People From London

"z and x being two flowing Quantities (whose Relation... may be exprest by any Equation...) by [the aforesaid] Corollary, while z by flowing uniformly becomes z+v, x will becomex + \frac {\dot{x}}{1 \cdot \dot{z}}v + \frac {\ddot{x}}{1 \cdot 2 \cdot \dot{z}^2}v^2 +... etc. or"

"Hence if y be the Root of any Expression formed of y and known Quantities, and supposed equal to nothing, and z be a part of y, and x be formed of z and the known Quantities, in the same manner as the Expression made equal to nothing is formed of y; and let y be equal to z + v; the difference v will be found by Extracting the Root of this expression x + \frac {\dot{x}v}{1} + \frac {\ddot{x} v^2}{1 \cdot 2} + ... etc. = 0."

"In doing this he makes use of a Table of Products (...he calls Speculum Analyticum,) by which he computes the Coefficients in the new Equation for finding the Difference mentioned. This Table, I observed, was formed in the same Manner from the Equation propos'd, as the s are, taking the Root sought for the only flowing Quantity, its Fluxion for Unity, and after every Operation dividing the Product successively by the Numbers 1, 2, 3, 4, etc."

"The Book it self is so short, that I need not detain the Reader any longer in the Preface..."

"[I]t may not be amiss to set down here two Approximations I have formerly hit upon. The one is a Series of Terms for expressing the Root of any Quadratick Equation; and the other is a particular Method of Approximating in the invention of Logarithms, which has no occasion for any of the Transcendental Methods, and is expeditious enough for making the Tables without much trouble."

"Dr. Halley..., has publish'd a... compendious and useful Method of extracting the Roots of affected Equations of the common Form, in Numbers. This Method proceeds by assuming the Root desired nearly true... (...by a Geometrical Construction, or by some other convenient way) and correcting the Assumption by comparing the Difference between the true Root and the assumed, by means of a new Equation whose Root is that Difference, and which he shews how to form from the Equation proposed, by Substitution of the Value of the Root sought, partly in known and partly in unknown Terms."

"Nothing ought to be more familiar to a Painter than Perspective; for it is the only thing that can make the Judgment correct, and will help the Fancy to invent with ten times the ease that it could do without it."

"[T]he Method which ought to be follow'd in instructing a Scholar in the Executive Part of Painting; ...first have him learn the most common Effections of Practical Geometry, and the first Elements of Plain Geometry, and common Arithmetic."

"[H]e should be instructed in the Theory of the Colours; that he should learn... their particular Properties... Relations, and... Effects that are produced by their Mixture; and that he should be made well acquainted with the Nature of the several material Colours... used in Painting."

"A general Series for expressing the Root of any Quadratick Equation. Any Quadratick Equation being reduc’d to this Form xx - mqx + my = 0, the Root x will be exprest by this Series of Terms. x = \frac {y}{q} + A \times \frac{1}{\frac{mq^2}{y} -2} + B \times \frac {1}{a^2 - 2} + C \times \frac {1}{b^2 - 2} +D \times \frac {1}{c^2 - 2} etc. Which must be thus interpreted. 1. ...A, B, C, etc. stand for the whole terms with their Signs, preceding those wherein they are found, as B = A \times \frac {1}{\frac{mq^2}{y} - 2} 2. ...a, b, c, etc. ...are equal to the whole Divisors of the Fraction in the Terms immediately preceding; thus b = a^2 - 2."

"The Greatest Masters have been the most guilty... The great Occasion of this Fault, is certainly the wrong Method that generally is used in the Education of Persons to this Art: For the Young People are generally put immediately to Drawing, and when they have acquired a Facility in that, they are put to Colouring. And these things they learn by rote, and by Practice only; but are not at all instructed in any Rules of Art. By which means when they come to make any Designs of their own, tho' they... don't know how to govern their Inventions with Judgment, and become guilty of so many gross Mistakes, which prevent themselves, as well as others, from finding that Satisfaction, they otherwise would do in their Performances."

"[[w:Opticks|[T]he Theory]] I have endeavour'd to explain in the Appendix, from Sir Isaac Newton, may be of very great use to Learners."

"The true and best way of learning any Art, is not to see a great many Examples done by another Person, but to possess ones self first of the Principles of it, and then to make them familiar, by exercising ones self in the Practice. For it is Practice alone, that makes a Man perfect in any thing."

"I have endeavour'd to make every thing so plain, that a very little Skill in Geometry may be sufficient to enable one to read this Book by himself."

"And upon this occasion I would advise all my Readers, who desire to make themselves Masters of this Subject, not to be contented with the Schemes they find here; but upon every Occasion to draw new ones of their own, in all the Variety of Circumstances they can think of. This will take up a little more Time at first; but in a little while they will find the vast Benefit of it, by the extensive Notions it will give them of the Nature of these Principles."

