Novelists From The United States

"The moon, a sweeping scimitar, dipped in the stormy straits, The dawn, a crimson cataract, burst through the eastern gates, The cliffs were robed in scarlet, the sands were cinnabar, Where first two men spread wings for flight and dared the hawk afar."

"She is all peace, all quiet, All passionate desires, the eloquent thunder Of new, glad suns, shouting aloud for joy, Over fresh worlds and clean, trampling the air Like stooping hawks, to the long wind of horns, Flung from the bastions of Eternity... And she is the low lake, drowsy and gentle, And good words spoken from the tongues of friends, And calmness in the evening, and deep thoughts, Falling like dreams from the stars' solemn mouths. All these."

"For ever... well... it droops the mouth. Till I Look up. There's one blue patch no smoke dares touch. Sky, clear, ineffable, alive with light, Always the same... Before, I never knew Rest and green peace."

"Eternally the choking steam goes up From the black pools of seething oil..."

"This in my heart I keep for goad! Somewhere, in Heaven she walks that road. Somewhere... in Heaven... she walks... that... road..."

"Oh dear and laughing, lost to me, Hidden in grey Eternity, I shall attain, with burning feet, To you and to the mercy-seat! The ages crumble down like dust, Dark roses, deviously thrust And scattered in sweet wine — but I, I shall lift up to you my cry, And kiss your wet lips presently Beneath the ever-living Tree."

"There was no pain when I awoke, No pain at all. Rest, like a goad, Spurred my eyes open — and light broke Upon them like a million swords: And she was there. There are no words. Heaven is for a moment's span. And ever."

"I stumbled, slipped... and all was gone That I had gained. Once more I lay Before the long bright Hell of ice. And still the light was far away. There was red mist before my eyes Or I could tell you how I went Across the swaying firmament, A glittering torture of cold stars, And how I fought in Titan wars... And died... and lived again upon The rack... and how the horses strain When their red task is nearly done. . . I only know that there was Pain, Infinite and eternal Pain. And that I fell — and rose again."

"I crawled. I could not speak or see Save dimly. The ice glared like fire, A long bright Hell of choking cold, And each vein was a tautened wire, Throbbing with torture — and I crawled. My hands were wounds. So I attained The second Hell."

"Life was a storm to wander through. I took the wrong way. Good and well, At least my feet sought out not Hell!"

"She stood there, and at once I knew The bitter thing that I must do. There could be no surrender now; Though Sleep and Death were whispering low."

"It is not given me to trace The lovely laughter of that face, Like a clear brook most full of light, Or olives swaying on a height, So silver they have wings, almost; Like a great word once known and lost And meaning all things. Nor her voice A happy sound where larks rejoice, Her body, that great loveliness, The tender fashion of her dress, I may not paint them. These I see, Blazing through all eternity, A fire-winged sign, a glorious tree!"

"Was it not better so to lie? The fight was done. Even gods tire Of fighting... My way was the wrong. Now I should drift and drift along To endless quiet, golden peace... And let the tortured body cease.And then a light winked like an eye. . . . And very many miles away A girl stood at a warm, lit door, Holding a lamp. Ray upon ray It cloaked the snow with perfect light. And where she was there was no night Nor could be, ever. God is sure, And in his hands are things secure."

"The iron ice stung like a goad, Slashing the torn shoes from my feet, And all the air was bitter sleet. And all the land was cramped with snow, Steel-strong and fierce and glimmering wan, Like pale plains of obsidian. — And yet I strove — and I was fire And ice — and fire and ice were one In one vast hunger of desire."

"I shall not rest quiet in Montparnasse. I shall not lie easy at Winchelsea. You may bury my body in Sussex grass, You may bury my tongue at Champmédy. I shall not be there. I shall rise and pass. Bury my heart at Wounded Knee."

"The two young men turned and they didn't smile because they were Woody Ballinger's two boys, Carl and Sammy, and for one brief instant, there was something in their faces that didn't belong in that atmosphere of joviality and the little move they instinctively made that shielded them behind the others in back of them was involuntary enough to stretch a tight-lipped grin across my face that told them I could know. Could. From away back out of the years I got that feeling across my shoulders and up my spine that said things were starting to smell right and if you kept pushing the walls would go down and you could charge in and take them all apart until there was nothing left but the dirt they were made of."

"They had dropped the body behind a pile of cement blocks from a partly shattered wall, pulling a broken section of sheetrock over to hide it from casual view. But there's nothing casual about a little kid who liked to play in junk and found himself stumbling over the mutilated body of what had been a redheaded woman. At one time she would have been beautiful, but death had erased all that."

