National Film Award Winners

"Had I not been a classical singer, I would have loved to spend my entire life in a garage fine-tuning a Fiat or a Maruti."

"I accept this honour on behalf of all Hindustani vocalists who have dedicated their life to music."

"I went to the temple, not to pay homage to Lord Mangesh, but on a sort of pilgrimage to see the place where you were born."

"Lata Mangeshkar was known to have been a sympathiser of the Hindutva ideology. In fact, she was a sympathiser of the pro-Hindu Mahasabha, which is a hardcore rightist organisation. Despite that she was given various awards by governments of varying political hues only and only for her mind-boggling contribution to film music."

"India's greatest playback singer Lata Mangeshkar who sang for him [Naushad] in the film."

"Lata was beyond words. She was a miracle that will never happen never again."

"Prime Minister Narendra Modi, while paying his tributes to the legendary singer, said, “I am anguished beyond words. The kind and caring Lata Didi has left us. She leaves a void in our nation that cannot be filled. The coming generations will remember her as a stalwart of Indian culture, whose melodious voice had an unparalleled ability to mesmerise people.”"

"I consider it my honour that I have always received immense affection from Lata Didi. My interactions with her will remain unforgettable. I grieve with my fellow Indians on the passing away of Lata Didi. Spoke to her family and expressed condolences. Om Shanti."

"“The whole of India sings in the voice of Maharashtra, and that voice is of Lata Mangeshkar,” said veteran journalist P. K. Atre once, when asked about the musical contributions of the Mangeshkar family to the nation."

"In fact, veteran politician LK Advani said, “Lata ji has been my all time favourite among popular singers and I feel fortunate to have shared a long association with her. I recall the time when she recorded a beautiful Shri Ram Bhajan and sent it to me when I was about to undertake my Ram Rath Yatra from Somnath to Ayodhya. That memorable song–“Ram Naam Mein Jaadu Aisa, Ram Naam Man Bhaaye, Man Ki Ayodhya tab tak sooni, jab tak Ram Na aaye…”became the signature tune of my Yatra.”.”"

"If he says that I am the voice of the century, then I would say that he is the writer of the century."

"I first listen to someone who speaks the language and who reads the lyrics to me. I pay great attention to pronunciation. Once I hear the words spoken, I write the song lines phonetically in Hindi and then sing. By the grace of god, my songs in other languages – including Bengali – have been appreciated. People say they are good and the words have been correctly pronounced."

"When I speak, my Urdu isn’t very good but when I sing I make sure there are no flaws in my diction."

"Mohd Rafi saab and I fought over royalty rights. At a meeting attended by prominent singers and musicians, he stood up and said, Main aaj se Lata ke saath nahin gaoonga. I retorted, Rafi saab, 'ek minute. Aap nahin gaayenge mere saath yeh galat baat hai. Main aapke saath nahin gaoongee. I stormed out and called all my composers there and then and informed them to rope in another singer if it was a duet with Rafi saab."

"People should be blessed in life with friends who are both "Mirrors & Shadows"! Mirrors don't lie & shadows never leave."

"It was not really the external influences that made me a singer. Music was within me. I was full of it"

"With this film I have made more money than any of my other films. It was a high-wire act."

"The range and versatility of Kamalahasan is unbelievable. He is one of our best actors."

"I know Kamalahasan rather well personally, but I haven't seen his films. I think he's very talented. I like to talk to him because he's intelligent."

"Only an actor of Kamal's calibre can play a Dwarf effectively."

"He is truly a master of all the arts. But everything has a reason and I decided to find out why. There is a bit of arts in every one and the goddess of the arts of the arts endows some people with extra gifts and leads them by the hand. People like me, Mammootty, Mohan Lal, Venkatesh and Amitabh Bachchan are amongst those whom the goddess has chosen to lead by the hand. But the goddess has picked up Kamal and cradled in her arms and clasped her to her bosom. I asked her “Is this fair” You are holding Kamal close to you. But all of us are also your children, we should be equal in your eyes.” The goddess replied, “Rajini, you wanted to be an actor and struggled to become one from your last life; but Kamal has desired to be an actor for ten lifetimes. Can I put him down?” I told her, no, goddess, let him stay where he is.” Kamal is truly the favorite child of the goddess of arts. I am proud that my name will also go down in history as somebody who has acted with him."

"What can we say about Kamal Haasan that has not already been said? This man was born to be an actor. Winning a national award for his first performance as a four year old, he has carved out a niche for himself in the industry like no other [[actor could. Although his acting has been celebrated over the years, his style has not been given due credit. Kamal’s look not only changed as he grew as an actor but was strategically chalked out to suit each of his characters. From his haircut, to beard, mustache, his wardrobe, he was one of those pioneering actors in India to extremely to use prosthetics for different looks. One could say he was addicted to [[w:Experimenting|experimenting with his looks and characters. Go over his career and you will be amazed with exactly how much Kamal’s style has evolved over the past half century."

"I have not seen an actor who would play the most ludicrous roles without bothering about his star image."

