Novelists From England

"You can only learn to be a better writer by actually writing. I don't know much about creative writing programs. But they're not telling the truth if they don't teach, one, that writing is hard work and, two, that you have to give up a great deal of life, your personal life, to be a writer."

"In the writing process, the more the story cooks, the better. The brain works for you even when you are at rest. I find dreams particularly useful. I myself think a great deal before I go to sleep and the details sometimes unfold in the dream."

"It can be considered a rule that the probable duration of an Empire may be prognosticated by the degree to which its rulers believe in their own propaganda."

"There are certain types of people who are political out of a kind of religious reason [...] I think it's fairly common among socialists: They are, in fact, God-seekers, looking for the kingdom of God on earth. A lot of religious reformers have been like that, too. It's the same psychological set, trying to abolish the present in favor of some better future — always taking it for granted that there is a better future. If you don't believe in heaven, then you believe in socialism. When I was in my real Communist phase, I and the people around me really believed — but, of course, this makes us certifiable — that something like 10 years after World War II, the world would be Communist and perfect."

"You know, whenever women make imaginary female kingdoms in literature, they are always very permissive, to use the jargon word, and easy and generous and self-indulgent, like the relationships between women when there are no men around. They make each other presents, and they have little feasts, and nobody punishes anyone else. This is the female way of going along when there are no men about or when men are not in the ascendant."

"Nonsense, it was all nonsense: this whole damned outfit, with its committees, its conferences, its eternal talk, talk, talk, was a great con trick; it was a mechanism to earn a few hundred men and women incredible sums of money."

"Laughter is by definition healthy."

"That is what learning is. You suddenly understand something you've understood all your life, but in a new way."

"If a fish is the movement of water embodied, given shape, then cat is a diagram and pattern of subtle air."

"In university they don't tell you that the greater part of the law is learning to tolerate fools."

"The three men looked at the murderer, thinking their own thoughts, speculative, frowning, but not as if he were important now. No, he was unimportant: he was the constant, the black man who will thieve, rape, murder, if given half a chance. ... "I work hard enough, don't I? All day I am down on the lands with these lazy black savages, fighting them to get some work out of them. ... Above all, she hated the way they suckled their babies, with their breasts hanging down for everyone to see; there was something in their calm satisfied maternity that made her blood boil. "Their babies hanging on them like leeches," she said to herself shuddering, for she thought with horror of suckling a child. The idea of a child's lips on her breasts made her feel quite sick; at the thought of it she would involuntarily clasp her hands over her breasts, as if protecting them from a violation. And since so many white women are like her, turning with relief to the bottle, she was in good company, and did not think of herself, but rather of these black women, as strange; they were alien and primitive creatures with ugly desires she could not bear to think about. ... the touch of this black man's hand on her shoulder filled her with nausea; she had never, not once in her whole life, touched the flesh of a native."

"It is terrible to destroy a person's picture of himself in the interests of truth or some other abstraction."

"Mrs. Lessing's view of recent politics is not everyone's. Her view of the future (inevitably brutish and painful) is that it is the present: that we are all hypnotized, awaiting cataclysms which we are in fact living through now; that we are now — as we run and read — in the process of a rapid evolution; that we are mutating fast but can't see it, the chief characteristic of our race being its inability to see what is under its nose; that historians and scientists, in their timid traditionalism, feed our fantasy view of ourselves — suppressing truths about the human condition, about madness, about sanity, about the essential nature of the mind."

"Doris Lessing was nothing less than the goddess of literature herself for young women like myself aspiring to write in the 1970s. Her classic, The Golden Notebook, directly addressed the contradictions in women's lives in a way that was sophisticated, insightful and dispassionate.... When I started writing novels in the early 1980s, I often felt pressure from women to depict wholesome female role models. The pressure never worked, partly because Doris Lessing had gone before and blazed a path for all of us as readers, as women, as people."

"I also can’t get along with Turgenev, though I love Russians, or Doris Lessing, though I am a feminist."

"The assumption made by Rossi, that women are "innately" sexually oriented only toward men, and that made by Lessing, that the lesbian is simply acting out of her bitterness toward men, are by no means theirs alone; these assumptions are widely current in literature and in the social sciences."

