Musicians From Brazil

"Roger: Well no I think it goes a long way with people who are actually fans of the band. I understand that people who do buy the records are stoked when it’s something that has some value and some thought and actually looks cool. Hopefully slowly that will start to get people motivated to buy vinyl again. Not only does it sound better but you get more of an experience with the artwork and stuff and the lyric sheet in your hand rather than on your computer screen. There’s something more intimate about that. I think slowly but surely vinyl will continue to kind of hold steady even with people not buying CDs anymore."

"Roger: But really, a punk rock kid is the same all over the world, it’s the same dress code, everyone’s wearing chucks, it’s the same skull tattoo, it’s the same look, and everyone’s happy to be there. Our fans are the same everywhere."

"Roger: Umm.. I had a lot of different phases when I was younger. When I was really little, I liked a lot of stuff like, Iron Maiden, Kiss, and Def Leppard and like Aerosmith. Stuff like that. That's what I grew up on in the '70s you know. Metal like Slayer and Metallica and then I got into punk rock and metal when I was in junior high. like The Descendents and like Operation Ivy and you know.. that whole era of stuff."

"Roger: You know it’s always a good time people are energetic and it’s awesome. Totally excited."

"Roger: I think that we still do what the song is asking for; you can't really control what kind of songs come out while writing,, so if the songs needs horns, we'll do some horns, if not, then that's ok too. We really don't think too much about what our fans want us to write, we just try to stay true to what is best for the song."

"Roger: Uhh.. You know.. I'm really picky and I don't actually like very many bands. The only like new band that I really like is System of A Down. I think they are amazing! It's good stuff. It's aggressive and unpredictable and I love it!!"

"Roger: Yeah, it’s really not that rad."

"Roger: The press girl’s not that cool (chuckles) but that’s all. I’m just kidding! (Press girl making mean face). I’m just kidding! I just like that face…that gasp."

"Roger: Buddy’s my main influence."

"Buddy: I wear boxers, Roger wears boxer briefs."

"Roger: Yeah, our bunks are right across from each other so sometimes we sing each other to sleep at night. It’s lovely, you should check it out."

"Roger: Let's see.. Chris and Vinnie knew each other in high school and were in bands and then moved to Gainesville, Florida for college. I moved to Gainesville, Florida for college. And then Chris had a party and I told him I played guitar. Which I played guitar at that time. And he said you should come and play guitar then I went to practice with a guitar and then they're like, "Oh, by the way, we're going to be kicking out our bass player - would you mind playing bass?" I said OK. So I went out and bought a bass and that was in '92. And that's how it started. Then we started getting into the horn player thing. Shuffled a few horn players over the years but it's been the same main four guys the whole time."

"Roger: It's all right,, they seem to be backing the new record, and aside from the typical major label red tape - where it takes forever to get things done - I think Warner is still into the band."

"Roger: Yeah, we are at the ass end of a tour another four shows or so."

"Roger: Umm.. I couldn't tell you! I don't really know what the secret is. I've never been in any other situation. For us, we just really try to really deliver when we play and make that the focal point of what's going on. And then there's the live show. We try to be really good to our fans in the way of musically by having things up. Fans that have been fans of our records will always have something to relate and not have a record that is completely different ever, but also not doing the same thing over and over and over again. Trying to have a steady change on what kind of music we're writing and stuff like that. I think touring is the key to it. We've always been a touring based band. We play a lot, a lot of shows and that's what keeps us fresh in peoples' minds."

"Roger: It’s totally cool you know. We go out there and put our best foot forward and we play songs we’ve played before, and that feels like we know what’s going to happen. The crowd is going to react to it or they’re not going to react to it. If we went out there and played all new songs it would be lame."

"Roger: It was awesome! A lot of fun, good fans, good shows. We toured with Reel Big Fish and when we tour together things seem to be awesome so no complaints"

"Roger: It seems that way – it’s kind of weird how things are with music these days. You’re not really touring for the record anymore ‘cause no one buys the record. Everything’s downloaded and all that kind of stuff. We have the new songs but we’re still just touring because we’d be on tour anyway, ya know what I mean. So yeah we’re still touring in support of the new record but the new record is kind of supporting us sort of"

"Roger: See.. that's a tough question 'cause I went to a lot of really small shows for bands that nobody knew who they really were 'cause that's the kind of thing that I grew up on - was like going to clubs and stuff. The first like real, real concert that I went to was U2 at the Orange Bowl in Miami for the Joshua Tree Tour. I think it was in '87? Something like that. Yeah... I think that was it. We were way up in the nosebleeds and Bono was like this big! (Roger shows thumb and index finger really close) (all laugh) But, that's what I thought a concert was at that point - really huge. Everything else was more like a rehearsal or you know.. club shows. Like oh, that's nothing - 500 kids. It doesn't seem that weird. I've played in front of 500 kids at my piano recitals and I didn't think it was a big deal."

"Roger: Yeah, I don't know. It was awesome. It's a great feeling. I don't really know. It's built up so slowly that I can't even tell you when it actually went over the threshold of 500 kids or 1000 kids or 2000 kids or whatever - but we've stood it all. We've played with 80,000 kids at these festivals in Europe and we've played to eight kids, you know? It feels great. It feels great every time. As long as there's somebody out there singing or jumping around making an idiot out of themselves just as much as we are, then we think it's ok."