"Nobody associated with Sahodarakal is really willing to disclose what camera wizardry it was that finally transformed Kamalahasan into a fascinating midget. Some of the dwarf scenes were shot in a circus playing in Cochin by digging a pit with the actor standing knee-deep in it. The shoes were fixed to his knee and the pit was covered with a carpet."

"In every theater the collections are going up. Only Kamal can do this sort of a role and the film is a turning point for him. Saravanan also rightly advised Kamal not to sell the film - which cost Kamal Rs.80 lakhs to produce - outright, but only on a commission basis, as he felt it would be a "perennial gold-mine"."

"Definitely from the actors I've worked with and the actors I've watched. I was amazed by the distinct way he handles a scene I've written. It was something I wouldn't have thought of. His way of looking at a scene would be different from what was on paper. He's an institution as far as acting is concerned. For example when I took a scene to him he did something that was not on paper, something you don't expect and can't write."

"I'm always a Kamal Hassan fan...From day one I was very clear that I was not going to tap his immense talent. I've seen it all and he's done it all. I didn't want him to look different like he is in some of his films. I wanted to make a simple film, which will work for a change. I didn't want him to go overboard with anything. He's a good-looking guy in real life and that's the way I wanted him to look. We wanted somebody very sober and quiet so the histrionics were underplayed."

"He has famously said that he is a reluctant actor. He has an avid interest in every aspect of filmmaking and is known for his work as a choreographer, director, and writer, as well."

"There are some things he can do that others can but there are many things Kamal can do that no other actor can."

"It's Kamal who inspired me to do one film at a time."

"He has an amazing sense of using space. When he plays an old man his gait and the way he stands is enough to convey his age. He doesn't need make-up. I find him greater than Dustin Hoffman and Robert De Niro put together, I know Kamal can make you cry with a look in his eyes. I know his pauses. He has an amazing sense of timing that he knows the audience likes. He's a technician par excellence. That kind of knowledge and control every actor should strive to get."

"I walk down the road and people want to kiss me. I'd never do all that to anyone. Not Bachchan or Rajinikanth. The exception is Kamal. I asked him if I could touch him when I first met him,"

"He is a legend in every sense of the term. He is a writer, singer, director, lyricist and an actor par-excellence. We are extremely honoured to present the Lifetime Achievement Award to Kamal Haasan."

"I did not teach him everything he knows. He just absorbed everything I knew. The rest he discovered himself by asking, probing, begging, watching, observing, reading, demanding, investigating, improvising, experimenting, experiencing, learning and not being afraid of stretching himself beyond his own limits. I only gave him the platform and the opportunity to discover himself. In the process, I was blessed enough to discover myself."

"A few Oscars maybe. But what value are a few Oscars in front of the adulation and warmth of a billion smiles and the awe and respect of a billion salutes? I have never ceased to be amazed by the limits and standards he sets (for) himself — standards that nobody else imagines even exists!"

"Yes, I own Kamal. Yet, he does not belong to me — he belongs to the world of cinema. It is often argued that had he been born abroad, he would have won the Oscar many times over."

"From babyhood to childhood, from adolescence to youth, from manhood to middle age, I have been part of this magician's life... Kamal has evolved into everything that I have dreamed he would be. Indeed, I should never be surprised by anything he achieves, yet I am constantly amazed."

"To have won a place in his heart among all those he has mentored and created, itself is a distinction."

"Many don't get the idea of centrism...we do not have to be left or right"

""I am anti everything that goes wrong for the people. As for extremism, Hindu extremism exists, read the Tamil papers."

"Mediocrity is set as a standard...rubbish becomes acceptable. This has been the state of Tamil politics for nearly half a century"

"It is wrong to celebrate 100 years of cinema with just India. It is 100 years of cinema for Pakistan, Afghanistan, Sri Lanka. All these places saw Indian cinema as it was produced in Lahore, Mumbai, Chennai — it went all the way. It is 100 years of cinema of what used to be my India, my Pakistan, my Afghanistan and my Sri Lanka. That’s how an artist looks at it and it’ll soon be my world. It is the governments and political interests that create borders."

"It is an award for American excellence that excludes and sometimes gracefully includes some other countries. It is an institution or brand created by Hollywood to promote itself, an award decided by 15 people. How nice it would have been if Satyajit Ray, instead of all his awards, got a few more audiences?"

"I am looking for excellence. Anyone can struggle but they cannot make a ‘perfect’ film."

"For two and a half years, I rigorously trained seven to eight hours a day in two disciplines of dance but moved on to the most versatile medium called cinema which encompassed every form of art."

"Actors can be refined and be better. I’m an improved version of whatever you’ve seen earlier. I do not say this with arrogance, but it is my duty to be better than my predecessor and it’s my duty to see that my successor is better than me."

"Someone once asked me what my working timetable was like and when was the last time I went on a holiday. I said about 20 years back. I don’t work anymore, because I get paid to do what I like most. So it’s like a paid holiday."

"I have great respect for the unconditional teachers called books. Because from a book, you can either learn, or you can’t."

"“Propaganda films I am against,” Kamal Haasan said at a presser in Abu Dhabi, adding, “It’s not enough if you just write ‘true story’ at the bottom as a logo. It has to really be true, and that (the film) is not true.”"

"I receive them only when he thinks I deserve it — I have to work for them!"