People From London

"I try to root the language of my poetry in kindness, forgiveness, compassion and curiosity, that is the way I want to live, but of course that’s not to say anger and resentment and envy and other difficult emotions don’t make a noise in my work…"

"Racial history lays so heavily on black people – slavery, migration, racism. But I don’t want my characters to be hidden by that…"

"I feel it is something that I have to do for my children, to be able to give them a book that has kids like them in it, just incidentally. They are not the side character, they are not there as a novelty, they are just the characters. It shouldn’t be a big deal, but it is. People need to see themselves reflected in the culture around them."

"I can say poetry has certainly sharpened my senses and keeps me open to wonder about alternative realities, to be overly curious rather than overly ideological, it can be read as just a reminder that we have more senses than we have the words for, so perhaps we ought to revel in that if we are to truly live our lives in the light?"

"There are so many expectations placed upon us, so many restricting places in which we are supposed to place ourselves in order to function in the world. There is often a struggle to hold on to who we are through all of this; either we lose the struggle and we are lost, almost deadened, or we simply don't survive at all…"

"Suicide is generally seen in a very negative way and, though it is tragic and devastating, I've learnt from losing my own twin that there's a positive and magical side to it as well. It's about a person freeing themselves. It is actually a very courageous thing to do. To leave can be braver than to just stay here and struggle on, never knowing whether you'll ever be happy."

"Spoken Word poetry is an art form that fits me well because it enables me to bring all the layers of who I am into one space — A reader, writer, and performer…"

"…I think I was writing from a position of frustration and perhaps anger – about the rise of the far right and the pandering of consecutive governments to the Daily Mail and its equivalents who fulminate about multiculturalism and do not acknowledge the great good that immigration has done. I wanted to rebalance the arguments."

"Poetry has always been at the margins, and I think that because of its sidelining, this has been a part of its appeal…"

"…I think my biggest frustration has been my own constant undermining of my self-belief. You have to be slightly psychopathic to become a writer: it’s like any business, actually. To be successful, you have to have tunnel vision – but as this is totally irrational because you’re focusing all this energy on yourself, you end up questioning your own sanity!"

"… I think my attitude has changed – before, I was on my own, trying to break through into the world on the other side of a slippery glass wall. Now I’m on that other side, I feel I have to work harder. And I do. I don’t always love the work I do – but I know I’m one of the luckiest people alive to be doing what I always wanted."

"… I tried not to dwell on it: sensationalising something like that is simply unacceptable. But it happens in so many families, and it must be faced head on. I was saying, Look: even in these immigrant, hard working, well-respected communities, this happens."

"There’s a unique trust between me and the public that’s grown up and that’s really important to me, but the truth is that trust has come about because the programmes I make are not about me. The subject is always bigger: that’s the lesson I’ve learned about making documentaries."

"I’m very aware of the time I have on this planet…I lost loved ones at a young age. I realise the platform I have and the responsibility I have, and I’m aware of my mortality. No one like me has ever had this opportunity, so I’d be a fool not to make the most of it."

"It’s like when footballers run underwater in water tanks…There’s a high pressure against your body. If you can run fast in a water tank, when they take you out of the water, you can run way faster because there’s less pressure. I used to go on to radio sets and be spraying so fast, people would be like, ‘How are you doing that?’"

"I never felt like I was in the grime scene…I was the outsider. So when I veered away from it, I didn’t feel like I was leaving the circle – I felt like I was never in it…No one paid me any attention…I had to do everything on my own."

"Most literary agents are middle class white men who won’t understand what you’ve written unless it’s a slave narrative or someone 'from the streets'. They have a moment where they’re like, 'Well, where do I fit in?'…"

"I feel like I was more accepted by the white community than the black [one]. A lot of the time, the black kids would be like, ‘Oh, ’cause you lighter, you’re not as “gang” as us. That’s really the attitude they have. It made me misbehave more because I felt like I had to prove a point."

"If a woman [has] shared her body with me, why can I not speak of my experience?...It’s not me casting a judgment on someone, it’s something that has happened. You can rap about whatever the hell you wanna rap about – that’s why we’re rappers. You can have an opinion against it but you can’t tell me not to do it. At the end of the day, that’s the way it is."

"Anansi is the god of stories - I’m telling Anansi my story. I remember my aunt telling me some Anansi stories when I was 9 or 10, but I didn’t take them in. In my 20s, I bought loads of Anansi books. History, folklore, and culture gives you pride and happiness through a sense of connection."

