Novelists From The United States

"Unfortunately, it is all too often true that suppressors to a creative action must be removed before construction and creation takes place. Any person very high on the Tone Scale may level destruction toward a suppressor."

"In any event, any person from 2.0 down on the Tone Scale should not have, in any thinking society, any civil rights of any kind, because by abusing those rights he brings into being arduous and strenuous laws which are oppressive to those who need no such restraints."

"There is no national problem in the world today, which cannot be resolved by reason alone."

"Dianetics is not in any way covered by legislation anywhere, for no law can prevent one man sitting down and telling another man his troubles, and if anyone wants a monopoly on dianetics, be assured that he wants it for reasons which have to do not with dianetics but with profit."

"Arthritis vanishes, myopia gets better, heart illness decreases, asthma disappears, stomachs function properly and the whole catalog of illnesses goes away and stays away."

"A large proportion of allegedly feeble-minded children are actually attempted abortion cases . . . However many billions America spends yearly on institutions for the insane and jails for the criminals are spent primarily because of attempted abortions done by some sex-blocked mother to whom children are a curse, not a blessing of God . . . All these things are scientific facts, tested and rechecked and tested again."

""The creation of Dianetics is a milestone for Man comparable to his discovery of fire and superior to his inventions of the wheel and the arch." Opening line."

"You can get a much better fee — I tell you as auditors quite frankly — it's much easier to get a great deal of money out of somebody who's on a down spiral into becoming MEST than it is to get money out of somebody who is going on an up spiral toward becoming theta."

"Here on Earth there was undoubtedly a Christ. One of the reasons he swept in so suddenly and he would go forward so hard is, he had a good assist in back of him in terms of an implant."

"Of all the ills of man which can be successfully processed by Scientology, arthritis ranks near the top. In skilled hands, this ailment, though misunderstood and dreaded in the past, already has begun to become history. Twenty-five hours of Scientology by an auditor who fairly understands how to process arthritis can be said to produce an invariable alleviation of the condition. Some cases, even severe ones, have responded in as little as two hours of processing, according to reports from auditors in the field."

"This is useful knowledge. With it the blind again see, the lame walk, the ill recover, the insane become sane and the sane become saner. By its use the thousand abilities Man has sought to recover become his once more."

"THE ONLY WAY YOU CAN CONTROL PEOPLE IS TO LIE TO THEM. You can write that down in your book in great big letters. The only way you can control anybody is to lie to them."

"You are only three or four hours from taking your glasses off for keeps."

"It was my responsibility that this world got itself an atom bomb, because there were only a handful of nuclear physicists in the thirties — only a handful. And we were all beating the desk and saying "How wonderful it will be if we discover atomic fission.""

"Scientology is the only specific (cure) for radiation (atomic bomb) burns."

"Benzedrine often helps a case run."

"You don't get rich writing science fiction. If you want to get rich, you start a religion."

"God was feeling sardonic the day He created the Universe. So it's rather up to at least one man every few centuries to pop up and come just as close to making him swallow his laughter as possible."

"Living is a pretty grim joke, but a joke just the same. The entire function of man is to survive. The outermost limit of endeavour is creative work. Anything less is too close to simple survival until death happens along. So I am engaged in striving to maintain equilibrium sufficient to at least realize survival in a way to astound the gods. I turned the thing up so it's up to me to survive in a big way . . . Foolishly perhaps, but determined none the less, I have high hopes of smashing my name into history so violently that it will take a legendary form even if all books are destroyed."

"It is no shame to lose to me, mortal. Even among mythical creatures there are very few who can give a unicorn a good game."

"when Alex Haley wrote Roots-and I think Roots came out the same year as The Woman Warrior-when I got that book and read it, I felt, yes, those are my roots; they're not just his roots, they're not just Black people's roots, those are my roots. Those are my roots all the way to Africa. And Alex Haley gives them to me as a gift and I receive them by knowing about those roots and by reading that book and by letting all of that awareness into my consciousness and into my heart."

"Alex Haley's taking us back through time to the village of his ancestors is an act of faith and courage, but this book is also an act of love, and it is this which makes it haunting…"Roots" is a study of continuities, of consequences, of how a people perpetuate themselves, how each generation helps to doom, or helps to liberate, the coming one-the action of love, or the effect of the absence of love, in time. It suggests, with great power, how each of us, however unconsciously, can't but be the vehicle of the history which has produced us. Well, we can perish in this vehicle, children, or we can move on up the road."