"She might well wonder what took them so long. Doris Lessing is the ideal winner of the Nobel Prize. After all, the prize is about idealism, and was founded in the belief that writers can make the world a better place. Lessing can depict the world as a terrible place, peopled by terrorists, in which the women can be as violent as the men, and war can describe the planet entirely. But she never abandons the hope that the planet can be better, even if she has to imagine other planets to show how this is possible."

"I sure like Doris Lessing."

"When was reviewing Doris Lessing's last two books from the Shikasta series, I found that she has discovered what I, to my great joy, had discovered a little earlier: that (a) if you're writing what they call science fiction, you're absolutely free-you can write anything you damn please, and (b) that if you take seriously the science fiction premise, you are furnished with an inexhaustable supply of absolutely beautiful and complex metaphors for our present situation, for who and where we are now, and I think it's not only women who have found this out. Angus Wilson was one of the first to do this with The Old Man in the Zoo years ago. That is a science fiction novel, if you look at it closely. Several of the writers who interest me most are doing this sort of thing, but Lessing has done it wholeheartedly and courageously. I love her introduction that says academics put science fiction down and to hell with them! That's really nice coming from Doris Lessing."

"Doris Lessing—always searching, always on her way to something new and different, what a range of intelligence, her every book a blow at artistic complacency. The Golden Notebook I consider her masterpiece."

"The next Augustan age will dawn on the other side of the Atlantic. There will, perhaps, be a Thucydides at Boston, a Xenophon at New York, and, in time, a Virgil at Mexico, and a Newton at Peru. At last, some curious traveller from Lima will visit England and give a description of the ruins of St Paul’s, like the editions of Balbec and Palmyra."

"Posterity always degenerates till it becomes our ancestors."

"Allen of Bath procured them the same honours from thence; and for some weeks it rained gold boxes: Chester, Worcester, Norwich, Bedford, Salisbury, Yarmouth, Tewkesbury, Newcastle-on-Tyne, Stirling, and other populous and chief towns following the example. Exeter, with singular affection, sent boxes of heart of oak."

"It is the story of a mountebank and his zany."

"Prognostics do not always prove prophecies, — at least the wisest prophets make sure of the event first."

"The whole nation hitherto has been void of wit and humour, and even incapable of relishing it."

"To act with common sense, according to the moment, is the best wisdom I know; and the best philosophy, to do one's duties, take the world as it comes, submit respectfully to one's lot, bless the goodness that has given us so much happiness with it, whatever it is, and despise affectation."

"The way to ensure summer in England is to have it framed and glazed in a comfortable room."

"A careless song, with a little nonsense in it now and then, does not misbecome a monarch."

"It was easier to conquer it [the East] than to know what to do with it."

"The world is a comedy to those that think; a tragedy to those that feel– a solution of why Democritus laughed and Heraclitus wept."

"Instead of the glorious and ever-memorable year 1759, as the newspapers call it, I call it this ever-warm and victorious year. We have not had more conquest than fine weather: one would think we had plundered East and West Indies of sunshine. Our bells are worn threadbare with ringing for victories. I believe it will require ten votes of the House of Commons before people believe it is the Duke of Devonshire that has done this, and not Mr. Pitt."

"A tragedy can never suffer by delay: a comedy may, because the allusions or the manners represented in it maybe temporary."

"If a passion for freedom is not in vogue, patriots may sound the alarm till they are weary. The Act of Habeas Corpus, by which prisoners may insist on being brought to trial within a limited time, is the corner-stone of our liberty."

"My aversion to them...springs from the perniciousness of that sect to society—I hate Papists, as a man, not as a Protestant. If Papists were only enemies to the religion of other men, I should overlook their errors. As they are foes to liberty, I cannot forgive them."

"Our supreme governors, the mob."

"Why, I'll swear I see no difference between a country gentleman and a sirloin; whenever the first laughs, or the latter is cut, there run out just the same streams of gravy! ... Oh! my dear Sir, don't you find that nine parts in ten of the world are of no use but to make you wish yourself with that tenth part? ..."

