Novelists From The United States

"When a condition or a problem becomes too great, humans have the protection of not thinking about it. But it goes inward and minces up with a lot of other things already there and what comes out is discontent and uneasiness, guilt and a compulsion to get something—anything—before it is all gone."

"The incident seemed to prove to me that intentions, good or bad, are not enough."

"I guess I’m trying to say, Grab anything that goes by. It may not come around again."

"People who are most afraid of their dreams convince themselves they don’t dream at all."

"Can you honestly love a dishonest thing?"

"I shall revenge myself in the cruelest way you can imagine. I shall forget it."

"It’s so much darker when a light goes out than it would have been if it had never shone."

"I wonder how many people I’ve looked at all my life and never seen."

"The human fetus is born upside down. But it is not true that a child becomes upright after birth. Observe the feet of children and young people when they are at rest. The feet are nearly always higher than the head, No matter how hard he may try, the growing boy, and particularly girl, cannot keep the feet down. The fetal position is very strong. It takes eighteen to twenty years for the feet finally to accept the ground as their normal home. It is my hypothesis that you can judge maturity exactly by the relationship of the feet to the ground."

"The one thing our species is helpless against is good fortune. It first puzzles, then frightens, then angers, and finally destroys us."

"You are a good man, Sire, and a good man draws women as cheese draws mice."

"It is the misfortune of men to want to do a thing well, even a thing they do not want to do at all."

"I don't anticipate trouble and so I anticipate trouble."

"Power does not corrupt. Fear corrupts, perhaps fear of a loss of power."

"I have known many people to ask for advice but very few who wanted it and none who followed it."

"It is a matter of disillusion to young male Americans otherwise informed, to discover that the French are a moral people — judged, that is, by American country-club standards."

"No one knows how greatness comes to a man. It may lie in his blackness, sleeping, or it may lance into him like those driven fiery particles from outer space. These things, however, are known about greatness: need gives it life and puts it in action; it never comes without pain; it leaves a man changed, chastened, and exalted at the same time — he can never return to simplicity."

"Doc cried to no one, "Give me a little time! I want to think.[…] Everyone has something. And what has Suzy got? Absolutely nothing in the world but guts. She's taken on an atomic world with a sling-shot, and, by God, she's going to win! If she doesn't win there's no point in living any more. "What do I mean, win?" Doc asked himself. "I know. If you are not defeated, you win""

"It is a common experience that a problem difficult at night is resolved in the morning after the committee of sleep has worked on it."

"Woman and women is two different things," said Suzy. "Guy knows all about women, he don't know nothing about a woman."

"Where does discontent start? You are warm enough, but you shiver. You are fed, yet hunger gnaws you. You have been loved, but your yearning wanders in new fields. And to prod all these there’s time, the Bastard Time."

"Men do change, and change comes like a little wind that ruffles the curtains at dawn, and it comes like the stealthy perfume of wildflowers hidden in the grass."

"In uncertainty I am certain that underneath their topmost layers of frailty men want to be good and want to be loved. Indeed, most of their vices are attempted short cuts to love. When a man comes to die, no matter what his talents and influence and genius, if he dies unloved his life must be a failure to him and his dying a cold horror. It seems to me that if you or I must choose between two courses of thought or action, we should remember our dying and try so to live that our death brings no pleasure to the world. We have only one story. All novels, all poetry, are built on the never-ending contest in ourselves of good and evil. And it occurs to me that evil must constantly respawn, while good, while virtue, is immortal. Vice has always a new fresh young face, while virtue is venerable as nothing else in the world is."

"Our species is the only creative species, and it has only one creative instrument, the individual mind and spirit of a man. Nothing was ever created by two men. There are no good collaborations, whether in art, in music, in poetry, in mathematics, in philosophy. Once the miracle of creation has taken place, the group can build and extend it, but the group never invents anything. The preciousness lies in the lonely mind of a man. And now the forces marshaled around the concept of the group have declared a war of extermination on that preciousness, the mind of man. By disparagement, by starvation, by repressions, forced direction, and the stunning blows of conditioning, the free, roving mind is being pursued, roped, blunted, drugged. It is a sad suicidal course our species seems to have taken. And this I believe: that the free, exploring mind of the individual human is the most valuable thing in the world. And this I would fight for: the freedom of the mind to take any direction it wishes, undirected. And this I must fight against: any religion, or government which limits or destroys the individual. This is what I am and what I am about. I can understand why a system built on a pattern must try to destroy the free mind, for it is the one thing which can by inspection destroy such a system. Surely I can understand this, and I hate it and I will fight against it to preserve the one thing that separates us from the uncreative beasts. If the glory can be killed, we are lost."

