""One aspect of working with you, even of being with you, that I really appreciate is how hard you try to communicate. Human males don't often have that habit." (Shira to Yod, fourteen: BY THE LIGHT OF THE UNYELLOW MOON)"

"They ambled around the world through the Glops, into multi enclaves, onto the tubes and the zips, far more freely and safely than people or animals could. Shira watched it wistfully. That was true freedom, she thought, something now available only to special machines. (fourteen: BY THE LIGHT OF THE UNYELLOW MOON)"

"People had gone too far in destroying the earth, and now the earth was diminishing the number of people. (fourteen: BY THE LIGHT OF THE UNYELLOW MOON)"

""I still have insomnia, but now I tell myself stories instead of counting men." (Malkah nine: REVISING THE FAMILY ALBUM)"

""Some people go on wanting [sex] as long as they live, but other people, they let it go as if it were a garment that had worn out." (Malkah, nine: REVISING THE FAMILY ALBUM)"

""I never wanted to belong to anybody. I only wanted to borrow them for a while, for the fun of it, the tenderness, some laughs." (Malkah, nine: REVISING THE FAMILY ALBUM)"

"She felt as if she were seventeen again, ignorant, fearful, a creature all gusty emotions and pain. (eight: HOW SHALL I ADDRESS YOU?)"

""...No one can stop children in love unless by exile. But you'll never grow up if you don't let go of each other." (Malkah, six: WE KNOW TOO MUCH AND TOO LITTLE)"

""You love too hard. It occupies the center and squeezes out your strength. If you work in the center and love to the side, you will love better in the long run, Shira. You will give more gracefully, without counting, and what you get, you will enjoy." (Malkah, six: WE KNOW TOO MUCH AND TOO LITTLE)"

"His body was a city, vast, filling her head. (five: FIFTEEN YEARS BEFORE: THE DAY OF ALEF)"

"Malkah's love was strong but abrasive, scrubbing her clean. Gadi's love bore both roses and thorns... (five: FIFTEEN YEARS BEFORE: THE DAY OF ALEF)"

"For years she had had this magic circle they could weave about themselves, luminous with Gadi's imagination, the place where she could never be lonely or bored. In that private world of play more intense, far more real than reality, she was whatever she longed for. (five: FIFTEEN YEARS BEFORE: THE DAY OF ALEF)"

"This was the home she had fled, not from an unhappy childhood but from too early and too intense love, paradise torn. (four: THROUGH THE BURNING LABYRINTH)"

"No one before the twenty-first century had ever loved flowers and fruiting trees and little birds and the simple beauty of green leaves as did those who lived after the Famine, for whom they were precious and rare and always endangered. (four: THROUGH THE BURNING LABYRINTH)"

"He's in Veecee Beecee, making those elaborate worlds people play at living in instead of worrying about the one we're all stuck with." (one: IN THE CORPORATE FORTRESS)"

"He fought her with full energy and intelligence, as she had wanted to be loved. (one: IN THE CORPORATE FORTRESS)"

"Every artist creates with open eyes what she sees in her dream. (p67)"

"I think poetry ultimately is a more communal activity than fiction, but I love both equally."

"For me the gifts of the novelist are empathy and imagination."

"Each good novel has a vision of its world that informs what is put in and what is left out."

"The mind wraps itself around a poem."

"Poems start from a phrase, an image, an idea, a rhythm insistent in the back of the brain...Some poems are a journey of discovery and exploration for the writer as well as the reader. I find out where I am going when I finally arrive, which may take years."

"there is no justice we don't make daily like bread and love."

"Holy is the hand that works for peace and for justice, holy is the mouth that speaks for goodness, holy is the foot that walks toward mercy."

"Attention is love, what we must give children, mothers, fathers, pets, our friends, the news, the woes of others. What we want to change we curse and then pick up a tool. Bless whatever you can with eyes and hands and tongue. If you can't bless it, get ready to make it new."

"At that time, a pregnant woman could not get an abortion in Massachusetts -- but a cat could. (p221)"

"From the time I arrived on the Cape, one of the things I chose explicitly was to put my writing first. Everything else in my life waxed and waned, but writing, I discovered during my restructuring, was my real core. (p218)"

"I love silence but I fear emptiness. (p11)"

"In my life, there have been a great many Mr. Wrongs. I married one of them and spent time and energy and emotion on dozens more. My feeling is that in love you are entitled to a great many mistakes so long as you aren't making the same one over and over. (beginning of "The Easy Arrangement")"

"When the knocking came, Maud was taking a sponge bath. (first line of "The Cost of Lunch, Etc.")"

