People From London

"Nobody wants to be associated with failing to qualify for the World Cup finals. I cannot imagine the shame of it."

"It hit me like a thunderbolt!"

"His temperament is always there to be questioned because he plays on the edge. That is just the way he plays.It is a cliche but if you took that edge away from Wayne he wouldn't be the same player and I would rather have the Wayne Rooney we have now."

"It was wicked meeting Nelson Mandela."

"My name was out there in the public arena for people to make assumptions on why I missed a drugs test. That stigma is something that may never go away. I go out there and play for the fans and for my family and for myself and to have that taken away from me in such a way was disheartening and something that really did shock me. I'm man enough to admit that I did cry."

"Gary Neville is the club captain but has been injured for the best part of a year now - and Giggsy's taken on the mantlepiece."

"I don't think artists should be sponsored. You should not rely on grants. You either make a success of your art or you don’t. I worked as an artist for a number of years without making much money – I have never had any financial backing in that way. Things are now very good for me but for a lot of the time things were not."

"I say to people I'm in my late period. Obviously, as you get older you're in your late period anyway, but to decide you are becomes a concept. It's related to the concept of my retirement, which was about the fact that I'd shown at the greatest gallery in the world and I'd never top that... So, I retired from the jealousy of other artists, and ambition. I could alternatively have become a Buddhist or something — it is a kind of beatific state."

"Brian Sewell is a fool. For some years he seemed to have it in for me and Hockney and [[w:R. B. Kitaj|[R.B.] Kitaj]]. Even if he wasn't writing about us he'd always find a way of bringing us in. He'd say, "so and so was a bad artist but not as bad as Hockney, Kitaj or Blake." Things like that."

"I believe in fairies. Although I can't prove they exist, nobody has ever managed to prove to me that they don't."

"Most artists go potty as they get older: dafter and madder as they get more celibate. So I am consciously going to do that."

"I can’t work with computers but I work with someone who can. We talk about what the subjects will be and then I get a load of images about Liverpool. We then scan them and put them on a disk and then we manipulate them on the computer. I am treating them as posters. They are prints but I want them to look like posters."

"People say, "Why do you paint?" and I say, to make magic."

"He opened the door that so many of us went through, the door of possibility, by saying anything an artist makes is art."

"Art in Britain is in a very healthy state. The artists of my generation and older are at their best — people like Howard Hodgkin and Frank Auerbach. The YBAs are still very strong, and it's exciting to wonder what the next generation will bring."

"In one work Marcel Duchamp meets Tracey Emin in the desert, with three camp cowboys. In another he meets Elvis and the Spice Girls."

"Sgt Pepper made me more famous but it did not change me as an artist."

"People think Sgt Pepper is part of my name."

"Album covers are like any other vehicle, they are a means of illustrating a story."

"My dealer was a friend of the Beatles and the Stones, and he suggested they used a fine artist. I talked to the Beatles at length about what the cover would be. I worked out it would show the moment after they had played in a bandstand in the park. My big contribution was the life-size cutouts, the magic crowds.""

"Ever since, I have fought a vague kind of battle for some kind of fairness."

"An honest curator will admit that judgement is fallible, especially for art made yesterday."

"But when the artist abandons visible appearance, as in Mondrian's black grids on white grounds filled with balancing rectangles of colour, many people feel left behind. And yet the rhythms of Mondrian are those of nature. The harmonies are those which guided proportion in classical buildings and Renaissance churches. Rothko's glowing maroon Seagram Murals at the Tate may, like Turner's late canvases, appear to be "of nothing" but in their brooding depth Rothko suggests another world. As one four year old child said of the Rothko room at the Tate "it makes me think of God"."

"I have never really understood the objection to art which is specifically made for a gallery or museum, and so cannot be collected by an individual or taken home. It is rather like saying that all music should be confined to the chamber work or novels to the short story."

"Craft, I would argue, is not an essential part of art, though skill is. That skill may indeed find its expression in draughtsmanship or carving, realised through the hand of the artist, but it may also be directed towards the selection of material or the choice of an expert fabricator."

"The argument that new vision becomes the reference point for the future, is a line that I have been driven to use on many occasions."

"For many years, and like many British people, I had little feeling for the most expressive and roughest form of early twentieth century European painting, the expressionism of German artists around the First World War like Kirchner."

"A visit to a studio never fails to test my resources. It constantly reminds me of the condition in which most people first confront contemporary art. This is a state of "not knowing", of "not understanding", of being disorientated or challenged by the unfamiliar. One of my responsibilities as a curator is therefore to remember that a visitor encountering an unfamiliar work of art in the museum is likely to be as unprepared as I was in the studio. But I've come to realise that it's precisely when I am most challenged in my own reactions that the deepest insights emerge."

"After thirty years of looking at new work in galleries and even newer work in studios, I am very familiar with the experience of being completely at a loss when confronting a new idea or image."

"For the late twentieth-century museum director there is no more certain prospect for audience acclaim and sponsor success than those Impressionist and Post-impressionist artists who were so reviled a century earlier"

"Damien Hirst's Mother and Child Divided (1993) is a work which can at first glance be read as nothing more than two brutally severed carcasses. "A freak show" was how the art critic of the Sunday Telegraph responded to its presentation in the Turner Prize in 1995. For me, the undoubted shock, even disgust provoked by the work is part of its appeal. Art should be transgressive. Life is not all sweet."

