Orators From The United States

"She took the stage at Battery Park on Friday before a crowd of two hundred and fifty thousand climate strikers. “Hi, everyone!” she hollered, a huge smile on her face. She told the story of how she started striking, then introduced Thunberg. “She is an icon of our time, and has been nominated for the Nobel Peace Prize,” Villaseñor said. “And now she’s here with us today. What I want to tell you about Greta Thunberg, though, is that she is the nicest, kindest, most humble person I ever met.” As Thunberg walked onstage, she gave Villaseñor a big hug."

"Many people in the US aren't aware of the youth climate movement that was started by 16-year-old Swede Greta Thunberg in August 2018 and has inspired students in countries all across the world to come together to protest for climate action weekly. But the fact that Fridays for Future (FFF) is less well known stateside doesn't mean that young activists in the US are less passionate... A couple of hours north of the Capitol, Alexandria Villasenor was striking in New York City. The 14-year-old moved to the big apple from Davis, California, last August. In November 2018 she was back in California for a visit and experienced the raging Paradise wildfire first hand. "The smoke was so bad I had to go back to New York early," the middle schooler, who suffers from asthma, said. "Then I learned about the connection between the wildfires and the climate crisis. It made me angry." She also runs her own organization, Earth Uprising. How does she balance all of that with her school work and regular student life? "I can do pretty much anything when I get enough food and five hours of sleep," Villasenor said with a laugh."

"We give a lot of names to our excuses, to the reasons we don't want to write or we're afraid to. Finally, if you want to write, you have to just shut up, pick up a pen, and do it. I'm sorry there are no true excuses. Shut up and write. […] It's pretty nice to be talented. If you are, enjoy, but it won't take you that far. Work takes you a lot further. […] In writing I have confidence. Because I say I'm going to do it and I do it. That's all. Writing is the one thing in my life I continually show up for. I have given 100 percent to writing practice. That's what builds confidence. […] Don't be tossed away by your monkey mind. … These little voices are constantly going to be nagging at us. If you make a decision to do something, you do it. Don't be tossed away. … Don't be thrown off by yourself or anyone else. Let your big mind move forward."

"But last night we started to work with the Samurai. Tom brought in a loosely finished piece, xeroxed copies, and we went over it. First of all, we looked for where there was energy. It was mainly in the third paragraph. William Carlos Williams said to Allen Ginsberg: "If only one line in the poem has energy, then cut the rest out and leave only that one line." That one line is the poem. Poetry is the carrier of life, the vessel of vitality. Each line should be alive. Keep those parts of a piece; get rid of the rest. […] it's where our writing is burning through to brilliance that it finally becomes a poem or prose piece. And anyone can hear the difference. Something that comes from the source, from first thoughts, wakes and energises everyone. I've seen it many times in a writing group. When someone reads a really hot piece, it excites everyone. Be willing to look at your work honestly. If something works, it works. If it doesn't, quit beating an old horse. Go on writing. Something else will come up. There's enough bad writing in the world. Write one good line, you'll be famous. Write a lot of lukewarm pieces, you'll put people to sleep."

"As you reread, circle whole sections that are good in your notebooks. They often glow off the page and are obvious. […] Naturally, there should be a place for editing and revision, but when we hear the word editor, we think, "Okay. I let the creator in me go wild, but now I'm going to get back to the proper, conventional, rational state of mind and finally get things in order." We bring out the man or woman in a tweed suit from the East Coast with a doctorate in literature who is critical of everything. Don't do that. That person in the tweed suit is just another disguise for the ego that is trying to get control of things any way it can. […] Instead, when you go over your work, become a Samurai, a great warrior with the courage to cut out anything that is not present."

"Learning to write is not a linear process. There is no logical A-to-B-to-C way to become a good writer. One neat truth about writing cannot answer it all. There are many truths. […] Some techniques are appropriate at some times and some for other times. Every moment is different. Different things work. One isn't wrong and the other right. In class we try different techniques or methods."

"Anything we fully do is an alone journey. […] You are alone when you write a book. Accept that and take in any love and support that is given to you, but don't have expectations of how it is supposed to be."

"I went home with the resolve to write what I knew and to trust my own thoughts and feelings and to not look outside myself. I was not in school anymore: I could say what I wanted."

