Marxists From The United States

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April 10, 2026

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April 10, 2026

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"disability justice. It’s a framework that embraces abolition. And that is to say, it demands nothing less than the overthrow of all forms of ableism, you know, and the structures that support it. So, the difference between disability justice and disability rights is that disability justice says, you know, we’ve got to deal with racism, sexism, heteropatriarchy, capitalism, that these are the forms of oppression that make even disability differential. And so, if you think about the way that we responded to the COVID-19 crisis, for example, and to this day how we’re still responding to it, that disabled people who are Black and Brown and poor, undocumented, Indigenous, queer, gender nonconforming, they’re the ones that end up getting differential care, sometimes less care, sometimes inhumane care. They’re the ones who end up incarcerated, end up homeless, end up jobless, housing insecure. And that’s what disability justice tells us. And for me, I was forced to really come to terms with it by a number of folks who really were involved in the disability justice movement, who really forced me to think deeper about, like, what is a radical freedom dream, you know? Aurora Levins Morales, for example, is one who’s a really important disability justice activist who really kind of pulled my coattails on this."

- Robin Kelley

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"Aja Monet specifically, as a poet and activist, embodies everything that Freedom Dreams tried to be, you know, because part of what the book argues, or a central part of what the book argues, is that we need to think like poets, that poetry, as Aimé Césaire talks about, is not just, you know, pretty words. It's not simply trying to find the right metaphors. It was a splattering. It's a kind of pulling from the unconscious the deep sense of both pain, suffering, but also our imagination for creating something different. And one of the things I felt like social movements needed, or lacked, at least, at that moment was, this scramble to deal with crises every day made it difficult to stop and think like poets. And one of the things I added to the book was an epilogue that I wrote originally for the book, that I decided not to put in, which describes what I call a proletarian revolution. And so people could read that in the book. But the key thing is that poets — or, poetry is not something that is the reserve of professionals. It is something that we all do, we all practice. And in order to find our way to the New World, we’ve got to be able to think like and dream like poets, because that is the dream that we can’t see in the same tangible way. It’s the one that we build, not blindly, but with our eyes wide open."

- Robin Kelley

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"September 2011 shattered the ideology of an invincible Wall Street much as September 2001 shattered the illusion of an invulnerable United States. All of a sudden and seemingly out of the blue, people outraged by the fact that "banks got bailed out" and "we got sold out" installed themselves in the financial heart of New York City. Occupying the symbol of capitalist class power, they ruptured it. The ostensible controllers of the global capitalist system, still reeling from the crash of 2008, appeared to have lost control over their own cement neighborhood. Hippies with tents and cops with barricades had turned Lower Manhattan into a chaotic mess. Those seeking to combine the people's work, debts, hopes, and futures into speculative instruments for private profit confronted a visible and actual collective counterforce. There in the power of the people where investment banks and hedge funds had already identified an enormous social surplus, a cadre of the newly active located an inexhaustible political potential. It was like a giant hole had been opened up in the steel and glass citadel of the financial class. Through it, traders, brokers, and market-makers – as well as everybody else – could see the possibility of a world without capitalism. Wall Street was occupied."

- Jodi Dean

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