People From Illinois

"The modern state is largely a mechanism for transferring funds from one person to another. What we economists call public goods are provided by the state but are now only a part of it. The United States is not as far along in this procedure as many other countries, but in our case the federal government pays out in various types of transfers a significant percent of the amount it collects in taxes. Most of the European countries are even more dominated by the legacy of Bismarck."

"The dominant form of government in the world today is dictatorship. Further throughout history, dictatorship has been the commonest form of government, indeed, for much of history the only form of government in the world."

"What is important will be manipulated by the government."

"A government does not, in general, just go about the world doing good. It has to be pushed into it."

"Clearly the present organization of the scientific community, cutting across the lines of nation states, bureaus, and almost all previously existing institutions, cannot be the result of conscious planning. There is, today, a good deal of organizational planning, but all of the instrumentalities which engage in this activity were founded after the development of science was well under way. Further, most of these organizations are parochial in nature, concerning themselves with only some special part of the scientific community like mathematical biophysics or Russian science. There is no general institution which has shaped or now can shape the development of science, only a mass of institutions which provide little more than liaison (and sometimes funds) for the scientific “producers.”"

"I'm looking for what the artist is trying to say and what he or she is actually saying, what the work reveals about society and the timeless conditions of being alive."

"After 1909, Monet drastically enlarged his brushstrokes, disintegrated his images, and broke through the taming constraints and delicacy of Impressionism for good. Nineteen gnarly paintings, starting in 1909 and carrying through his final seventeen years, finish off the notion that Monet went happily ever after into lily-land."

"You can't prove Rembrandt is better than Norman Rockwell - although if you actually do prefer Rockwell, I'd say you were shunning complexity, were secretly conservative, and hadn't really looked at either painter's work. Taste is a blood sport."

"Adults only look like they know what they're doing. In fact, they're all making it up as they go along, especially when giving advice."

"OK, maybe being an international pop star is more exciting than the life of an element collector, but it has its moments."

"The periodic table is the universal catalog of everything you can drop on your foot. There are some things, such as light, love, logic, and time, that are not in the periodic table. But you can't drop any of those things on your foot."

"And so it is that we come to the end of our journey through the periodic table not with a bang, but with a committee."

"Lawyers exist to tell you everything that could possibly go wrong with anything you want to do. The correct way to interact with them is to say thank you very much, and then do it anyway. Actually no one told me that; I had to figure it out myself."

"Mimi: Silencing you because I don’t like what you say is censorship. Silencing you because I can make more money that way is copyright. They’re totally different! Eunice: The profit motive makes it OK."

"Mimi: I like you! Eunice: So what? You like everyone. I want assholes to like me — that’ll mean I’m really special!"

"Mimi: Copyright’s all about balance: balancing creators’ and the public’s need for free expression… Eunice: with copyright lawyers’ need for paychecks!"

"Pronounced “me-me and you-ness.” Mimi has pointy ears and Eunice has floppy ears"

"Everyone wants me to make another movie and I'm like "Yeah, I'm doing quilts." Yeah, I have ideas. I have to be really, really obsessively moved. Like I have to have no other choice to do a project that takes that much time and it has to be a motivation other than just that I know that I will get approval for it. Much as I love approval, I mean it's extremely tempting. I want it. And I have a lot of doubts about following my muse when my muse leads me down some weird path. Again, like quilts. But I also know that if I do something just because I know people will approve of that, that's not really going to help me as an artist. So I'm not ruling out doing another film, but I'm only going to do it if I have no other choice, which was the case with Sita Sings the Blues."

"My grand total for the free film was $132,000, and that is a business model I am totally sticking to. And everything that I do now is totally free."

"Audiences want to support artists. Which is pretty much how it's always been except during the last 100 years where it's turned into this really vicious, cutthroat, nasty business with all these blood-thirsty, parasitic middle-men. But historically, artists were relatively poor and supported directly by their audiences. There's a great book called The Gift by Lewis Hyde. You know, art is a gift and it turns out the audience is happy to give back."