"A million-plus readers have followed Natalie's bold plunge into the world of words. "Just dive in," urges Natalie, teaching, "Begin where you are." […] "Keep your hand moving," she commands. "Don't cross out, don't worry about spelling, punctuation, and grammar, lose control, don't think, don't get logical, go for the jugular." "Include original detail," Natalie urges her students."

"You tell the truth and you depict it in detail."

"First, consider the pen you write with. Think, too, about your notebook. […] A cheap spiral notebook lets you feel that you can fill it quickly and afford another. Also, it is easy to carry."

"The basic unit of writing practice is the timed exercise. 1. Keep your hand moving. 2. Don't cross out. 3. Don't worry about spelling, punctuation, grammar. 4. Lose control. 5. Don't think. Don't get logical. 6. Go for the jugular. […] That is the discipline: to continue to sit."

"See the big picture. You are committed to writing or finding out about it. Continue under all circumstances. Don't be rigid though."

"Wait until you are hungry to say something, until there is an aching in you to speak. Then come back. Don't worry. You won't have lost time. Your energy will be more direct and less wasted."

"The world isn't always black and white. A person may not be sure if she can go some place, but it is important, especially for a beginning writer, to make clear, assertive statements. "This is good." "It was a blue horse." Not "Well, I know it sounds funny but I think it was a blue horse." […] After I read the article, I went home and looked at a poem I had just written. I made myself take out all the vague, indefinite words and phrases. […] It made the poem much better."

"If you want a room to write in, just get a room. Don't make a big production out of it. If it doesn't leak, has a window, heat in the winter, then put in your desk, bookshelves, a soft chair, and start writing."

"As writers we have to walk in the world in touch with that present, alert part of ourselves, that animal sense part that looks, sees, and notices - street signs, corners, fire hydrants, newspaper stands."

"Writers move with grace in and out of many worlds."

"In a rainstorm, everyone quickly runs down the street with umbrellas, raincoats, newspapers over their heads. Writers go back outside in the rain with a notebook in front of them and a pen in hand. They look at the puddles, watch them fill, watch the rain splash in them."

"Writers write about things that other people don't pay much attention to. […] A writer's job is to make the ordinary come alive, […] When we live in a place for too long, we grow dull. We don't notice what is around us. That is why a trip is so exciting. We are in a new place and see everything in a fresh way."

"Read a lot, listen well and deeply, and write a lot. […] If you read good books, when you write, good books will come out of you."

"Don't worry about your talent or capability: that will grow as you practice. […] If you want to write a novel, write a novel. If it's essays you want or short stories, write them. In the process of writing them, you will learn how. You can have the confidence that you will gradually acquire the technique and craft you need. […] We learn writing by doing it. That simple."

"Of course, you can sit down and have something you want to say. But then you must let its expression be born in you and on the paper. Don't hold too tight; allow it to come out how it needs to rather than trying to control it."

"It is a good idea to have a page in your notebook where you jot down, as they come to you, ideas of topics to write about. […] Add to the list any time you think of something. Then when you sit down to write, you can just grab a topic from that list and begin. Making a list is good. It makes you start noticing material for writing in your daily life, and your writing comes out of a relationship with your life and its texture. [...] Naturally, once you begin writing you might be surprised where your mind takes the topic. That's good. You are not trying to control your writing. You are stepping out of the way. Keep your hand moving."

"Just write. Just write. Just write. [...] When we are in the heart of writing it doesn't matter where we are. We can write anyplace."

"Use original detail in your writing. Life is so rich, if you can write down the real details of the way things were and are, you hardly need anything else."

"This is the practice school of writing. Like running, the more you do it, the better you get at it. […] You practice whether you want to or not. Through practice you actually do get better. Sit down with the least expectation of yourself; say "I am free to write the worst junk in the world." You have to give yourself the space to write a lot without a destination."

"Be specific. "Don't say "fruit". Tell what kind of fruit. Learn the names of everything: birds, cheese, tractors, cars, buildings."

"What is important is not just what you do - "I am writing a book" - but how you do it, how you approach it, and what you come to value. […] There are many realities. We should remember this when we get too caught in being concerned about the way the rest of the world lives or how we think they live."

"Push yourself beyond when you think you are done with what you have to say. […] It is beyond the point when you think you are done that often something strong comes out."

