People From Melbourne

"With the help of hindsight it is easy to imagine the stone-age migrants moving along the shortest possible route to Australia, but there is no reason why they should have taken the shortest route. Australia was merely the chance terminus of a series of voyages and migrations spread in all probability over many generations."

"There is a delicate balance between shielding people and encouraging them, and the USA perhaps went too far in one direction and Australia in the other. The Soviet Union, born in 1917 and influenced a little by the exciting Australian and New Zealand experiments, would eventually show how the umbrella, if too big and cumbersome, exposed people far more than it protected them."

"The magnitude of these shattering changes can perhaps be grasped by imagining that the invasion had been in the reverse direction and that the Aztecs or Incas had arrived suddenly in Europe, imposed their culture and calendar, outlawed Christianity, set up sacrificial altars for thousands of victims in Madrid and Amsterdam, unwittingly spread disease on a scale that virtually matched the Black Death, melted down the golden images of Christ and the saints, threw stones at the stained-glass windows and converted the cathedral aisles into arms or food warehouses, toppled unfamiliar Greek statues and Roman columns, and carried home to the Mexican and Peruvian highlands their loot in precious metals along with slaves, indentured servants and other human trophies."

"Everything we feared about communism – that we would lose our houses and savings and be forced to labor eternally for meager wages with no voice in the system – has come true under capitalism."

"The kingdom has oil - and lots of it. But that's only part of the story. Saudia Arabia is important to the West not despite of its brutality but because of it, for the Saudi dictatorship's seen as a buttress against "instability" in a strategic region. 's deeply conservative leaders did everything they could to derail the Arab spring, suppressing an upsurge of democratic sentiment that threatened the regimes with whom the West had always done business."

"The same kind of logic holds in respect of Saudi Arabia. The regime might inflict punishments every bit as obscene as those enforced by the Islamic State. But it's a reliable ally, prepared to enforce the status quo in an oil rich region - and that matters more to the West than the life of a democracy protester."

"We're all familiar with the outrage that politicians display about certain human rights violations in the Middle East - generally, those committed by regimes or organisations we're about to bomb. But the more usual attitude is a realpolitik in which the West either supports or quietly ignores the barbarities of favoured states."

"and she believed that she was god."

"Music is a Place to take Refuge. It's a Sanctuary from Mediocrity and Boredom. It's Innocent and it's a Place you can loose yourself in Thoughts, Memories and Intricacies."

"If you read about African music, they believe that during the process of making this music that you come into contact with spirits from another plane. They say that this place is like a mirror of the world we live in…With the best music, you don't find the composer or the musicians within the work, you find yourself, your own feelings."

"I sing in the language of the Heart. It's an invented language that I've had for a very long time. I believe I started singing in it when I was about 12. Roughly that time. And I believed that I was speaking to God when I sang in that language."

"I have never dared to face the disappointments that my true vocal range may bring. I have many fundamentals in my voice that give the appearance of it being very deep or very high, when in fact I believe it's quite narrow and limited."

"Gary Ross is just an incredible director, and it was great to have someone like him."

"Yeah, the physical stuff is always fun. I'm a physical and active person, so I would have loved to have done more of this, but my character does a lot more in the other films."

"Jennifer Lawrence is an incredible person and the most unpredictable person you will ever meet. You never know what she's going to say and why she's saying it. She's extremely fun to work with her and obviously perfect for Katniss."

"Not eating. To not get fat. I lost about 15 pounds for the role because I wanted to get a sense of what it’s like to be hungry and what it does to your brain and your physical state. It was extremely tough to not be eating as much."

"Gary Ross is amazing. He’s just—he always has a billion ideas of what he wants, but has a very clear perspective also; he just makes it work. He really does. He’s trying different things and making everything look amazing."

"The thought definitely crosses my mind, but for me, it has always been about reading great scripts and finding things I relate to, and this was one of those. As an actor, I think you always want your work to do well, and I think that’s hopefully what’s going to happen. Hopefully this movie does turn out as great as everyone wants it to be, and hopefully we don’t disappoint anyone."