"Sometimes a kind of glory lights up the mind of a man. It happens to nearly everyone. You can feel it growing or preparing like a fuse burning toward dynamite. It is a feeling in the stomach, a delight of the nerves, of the forearms. The skin tastes the air, and every deep-drawn breath is sweet. Its beginning has the pleasure of a great stretching yawn; it flashes in the brain and the whole world glows outside your eyes. A man may have lived all his life in the gray, and the land and trees of him dark and somber. The events, even the important ones, may have trooped by faceless and pale. And then — the glory — so that a cricket song sweetens the ears, the smell of the earth rises chanting to his nose, and dappling light under a tree blesses his eyes. Then a man pours outward, a torrent of him, and yet he is not diminished…"

"There is a strange duality in the human which makes for an ethical paradox. We have definitions of good qualities and of bad; not changing things, but generally considered good and bad throughout the ages and throughout the species. Of the good, we think always of wisdom, tolerance, kindliness, generosity, humility; and the qualities of cruelty, greed, self-interest, graspingness, and rapacity are universally considered undesirable. And yet in our structure of society, the so-called and considered good qualities are invariable concomitants of failure, while the bad ones are the cornerstones of success. A man — a viewing-point man — while he will love the abstract good qualities and detest the abstract bad, will nevertheless envy and admire the person who though possessing the bad qualities has succeeded economically and socially, and will hold in contempt that person whose good qualities have caused failure. When such a viewing-point man thinks of Jesus or St. Augustine or Socrates he regards them with love because they are the symbols of the good he admires, and he hates the symbols of the bad. But actually he would rather be successful than good. In an animal other than man we would replace the term “good” with “weak survival quotient” and the term “bad” with “strong survival quotient.” Thus, man in his thinking or reverie status admires the progression toward extinction, but in the unthinking stimulus which really activates him he tends toward survival. Perhaps no other animal is so torn between alternatives. Man might be described fairly adequately, if simply, as a two-legged paradox. He has never become accustomed to the tragic miracle of consciousness. Perhaps, as has been suggested, his species is not set, has not jelled, but is still in a state of becoming, bound by his physical memories to a past of struggle and survival, limited in his futures by the uneasiness of thought and consciousness."

"We are no better than the animals; in fact in a lot of ways we aren't as good."

"Among primitives sometimes evil is escaped by never mentioning the name, as in Malaysia, where one never mentions a tiger by name for fear of calling him. Among others, as even among ourselves, the giving of a name establishes a familiarity which renders the thing impotent. It is interesting to see how some scientists and philosophers, who are an emotional and fearful group, are able to protect themselves against fear. In a modern scene, when the horizons stretch out and your philosopher is likely to fall off the world like a Dark Age mariner, he can save himself by establishing a taboo-box which he may call "mysticism" or "supernaturalism" or "radicalism." Into this box he can throw all those thoughts which frighten him and thus be safe from them."

"We sat on a crate of oranges and thought what good men most biologists are, the tenors of the scientific world — temperamental, moody, lecherous, loud-laughing, and healthy.[…] Your true biologist will sing you a song as loud and off-key as will a blacksmith, for he knows that morals are too often diagnostic of prostatitis and stomach ulcers. Sometimes he may proliferate a little too much in all directions, but he is as easy to kill as any other organism, and meanwhile he is very good company, and at least he does not confuse a low hormone productivity with moral ethics."

""Let us go," we said, "into the Sea of Cortez, realizing that we become forever a part of it; that our rubber boots slogging through a flat of eel-grass, that the rocks we turn over in a tide pool, make us truly and permanently a factor in the ecology of the region. We shall take something away from it, but we shall leave something too." And if we seem a small factor in a huge pattern, nevertheless it is of relative importance. We take a tiny colony of soft corals from a rock in a little water world. And that isn't terribly important to the tide pool. Fifty miles away the Japanese shrimp boats are dredging with overlapping scoops, bringing up tons of shrimps, rapidly destroying the species so that it may never come back, and with the species destroying the ecological balance of the whole region. That isn't very important in the world. And thousands of miles away the great bombs are falling and the stars are not moved thereby. None of it is important or all of it is."

"It is so easy a thing to give—only great men have the courage and courtesy and, yes, the generosity to receive."

"I do understand. I understand that you are offered a loveliness and you vomit on it, that you have the gift of love given you such as few men have ever known and you throw on it the acid of your pride, your ugly twisted sense of importance."

"His guard was up now and he wasn't listening; he was only angry because here was a world he could not enter and so he had to disbelieve in its existence. He fell back on the world he knew."

"Mordeen said: "I used to wonder why this love seemed sweeter than I had ever known, better than many people ever know. And then one day the reason came to me. There are very few great Anythings in the world. In work and art and emotion—the great is very rare. And I have one of the great and beautiful. Now say your yah, yah, Victor, like a child unanswerably answering Wisdom. You will have to do that, I think.""

"He brought his malformed wisdom, his pool-hall, locker-room, joke-book wisdom to the front."