"Historically, movements for social change have all operated in much the same way. A paternal leadership has convinced people of the need for change, then recruited them for specific tasks, telling them what to do and when to do it. The new social movements operate on a different assumption of human potential: the belief that individuals, once they are deeply convinced of a need for change, can generate solutions from their own commitment and creativity. The larger movement inspires them, it supports their efforts and gives them information, but its structure cannot direct or contain their efforts. p. 413"

"The Hunger Project assumes that solutions do not reside in new programs or more programs. According to the best informed authorities and agencies, the expertise to end hunger within two decades already exists. Hunger persists because of the old-paradigm assumption that it is not possible to feed the world's population... The Hunger Project does not compete with older hunger organizations; rather, it publicizes their activities and urges enrollees to support them."

"We can begin anywhere—everywhere. "Let there be peace," says a bumper sticker, "and let it begin with me." Let there be health, learning, relationship, right uses of power, meaningful work.... Let there be transformation, and let it begin with me."

"The Aquarian Conspiracy is also working to ease hunger—for meaning, connection, completion. And each of us is "the whole project," the nucleus of a critical mass, a steward of the world's transformation."

"We need not wait for a leadership. We can begin to effect change at any point in a complex system: a human life, a family, a nation. One person can create a transformative environment for others through trust and friendship. A warm family or community can make a stranger feel at ease. A society can encourage growth and renewal in its members."

"In this century we have seen into the heart of the atom. We transformed it—and history—forever. But we have also seen into the heart of the heart."

"The global village is a reality. We are joined by satellite, supersonic travel, four thousand international meetings each year, tens of thousands of multinational companies, international organizations and newsletters and journals, even an emergent pan-culture of music, movies, art, humor."

"Because human choice remains sacrosanct and mysterious, none of us can guarantee a transformation of society. Yet there is reason to trust the process. Transformation is powerful, rewarding, natural. It promises what most people want...The new world is the old—transformed."

"Once these ideas coalesce into a coherent new paradigm grounded in transformation, we will see that humanity is both a part of creation and its steward as well, "a product of evolution and an instrument of evolution.""

"We know the necessary conditions for the changing of minds. Now that we see the deep pathology of our past, we can make new patterns, new paradigms. "The sum of all our days is just our beginning....""

"The reader will meet a number of key concepts on these pages—paradigms and paradigm shifts, entropy and syntropy, holism, holographs, the uncertainty principle, dissipative structures, punctuated evolution. This is not a "popularization" that reduces the essence of these concepts in any way. It is, rather, the humanizing of the research and discoveries that have heretofore been beyond the reach of all but the initiates... Amidst the prevailing gloom the news the author brings us is of an open human nature in an open universe. Like the work of the people it describes, this is a book drenched in sunlight."

"Transformation is no longer lightning but electricity. We have captured a force more powerful than the atom, a worthy keeper of all our other powers."

"We have had a profound paradigm shift about the Whole Earth. We know it now as a jewel in space, a fragile water planet. And we have seen that it has no natural borders. It is not the globe of our school days with its many-colored nations. p.407"

"All countries are economically and ecologically involved with each other, politically enmeshed. The old gods of isolationism and nationalism are tumbling, artifacts like the stone deities of Easter Island."

"We are learning to approach problems differently, knowing that most of the world's crises grew out of the old paradigm— the forms, structures, and beliefs of an obsolete understanding of reality. Now we can seek answers outside the old frameworks, ask new questions, synthesize, and imagine. Science has given us insights into wholes and systems, stress and transformation."

"The wider paradigm of relationships and family transcends old group definitions. The discovery of our connection to all other men, women, and children joins us to another family. Indeed, seeing ourselves as a planetary family struggling to solve its problems, rather than as assorted people and nations assessing blame or exporting solutions, could be the ultimate shift in perspective."

"The personal paradigm shift is like a sea-crossing to the New World. The immigrant, try as he might, cannot persuade all his friends and loved ones to make the journey. Those who stay behind cannot understand why the familiar did not hold the immigrant. Why did he abandon his accustomed homeland? Saddest of all, how could their affections not hold him?"

"Many old friendships and acquaintances fall away; new friendships, even a whole new support network, take their place. Based as they are on shared values and a shared journey, these new relationships are perhaps more intense."

"Ongoing personal transformation moves one away from the Old World—sometimes abruptly, more often over years. As we have seen in an earlier chapter, people change jobs, even vocations, in the wake of shifting perceptions."

"The greatest single obstacle to the resolution of great problems in the past was thinking they could not be solved—a conviction based on mutual distrust. Psychologists and sociologists have found that most of us are more highly motivated than we think each other to be!"