"I still miss James Baldwin and Alex Haley and the loud talking, shouting, laughing, crying weekends that we shared."

"Roots is not just a saga of my family. It is the symbolic saga of a people."

"When you start about family, about lineage and ancestry, you are talking about every person on earth. We all have it; it's a great equalizer. White people come up to me and tell me that Roots has started them thinking about their own families and where they came from. I think the book has touched a strong, subliminal pulse."

"Have family reunions. There is something magic about the common sense of a blood bond. It's not less magic for black, white, brown or polka dot. The reunion gives a sense that the family cares about itself and is proud of itself. And there is the assumption that you, the family member, are obligated to reflect this pride and, if possible, add to it."

"Just look at the scores of thousands of housing tracts in this country, where only parents and children live. Think of the impact on these children who will grow up without close proximity to grandparents. There are certain things that a grandmammy or a granddaddy can do for a child that no one else can. It's sort of like Stardust — the relationship between grandparents and children. The lack of this for many children has to have a negative impact on society. The edges of these children are a little sharper for the lack of it. … I tell young people to go to the oldest members of their family and get as much oral history as possible. Many grandparents carry three or four generations of history in their heads but don't talk about it because they have been ignored. And when the young person starts doing this, the old are warmed to the cockles of their souls and will tell a grandchild everything they can muster."

"In this country … we are young, brash and technologically oriented. We are all trying to build machines so that we can push a button and get things done a millisecond faster. But as a consequence, we are drawing away from one of the most priceless things we have — where we came from and how we got to be where we are. The young are drawing away from older people."

"If I had been taking hashish, I could not have dreamed of this."

"In my mind’s eye, rather as if it were mistily being projected on a screen, I began envisioning descriptions I had read of how collectively millions of our ancestors had been enslaved. Many thousands were individually kidnaped, as my own forebear Kunta had been, but into the millions had come awake screaming in the night, dashing out into the bedlam of raided villages, which were often in flames. The captured able survivors were linked neck-by-neck with thongs into processions called “coffles,” which were sometimes as much as a mile in length. I envisioned the many dying, or left to die when they were too weak to continue the torturous march toward the coast, and those who made it to the beach were greased, shaved, probed in every orifice, often branded with sizzling irons; I envisioned them being lashed and dragged toward the longboats, their spasms of screaming and clawing with their hands into the beach, biting up great choking mouthfuls of the sand in their desperation efforts for one last hold on the Africa that had been their home; I envisioned them shoved, beaten, jerked down into slave ships’ stinking holds and chained onto shelves, often packed so tightly that they had to lie on their sides like spoons in a drawer..."

"When you clench your fist, no one can put anything in your hand, nor can your hand pick up anything."

"Out under the moon and the stars, alone with his son that eighth night, Omoro completed the naming ritual. Carrying little Kunta in his strong arms, he walked to the edge of the village, lifted his baby up with his face to the heavens, and said softly, “Fend kiling dorong leh warrata ka iteh tee. ”(Behold — the only thing greater than yourself)."

"Early in the spring of 1750, in the village of Juffure, four days upriver from the coast of The Gambia, West Africa, a manchild was born to Omoro and Binta Kinte."

"You don't spend twenty years of your life in the service and not have a warm, nostalgic feeling left in you … It's a small service, and there's a lot of esprit de corps."

"Anytime you see a turtle up on top of a fence post, you know he had some help."

"I knew I wanted to write. I had dreamed about it for years. I wasn’t going to be one of those people who die wondering, “What if?” I would keep putting my dream to the test — even though it meant living with uncertainty and fear of failure. This is the Shadowland of hope, and anyone with a dream must learn to live there. If you can't live here, get back to YOUR roots and LEARN to live here!"

"Many a young person tells me he wants to be a writer. I always encourage such people, but I also explain that there’s a big difference between “being a writer” and writing. In most cases these individuals are dreaming of wealth and fame, not the long hours alone at the typewriter. “You’ve got to want to write,” I say to them, “not want to be a writer.” The reality is that writing is a lonely, private and poor-paying affair. For every writer kissed by fortune, there are thousands more whose longing is never requited. Even those who succeed often know long periods of neglect and poverty. I did."