"You don’t get many men talking about personality disorders or schizophrenia. The mental health issues that people find scary aren’t talked about – that’s where the conversation needs to go."

"Black men are often seen in two-dimensional ways as historical racist ideas have been passed on, and the media doesn’t help – reinforcing these ridiculous stereotypes. We often conflate black British men with African men, and it was important to get nuances on paper."

"It’s never an interview, it’s a conversation, researched to a point, but I can still be surprised in the moment. I feel confident in saying that if I sat down with George Clooney, I could get him to say something he’d never said before."

"The greatest lesson I’ve learned from it is that context is irrelevant when you hurt somebody. I felt justified in saying what I was saying, because of the context, because of the conversation, but the words I used offended a lot of people and some people I care about, and those words were wrong…"

"With all of my books I'm interested in where people come from in relation to who they are."

"I have a term I came up with called fusion fiction – that's what it felt like, with the absence of full stops, the long sentences. The form is very free-flowing and it allowed me to be inside the characters' heads and go all over the place – the past, the present. For me, there's always a level of experimentation – I'm not happy writing what we might call traditional novels."

"I wanted to put presence into absence. I was very frustrated that black British women weren't visible in literature. I whittled it down to 12 characters – I wanted them to span from a teenager to someone in their 90s, and see their trajectory from birth, though not linear. There are many ways in which otherness can be interpreted in the novel – the women are othered in so many ways and sometimes by each other. I wanted it to be identified as a novel about women as well."

"I'm not interested in any stereotypes whatsoever."

"When you're a slave you dream / of either owning slaves or freeing them."

"[Hughes] not only made Australia an earthly paradise for the working man but also ensured that it should last for ever as a white man's country."

"A pestiferous varmint."

"[Woodrow Wilson's] demeanour towards the Dominion Premiers was hectoring and occasionally in addressing Mr. Hughes he was inclined to be dictatorial and somewhat arrogant. Mr. Hughes was the last man I would have chosen to handle in that way. Mr. Hughes having stated his case against subjecting to a mandate the islands conquered by Australia, President Wilson pulled him up sharply and proceeded to address him personally in what I would describe as a heated allocution rather than an appeal. He dwelt on the seriousness of defying world opinion on this subject. Mr. Hughes, who listened intently, with his hand cupped around his ear so as not to miss a word, indicated at the end that he was still of the same opinion. Whereupon the President asked him slowly and solemnly: “Mr. Hughes, am I to understand that if the whole civilised world asks Australia to agree to a mandate in respect of these islands, Australia is prepared still to defy the appeal of the whole civilised world?” Mr. Hughes answered: “That's about the size of it, President Wilson.” Mr. Massey grunted his assent of this abrupt defiance."

"When the Prime Minister of Australia left this country he would leave behind him the remembrance of great public service freely and splendidly rendered, and a personality which had endeared itself to all those with whom he had come in contact. Mr. Hughes had centred his thoughts and labours upon the great Imperial work to which he had devoted himself, and had been animated by a burning desire of love of Empire."

"He was a great Empire man and his name will be recalled with honour by future generations."

"The Cabinet were much impressed with the critical power of the Hughes speech. It was their first explanation of the reason why this man of frail physique, defective hearing and eccentric gesticulations had attained such a position of dominant influence in the Australian Commonwealth. It was a fine specimen of ruthless and pungent analysis of President Wilson's claim to dictate to the countries that had borne the brunt of the fighting. I wish there had been a verbatim report which would reproduce the stabbing sentences in the form in which they were delivered."

"Mr. Hughes' speeches have in particular evoked intense approbation, and have been followed by such a quickening power of the national spirit as perhaps no other orator since Chatham ever aroused."

"Hughes struck me as an able man. He is very deaf but remarkably acute and direct in what he says; the ablest Colonial politician I have met."

"Mr. Hughes told me that he felt bound to stand up for his dead, no matter what others might say or think. He made no pretense at being a diplomat; but, following his motions, it was quite easy to see how he has climbed to leadership of the husky young commonwealth of the Southern Pacific. He is a natural-born fighter, all grit and gunpowder."

"[T]hey had come to do honour to one upon whose courage, insight, and inspiration the British Empire depended in its greatest hour of trial. Mr. Hughes was a man who talked about things and at the same time a man of action who could do things."

