Novelists From The United States

"People accuse me of being a single-issue writer, a single-issue thinker, and a single-issue voter, but it isn't true. What I've chosen, in a world where there's never enough time and energy, is to focus on the one political issue which most clearly and unmistakably demonstrates what any politician — or political philosophy — is made of, right down to the creamy liquid center. Make no mistake: all politicians — even those ostensibly on the side of guns and gun ownership — hate the issue and anyone, like me, who insists on bringing it up. They hate it because it's an X-ray machine. It's a Vulcan mind-meld. It's the ultimate test to which any politician — or political philosophy — can be put. If a politician isn't perfectly comfortable with the idea of his average constituent, any man, woman, or responsible child, walking into a hardware store and paying cash — for any rifle, shotgun, handgun, machinegun, anything — without producing ID or signing one scrap of paper, he isn't your friend no matter what he tells you."

"We must oppose programs that would take food from the mouths of younger generations to buy prescription drugs for old people, and we must do it... for the children."

"Like the government, corporations must be bound with the chains of the Constitution, and especially of the Bill of Rights."

"It is individuals who must be encouraged to undertake the unprecedented - and unprecedentedly profitable - effort to prevent the annihilation of the human race."

"Gun ownership is a problem, not because it represents any physical danger to [the IRS]. Americans have proven dismayingly forbearing in that regard. But people who own guns often look at the world differently than those who don't. That's the real danger to social and political parasites. Roughly 25% of Americans own guns. The number increases each time there's widespread discussion of more gun control - call it what it is: 'victim disarmament'. If the figure ever rises to 50%, I suspect the widespread discussion will be about repealing the 16th Amendment."

"Worse than thieves, murderers, or cannibals, those who offer compromise slow you and sap your vitality while pretending to be your friends. They are not your friends. Compromisers are the enemies of all humanity, the enemies of life itself. Compromisers are the enemies of everything important, sacred, and true."

"Let's make it clear for the dimmest bulbs among you: the kids at Columbine High didn't die from too many guns, they died from too few. I'm not suggesting that the teachers should have carried guns — not as franchised agents of the state. They should have carried guns as ordinary individuals, exercising a sacred right, and in performance of a solemn duty to protect the young lives that were placed — very foolishly, as it turned out — in their hands."

"You're people, in short, who must be stupid, insane, or evil to continue arguing — in the face of indisputable facts and irrefutable logic — that others must be forced into a state of helplessness and victimized by individual criminals or the state. Stupid, insane, or evil."

"What kind of mind would sacrifice millions for the sake of a few thousands, especially when it's been demonstrated beyond a shadow of a doubt that victim disarmament can't save even those thousands? What kind of mind wants a return to mean streets and ever-soaring crime rates? What kind of mind collaborates with agents of mass murder and genocide? Make no mistake: you victim disarmament types are sick, sick people, in the words of T.D. Melrose, who'd rather see a woman raped in an alley and strangled with her own pantyhose than see her with a gun in her hand."

"(1) Every year, in this nation of more than a quarter billion individuals, a few thousand (three quarters of them suicides) are killed with firearms, while millions of Americans successfully use personal weapons to save themselves and others from injury or death. Guns save many, many times more lives than they take. (2) In every jurisdiction that has made it even microscopically easier for individuals to carry weapons, violent crime rates have plummeted by double-digit percentages. Vermont, where no permission of any kind is required to carry a gun, is named in many respectable surveys as the safest state to live in. (3) More telling and urgent, every episode of genocidal mass murder in history has been preceded by a period of intense disarming of the civil population, usually with 'public safety' or 'national security' as an excuse. According to Amnesty International — hardly a gang of right wing crazies — in the 20th century alone (in events entirely separate from war), governments have slaughtered more than a hundred million people, usually their own citizens."

"The first and most important thing to understand about politics is this: forget Right, Left, Center, socialism, fascism, or democracy. Every government that exists — or ever existed, or ever will exist — is a kleptocracy, meaning 'rule by thieves'. Competing ideologies merely provide different excuses to separate the Productive Class from what they produce. If the taxpayer/voters won't willingly fork over to end poverty, then maybe they'll cough up to fight drugs or terrorism. Conflicting ideologies, as presently constituted, are nothing more than a cover for what's really going on, like the colors of competing gangs."

