Metafictional Works

"But his heart was in a constant, turbulent riot. The most grotesque and fantastic conceits haunted him in his bed at night. A universe of ineffable gaudiness spun itself out in his brain while the clock ticked on the washstand and the moon soaked with wet light his tangled clothes upon the floor. Each night he added to the pattern of his fancies until drowsiness closed down upon some vivid scene with an oblivious embrace. For a while these reveries provided an outlet for his imagination; they were a satisfactory hint of the unreality of reality, a promise that the rock of the world was founded securely on a fairy’s wing."

"He knew women early, and since they spoiled him he became contemptuous of them, of young virgins because they were ignorant, of the others because they were hysterical about things which in his overwhelming self-absorption he took for granted."

"The truth was that Jay Gatsby, of West Egg, Long Island, sprang from his Platonic conception of himself. He was a son of God — a phrase which, if it means anything, means just that — and he must be about His Father’s business, the service of a vast, vulgar, and meretricious beauty. So he invented just the sort of Jay Gatsby that a seventeen-year-old boy would be likely to invent, and to this conception he was faithful to the end."

"No amount of fire or freshness can challenge what a man will store up in his ghostly heart."

"He had passed visibly through two states and was entering upon a third. After his embarrassment and his unreasoning joy he was consumed with wonder at her presence. He had been full of the idea so long, dreamed it right through to the end, waited with his teeth set, so to speak, at an inconceivable pitch of intensity. Now, in the reaction, he was running down like an overwound clock."

"Americans, while occasionally willing to be serfs, have always been obstinate about being peasantry."

"The exhilarating ripple of her voice was a wild tonic in the rain. I had to follow the sound of it for a moment, up and down, with my ear alone, before any words came through. A damp streak of hair lay like a dash of blue paint across her cheek, and her hand was wet with glistening drops as I took it to help her from the car."

"It was dark now, and as we dipped under a little bridge I put my arm around Jordan’s golden shoulder and drew her toward me and asked her to dinner. Suddenly I wasn’t thinking of Daisy and Gatsby any more, but of this clean, hard, limited person, who dealt in universal skepticism, and who leaned back jauntily just within the circle of my arm. A phrase began to beat in my ears with a sort of heady excitement: "There are only the pursued, the pursuing, the busy, and the tired.""

"Over the great bridge, with the sunlight through the girders making a constant flicker upon the moving cars, with the city rising up across the river in white heaps and sugar lumps all built with a wish out of non-olfactory money. The city seen from the Queensboro Bridge is always the city seen for the first time, in its first wild promise of all the mystery and the beauty in the world."

"[Gatsby] was balancing himself on the dashboard of his car with that resourcefulness of movement that is so peculiarly American — that comes, I suppose, with the absence of lifting work or rigid sitting in youth and, even more, with the formless grace of our nervous, sporadic games. This quality was continually breaking through his punctilious manner in the shape of restlessness. He was never quite still; there was always a tapping foot somewhere or the impatient opening and closing of a hand."

"On Sunday morning while church bells rang in the villages alongshore, the world and its mistress returned to Gatsby's house and twinkled hilariously on his lawn."

"In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars."

"People disappeared, reappeared, made plans to go somewhere, and then lost each other, searched for each other, found each other a few feet away."

"I wanted to get out and walk eastward toward the park through the soft twilight, but each time I tried to go I became entangled in some wild, strident argument which pulled me back, as if with ropes, into my chair. Yet high over the city our line of yellow windows must have contributed their share of human secrecy to the casual watcher in the darkening streets, and I was him too, looking up and wondering. I was within and without, simultaneously enchanted and repelled by the inexhaustible variety of life."

""I married him because I thought he was a gentleman," she said finally."

"This is a valley of ashes—a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens, where ashes take the forms of houses and chimneys and rising smoke and finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air. Occasionally a line of gray cars crawls along an invisible track, gives out a ghastly creak, and comes to rest, and immediately the ash-gray men swarm up with leaden spades and stir up an impenetrable cloud, which screens their obscure operations from your sight. But above the gray land and the spasms of bleak dust which drift endlessly over it, you perceive, after a moment, the eyes of Doctor T. J. Eckleburg. The eyes of Doctor T. J. Eckleburg are blue and gigantic—their retinas are one yard high."