"In my writing, as much as I could, I tried to find the good, and praise it."

"Either you deal with what is the reality, or you can be sure that the reality is going to deal with you."

"Nobody can do for little children what grandparents do. Grandparents sort of sprinkle stardust over the lives of little children."

"The family is our refuge and our springboard; nourished on it, we can advance to new horizons. In every conceivable manner, the family is link to our past, bridge to our future."

"Whenever we got to a George R. R. Martin script, you realized no one thinks like this guy. If the ‘Beauty and the Beast’ staff was a jazz quintet, George R. R. Martin was like John Coltrane, because he plays a solo and you go, ‘How did he do that? How did that juxtaposition of notes ever come into anybody’s head?’ George’s stuff was fluid and funky, weird and kinky, but also had this gravitas, this profound thought, that gave it weight and import. He’s one of the really, really good guys."

"I saw Mr. Martin at Worldcon last year. And I almost went up to him and asked, “How have you gone this long without killing someone?” Because however much flak I happen to get from fans, he has to get a thousand times more. In my opinion, he's a saint. If I had to deal with that level of fan dickishness, I would have already lost my shit in some spectacular way. There would be a video of me on youtube, gone all berserk with nerd rage, holding someone up by the neck, shouting "I've got your sequel right here, bitch!""

"I keep trying to come up with a better way to put it, but the simplicity of things, at least from my perspective is this: George R. R. Martin is not your bitch. This is a useful thing to know, perhaps a useful thing to point out when you find yourself thinking that possibly George is, indeed, your bitch, and should be out there typing what you want to read right now. People are not machines. Writers and artists aren't machines."

"The battle between good and evil is a legitimate theme for a Fantasy (or for any work of fiction, for that matter), but in real life that battle is fought chiefly in the individual human heart. Too many contemporary Fantasies take the easy way out by externalizing the struggle, so the heroic protagonists need only smite the evil minions of the dark power to win the day. And you can tell the evil minions, because they're inevitably ugly and they all wear black. I wanted to stand much of that on its head. In real life, the hardest aspect of the battle between good and evil is determining which is which."

"Historical processes have never much interested me, but history is full of stories, full of triumph and tragedy and battles won and lost. It is the people who speak to me, the men and women who once lived and loved and dreamed and grieved, just as we do. Though some may have had crowns on their heads or blood on their hands, in the end they were not so different from you and me, and therein lies their fascination. I suppose I am still a believer in the now unfashionable "heroic" school, which says that history is shaped by individual men and women and the choices that they make, by deeds glorious and terrible."

"I was always intensely Romantic, even when I was too young to understand what that meant. But Romanticism has its dark side, as any Romantic soon discovers... which is where the melancholy comes in, I suppose. I don't know if this is a matter of artistic influences so much as it is of temperament. But there's always been something in a twilight that moves me, and a sunset speaks to me in a way that no sunrise ever has."

"I think even during the campaign I said that Trump reminded me most of Joffrey. They have the same level of emotional maturity. And Joffrey likes to remind everyone that he's king. And he thinks that gives him the ability to do anything. And we're not an absolute monarchy, like Westeros is. We're a constitutional republic. And yet, Trump doesn't seem to know what that means. He thinks the presidency gives him the power to do anything. And so, yeah, Joffrey is Trump."

"I always felt like Gandalf should have stayed dead. That was such an incredible sequence in Fellowship of the Ring when he faces the Balrog on the Khazad-dûm and he falls into the gulf, and his last words are, “Fly, you fools.” What power that had, how that grabbed me. And then he comes back as Gandalf the White, and if anything he's sort of improved. I never liked Gandalf the White as much as Gandalf the Grey, and I never liked him coming back. I think it would have been an even stronger story if Tolkien had left him dead."

"I think worship of death is an interesting basis for religion, because after all death is the one universal. It doesn't seem to matter what gods you pray to. We all die, in the real world and in fantasy worlds, and if there was some religion where you did not die I suspect that would be, that god would become very popular. They all promise us eternal life, but whatever."