"I'm tired of being considered some kind of criminal or dangerous throwback for no other reason than that I value, exercise, and defend my rights under the first ten Amendments to the United States Constitution."

"Money, first and foremost, is a medium of communication, conveying the information we call 'price'. Government control of the money supply is censorship, a violation of the First Amendment. Inflation is a lie."

"You cannot force me to agree with you. You can force me to act as though I agree with you — but then you'll have to watch your back. All the time."

"Try never to speak of your enemies by name. Any publicity is still publicity — and there are those for whom your disapproval constitutes a recommendation."

"Those who sell their liberty for security are understandable, if pitiable, creatures. Those who sell the liberty of others for wealth, power, or even a moment's respite deserve only the end of a rope."

"Once you've taken a public stand you know is right, never back down; anything less than a rock-hard stance will let your enemies nibble you to death."

"If there were a generic one-word expression for 'one whose fear of the uncertainties of success moves him to surrender at the very moment of victory', it would be 'Republican'."

"Great men don't 'move to the center' — great men move the center!"

"The fact that nobody asks you to sing is not an indication that you should sing louder. This sounds obvious until it's applied to matters like mass transportation. There are virtually no private mass transit companies. This does not represent the failure of the market to provide a needed service, it represents the failure of an unneeded service to go away!"

"Choose your enemies carefully: you'll probably be known much better and far longer for who they were, than for anything else you ever managed to accomplish."

"Choose your allies carefully: it's highly unlikely that you'll ever be held morally, legally, or historically accountable for the actions of your enemies."

"The function of government is to provide you with service; the function of the media is to supply the Vaseline."

"Violent crime is a solved problem - all they have to do is repeal the laws that keep those intelligent, capable, and responsible men and women from arming themselves, and violent crime evaporates like dry ice on a hot summer day."

"Poverty is a solved problem - all they have to do is abolish taxes and regulations which cripple those intelligent, capable, and responsible men and women and destroy their productive capacity, then stand back and watch the economy boom."

"As a novelist, I have a somewhat higher soapbox to stand on than most people do when it comes to talking back to the merchants of fear."

"My current novel, Pallas, is all about that culture war - in fact it's been called the Uncle Tom's Cabin of the Sagebrush Rebellion - and yet what I hear all too often from libertarians is that they don't read fiction."

"Every man, woman, and responsible child has an unalienable individual, civil, Constitutional, and human right to obtain, own, and carry, openly or concealed, any weapon — rifle, shotgun, handgun, machinegun, anything — any time, any place, without asking anyone's permission."

"Forget 'redeeming social value,' dirty pictures are fun. When I die I want my ashes sprinkled over a nudist camp."

"What I want to accomplish artistically amounts to nothing more than fulfilling the promise of the American Revolution."

"A libertarian is a person who believes that no one has the right, under any circumstances, to initiate force against another human being, or to advocate or delegate its initiation. Those who act consistently with this principle are libertarians, whether they realize it or not. Those who fail to act consistently with it are not libertarians, regardless of what they may claim."

"I am the poor white, fooled and pushed apart, I am the Negro bearing slavery's scars. I am the red man driven from the land, I am the immigrant clutching the hope I seek — And finding only the same old stupid plan Of dog eat dog, of mighty crush the weak."

"He came after me. At the time, I was not published at all, in '61, '62. I was not a popular Black poet, because some of the things I said ran very counter to a line that was the line in Black poetry at the time. And there was a lot of sexism involved too in those days-not that there isn't now, but it was particularly then...I wasn't aware of it at the time, but I think it had a lot to do with it, that he was closeted."

"[T]he colored folks rolled in the aisles, laughin' and laughin'. And Brother Bootsie was right in there laughin' and gigglin' too... but he could never figure out why. And one night in the Harlem Moon over a few gins with gingerales Langston Hughes told Bootsie it was very simple. He was just laughin' to keep from cryin'."