"In my younger and more vulnerable years my father gave me some advice that I've been turning over in my mind ever since. "Whenever you feel like criticizing any one," he told me, "just remember that all the people in this world haven’t had the advantages that you’ve had.""

"No—Gatsby turned out all right at the end; it is what preyed on Gatsby, what foul dust floated in the wake of his dreams that temporarily closed out my interest in the abortive sorrows and short-winded elations of men."

"I was rather literary in college […] and now I was going to bring back all such things into my life and become again that most limited of all specialists, the "well-rounded man." This isn’t just an epigram — life is much more successfully looked at from a single window, after all."

"In two weeks it'll be the longest day in the year." She looked at us all radiantly. "Do you always watch for the longest day of the year and then miss it? I always watch for the longest day in the year and then miss it."

"It occurred to me that there was no difference between men, in intelligence or race, so profound as the difference between the sick and the well."

""Her voice is full of money," he said suddenly. That was it. I’d never understood before. It was full of money — that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it ... high in a white palace the king’s daughter, the golden girl..."

"The Childlike Empress – as her title indicates – was looked upon as the ruler over all the innumerable provinces of the Fantastican Empire, but in reality she was far more than a ruler; she was something entirely different. She didn't rule, she had never used force or made use of her power. She never issued commands and she never judged anyone. She never interfered with anyone and never had to defend herself against any assailant; for no one would have thought of rebelling against her or of harming her in any way. In her eyes all her subjects were equal. She was simply there in a special way. She was the center of all life in Fantastica. And every creature, whether good or bad, beautiful or ugly, merry or solemn, foolish or wise – all owed their existence to her existence. Without her, nothing could have lived, any more than a human body can live if it has lost its heart. All knew this to be so, though no one fully understood her secret. Thus she was respected by all the creatures of the Empire, and her health was of equal concern to them all. For her death would have meant the end of them all, the end of the boundless Fantastican realm."

"Everyone in Fantastica knew what the medallion meant. It was the badge of one acting on orders from the Childlike Empress, acting in her name as though she herself were present. It was said to give the bearer mysterious powers, though no one knew exactly what these powers were. Everyone knew its name: AURYN. But many, who feared to pronounce the name, called it the "Gem" or the "Glory"."

"Human passions have mysterious ways, in children as well as grown-ups. Those affected by them can't explain them, and those who haven't known them have no understanding of them at all. Some people risk their lives to conquer a mountain peak. No one, not even they themselves, can really explain why. Others ruin themselves trying to win the heart of a certain person who wants nothing to do with them. Still others are destroyed by their devotion to the pleasures of the table. Some are so bent on winning a game of chance that they lose everything they own, and some sacrifice every thing for a dream that can never come true. Some think their only hope of happiness lies in being somewhere else, and spend their whole lives traveling from place to place. And some find no rest until they have become powerful. In short, there are as many different passions as there are people."

"It's doubtful whether even the greatest, most experienced of heroes could carry out this mission ... and you! ... She's sending you into the unfathomable to look for the unknown. ... No one can help you, no one can advise you, no one can foresee what will befall you. And yet you must decide at once, immediately, whether or not you accept the mission. There's not a moment to be lost."

"AURYN gives you great power ... but you must not make use of it. For the Childlike Empress herself never makes use of her power. AURYN will protect you and guide you, but whatever comes your way you must never interfere, because from this moment on your own opinion ceases to count. For that same reason you must go unarmed. You must let what happens happen. Everything must be equal in your eyes, good and evil, beautiful and ugly, foolish and wise, just as it is in the eyes of the Childlike Empress. You may only search and inquire, never judge. Always remember that, Atreyu!"

"Your life is short, son. Ours is long. Much too long. But we both live in time. You a short time. We a long time. The Childlike Empress has always been there. But she's not old. She has always been young. She still is. Her life isn't measured by time, but by names. She needs a new name. She keeps needing new names."

"What I've started I must finish. I've gone too far to turn back. Regardless of what may happen, I have to go forward."