"It is by imagining what we truly desire that we begin to go there. That is the kind of thinking about the future that seems to me most fruitful, most rewarding. I want a future in which women are not punished for having women's bodies, are not punished for desire or the lack of it, are viewed as independent protagonists in their own adventures-spiritual, intellectual, romantic, sexual, and creative adventures. That's one reason I read and write speculative fiction."

"Utopia is work that issues from pain: it is what we do not have that we crave."

"(about putting time into trying to look young) It is certainly a replacement for educating your mind, developing your interests, becoming closer to other people. If you spent the amount of time a week you might spend on the pursuit of a prepubescent body on learning a foreign language, on writing something meaningful to yourself and to others, on practicing piano, on changing the society-this country would be a far different place."

"Who wants equality? Those who do not have it."

"the most fruitful ways to approach the future for me are speculative fiction or utopian fiction. Isaac Asimov once said that all science fiction falls into three categories: What if, If only, and If this continues. I have written in all three categories."

"Poetry changes with every generation, but it does not improve or progress. It just changes its styles, trappings and some of its obsessions, but we can still enjoy Sappho and Homer; they are today's news as much as when they were written or recited."

"Poetry was a way of keeping myself relatively sane and trying to make sense of the world I inhabited, which did not correspond to the world shown on the television we acquired the year we moved or the world that textbooks and school commended to us. The place I had grown up in was far more violent. Radical politics made sense to me. ("TOUCHED BY GINSBERG AT A (RELATIVELY) TENDER AGE")"

"The worst thing that a politician can be called is elitist-and what do we mean by that? In Iowa, Howard Dean was labeled that-a sushi eating, PBS watching, Volvo driving man-not macho enough, clearly, to win the vote of working men. But who determines the massive layoffs and the movement of corporations abroad that gut the economies of so many cities and drive families from comfort into chaos? Those are the members of the real elite ("THE MORE WE SEE, THE LESS WE KNOW")"

"It may be that television and the ever more aggressive investigative efforts of the news media have addled our ability to choose a leader wisely. Between sound bites and the seduction of images, we run a popularity contest every four years instead of an election. ("THE MORE WE SEE, THE LESS WE KNOW" , article originally from 2004)"

"Utopia is born of the hunger for something better, but it relies on hope as the engine for imagining such a future. I wanted to take what I considered the most fruitful ideas of the various movements for social change and make them vivid and concrete – that was the real genesis of Woman on the Edge of Time."

"When I was a child, I first noticed that neither history as I was taught it, nor the stories I was told, seemed to lead to me. I began to fix them. I have been at it ever since. We need a past that leads to us. Similarly, what we imagine we are working toward does a lot to define what we will consider doable action aimed at producing the future we want and preventing the future we fear."

"Feminist utopias were created out of a hunger for what we didn’t have, at a time when change felt not only possible but probable. Utopias came from the desire to imagine a better society when we dared to do so."

"The point of creating futures is to get people to imagine what they want and don’t want to happen down the road – and maybe do something about it."

"Beth was looking in the mirror of her mother's vanity. The mirror had wings that opened and shut. When she was little she used to like to pull them together around her into a cave of mirrors with only a slit of light. It isn't me, isn't me. Well, who else would it be, stupid? Isn't anyone except Bride: a dress wearing a girl."

"Drifting with things is a habit it takes almost dying to break."

"No, thanks." Vida placed her hand over the top of the tulip-shaped wineglass. "No more for me. Thank you." "This is a good Vouvray. Louis in the wine store recommended it" Hank tried to nudge her hand aside with the cold dripping base of the bottle. "It's lovely. I've just had enough." She made herself smile. It felt like a date, a bad date. She had to keep smiling across the debris of the dinner for two. "The chicken was wonderful!"

"Doorways are sacred to women for we are the doorways of life and we must choose what comes in and what goes out."

"Live as if you liked yourself, and it may happen: reach out, keep reaching out, keep bringing in."