"I make no difference between the Plane of the , and any other Plane whatsoever; for since Planes, as Planes, are alike in Geometry, it is most proper to consider them as so, and to explain their Properties in general, leaving the Artist himself to apply them in particular Cases, as Occasion requires."

"Considering how few, and how simple the Principles are, upon which the whole Art of PERSPECTIVE depends, and withal how useful, nay how absolutely necessary this Art is to all forts of Designing; I have often wonder'd, that it has still been left in so low a degree of Perfection, as it is found to be, in the Books that have been hitherto wrote upon it."

"The Art Perspective is necessary to all Arts, where there is any occasion for Designing... but it is more particularly necessary to the Art Painting..."

"In order to this, I found it absolutely necessary to consider this Subject entirely anew, as if it had never been treated of before; the Principles of the old Perspective being so narrow, and so confined, that they could be of no use in my Design: And I was forced to invent new Terms of Art, those already in use being so peculiarly adapted to the imperfect Notions that have hitherto been had of this Art, that I could make no use of them in explaining those general Principles I intended to establish."

"A new Method of computing Logarithms. This method is founded upon... 1. That the sums of any two Numbers is the Logarithm of the Product of those two Numbers Multiplied together. 2. That the Logarithm of Unite is nothing; and consequently that the nearer any Number is to Unite, the nearer will its Logarithm be to 0. 3rdly. That the Product by Multiplication of two Numbers, whereof one is bigger, and the other less than Unite, is nearer to Unite than that of the two Numbers which is on the same side of Unite with its self; for Example the two Numbers being \frac{2}{3} and \frac{4}{3}, the Product \frac{8}{9} is less than Unite, but nearer to it than \frac{2}{3}, which is also less than Unite. Upon these Considerations, I found the present Approximation... best explain'd by an Example. ...[T]o find the Relation of the Logarithms of 2 and of 10... take two Fractions \frac{128}{100} and \frac{8}{10}, viz. \frac{2^7}{10^2} and \frac{2^3}{10^1}... one... bigger, and the other less than 1."

"It is generally thought very ridiculous to pretend to write an Heroic Poem, or a fine Discourse upon any Subject, without understanding the Propriety of the Language wrote in; and to me it seems no less ridiculous for one to pretend to make a good Picture without understanding Perspective..."

"When I look back on my life and consider all the way I have been led, above all I thank God to Whom I owe everything, for all His goodness to me and ascribe to Him all the praise and honour."

"Hence I soon found that this Method might easily and naturally be drawn from Cor 2. Prop. 7. of my Methodus Incrementorum, and that it was capable of a further degree of Generality; it being Applicable, not only to Equations of the common Form, (viz. such as consist of Terms wherein the Powers of the Root sought are positive and integral, without any Radical Sign) but also to all Expressions in general, wherein any thing is proposed as given which by any known Method might be computed; if vice versâ, the Root were consider'd as given: such as are all Radical Expressions of Binomials, Trinomials, or of any other Nomial, which may be computed by the Root given, at least by s, whatever be the Index of the Power of that Nomial; as likewise Expressions of Logarithms, of Arches by the Sines or s, of Areas of Curves by the Abscissa's or any other Fluents, or Roots of Fluxional Equations, etc."

"I would recommend it to the Masters of the Art Painting... to establish a better Method for the Education of their Scholars, and to begin their Instructions with the Technical Parts of Painting, before they let them loose to follow the Inventions of their own uncultivated Imaginations."

"Early in 1717 he returned to London, and composed three treatises, which were presented to the Royal Society, and published in the 30th volume of the Transactions. About this time his intense application had impaired his health to a considerable degree; and he was under the necessity of repairing, for relaxation and relief, to Aix-la-Chapelle. Having likewise a desire of directing his attention to subjects moral and religious speculation, he resigned his office of secretary to the Royal Society in 1718. After this he applied to subjects of a very different kind. Among his papers were found detached parts of a Treatise on the Jewish Sacrifices, and a dissertation of considerable length on the Lawfulness of eating Blood. He did not, however, wholly neglect his former subjects of study, but employed his leisure hours in combining science and art; with this view he revised and improved his treatise on Linear Perspective."

"When he is sufficiently perfect in these, I would have him learn Perspective. And when he has made some progress in this, so as to have prepared his Judgment with the right Notions of the Alterations that Figures must undergo, when they come to be drawn on a Flat, he may then be put to Drawing by View, and be exercised in this along with Perspective, till he comes to be sufficiently perfect in both."

