Novelists From The United States

""Fear,” Jason said, “can make you do more wrong than hate or jealousy. If you're afraid you don’t commit yourself to life completely; fear makes you always, always hold something back.”'"

"Probably she should not have gotten away with it for as long as she had...but sometime, he had often thought, the retribution will come: reality denied comes back to haunt."

"The church of my choice is the free, open world."

"Once they notice you, Jason realized, they never completely close the file. You can never get back your anonymity. It is vital not to be noticed in the first place."

"Am I being paid back for something I did? He asked himself. Something I don't know about or remember? But nobody pays back, he reflected. I learned that a long time ago: you're not paid back for the bad you do nor the good you do. It all comes out uneven at the end. Haven't I learned that by now, if I've learned anything?"

"He could not endure what he found himself going through, and he could not get away. It seemed to him as if he sat behind the tiller of his custom-made unique quibble, facing a red light, green light, amber light all at once; no rational response was possible. Her irrationality made it so. The terrible power, he thought, of illogic. Of the archetypes. Operating out of the drear depths of the collective unconscious which joined him and her — and everyone else — together. In a knot which could never be undone, so long as they lived. No wonder, he thought, some people, many people, long for death."

"She did not really want to know; she believed she understood already."

"'A rolling stone gathers no moss.' Try as I might I could not remember the meaning. At last I hazarded, 'Well, it means a person who's always active and never pauses to reflect — ' No, that didn't sound right. I tried again. 'That means a man who is always active and keeps growing in mental and moral stature won't grow stale.' He was looking at me more intently, so I added by way of clarification, 'I mean, a man who's active and doesn't let grass grow under his feet, he'll get ahead in life.' Doctor Nisea said, 'I see.' And I knew that I had revealed, for the purposes of legal diagnosis, a schizophrenic thinking disorder. 'What does it mean?' I asked. 'Did I get it backward?' 'Yes, I'm afraid so. The generally-accepted meaning of the proverb is the opposite of what you've given; it is generally taken to mean that a person who — ' 'You don't have to tell me,' I broke in. 'I remember — I really knew it. A person who's unstable will never acquire anything of value.'"

"Forty-two. His age had astounded him for years, and each time that he had sat so astounded, trying to figure out what had become of the young, slim man in his twenties, a whole additional year slipped by and had to be recorded, a continually growing sum which he could not reconcile with his self-image. He still saw himself, in his mind's eye, as youthful, and when he caught sight of himself in photographs he usually collapsed ... Somebody took my actual physical presence away and substituted this, he had thought from time to time. Oh well, so it went."

"He now set down all the communications apparatus, rose stiffly from the chair and momentarily stood facing the misty, immobile, icebound shape of Joe Chip resting within its transparent plastic casket. Upright and silent, as it would be for the rest of eternity."

"“A philosophical problem of no importance or meaning,” Joe said. “And incapable of being proved one way or the other.”"

"“Is it my fault?” Joe said. “Did I make that quarter you gave me obsolete?” He felt anger. “In some weird way,” Al said, “yes, it is your fault. But I don’t know how. Maybe one day I’ll figure it out.”"

"As always, when the opportunity arose, Joe took a long, astute look at the girl whom, if he could have managed it, he would have had as his mistress, or, even better, his wife. It did not seem possible that Wendy Wright had been born out of blood and internal organs like other people. In proximity to her he felt himself to be a squat, oily, sweating, uneducated nurt whose stomach rattled and whose breath wheezed. Near her he became aware of the physical mechanisms which kept him alive; within him machinery, pipes and valves and gas-compressors and fan belts had to chug away at a losing task, a labor ultimately doomed. Seeing her face, he discovered that his own consisted of a garish mask; noticing her body made him feel like a low-class windup toy. All her colors possessed a subtle quality, indirectly lit. Her eyes, those green and tumbled stones, looked impassively at everything; he had never seen fear in them, or aversion, or contempt. What she saw she accepted. Generally she seemed calm. But more than that she struck him as being durable, untroubled and cool, not subject to wear, or to fatigue, or to physical illness and decline. Probably she was twenty-five or -six, but he could not imagine her looking younger, and certainly she would never look older. She had too much control over herself and outside reality for that."

"The electric things have their life too. Paltry as those lives are."

"“Maybe I shouldn’t have told you—about it being electrical.” She put her hand out, touched his arm; she felt guilty, seeing the effect it had on him, the change. ”No,” Rick said. “I’m glad to know. Or rather—” He became silent. “I’d prefer to know.”"

"For Mercer everything is easy, he thought, because Mercer accepts everything. Nothing is alien to him. But what I've done, he thought; that's become alien to me. In fact everything has become unnatural; I've become an unnatural self."

"'“Everything is true”, he said. “Everything anybody has ever thought.”"