"My cartoon character Bootsie has been a part of that struggle for 39 years and I believe, as Langston Hughes did, that satire and humor can often make dents where sawed-off billiard sticks can't."

"About the time I was 17 and graduated from high school, I like to say that I ran away from home. I went to Harlem, and that was a most beautiful place where, fortunately for me, I came into, or rather, ran into, the hands of some wonderful people; people who formed an important part of the so-called Black Renaissance. They were people like Langston Hughes, [[w:Wallace Thurman|Wally Thurmond, Bud Fisher, all really wonderful writers."

"(At National Black Theater performance) I was in awe of the words I witnessed that day. It was the first time that I heard the works of writers like Gwendolyn Brooks, Nikki Giovanni, Langston Hughes, Amiri Baraka. I heard poetry that was about me, that was very immediate. I connected to it in a visceral way. That experience moved me so profoundly that I went home and that night I wrote my first batch of poems. It was like the floodgates opened. That reading empowered me with a voice and gave me permission to express everything that had been festering in me for years. So I just started experimenting with language and writing all kinds of things."

"(Strictly from the African American experience, in your opinion what language would be our mother tongue?) TCB: The language of Langston Hughes, the language of Grandma, the language of "mama say." Mama say don't let cha mouth get you into what, etc. etc."

"I did not read any Langston Hughes until I was an adult, but I remember being carried away by him and Gwendolyn Brooks."

"Every time I read Langston Hughes I am amazed all over again by his genuine gifts-and depressed that he has done so little with them…Hughes, in his sermons, blues and prayers, has working for him the power and the beat of Negro speech and Negro music. Negro speech is vivid largely because it is private. It is a kind of emotional shorthand-or sleight-of-hand-by means of which Negroes express, not only their relationship to each other, but their judgment of the white world. And, as the white world takes over this vocabulary-without the faintest notion of what it really means the vocabulary is forced to change. The same thing is true of Negro music, which has had to become more and more complex in order to continue to express any of the private or collective experience. Hughes knows the bitter truth behind these hieroglyphics: what they are designed to protect, what they are designed to convey. But he has not forced them into the realm of art where their meaning would become clear and overwhelming. "Hey, pop!/Re-bop!/Mop!" conveys much more on Lenox Avenue than it does in this book, which is not the way it ought to be. Hughes is an American Negro poet and has no choice but to be acutely aware of it. He is not the first American Negro to find the war between his social and artistic responsibilities all but irreconcilable."

"I was always interested in fair play, probably from reading the works of Paul Dunbar, Langston Hughes, and Charles Dickens as a child. I was always concerned about justice and injustice. To the extent that I could understand the issues, I was always on the side of the underdog. I'm on the same side today."

"[T]here have not been that many black artists that visible for black youth. There was Langston Hughes, but he was the only one and that was thirty-five to forty years ago. And men of the Negro Renaissance were not given to get outside of Harlem, really."

"Langston Hughes' poem, "I've Known Rivers," became the rallying cry for black Americans to take pride in their color, the reverberations of that attitude reached the Africans in the then French and British colonies."

"You are white — yet a part of me, as I am a part of you. That’s American. Sometimes perhaps you don’t want to be a part of me. Nor do I often want to be a part of you. But we are, that’s true! As I learn from you, I guess you learn from me — although you’re older — and white — and somewhat more free."

"Well, I like to eat, sleep, drink, and be in love. I like to work, read, learn, and understand life. I like a pipe for a Christmas present, or records — Bessie, bop, or Bach. I guess being colored doesn’t make me not like the same things other folks like who are other races."

"It’s not easy to know what is true for you or me at twenty-two, my age. But I guess I’m what I feel and see and hear, Harlem, I hear you."

"The instructor said, Go home and write a page tonight. And let that page come out of you — Then, it will be true."

"Dream within a dream, Our dream deferred. Good morning, daddy! Ain’t you heard?"

"I tire so of hearing people say, Let things take their course. Tomorrow is another day. I do not need my freedom when I’m dead. I cannot live on tomorrow’s bread."

"Democracy will not come Today, this year Nor ever Through compromise and fear."