our understanding and ability to articulate the meaning of freedom, the more we will be beacons that can attract others."

"The history of paper money is an account of abuse, mismanagement, and financial disaster."

"Democracy in itself does not define or guarantee a free society. History has told many stories of democratic societies that have degenerated into corruption, plunder, and tyranny."

"It should be remembered that men of courage, integrity, and principle can stand up to Big Brother and resist the headlong march into economic tyranny."

"Our world today is in the grip of anti-capitalism. State bureaucracies ruling over anti-market policies have grown into ideological and political elites who arrogantly presume to know and dictate how we should all live and work."

"Government is, and always has been, the greatest criminal threat to the peaceful members of society."

"Socialism's failure in the former Soviet Union and in the other socialist countries stands as a clean and unquestionable warning as to which path any rational and sane people should never follow again. Government planning brought poverty and ruin... Unfortunately, America is not absorbing the lessons that should be learned from the socialist experience and, instead, is following the same path of destruction."

"Who is the fascist? Individualism and the political philosophy of limited government is not only inconsistent with but is the exact opposite of fascism and Nazism. Under Fascism fascism and Nazism, the state reigns supreme with absolute power over everyone and all forms of property. It can well be asked: who is the fascist, when the president of the United States and many Democrats and Republicans in congress call for expanded authority for the FBI and other federal security agencies to intrude into the lives of the American citizenry? Who is the fascist, when the call is made for increased power for the FBI to undertake ‘roving wiretapping’ or have easier access to the telephone and credit-card records of the general population? Who is the fascist, when the proposal is made to make it easier for the FBI to investigate and infiltrate any political organization or association because the government views it as a potential terrorist danger?"

"I'm a conscious eater, meaning I'm conscious about the things I put in my mouth. I know the ingredients in the food, I know the chemicals, if there are chemicals, I know what that cup is made of, and if I'm eating out of this plastic utensil, I know what it's doing. I'm a "conscious eater.""

"Capitalism in the 19th century did not doom the worker to a life of perpetual poverty. Instead, they kept creating new and better-paying employments as the decades went by. They produced the wealth and rising income that resulted in the emergence of a phenomenon completely new to human history: a self-supporting and educated middle class that grew more and more as they lower classes bettered their economic well-being."

"Animals should be treated the same as you would a kid. Would you want someone just to walk up and skin your kid? Hell no!"

"I was working at this club in downtown L.A. from four to eight at night, just Eddie Rubin, the drummer, and I. We didn’t even have a bass player down there. Then we’d pack up, get on the freeway, drive up to L.A., go to the Whisky, set up, grab some food, and play from 10 p.m. to 2 a.m. It was pretty rough work, but it was fun and we were into it. We knew we had something going and there was a big buzz. It was pretty exciting."

"Urban planning is a long history of cities (and their planners) seeing, and deliberately not seeing, the people who live in them. Working in city planning makes me consider the city as an organism, as a machine for living in…"

"I hope the first set we meet are kind and smart and savvy, and also mammals who breathe oxygen and have hierarchical structure, because otherwise we’re going to not be able to figure out how to say anything useful and understandable, and if they’re not kind, they may decide they’re better off without us…"

"I feel as if empire is something that is either taken for granted in space opera—uninterrogated, simply present as a fact of worldbuilding—or it is rendered so evil as to be incomprehensibly bad…"

"Fanfiction lets you share the kind of story you like with other people who take delight in it, too, and lets you participate in making that sort of story for those people…"

"I went to an acting school while I was a cop still…The moment I was involved in that world, it electrified me and I realized that it was something that I wanted to do"

"He looked at me like I was thinking outside of the reality of where we were at…And I respected my father. He was a good man, he was a good father, so I kind of like, really just put it in the back of my head. I really didn't pursue it much."

"I don’t have a dream role. Every role I get is my dream role. Whatever the role… I have to commit to every time."

"…We Latinos have a rich, dynamic and complex history full of narratives that are dimensional, intelligent, tragic, comedic, absurd, philosophical, violent and loving. There aren't enough stages for our stories. I’m humbled and honored that these have come into my life…"

"…So much of western theater is founded on the search for reason and “why” things happen and Cándido/Guillermo taught me to look beyond the idea of the rational and explore the irrational in objectives and motivations… Life is irrational…"

"A play is an ever-changing dynamic theatrical experience. Every director, cast, design team, audience and reader bring new life to a piece of dramatic literature. A play is not a fixed expression, but a revelation in a particular moment in time."