"Victor's unfortunate choice it was always to mis-see, to mis-hear, to misjudge. He read softness into her because of the softness of her voice, when she was only remembering. His was the self-centered chaos of childhood. All looks and thoughts, loves and hatreds, were directed at him. Softness was softness towards him, weakness was weakness in the face of his strength. He preheard answers and listened not. He was full-coloured and brilliant—all outside of him was pale."

"When you argue with a child," she said warmly, "you give a good argument and the child says yah, yah! You understand him and he doesn't listen, so the child wins."

"He had said, "I am a man," and that meant certain things to Juana. It meant that he was half insane and half god. It meant that Kino would drive his strength against a mountain and plunge his strength against the sea. Juana, in her woman's soul, knew that the mountain would stand while the man broke himself; that the sea would surge while the man drowned in it. And yet it was this thing that made him a man, half insane and half god, and Juana had need of a man; she could not live without a man. Although she might be puzzled by these differences between man and woman, she knew them and accepted them and needed them. Of course she would follow him, there was no question of that. Sometimes the quality of woman, the reason, the caution, the sense of preservation, could cut through Kino's manness and save them all."

"Luck, you see, brings bitter friends."

"A plan is a real thing, and things projected are experienced. A plan once made and visualized becomes a reality along with other realities—never to be destroyed but easily to be attacked."

"For it is said that humans are never satisfied, that you give them one thing and they want something more. And this is said in disparagement, whereas it is one of the greatest talents the species has and one that has made it superior to animals that are satisfied with what they have."

"She envied Camille. Camille was a tramp, Mildred thought. And things were so much easier for a tramp. There was no conscience, no sense of loss, nothing but a wonderful, relaxed, stretching-cat selfishness. She could go to bed with anyone she wanted to and never see him again and have no feeling of loss or insecurity about it. That was the way Mildred thought it was with Camille. She wished she could be that way, and she knew she couldn't. Couldn't because of her mother. And the unbidden thought entered her mind—if her mother were only dead Mildred's life would be so much simpler. She could have a secret little place to live somewhere. Almost fiercely, she brushed the thought away. "What a foul thing to think," she said to herself ceremoniously. But it was a dream she often had."

"He didn't believe in psychiatrists, he said. But actually he did believe in them, so much that he was afraid of them."

"He wondered why he stayed with her. Just pure laziness, he guessed. He didn't want to go through the emotional turmoil of leaving her. In spite of himself he'd worry about her and it was too much trouble. He'd need another woman right away and that took a lot of talking and arguing and persuading. It was different just to lay a girl but he would need a woman around, and that was the difference. You got used to one and it was less trouble.[…] But there was another reason too. She loved him. She really did. And he knew it. And you can't leave a thing like that. It's a structure and it has an architecture, and you can't leave it without tearing off a piece of yourself. So if you want to remain whole you stay no matter how much you may dislike staying. Juan was not a man who fooled himself very much."

"Her body and her mind were sluggish and lazy, and deep down she fought a tired envy of the people who, so she thought, experienced good things while she went through life a gray cloud in a gray room. Having few actual perceptions, she lived by rules. Education is good. Self-control is necessary. Everything in its time and place. Travel is broadening. And it was this last axiom which had forced her finally on the vacation to Mexico."

"Mr. Pritchard was a businessman, president of a medium-sized corporation. He was never alone. His business was conducted by groups of men like himself who joined together in clubs so that no foreign element or idea could enter. His religious life was again his lodge and his church, both of which were screened and protected. One night a week he played poker with men so exactly like himself that the game was fairly even, and from this fact his group was convinced that they were very fine poker players. Wherever he went he was not one man but a unit in a corporation, a unit in a club, in a lodge, in a church, in a political party. His thoughts and ideas were never subjected to criticism since he willingly associated only with people like himself. He read a newspaper written by and for his group. The books that came into his house were chosen by a committee which deleted material that might irritate him. He hated foreign countries and foreigners because it was difficult to find his counterpart in them. He did not want to stand out from his group. He would like to have risen to the top of it and be admired by it; but it would not occur to him to leave it. At occasional stags where naked girls danced on the tables and sat in great glasses of wine, Mr. Pritchard howled with laughter and drank the wine, but five hundred Mr. Pritchards were there with him."

"He was a fine steady man, Juan Chicoy, part Mexican and part Irish, perhaps fifty years old, with clear black eyes, a good head of hair, and a dark and handsome face. Mrs Chicoy was insanely in love with him and a little afraid of him too, because he was a man, and there aren't very many of them, as Alice Chicoy had found out. There aren't very many of them in the world, as everyone finds out sooner or later."

"It has always seemed strange to me," said Doc. "The things we admire in men, kindness and generosity, openness, honesty, understanding and feeling are the concomitants of failure in our system. And those traits we detest, sharpness, greed, acquisitiveness, meanness, egotism and self-interest are the traits of success."

"Cannery Row in Monterey in California is a poem, a stink, a grating noise, a quality of light, a tone, a habit, a nostalgia, a dream."

"You ain't worth a greased lack pin to ram you into hell."