"Luckdragons are among the strangest animals in Fantastica. They bear no resemblance to ordinary dragons, which look like loathsome snakes and live in deep caves, diffusing a noxious stench and guarding some real or imaginary treasure. Such spawn of chaos are usually wicked or ill-tempered, they have batlike wings with which they can rise clumsily and noisily into the air, and they spew fire and smoke. Luckdragons are creatures of air, warmth, and pure joy. Despite their great size, they are as light as a summer cloud, and consequently need no wings for flying. They swim in the air of heaven as fish swim in water. Seen from the earth, they look like slow lightning flashes. The most amazing thing about them is their song. Their voice sounds like the golden note of a large bell, and when they speak softly the bell seems to be ringing in the distance. Anyone who has heard this sound will remember it as long as he lives and tell his grandchildren about it."

"The sphinxes shut their eyes for some travelers and let them through. The question that no one has answered up until now is this: Why one traveler and not another? Because you mustn't suppose they let wise, brave, or good people through, and keep the stupid, cowardly, and wicked out. Not a bit of it! With my own eyes I've seen them admit stupid fools and treacherous knaves, while decent, sensible people have given up after being kept waiting for months. And it seems to make no difference whether a person has some serious reason for consulting the Oracle, or whether he's just come for the fun of it."

"If no one has told you who or what Uyulala is, there must be a reason. And before I know what that reason is, I can't decide whether someone who hasn't seen her with his own eyes has a right to know."

"Oh, nothing can happen more than once, But all things must happen one day Over hill and dale, over wood and stream, My dying voice will blow away..."

""Have you seen the Nothing, sonny?" "Yes, many times." "What does it look like?" "As if one were blind." "That's right – and when you get to the human world, the Nothing will cling to you. You'll be like a contagious disease that makes humans blind, so they can no longer distinguish between reality and illusion. Do you know what you and your kind are called there?" "No," Atreyu whispered. "Lies!" Gmork barked."

"When it come to controlling human beings there is no better instrument than lies. Because, you see, humans live by beliefs. And beliefs can be manipulated. The power to manipulate beliefs is the only thing that counts."

"There is in Fantastica a certain place from which one can go anywhere and which can be reached from anywhere. We call it the Temple of a Thousand Doors. No one has ever seen it from outside. The inside is a maze of doors. Anyone wishing to know it must dare to enter it."

"Bastian had shown the lion the inscription on the reverse side of the Gem. "What do you suppose it means?" he asked. "'DO WHAT YOU WISH.' That must mean I can do anything I feel like. Don't you think so?" All at once Grograman's face looked alarmingly grave, and his eyes glowed. "No," he said in his deep, rumbling voice. "It means that you must do what you really and truly want. And nothing is more difficult." "What I really and truly want? What do you mean by that?" "It's your own deepest secret and you yourself don't know it." "How can I find out?" "By going the way of your wishes, from one to another, from first to last. It will take you to what you really and truly want." "That doesn't sound so hard," said Bastian. "It is the most dangerous of all journeys." "Why?" Bastian asked. "I'm not afraid." "That isn't it," Grograman rumbled. "It requires the greatest honesty and vigilance, because there's no other journey on which it's so easy to lose yourself forever.""

"He kept telling himself that he had made Yikka's dearest wish come true. But that didn't make him feel any better. A person's reason for doing someone a good turn matters as much as the good turn itself."

"Slowly the boy without a name reached for the gold chain around his neck and divested himself of AURYN. He bent down and carefully laid the Gem in the snow before Atreyu. As he did so, he took another look at the two snakes, the one light, the other dark, which were biting each other's tail and formed an oval. Then he let the amulet go. In that moment AURYN, the golden Gem, became so bright, so radiant that he had to close his eyes as though dazzled by the sun. When he opened them again, he saw that he was in a vaulted building, as large as the vault of the sky. It was built from blocks of golden light. And in the middle of this immeasurable space lay, as big as the ramparts of a town, the two snakes."

"The motionless bodies of the snakes glistened like some unknown metal, the one black as night, the other silvery white. The havoc they could wreak was checked only because they held each other prisoner. If they let each other go, the world would end. That was certain. But while holding each other fast, they guarded the Water of Life."

"I am the Water of Life, Out of myself I grow. The more you drink of me, The fuller I will flow."

"There are people that can't go to Fantastica. There are those who can but never return. And there are just a few who go to Fantastica and come back. And they make both worlds well again."

"There are many doors to Fantastica. There are other such magical books. A lot of people read them without noticing. It all depends on who lays hands on the book."