"I've always been drawn to violence, control and issues of subjugation...I found that in times of overwhelming oppression, a metaphoric language evolves as a survival mechanism to communicate truth…"

"The thing is that there aren’t many stories told that are being shown to everybody from this, so any opportunity that I have to see a project that we could just release that to people that they could see a slice of life that they may not recognize or they may not know. It’s about family, it’s about being good people, it’s about culture, whether it’s music, theater, arts. And the opportunity to show that in a neighborhood and in a culture that I grew up in is very important to me."

"There are some Deckers who manage to live perfect End Days, but not everyone's got a life where you can get a happy End Day. Some of us got wounds and brains and hearts that need more than twenty-four hours to heal. Days, weeks, months, even years. That time can be suffocating, and planning those futures can feel like telling lies, but love saved us tonight, and as long as we stay together, love will keep us alive."

"The thing is, I can remember my entire life. This includes before I was technically born. This might not seem significant to anyone that I can remember being in the womb except for the fact that while it's true that my father has never told me the secret to Death-Cast, he did tell my mother while she was pregnant. I've known the secret since before I was born, before I could absorb the words, before I could make sense of what was said. My parents stopped talking about the secret around me when I was four because they were scared of me learning it, which only made me keep my own secret from them. On the first End Day, I went into the Vast Vault at Death-Cast to see the secret for myself. I shouldn't have gone in. If I hadn't, the Death's Dozen might be alive today. I don't know. All I know is that love will not survive once Paz discovers I ruined his life."

"The best apology isn't words. The best apology is action taken to make things right."

"If Joaquin thought he was losing power over Alano before, he now knows he is completely powerless as Alano and Paz stare into each other's eyes like Deckers who have fallen in love on their End Day. He can only hope these boys will not be the cause of each other's deaths."

"Paz is quiet. I should have discussed this with him privately. I definitely don't want to pressure him into doing promotions for a company that upended his life, I only want his wounds to heal. Everyone around the world will see this campaign. Maybe that's a bad thing. The last thing I want is to invite more chaos into Paz's life. Now I'm scared I'm doing just that. Paz walks up to my father. For a moment I'm nervous he's going to hit him, but he shakes his hand instead. "Thank you," he says before hugging Ms. Gloria as Mr. Rolando cheers."

"For all the booksellers and librarians who've supported me this past decade, I'm so grateful that you've kept this dream of mine alive and well. And lastly, for all my readers, but especially the ones who have struggled with life. You know who you are. I know who you are. There are so many more pages in our stories, so please don't close the book. Keep turning and turning and turning."

"My father comes over and shakes my hand too. "Excellent negotiating, mi hijo," he says. "I have taken your words to heart, and I hope you see that I can be receptive to your needs. I cannot help but be overprotective as your father, but I will work harder to find a balance that allows you more freedoms. It would mean the world if you will reconsider giving Death-Cast your full commitment, both in its service and in one day serving." If I'm granted the life I want, I can see myself leading in the future. "Maybe," I say. "I will do what I can to regain your confidence," my father says. That is a long road, but it's as if we've walked miles of it tonight."

"If I'm gonna have any chance of surviving past Friday, I'll need to finally embrace all the people working to keep me alive: my mom and stepdad, who need me around to be a big brother to their baby; my therapist, who can guide me through my borderline brain; my psychiatrist, who can up meds or prescribe something better; and now the boy who has become my life coach and the shield to my sword."

"Andrea is not delusional. She knows she is guilty of many crimes, more than Joaquin is aware of himself, and his investigation will discover some, ensuring her incarceration, and the remaining crimes Andrea shall take to her grave. She doesn't fear death, but she does fear for her daughter's future. That is why Andrea Donahue is at a campaign rally, ready to tell the world her truth (even if her truth is built on many lies) so she can not only exact revenge against Joaquin Rosa, but use her voice to help elect Carson Dunst as the next president, all so he can pardon her if she is to be convicted."

"As the audience cheers for Andrea, she heads toward the stage's exit, snaking around Carson Dunst. "Pardon me," she says, trading winks with the next president of the United States. Then she basks in the chants for the death of Death-Cast, knowing she has played her role in destroying their reputation, but the true destruction is yet to come."