"In 1964 I was at school, planning to study economics and sociology, when curiosity took me to the Tate Gallery to see an international survey exhibition of contemporary art. It brought together the painting and sculpture of the previous decade, beginning with the late works of the modern masters, Matisse and Picasso, and concluding with the twenty-seven year olds Allen Jones and David Hockney. I was bowled over. Suddenly, art was not just Turner and Constable, or Leonardo and Michelangelo, but objects of considerable size and brilliant colour, dealing with the sensations, subjects and issues of the Sixties."

"For in spite of much greater public interest in all aspects of visual culture, including design and architecture, the challenge posed by contemporary art has not evaporated. We have only to recall the headlines for last year's Turner Prize. "Eminence without merit" (The Sunday Telegraph). "Tate trendies blow a raspberry" (Eastern Daily Press), and my favourite, "For 1,000 years art has been one of our great civilising forces. Today, pickled sheep and soiled bed threaten to make barbarians of us all" (The Daily Mail). Are these papers speaking the minds of their readers? I have no delusions. People may be attracted by the spectacle of new buildings, they may enjoy the social experience of visiting a museum, taking in the view, an espresso or glass of wine, purchasing a book or an artist designed t-shirt. Many are delighted to praise the museum, but remain deeply suspicious of the contents."

"In 1987 a Civil Service inquiry decided that the pay of the Director of the Tate Gallery should match that of the Director of the much larger Victoria & Albert Museum and of the National Gallery, where the pictures were regarded as being much more important, because, and here I quote, "the Director of the Tate has to deal with the very difficult problem of modern art"."

"Doodles done by a lobotomised computer."

"The result of walking round Tate Modern is not an experience of the marvel of creative profundity which gives meaning to life, but more akin to the detritus of a dryly analytical bureaucrat reverting to an infantile stage during an extended breakdown."

"The Turner should be renamed the B&Q diy prize."

"He disrupted things and that’s fine, but now things have been shaken up so much that it’s been shaken up into little bits and the little bits have been shaken up into even smaller bits. We are saying let’s put it all back together."

"It has become an ongoing national joke."

"Artists who don't paint aren't artists."

"If you'd asked me seven or eight years ago I would have said I wasn't Frank Lampard's biggest fan. But his all-round game has improved massively. He's had to work at his game. I don't think he's been naturally the most gifted player in the world. From what I hear he's a good one to practise and he's improved to be one of the best midfielders in the world. Credit to him for that. He's more of an all-round package now than he was at West Ham when he was probably carrying too much weight, not that he was fat. His goals record is unbelievable, just like Steven Gerrard and Paul Scholes. We see a lot of players who come on the scene and just fade away. But he seems as hungry as ever and plays lots of games. He looks after his body. He's a fit lad and when you've got a midfielder who can put the ball in the back of the net it's bloody priceless. When you look at him and Gerrard, by God, Fabio Capello's a lucky man to have two such outstanding players. The hallmark of a top player is not to do it over two years but over eight or nine."

"What a player. What a man. What an absolute diamond of a footballer. The critics, the haters, they cannot touch Frank Lampard now. Not after last night. Not after that penalty. He won, they lost. He stood tall, they skulked in the background."

"Lamps is Lamps. When he plays well he is best in the game, when he plays bad, he is the second or the third best."

"A lot of the reason I am here is because of my strength, my determination and character. I would just like to talk about a girl called Lucy.I went to her funeral today, she was 10 years old. She came to the game against Charlton where we lifted the Premiership trophy. She had a tumor on the brain - really she should have died the week before that game. But she was so desperate to come and see that game, to watch us play. The character and strength she showed made me put everything in perspective.I would like to dedicate this whole award to her, her family, especially her mother, and I would like to say thanks to everyone tonight."

"I would not be the player I am today without him, I would not have improved without my dad. In the early years, he would have me over the park training when everyone else was at home or playing with their mates, I was jumping on the floor, getting up and running again, sprinting - I will never forget that. I thank him for everything he has done in my football life and for being a dad."

"This award is voted for by journalists, who can be your biggest critic and get on your nerves sometimes, but they all know football and I am very respectful of their thoughts, and very proud they have decided to give me this award this year."

"I was told I had to do a speech, to say a few thank yous and was lying in bed a couple of nights ago till about 2:30 in the morning thinking what I was going to say. I had it all planned out perfectly, fell asleep - and then was woken up at 4am when my cars were being driven off in the driveway!"

"I do play with minor knocks at times. I'm not saying I'm a Braveheart compared to others, but I do just get on with it. And I do a lot of extra work, not so much gym work, I won't go in and pump iron, but I do like to do as much as I can on the training pitch. I'll practise my finishing, my passing, my dribbling and my sprints. Maybe that all contributes to that bit of luck I have staying fit. It's something my old man (his father, Frank Sr, formerly of West Ham and England) has instilled in me since I was a kid. Now, if I don't do that bit extra, I don't go into a game feeling I've prepared right."

"Lampard's better than Gerrard and Scholes. No questions asked."

"David Irving is not just a Fascist historian. He is also a great historian of Fascism."