"My trainer was a great guy … who made me want to die for an hour. My character was spending most of his life in a state of hunger, and I wanted to get a sense of that, physically and mentally."

"Jennifer was great. She is fantastic. Really easy to work with, no drama, really down-to-earth, such a funny girl. Nothing but good things to say about her. She really was great to work with. And it always makes it easier when you’re working with people that you like and you enjoy being around."

"After all the information I gathered about the mistreatment of animals, I couldn’t continue to eat meat. The more I was aware of, the harder and harder it was to do. About six months ago I went and saw a nutritionist to do a blood-diet analysis. He basically told me, based on my blood type and all the other different little tests they do, that red meat was good for me, and I should eat a lot more red meat and various other foods. So I started doing that, and the more red meat I ate, the worse I felt. At the same time, I have a lot of friends who are vegan. [Hunger Games co-star] Woody Harrelson was actually one of the original reasons I became vegan, because he’s been vegan for, I don’t know, 30 years or something. So, with the facts I was gathering, and then just how I was physically feeling, I felt like I had to do something different, so I adopted this vegan-diet lifestyle. … I feel nothing but positive, mentally and physically. I love it. I feel like it also has a kind of a domino effect on the rest of my life."

"I'm so happy to be engaged and look forward to a life of happiness with Liam."

"It was a nice change of pace to come to work, put on a nice suit and stay clean all day."

"I suspect Hemsworth may have been cast for his appeal to fangirls, rather like Robert Pattinson in "Twilight." He's a little too tall, blonde, blue-eyed and hunky to be super plausible. He can definitely become a star, but it may be in the Peter O'Toole tradition; I can more easily imagine him in a remake of "Lawrence of Arabia" than as a settled spouse in a domestic drama."

"It's about kids in a horrible situation and there's this girl who overcomes it and gives hope to everyone and they come together to do something about it."

"The dialectical critique of positivist habits of mind … is interested only in behaviour which is ‘important’ to the actor; that is, behaviour which is emotionally charged to the degree that it is either frequently recalled, reflected upon, or day-dreamed about. … That science which is less discriminating in the behaviour it chooses to investigate gains clarity and distinctiveness at the cost of confining itself to the trivial."

"Unlike Hegel’s progress model of history, which moves by stages, each containing its own logic of growth and decline, the economic model develops as the simple function of one money-variable over time, with a long-term trend which increases monotonically."

"Stirner and Nietzsche [adopt] a mode of thinking which is personal, introspective, and which while often operating on alternative systems of belief and action does so only as a means of better grasping one dominant goal—the patterns of individual redemption. Stirner and Nietzsche are not primarily interested in critique as such. … Their work is too egoistically compelled for them ever to employ the external world as more than the repository for a series of projections of their own."

"What stands most explicitly as critique in Nietzsche’s late work in not a development from earlier interests but a return to two problems of enduring personal involvement for him, those of Wagner and of Christianity. Der Antichrist, to take one case, is not a response to a resuscitating public interest in Christian religion; it is primarily a renewed attempt to resolve for himself the question of piety."

"The Inquisitor is the forgiving father, the scientific materialist, and the social engineer. He is the most compassionate, and honest, of politicians; he takes on great burdens of responsibility in order to protect his subjects from ethical doubt. But he also suppresses any attempt to expand their self-consciousness: he is the ‘great simplifier’, the shepherd to a flock of carefree children."

"Dostoevsky … impeaches Christ through the mouth of the Grand Inquisitor: ‘it was pitiless of thee to value man so highly’. This Christ has no answer to the world of politics, of rational action, of knowledge. He is utterly Nietzschean in his intention not to pity, but to respect."

"For Dostoevsky, Fourier is one of the industrious ant-hill engineers, busy, protected by the delusion that his goal, the will-ordered society, is the summation of all his desires."

"Man at his best is a system-breaker, an iconoclast seeking not only variety, but destruction."