"“Mercer,” Rick said. “I am your friend,” the old man said. “But you must go on as if I did not exist. Can you understand that?” He spread empty hands. “No,” Rick said. “I can’t understand that. I need help.” “How can I save you,” the old man said, “if I can’t save myself?” He smiled. “Don’t you see? There is no salvation.” “Then what’s this for?” Rick demanded. “What are you for?” “To show you,” Wilbur Mercer said, “that you aren’t alone. I am here with you and always will be. Go and do your task, even though you know it’s wrong.” “Why?” Rick said. “Why should I do it? I’ll quit my job and emigrate.” The old man said, “You will be required to do wrong no matter where you go. It is the basic condition of life, to be required to violate your own identity. At some time, every creature which lives must do so. It is the ultimate shadow, the defeat of creation; this is the curse at work, the curse that feeds on all life. Everywhere in the universe.” “That’s all you can tell me?” Rick said."

"Silence. It flashed from the woodwork and the walls; it smote him with an awful, total power, as if generated by a vast mill. It rose from the floor, up out of the tattered gray wall-to-wall carpeting. It unleashed itself from the broken and semi-broken appliances in the kitchen, the dead machines which hadn’t worked in all the time Isidore had lived here. From the useless pole lamp in the living room it oozed out, meshing with the empty and wordless descent of itself from the fly-specked ceiling. It managed in fact to emerge from every object within his range of vision, as if it—the silence—meant to supplant all things tangible. Hence it assailed not only his ears but his eyes; as he stood by the inert TV set he experienced the silence as visible and, in its own way, alive. Alive! He had often felt its austere approach before; when it came it burst in without subtlety, evidently unable to wait. The silence of the world could not rein back its greed. Not any longer. Not when it had virtually won."

"No one today remembered why the war had come about or who, if anyone, had won. The dust which had contaminated most of the planet’s surface had originated in no country, and no one, even the wartime enemy, had planned on it."

"“You think life is worth living, Dar?” Hadley demanded suddenly. “Who knows. And if you have to ask, there’s something wrong with you.”"

"Did we get or learn anything from our unexpected confrontation with the Pekes? he wondered. It showed us, he decided, that the difference between say myself and the average Negro is so damn slight, by every truly meaningful criterion, that for all intents and purposes it doesn’t exist. When something like that, a contact with a race that’s not Homo sapiens, occurs, at last we can finally see this."

"Just what he hoped to see; just what the entire struggle has been about. How long it had been in coming…almost two centuries more than it should have taken. The mind of man was uncommonly stubborn and slow to change. Reformers, including himself, were always prone to forget that. Victory always seemed just around the corner. But generally it was not, after all."

"Obviously it’s impossible to do business with you Homo sapiens; you’re adept, polished liars."

"And anyhow, he realized, none of us wants to start slaughtering the Peking people. It would be too much like the old days, back among our cave-dwelling ancestors. Back to their level. We must have grown out of that by now, he said to himself. And if we haven’t—what does it matter who wins?"

"That’s who I ought to call: Verne Engel. You know what I’d say to him? “You stupid bastard, does what you’re fighting for look so real now? Skin pigment. What a laugh! Why not eye color? Too bad nobody ever thought of that. It cuts it a little finer, but basically it’s the same thing. Okay, Verne, you get out there and die over the issue of upholding one certain eye color. Lots of luck.”"

"He glared at her. Women can get a man to do anything, he realized. Mother, wife, even employee; they twist us like hot little bits of thermoplastic."

"“Isn’t there any way—” He broke off. Can’t the past be altered? he asked himself. Evidently not. Cause and effect work in only one direction, and change is real. So what’s gone is gone, and I might as well get out of here."

"But an artist, he realized. Or rather so-called artist. Bohemian. That’s closer to it. The artistic life without the talent."

"The time, then, had come for him to poison himself so that an economic monopoly could be kept alive, a sprawling, interplan empire from which he now derived nothing."

"Isn’t a miserable reality better than the most interesting illusion? Or is it illusion, Barney? I don’t know anything about philosophy; you explain it to me because all I know is religious faith and that doesn’t equip me to understand this."

"“We all make mistakes,” the cab said piously. “But some of us,” Barney said, “make fatal ones.” First about our loved ones, our wife and children, and then about our employer, he said to himself. The cab hummed on. And then, he said to himself, we make one last one. About our whole life, summing it all up. Whether to take a job with Eldritch or go into the service. And whichever we choose we can know this: It was the wrong alternative."

"It’s not religious fervor; it’s just a mean, very cruel streak."