"Because I didn't sell it to a distributor, it can be in lots of film festivals. It's been in, I think, at least 200 festivals, it's won more than 35 awards which is great. I like that! If I had gone with a distributor they would have immediately said no to film festivals which I do not understand why distributors do, but that's what they do."

"Total box office so far has been $22,350 … that trickles down to $3,000 for me. Which really isn't much, but it's fine. People are seeing the film and they're seeing it the the way it should be seen. I do not feel like the distributors are ripping me off. I feel like this is the model of film distribution and this is the reality of it and fortunately my income is not dependent on it."

"I don't think distributors are cheating or evil or anything like that, I just think that the business model is unsustainable so they truly don't have money. There's just not much money in this particular model."

"I love money! Just because it's free doesn't mean I don't like money. And actually I've made more money this way than any distributor said I could possibly make, which isn't much because independent distributors are notoriously without money. So the most money any distributor told me I could possibly hope to make on this film, total, maximum, in my wildest dreams was $50,000, and they said much more realistic would be $10,000 or $25,000 and the biggest advance I was offered, I think, was $20,000 and that's for locking up all the rights."

"Our idea, which art in the ether, that cannot be named: Thy vision come, thy will be done, on Earth as it is an abstraction. Give us this day our daily spark and forgive our criticisms, as we forgive those who critique against us. And lead us not into stagnation, but deliver us from ego, for thine is the vision, the power and the glory forever. Amen."

"In ten years I think the [copyright] laws are going to be worse and I also think they are going to be less relevant. I mean, already the difference between the laws and people's behaviour, It's like they're different planets. I'm not hopeful for the laws changing. A lot of other people are, so maybe we will have meaningful copyright reform. I doubt it. I don't think it matters. I think the tools are available for people to create and share culture and they're going to do that and they might be doing it illegaly and at a certain point it's going to be more than the system can handle. I will say that if the power structure as it exists wants to continue they're going to have to reform because it's not sustainable. Copyright law as it is, it's just completely out of touch with human behaviour."

"You don't deserve to be paid because you choose to do something that somebody else may, or may not, want. If you want to be paid for your work, you negotiate that beforehand. Otherwise I would just be walking around talking. Here I am talking now. "You owe me money", right? … It's up to you whether or not you want to do work with no contract. I think artists do need to do work with no contract, because what we're motivated by is not money. We're motivated by a need to express ourselves and to get our ideas out. That's the motivation. It turns out that when people like it they frequently will support you if you give them a means, but this is not a contract."

"♡ Copying is an act of love. Please copy & share."

"The corporations that hold these copyrights are media companies that also control most of the new media that comes out. Estimates vary, but it's said that 98 percent of all culture is unavailable right now because of copyrights. So the reason they hold the copyrights isn't because they want to get paid, it's because they don't want all the old stuff competing with the media stream that they control now."

"Copying is not theft Stealing a thing leaves one less left Copying it makes one thing more That's what copying's for. Copying isn't theft If I copy yours, you have it too One for me and one for you That's what copies can do. If I steal your bicycle, You have to take the bus But if I just copy it, There's one for each of us! Making more of a thing That is what we call copying Sharing ideas with everyone That's why copying... ...Is fun!"

"Yes, I know bad bad people can also use the .fla files for dastardly deeds (the dreaded hypothetical “Nazi Porn Version” that always comes up at Q&A’s). Bad bad people can use our shared Language and Technology for evil too, but I’m not going to constipate culture out of fear of imaginary worst-case scenarios. I’m confident much more good will come from this than bad, and that’s motivation enough for me. It’s Free Culture, baby. If programmers can tinker with the Free Software’s source code, artists can tinker with Sita Sings the Blues‘ source files."