"It always amazes me, when I reflect on the women, who are the first to propagate scandal of one another. If they would but agree not to censure what they all agree to do, there would be no more loss of characters among them than amongst men. A woman cannot have an affair, but instantly all her sex travel about to publish it and leave her off: now, if a man cheats another of his estate at play, forges a will, or marries his ward to his own son, nobody thinks of leaving him off for such trifles!"

"Harry Vane, Pulteney's toad-eater."

"When I first came abroad, every thing struck me, and I wrote its history; but now I am grown so used to be surprised, that I don't perceive any flutter in myself when I meet with any novelties; curiosity and astonishment wear off, and the next thing is, to fancy that other people know as much of places as one's self; or, at least, one does not remember that they do not. It appears to me as odd to write to you of St. Peter's, as it would do to you to write of Westminster-abbey. Besides, as one looks at churches, &c. with a book of travels in one's hand, and sees every thing particularised there, it would appear transcribing, to write upon the same subjects."

"One thing that happens with gothic novels is the idea of the evil Other. That’s quite clear if you read Walpole or Radcliffe. It’s often an evil Italian or an evil Spaniard. Catholicism is mixed with that. It’s like these exotic evil Catholic people that are coming to pervert us."

"His politics are always under the strong influence of party and often of faction, and his details of social life and personal character are rendered more amusing indeed, but less trustworthy, by a strong seasoning of scandal, and occasionally of malice. It is not given to man to be at once of a party, and impartial — to be a gossip, and not censorious. We do not take the characters of Lord Wharton or Sir Robert Walpole from Swift, nor should we from Horace Walpole those of Bute or North."

"He was born a writer of letters, and if he had been shut up in a desert island like Robinson Crusoe he would have written letters all the same, and kept them till some ship arrived which should carry them to their destination."

"The whole secret of life is to be interested in one thing profoundly and in a thousand things well."

"We must thank the Whigs for all the prosperity of our country. The Tories have only thrown us into disagreeable crises. It is risible to hear the latter boast of the public happiness, which is wholly the work of their antagonists. They are so absurd as to regret the national freedom, the sole source of the wealth on which they fatten. Sic vos non vobis mellificatis apes! Had the Tories succeeded at the revolution, or accession, this fair country would have been another Spain; the desolate abode of nobles and priests. What has rendered it the wonder and envy of Europe? Freedom. One would wonder that any man would conspire against the general felicity—but this infatuation arises from the esprit du corps, which can even produce mental blindness—can instigate its unhappy devotee to destroy the hen that lays the golden eggs."

"To talk of the weather was once a matter of ridicule. But that soon went out; for the weather is, in fact, so important in this changeable climate, that our health and bread depend on it. There are also numerous classes in this island, farmers, seamen, &c. &c. whose very existence depends on the weather. It is idle to deny that the state of our spirits depends on the weather: the stoutest man cannot take exercise on a rainy day, and must feel ennui, because he cannot divide his time as usual. For my part, I care as little for the weather as any; and I sometimes say, that all I want is cold winters, and hot summers."

"King William asked Mr. Locke how long he thought the revolution principles might last in England. The philosopher answered, "Till this generation shall have passed away, and our universities shall have had time to breed a new one." Many things I disapprove in our universities, where the country gentlemen are educated in Toryism by Tory clergy."

"The critics generally consider a tragedy as the next effort of the mind to an epic poem. For my part, I estimate the difficulty of writing a good comedy to be greater than that of composing a good tragedy. Not only equal genius is required, but a comedy demands a more uncommon assemblage of qualities—knowledge of the world, wit, good sense, &c; and these qualities superadded to those requisite for tragical composition."

"Rousseau's ideas of savage life are puerile. He is equally absurd in supposing that no people can be free, if they entrust their freedom to representatives. What is every body's business is nobody's business. The people would soon be sick of such freedom; they must attend to their own private business, else they could not live. The people of France are easily electrified. We are too solid for such dreams. Amber may draw straws: we do not gravitate so easily."

"Good men are never concerned in revolutions, because they will not go the lengths. Sunderland caused the revolution of 1688, while Devonshire stood aloof—the latter was the angel, the former the storm. Bad men and poisonous plants are sometimes of superlative use in skilful hands."