""Before you diagnose yourself with depression or low self-esteem, first make sure that you are not, in fact, just surrounded by assholes." — thought to be Gibson's words as a result of Twitter attribution decay, despite repeated disavowals. [https://twitter.com/#!/GreatDismal/status/144941061578559488 [https://twitter.com/#!/GreatDismal/status/171091202161131520. The source, according to Gibson, is Steven Winterburn [https://twitter.com/5tevenw/status/73091190475595776. However, Steven Winterburn is NOT the original creator of that quote. The original quote is the creation of Twitter account holder "@debihope" See research by quoteinvestigator [http://quoteinvestigator.com/2014/10/25/diagnose/."

"I thought of the Garage Kubrick when I went to Sundance for the first time and saw young filmmakers doing what young filmmakers apparently must do to get attention for their work — the public part of which seemed to involve shuffling in a tense sort of lemming-lockstep up and down the main drag of Park City, talking on two cell phones at once and looking near-fatally stressed. The private part, the deal-making part, I assumed (based on experiences of my own) would be worse. Or simply wouldn't happen."

"Rather than plug a piece of hardware into our gray matter, how much more elegant to extract some brain cells, plop them into a Petri dish, and graft on various sorts of gelatinous computing goo. Slug it all back into the skull and watch it run on blood sugar, the way a human brain's supposed to."

"As new technologies search out and lace over every interstice in the net of global communication, we find ourselves with increasingly less excuse for...slack. And that, I would argue, is what the World Wide Web, the test pattern for whatever will become the dominant global medium, offers us. Today, in its clumsy, larval, curiously innocent way, it offers us the opportunity to waste time...It will probably evolve into something considerably less random, and less fun — we seem to have a knack for that — but in the meantime, in its gloriously unsorted Global Ham Television Postcard Universes phase, surfing the Web is a procrastinator's dream. And people who see you doing it might even imagine you're working."

"“Surfing the Web” (as dubious a metaphor as “the information highway”) is, as a friend of mine has it, “like reading magazines with the pages stuck together.” My wife shakes her head in dismay as I patiently await the downloading of some Japanese Beatles fan's personal catalog of bootlegs. “But it’s from Japan!” She isn't moved. She goes out to enjoy the flowers in her garden."

"In the age of wooden television in the South where I grew up, leisure involved sitting on screened porches, smoking cigarettes, drinking iced tea, engaging in conversation, and staring into space. It might also involve fishing. Sometimes the Web does remind me of fishing."

"I was born in 1948. I can't recall a world before television...Initially there was nothing on it but “snow,” and then the nightly advent of a targetlike device called “the test pattern,” which people actually gathered to watch. I imagine that the World Wide Web and its modest wonders are no more than the test pattern for whatever the twenty-first century will regard as its equivalent medium."

"My first impulse, when presented with any spanking-new piece of computer hardware, is to imagine how it will look in ten years' time, gathering dust under a card table in a thrift shop. And it probably will."

"Time moves in one direction, memory in another. We are that strange species that constructs artifacts intended to counter the natural flow of forgetting."

"This newfound state of No Future is, in my opinion, a very good thing. It indicates a kind of maturity, an understanding that every future is someone else's past, every present someone else's future. Upon arriving in the capital-F Future, we discover it, invariably, to be the lower-case now. The best science fiction has always known that, but it was a sort of cultural secret. When I began to write fiction, at the very end of the Seventies, I was fortunate to have been taught, as an undergraduate, that imaginary futures are always, regardless of what the authors might think, about the day in which they're written. Orwell knew it, writing Nineteen Eighty-Four in 1948, and I knew it writing Neuromancer, my first novel, which was published in 1984."

"Later attempts sometimes involved outer space...I don't remember them. My wife parodied them all, not unkindly, as “His long green ears quivering, Fimo slipped from the rig.”...there was always something akin to “the rig.” Some unimagined (by me), hence unnamed, element of technology. But already I sensed that even if I had somehow come to know what the rig was, what it was for, it was better not to tell the reader just then. “Javnaker slipped from the quantum universe-splitter that wasn’t actually a time machine” would not be good for the reader."

"I didn't imagine that art girls in the Midwest would be flashing their tits in cyberspace...but I'm glad that they're doing it."

"It will bring about the extinction of the nation-state as we know it... I think it will be as big a deal as the creation of cities."

"All I knew about the word "cyberspace" when I coined it, was that it seemed like an effective buzzword. It seemed evocative and essentially meaningless. It was suggestive of something, but had no real semantic meaning, even for me, as I saw it emerge on the page."

"I became so frustrated with my inability to physically move the characters through the imaginary narrative space, that I actually developed an early form of imaginary VR technology that sort of covered my ass ... all they had to do was switch tapes and be in a different place, and I was spared the embarrassment of demonstrating that I didn't know how to get them up and down the stairs."

"Seated each afternoon in the darkened screening room, Halliday came to recognize the targeted numerals of the Academy leader as sigils preceding the dream state of a film."

"I think of religions as franchise operations. Like chicken franchise operations. But that doesn't mean there's no chicken, right?"