"For fans of Sita Sings the Blues Ms. Paley’s imaginative leaps and blend of styles are part and parcel of the film’s visual and aural originality. “You can actually feel how much time went into it,” said Alison Dickey, a film producer and one of the jurors who nominated Ms. Paley for Film Independent’s Someone to Watch honor, to be announced at the Spirit Awards next Saturday. “We see so many films, and when you come across one like this, you just feel like you’ve stumbled upon a gem.”"

"I got a DVD in the mail, an animated film titled "Sita Sings the Blues." It was an [sic] version of the epic Indian tale of Ramayana set to the 1920's jazz vocals of Annette Hanshaw. Uh, huh. I carefully filed it with other movies I will watch when they introduce the 8-day week. Then I was told I must see it. I began. I was enchanted. I was swept away. I was smiling from one end of the film to the other. It is astonishingly original. … Paley works entirely in 2-D with strict rules, so that characters remain within their own plane, which overlaps with others. This sounds like a limitation. Actually, it becomes the source of much amusement. Comedy often depends on the device of establishing unbreakable rules and then finding ways to break them. The laughs Paley gets here with 2-D would be the envy of an animator in 3-D. She discovers dimensions where none exist. This is one of the year's best films."

"When you shut down neurons to prevent them from transmitting signals, we call that "brain damage." Copyright is brain damage. It's brain damage in the great mind, and it's brain damage in the individual mind."

"I am not a copyright reformer. I am a copyright abolitionist."

"[on President Barack Obama's performance in the 2012 Presidential Debate of Oct 3, 2012] Can I state the obvious here, since we all have theories? The obvious is he he didn't bring his game because he doesn't have a game. They have now blamed his performance on everything from strategic — he's a unifier — that's belied by his campaign, calling Mitt Romney everything from a liar to a tax thief to a felon to a murderer to a dog abuser to a misogynist. This is one of the most negative campaigns in history..."

"It must be emphasized that free ridership is not a fact; it is an implication of the hypothesis that people maximize a utility function that depends only on their own consumption of goods."

"Why should the central government be in the business of giving unconditional grants to states and localities? The usual response is that such grants can equalize the income distribution. It is not clear that this argument stands up under scrutiny. Even if a goal of public policy is to help poor people, it does not follow that the best way to do so is to help poor communities. After all, the chances that a community with a low average income will probably have some relatively rich members and vice versa. If the goal is to help the poor, why not give them the money directly?"

"Some argue that an income tax is unfair because it taxes capital income twice: once when the original income is earned, and again when the investment produces a return."

"If it makes sense to transfer income from rich to poor people within a generation, why shouldn't we transfer income from rich to poor generations?"

"A second justification for corporate taxation is that the corporation receives a number of special privileges from society, the most important of which is limited liability of the stockholders. The corporation tax can be viewed as a user fee for this benefit."

"During the 1980's, the top statutory marginal income tax rate in the United States fell from 70 percent to 28 percent."

"The mere ability to postpone taxes may not seem all that important, but its consequences are enormous."

"In an experiment in Illinois, members of a randomly selected group of unemployed individuals were offered a bonus of $500 if they found a job within 11 weeks and kept that job for four months. On average, people who were offered the bonus received UI for one week less than the control group, and the program saved more on UI benefits than it spent on bonuses."

""Welfare" in the United States is a patchwork of more than 80 programs that provide benefits primarily to low-income individuals. These programs are means tested - only individuals whose financial resources fall below a certain level can receive benefits."

"Plato argued that in a good society the ratio of the richest to the poorest person's income should be at the most four to one."

"From a theoretical point of view, lifetime income would be ideal, but the practical problems in estimating it are enormous."

"Public decision making is complicated and not well understood. Contrary to simple methods of democracy, there appear to be forces pulling government expenditures away from levels that would be preferred by the median voter."

"Government grows because low-income individuals use the political system to redistribute income toward themselves."

"Government is essentially a big computer that elicits from citizens their preferences and uses this information to produce social decisions."