"Death-Cast didn't call last night, but if I had to die, I'd love for it to be in Alano's arms. It took forever to fall asleep, but Alano soldiered through the night with me. And now he's staying in LA. I roll over in bed, wanting to wrap my arms around him, but he's gone. My chest tightens. Did he break his promise and abandon me? I check my phone, and there's no missed call, no text explaining himself. I gotta ground myself. Alano wouldn't ghost. Ghosts don't hold you all night and beg for you to live."

"My End Day is coming up," Paz whispers. "No one knows their End Day in advance," I say. I never have, and I definitely don't now. "This Friday, July thirty-first. The day I killed Dad is when I'm destined to kill myself." "You're not destined to take your own life, Paz." "I am. That's why Death-Cast hasn't called. It wasn't my time yet." "Now isn't your time either. We're living to one hundred, remember?" "I'm not strong enough to keep surviving, Alano." "We're building your strength. You'll be starting DBT and-" "No, I..." Paz sobs, his body caving in. "I feel like a liar when I talk about the future."

"I refuse to let the only future Paz believes in be the one where he kills himself."

"Unfortunately, scars don't just appear out of nowhere. They are all wounds first. Some painful, others not. The loud cries of her son let Gloria know that Pazito's wound has been ripped open again before it can heal; she's grateful that his wound is metaphorical, not physical, but pain is pain. A body needs a survivor's spirit to keep it alive. Only then will it heal, only then will it close all wounds, only then will it scar, and only with time can a scar fade. one day, Gloria and Pazito will be survivors with faded scars, but today is not that day."

"Past alarming thoughts are getting stronger and stronger, like a Death-Cast alert ringing through my head. I'm the only one who knows my full story no matter what my father believes."

"I wai for Ma to threaten that she won't ive in this world without me like Ms. Gloria did to Paz, but I'm relieved that it never comes. No matter how hard life would be if I died, I want my mother to keep going. Paz feels the same way about his mother. "I'm coming back to you, Ma." "I believe your intention, but I don't know your fate. If you go to Paz, do you trust him with your life?" After hearing my mother's story about the Death-Cast secret, it's only made me feel more confident in taking this leap of faith to be there for a boy who I fully trust isn't a Death Guarder. "I trust Paz with my life," I say. "Then go get peace of mind that he isn't harming himself and wishes no harm on you.""

"It will all work out, mi hijo," Pa says. "That's what you said about Ariana," I say. Word for word, I should add. "Life's pains do not heal overnight," Pa says, stealing glances at my bandaged arm. "But they will all heal."

"I've gotta be hallucinating because I'm seeing the guy I was never supposed to see again. His green eye and brown eye are staring at me in shock too. He's wearing a gray hoodie and baggy blue jeans with a brown leather satchel hanging from his shoulder. One hand is balled into a fist like he's about to get his revenge hit- or like he was about to knock on the door. Every rapid thought about the guy coming for revenge flies out of my head when I see something in his other hand thats as unbelievable as him being here. Alano holds up the star rug from the market. "I figured you needed this now more than ever," he says sympathetically- no, lovingly. I unfreeze, but instead of taking the star rug, I break down crying, and even though I don't deserve to ever touch him again, I ask, no, I beg, "Can I hug you?" "Yes," Alano says. I step into his arms, ignoring all the pain that is supposed to be warning me away from guys like him, and I sob as he pulls me even closer against his body, like we're one person. I will lie and lie and lie to anyone, but I can't lie to myself about how much holding Alano feels like hanging on for dear life so I don't fall off the Hollywood Sign."

"I'm on edge, scared of learning more, but if there's a world where I can have a future with Alano, even just as a friend, I can't be haunted by his past with Rio. And if I'm ever gonna confront this, it's now, when Alano is still in LA to ground me."

"Self-harming isn't helping. What I really wanna do is hurt someone else, and that thought is so fucking scary. I wanna punch Bodie; I wanna punch the producers; I wanna punch Orion. Sometimes a thought is just a thought, but sometimes I don't think, I just act, and if my actions are about hurting other people, then I gotta put an end to this before I truly become Dad. My life has always been hard, but I believe more than ever that ever that I was supposed to die before Alano interfered because everything has only gotten worse. It's like time travelers are trying to right that wrong, so they've organized a shitstorm to wash out any hope for living, including getting dragged on social media, news vans violating my privacy, Make-A-Moment rejecting me, and my dream of being Death in Orion's movie officially killed. Message received. I gotta return to the Hollywood Sign to finish what I started."