"That's why everyone hates Spillane — except his millions of readers and his banker!"

"I learned a lot about transitions from reading Mickey Spillane. In the early Mike Hammer books, he hardly ever explained how Hammer got from one place to another, or wasted time setting up scenes elaborately. There were no slow dissolves in those books. They were all fast cuts, with each scene beginning right on the heels of the one before it. Since the books had enormous appeal to a generally unsophisticated audience, I would assume few readers had trouble following the action line, for all the abruptness of the transition."

"When I started the paperback market, there were only a few good writers, now the market's loaded... you don't know which one to take."

"I'm actually a softie. Tough guys get killed too early... I've got a full head of hair and don't wear eyeglasses."

"He stood with his back angled to the wall. To an indifferent observer he was simply in idle conversation, but it wasn't like that at all. This was an instinctive gesture of survival, being in constant readiness for an attack. His head didn't turn and his eyes didn't seem to move, but I knew he saw us. I could feel the hackles on the back of my neck stiffening and I knew he felt the same way. Dog was meeting dog. Nobody knew it but the dogs and they weren't telling. He was bigger than I thought. The suggestion of power I had seen in his photographs was for real. When he moved it was with the ponderous grace of some jungle animal, dangerously deceptive, because he could move a lot faster if he had to. When we were ten feet away he pretended to see us for the first time and a wave of charm washed the cautious expression from his face and he stepped out to greet Dulcie with outstretched hand. But it wasn't her he was seeing. It was me he was watching. I was one of his own kind. I couldn't be faked out and wasn't leashed by the proprieties of society. I could lash out and kill as fast as he could and of all the people in the room, I was the potential threat. I knew what he felt because I felt the same way myself."

"I'm a country boy. I hate New York. But that's where things happen, so I use it as a base for stories, I know enough about it. But I have to keep going back there."

"I always wanted to have Mike Mazurki play Hammer... too bad he couldn't act."

"I've gotta keep writing. But where's the next step, where do you go? But at my age, you start to get tired. You're not full of piss and vinegar. The vinegar's all gone."

"See, heroes never die. John Wayne isn't dead, Elvis isn't dead. Otherwise you don't have a hero. You can't kill a hero. That's why I never let him get older."

"I don't research anything. If I need something, I'll invent it."

"I'm the most translated writer in the world, behind Lenin, Tolstoy, Gorki and Jules Verne. And they're all dead..."

"Hemingway hated me. I outsell him and he was steamed. One day he wrote a story for Bluebook berating me. So I'm going on a big TV show in Chicago and I don't get it, that's sour grapes... I mean if you can't say something nice about someone why say anything at all?"

"Hemingway hated me. I sold 200 million books, and he didn't. Of course most of mine sold for 25 cents, but still... you look at all this stuff with a grain of salt."

"I know an awful lot of Hollywood people, who are so self-important, I can't understand it. My father was a good Irish saloon-keeper, my mother always said to him, 'Jack, how come you know everybody here' and he'd say, 'because I say hello'. I'm just like that, I've always been that way."

"I was one of the first guys writing comic books, I wrote Captain America, with guys like Stan Lee, who became famous later on with Marvel Comics. Stan could write on three typewriters at once! I wrote the Human Torch, Submariner. I worked my way down. I started off at the high level, in the slick magazines, but they didn't use my name, they used house names. Anyway, then I went downhill to the pulps, then downhill further to the comics. I went downhill class-wise, but I went uphill, money-wise! I was making more money in the comics. I wrote the original Mike Hammer as a comic, Mike Danger."

"I don't care what the editor likes or dislikes, I care what the people like."

"I'm 82 years old, wherever I go everybody knows me, but here's why... I'm a merchandiser, I'm not just a writer, I stay in every avenue you can think of."

"I was the first one probably in writing to use a nickname, Mickey, and it stuck."

"I knew a couple of things... during the war years they came out with reprints of all the Dumas novels, Moby Dick, for the servicemen, and I saw this and believe me I'm a very sharp merchandiser, and I say this is the new marketplace for writing: original paperback books."

"I'm not an author, I'm a writer, that's all I am. Authors want their names down in history; I want to keep the smoke coming out of the chimney."