"Roger: We ran into a mall, and ran throogh the song and then some overzealous security guy at the mall thought he'd impress his boss with an arrest. It was dumb, the cops really didn't wanna arrest chris, but it was the mall security guy that was really was being an asshole and so Chris was detained, and booked. It was a pain in the ass, but at least we got him out with enough time to finish the video."

"Roger: It’s complicated. It kind of has different phases. It will be like Chris [Demakes, guitarist/singer] or I will have a song idea and Vinnie Fiorello [drummer/lyricist] will write lyrics that go with that song idea or Vinnie will just have words that he wrote down and we’ll take that and sort of mold it into a song. I mean it kind of happens in different ways and not everyone is always involved, and sometimes everyone is involved it just depends. There’s no like formula for writing songs at least not in our band. It’s pretty much however it comes apart and falls apart and everything if it feels right it feels right the song is the ultimate guide. Am I being too hippie for you?"

"Roger: I also have been producing/recording more and more, and that takes time, too. But that's what i always wanted to do, work on music,, so it's not a bad thing."

"Roger: That is true to a degree; I usually have songs ideas demoed out, and I will pass them off to vinnie, and he will focus on the lyrics. Then we all get together, work out the nuts and bolts of the song, kick around some changes and everyone is involved in the finishing touches. Chris will do the same, bring in a song idea, and we'll all throw in ideas and the songs just evolve. Some songs change very little from the initial conception, (like a new song called "In-dependence Day") and others really go through many arrangement changes/lyric changes, (like "Still Life")"

"QRO: How many Pez dispensers do you have?"

"Roger: Well over 800 at this point."

"Roger: Well it’s been the same members of the band since ‘92 with the exception of one horn player. So it’s been the four of us since the beginning of the band and then we’ve had some different horn players but JR’s the new guy and he’s been in the band for eight years so it hasn’t been that drastic."

"Roger: Oh! I think just having the opportunity to be on yet another major label again after being on Capitol in the late '90s and then going to an indie label and coming back.. and now we're on Warner Brothers. Just having those kind of oppurtunities is pretty awesome. Because there are bands that struggle their whole entire life time to just like you know.. "oh, we just want to be on the radio - we want to be on a major label. That's all we really want." We've had the chance to do that twice. I think that's pretty amazing."

"Roger: No I don’t collect stem variations – the different colored bottom part – cause you can have one Pez dispenser that has a head and there will be the same head but the bottom will have a different color. I don’t collect those at all so mine are all different Pez dispensary heads, because the head is really the most collectible part. I’m trying to give you lessons on Pez dispensers… How dare you suggest I collect stem variations? Are they all duplicates? NO THEY’RE NOT DUPLICATES! That would be cheating."

"Roger: I think it's different in the way of how they handle stuff. I don't think they were really trying to. They wouldn't want us on it if they didn't like our music, you know what I'm saying? They obviously want us to create what we create and then they do what they're going to do. It's more things like interviews and more videos and photo shoots.. things like that with a major label kind of brings to the table. Which I may or may not be into - but it's a cool chance."

"Roger: Yeah! There's one that we'll be supposedly filming when we get back from Europe. Not really sure exactly what's going to happen or anything in the video 'cause Vinnie and I had like a great idea for the video and they basically said that they would have to spend way too much money on it so.. there you go. They don't want to pay for the special effects that we were talking about. It's a bummer though. It would have been good. (laughs)"

"We always travelled to other cities, other states, looking for the festivals. It's gone the musical way of one generation."

"The independent project, in a general way, requests a constant work to spread, in the traditional way and in the alternative circuit. It is a fight... but I believe that it is the way."

"Katya Chamma is one of the greaters representative of the Brazilian independent music."

"Katya Chamma is example of quality in independent music."

"Brilliant and with inspiration always."

"The Internet is the great highway of the modern communication, free and independent."

"The Internet is the more democratic media them last times. And for being anarchical, it's open to all manifestations, artistic also."

"We made music seated on the grass of Brasilia's super-squares, at home, at college. It was a creative time, more ingenuous, when the people amused more themselves, played more."

"[on the "tropicalization" of intellectual property laws] To make the digital world join in the samba…"

"Brasília is a weird place but I like being here. I can focus on the job here, there's no city madness and I don't need urban stimulation."

"Brazil was, is, and will be in fashion."

"Like most artists and musicians, I considered myself detached from the political life…but I had an insight that maybe we would have a political contribution to make in the future."

"I am a liberal of extreme left-wing."

"I love Nature."

"When we are young we believe to be adults; when we are adults we believe to be young."

"The only person who could make me stop singing is the one who made me sing: God, the beauty up there!"

"Yes, I would, if they are the kind that shakes."

"I think an interpreter has to sing everything, to sing what wants to sing. It cannot be with that foolishness, that here in Brazil we face this thing that when one records a song, later no one can rerecord it. This is madness, absurd. Music doesn't have an owner, the music doesn´t belong to anyone."

"Simone is one of the best singers in the world"