"Hughes's achievements were magnificent. To him more than anyone the Australian Trade Union movement owes its strength. He more than anyone built up the Australian Labor Party. He helped to develop and consistently fought to preserve the Industrial Arbitration System. He was the man who transformed separatist and isolationist tendencies into a surge of Australian nationalism which insisted, not on the severance, but on the strengthening, of the Imperial connection. He was the foremost of those who created the Australian Navy, brought in universal military training, and insisted on preparedness for defence. He was an inspiring and effective War-time Prime Minister. He pushed himself and his country into the innermost councils of the Empire, became a leader with influence far beyond his own nation, and took a significant part in the Versailles Conference. From his time, and due to him, Australia began to have some slight importance in international affairs."

"This plaque commemorates a great Australian and a distinguished champion of the whole Commonwealth and Empire in war and in peace. In his long lifetime he helped to mould the Australia of to-day. His pugnacious and imposing character made him one of the best known and best loved public men."

"Hughes' personality would have made him notable in any company. Amongst his natural gifts were quickness of thought, caustic, pungent wit, sardonic humour, a wicked sense of comedy. He had furnished his mind by intensive reading with stores of material on which his memory and imagination could draw as he liked for metaphor and illustration. He had trained his voice and powers of expression so that they were formidable instruments of debate. But his greatest qualities were those of the will. He had unexampled power of decision, independence of judgment, faith in himself, and courage. Indeed his life was a saga of courage, carried on to the end. He triumphed over the most fearful weaknesses and turned them to strengths. He feared nothing in life, nor, I believe, in death. He was Greatheart, winning astonishing victories simply by virtue of his indomitable spirit. If he gets the historians and writers he deserves, then for all his faults his place in history as a great man is assured."

"He is a very able little man, but very plain. Someone, referring to a portrait of him, said, “But it does not do you justice, Mr. Hughes.” Hughes promptly replied, “It is not justice I want; what I need is mercy!”"

"We have not the option of keeping out all would-be immigrants—some by our laws, others by passive resistance. One choice, and one only, is given to us. We can bring in without delay our kinsmen from Britain, and, if the numbers of these be insufficient, such other white races as will assimilate with our own. Or we can live for a short season in a paradise of fools, and then see the doors of our house forced, and streams of people from lands where there is hardly standing room, pour in and submerge us. That is the position which confronts us."

"Whatever we have achieved—and our achievements are many and great—has come because we have believed in Australia, in ourselves, in our race. It is this spirit which enabled us to fight—doggedly, if you like, but determinedly—Nature in her sternest moods, to endure and emerge triumphant from droughts, floods, and other evils that have beset us."

"Look at the map and ask yourselves what would have happened to that great splash of red down from India through Australia down to New Zealand, but for the Anglo-Japanese Treaty. How much of these great rich territories and portions of our Empire would have escaped had Japan been neutral? How much if she had been our enemy? It is certain the naval power of the Empire could not have saved India and Australia and still been strong enough to hold Germany bottled up in the narrow seas. ... Had [Japan] elected to fight on the side of Germany we should most certainly have been defeated."

"We can only hope to cheek the drift towards the great cities—manifested throughout the world—which here has gone much farther than is safe, if we make life on the land profitable and attractive. The wonderful discoveries of applied science, and their application to industry; the marvellous improvements that have been made in transport and communications by railways, motor transport, telegraph and telephone and wireless, have placed at our disposal means by which life, in the country can be made as attractive, as comfortable, and as profitable as in the great cities."

"The right of the state to determine the conditions under which persons shall enter its territories cannot be impaired without reducing it to a vassal state. ... If it [the Permanent Court of International Justice] should decide that it is better for the world that Australia should open her doors to the East, it would be the end of Australia and the future of the civilized world would be profoundly changed. ... We have a certainty of security now as far as it can be assured. We are asked to exchange this for the uncertainty, at the best, of the action of an unknown Court. We must reject the Protocol."

"The Dominions could not exist if it were not for the British Navy. We must not forget this. We are a united Empire or we are nothing."

"Dr. Solf...talks about a League of Nations. ... A few weeks ago, before the Marne, we heard quite another story. Then, when it seemed that they would in a few days bury their talons in the vitals of Paris, the Germans spoke only of allotting the spoils. But the Marne had been fought. The Americans have arrived. The alluring visions of “Deutschland über Alles” fades in a bloody mist. Germany now licks her wounds and seeks to conquer us by words, by creating dissensions within to lure us on to a premature peace. ... What is this hypocritical whine about peace but a cunning attempt to escape the just punishment for the awful crimes Germany has committed?"