"The temperature was six below zero and it kept me dying on the spot because the blood coagulated and clotted in ugly smears of cloth and skin and the pain hadn't started yet, so when the little fat guy who saw my eyes open and still bright pulled me away from the carnage he was almost in the shock I was going into. Nobody would listen to him. He was a drunk. I was nearly dead. Sometimes the body responds to a stimulus that can't be explained. He got me upright. I walked woodenly, dyingly. I was sat in an old car. The fat man rolled down the windows. The blood stayed frozen. My hands were numb and I couldn't feel my feet. Idly, I wondered what frostbite was like. Breathing was a thing that was happening, but at a pace that said it could slow, then stop at any time. A dull, squeezing sensation of pain was beginning to gnaw on my insides and I knew that eventually, and very soon, it would grow into a terrible, devastating animal with an awful hunger and I would be eaten alive by it. I wanted to scream but nothing would come out."

"The phone rang. It was a thing that had been sitting here, black and quiet like a holstered gun, unlisted, unknown to anybody, used only for local outgoing calls, and when it was triggered it had the soft, muted sound of a silenced automatic. The first ring was a warning sound. The second time would be death calling."

"On an ordinary day the corridor would have been filled with the early lunch crowd, but now the emptiness gave the place an eerie feeling, as though I were a trespasser and hidden eyes were watching me. Except that I was the only one there and the single sign of life was the light behind my office door. I turned the knob, pushed it open and just stood there a second because something was wrong, sure as hell wrong, and the total silence was as loud as a wild scream. I had the .45 in my hand, crouched and edged to one side, listening, waiting, watching."

"Some days hang over Manhattan like a huge pair of unseen pincers, slowly squeezing the city until you can hardly breathe. A low growl of thunder echoed up the cavern of Fifth Avenue and I looked up to where the sky started at the seventy-first floor of the Empire State Building. I could smell the rain. It was the kind that hung above the orderly piles of concrete until it was soaked with dust and debris and when it came down it wasn't rain at all but the sweat of the city."

"Nobody reads a mystery to get to the middle. They read it to get to the end. If it's a letdown, they won't buy anymore. The first page sells that book. The last page sells your next book."

"I'm a commercial writer, not an author. Margaret Mitchell was an author. She wrote one book."

"If you're a singer you lose your voice. A baseball player loses his arm. A writer gets more knowledge, and if he's good, the older he gets, the better he writes."

"They had left him for dead in the middle of a pool of blood in his own bedroom, his belly slit open like gaping barn doors, the hilt of the knife wedged against his sternum. But the only trouble was that he had stayed alive somehow, his life pumping out, managing to knock the telephone off the little table and dial me. Now he was looking up at me with seconds left and all he could do was force out the words, "Mike ...there was no reason.""

"If the public likes you, you're good. Shakespeare was a common, down-to-earth writer in his day."

"I have no fans. You know what I got? Customers. And customers are your friends."

"I was thinking too damn much to be careful. When I stabbed my key in the lock and turned it there was a momentary catch in the tumblers before it went all the way around and I swore out loud as I rammed the door with my shoulder and hit the floor.Something swished through the air over my head and I caught an arm and pulled a squirming, fighting bundle of muscle down on top of me. If I could have reached my rod I would have blown his guts out. His breath was in my face and I brought my knee up, but he jerked out of the way bringing his hand down again and my shoulder went numb after a split second of blinding pain. He tried again with one hand going for my throat, but I got one foot loose and kicked out and up and felt my toe smash onto his groin. The cramp of the pain doubled him over on top of me, his breath sucking in like a leaky tire. Then I got cocky. I thought I had him. I went to get up and he moved. Just once.That thing in his hand smashed against the side of my head and I started to crumple up piece by piece until there wasn't anything left except the sense to see and hear enough to know that he had crawled out of the room and was falling down the stairs outside. Then I thought about the lock on my door and how I had a guy fix it so that I could tell if it had been jimmied open so I wouldn't step into any blind alleys without a gun in my hand, but because of a dame who lay naked and smiling on a bed I wouldn't share, I had forgotten all about it."

"You walk down the street at night. It's raining out. The only sound is that of your own feet. There are city sounds too, but these you don't hear because at the end of the street is the woman you've been waiting for for seven long years and each muffled tread of your footsteps takes you closer and closer and the sound of them marks off seconds and days and months of waiting. Then, suddenly, you're there, outside a dark-faced building, a brownstone anachronism that stares back dully with the defiant expression of the moronic and you have an impending sense of being challenged."

"I sat there as if I were paralyzed; for a second totally immobilized, a suddenly frozen mind and body that had solidified into one great silent scream at the mention of a name I had long ago consigned to a grave somewhere. Then the terrible cold was drenched with an even more terrible wash of heat and I sat there with my hands bunched into fists to keep them from shaking."