"It seems that those, who have hitherto treated of this Subject, have been more conversant in the Practice of Designing, than in the Principles of Geometry... that might have enabled them to render the Principles of it more universal, and more convenient for Practice. In this Book I have endeavour'd to do this; and have done my utmost to render the Principles of the Art as general, and as universal as may be, and to devise such Constructions, as might be the most simple and useful in Practice."

"There may be regular Methods also invented for teaching the Doctrine of Light and Shadow; and other Particulars relating to the Practical Part of Painting, may be improved and digested into proper Methods... But I only hint at these... recommending them to the Masters of the Art to reflect and improve upon."

"“The difference between you and Robert,” said my sister-in-law, who often (bless her!) speaks on a platform, and oftener still as if she were on one, “is that he recognizes the duties of his position, and you see the opportunities of yours.” “To a man of spirit, my dear Rose,” I answered, “opportunities are duties.”"

"For my part, if a man must needs be a knave, I would have him a debonair knave, and I liked Rupert Hentzau better than his long-faced, close-eyed companions. It makes your sin no worse, as I conceive, to do it à la mode and stylishly."

"Boys will be boys—And even that ... wouldn't matter if only we could prevent girls from being girls."

"The blemishes on honourable lineage are a delicate subject, and certainly this heredity we hear so much about is the finest scandalmonger in the world; it laughs at discretion, and writes strange entries between the lines of the “Peerages”."

"Fraud and falsehood only dread examination. Truth invites it."

"I think the only way you can successfully be a mum and an actress is by not carrying around the burden of the character. Between the time the director says "Action" and "Cut," it's all true for me. But when I stop saying the lines, it's not true anymore."

"Mystics more often than not avoid direct reference to themselves."

"It is certainly the case that there can exist an atheistic mysticism, a mystical experience naked and not clothed in any religious garb."

"Thus we see that mysticism naturally, though not necessarily, becomes intimately associated with whatever is the religion of the culture in which it appears."

"There is no such thing as natural theology. God is either known by revelation - that is to say, by intuition - or not at all."

"And in the end it is because of mysticism that it is possible to say that “no man is an island” and that on the contrary every man is “a part of the main.”"

"It must now be added that these attempts at proof not only fail of their purpose, and so do no good to religion, but that they positively degrade it."

"The great error of traditional proofs of the existence of god is that they try to take a symbolic truth for a literal truth, a truth of fact, and then try to prove that it is a fact."

"The word "mysticism" is popularly used in a variety of loose and inaccurate ways. Sometimes anything is called "mystical" which is misty, foggy, vague, or sloppy. It is absurd that "mysticism" should be associated with what is "misty" because of the similar sound of the words. And there is nothing misty, foggy, vague, or sloppy about mysticism."

"The same character of revelation, which we find in poetry, attaches to mystical illumination, although here the revelation is always the divine."

"The true religious doctrine is that the world is to be both denied and not to be denied."

"The pure religious consciousness lies in a region which is forever beyond all proof or disproof."

"Thus when Plotinus speaks of "the flight of the alone to the Alone," and the positivist or the empiricist asserts that these words are meaningless, he is right. Yet this does not import that the words are nonsense locutions, mere senseless noises which a man makes like a cough or a sneeze though it is possible that this is what the positivist intends. If this were so, it would be impossible to explain why generations of men have quoted those famous words. The explanation is that the words evoke in us a measure of the same experience which the author of them had. Our experience may be but a dim reflection of what was in him bright and clear. Our spirits vibrate faintly in unison with the soul of the great mystic, as a tuning fork vibrates faintly in response to the sound of the clear bell. But it is our own spontaneous experience which is evoked; it is not his experience which is communicated to us. His words are as grappling irons let down into the depths of our subconsciousness, which draw our own inner experiences nearer to the conscious threshold. But they are not, for most of us, drawn above the threshold. They remain below the surface faintly visible. Therefore they appear at the upper levels of our consciousness as faint hints, glimpses, and sometimes as mere vague feelings."

"If God does not lie at the end of any telescope, neither does he lie at the end of any syllogism. I can never starting from the natural order prove the divine order. The proof of the divine order must lie, somehow, within itself. It must be its own witness. For it, like the natural order, is complete within itself, self-contained."

"As a child in North London it never crossed my mind that I would ever play the Wicked Witch of the East."

"It is a commonplace that eternity is not an endless prolongation of time, has nothing to do with time. Eternity is a characteristic of the mystical experience. The word eternity doubtless meant originally endlessness of time, which must count, therefore, as its literal meaning. But in its religious and metaphysical use it is a metaphor for the characteristic of the experience. For in that experience time drops away and is no more seen."

"The incommensurability of the mystical with the sensory-intellectual consciousness is also the ultimate reason why we have to exclude visions and voices, telepathy, precognition, and clairvoyance from the category of the mystical."