"Dostoevsky believed that the gods of rationalism and materialist utilitarianism had joined in conspiracy against all other ethical systems. … The accumulation of capital, or the acquisition of money, are endeavors par excellence which establish a quantifiable goal: hence they are directly amenable to maximization formulae."

"Modern anthropology … opposes the utilitarian assumption that the primitive chants as he sows seed because he believes that otherwise it will not grow, the assumption that his economic goal is primary, and his other activities are instrumental to it. The planting and the cultivating are no less important than the finished product. Life is not conceived as a linear progression directed to, and justified by, the achievement of a series of goals; it is a cycle in which ends cannot be isolated, one which cannot be dissected into a series of ends and means."

"Men become utilitarian out of fear of the alternative—the chaos of tangled or tepid desires, of rootlessness and boredom."

"Dostoevsky’s underground man … observes his contemporaries striving to establish false goals where there are no naturally generated ones. … He argues they should be conscious and honest enough to recognize that the goal itself is not an absolute, and probably not even important. A strong attachment to the telos indicates that the spontaneous enjoyment the child once took in road-building has waned."

"A teleology directed to material ends has been substituted for the lust for adventure, variety, and play."

"Nietzsche [claims] that the scientist is at best an instrument, a useful slave: he does not command or decide, he is not a whole man."

"Stirner … holds to a joy-principle rather than to a pleasure-principle."

"Unless the fundamental categories of economics such as ‘property’ were to be redefined in a radically personal way the liberal rationalist curse which had established economics as a scientific discipline cut off from human interests would proliferate. Economic models … have failed to incorporate any meaningful index of individual benefit other than the original utilitarian one, … the index of increasing income or an increasing flow of commodities."

"The primary ambition of Nietzsche’s critique of knowledge is … to demonstrate that ‘truths’ are fictions masking moral commitments."

"Life is more than thought: what a man feels, and what his senses awaken in him, are more indispensable to his life’s fullness than subsequent reflection on their significance. Both Stirner and Nietzsche have elaborated Faust’s opening speech in which he bemoans his wasted years in academia: this speech is Goethe’s own impeachment of Kant and Hegel. Philosophy proceeds always under the risk of making a fetish of thinking."

"The possibility of a genuine metatheory of morality is not available. Even psychology has its ethical presuppositions. … A metatheory of morality would be legitimate only if the existence of a hierarchy of absolute, and hence unconditioned, truths were established. They would then provide a framework of supra-ethical categories. The primary ambition of Nietzsche’s critique of knowledge is to expose just such an exercise … as sleight of hand, an efficacious deception. This critique sets out to demonstrate that ‘truths’ are fictions masking moral commitments"

"Copernicus and Darwin undermined man’s image of himself as the ‘measure of all things’. Newton provided him with a new hope … that of ‘man as the measurer of all things’. Thus the possibility was revealed to man, who had been disinherited from being at the center of the universe, that he might be able know how to work himself back there. Science, at the same time it destroyed his ontological security, gave him the tools for reapproaching Eden."

"Nietzsche … combines, in effect, Christ’s harsh sayings: ‘let the dead bury their dead’ and ‘narrow is the way which leadeth unto life’."

"Ownership of thought depends on the thinker not subordinating himself to a ‘ruling thought’. This is particularly difficult, argues Stirner, … for language itself is a network of ‘fixed ideas’. Truths emerge only when language is reworked and possessed individually."

"The schizophrenic is seen to be afraid of the nihilistic void that … will remain when a rigid world-view is discarded."

"Any attempt to break with the past, or with existing social structures, is a failure if it leads to a bored, listless, and colourless style of life; assertive and enduring innovation, like the mastering of a new environment, requires the confidence and discipline which are founded on exuberant emotions."

"The priest who has lost the resilience of youth cannot be helped; his polymorphously playful and imaginative energies have been emasculated by a long conditioning to the ways of the old order; he would be liberated into a sea of undifferentiated boredom and anxiety. Only the man whose desires and passions are intact has a future."