Lgbt People

"[T]he German green uniforms made the place look gay and happy. There were not many Jews to be seen. We saw Warsaw burn and Modlin being bombed. It was a stirring spectacle."

"Lack of leadership and direction in the state has let the one group get control who always gain power in a nation's time of weakness—the Jews."

"At the basis of the Hiterlism mystique is the notion of "race." ... If ... we overlook the terminology that Hitler inherits from Gobineau and Houston Stewart Chamberlain—and that has become so repugnant to Americans because it has been made to appear primarily anti-Semitic—we shall find a different picture from what we had been led to expect by reading excerpts from the more lurid German "anthropologists." Reduced to plain terms, Hitler's "racism" is a perfectly simple though far-reaching idea. It is the myth of "we the best," which we find, more or less fully developed, in all vigorous cultures."

"The movie may not contain Brando's greatest performance, but it certainly contains his most emotionally overwhelming scene... As he weeps, as he attempts to remove her cosmetic death mask ("Look at you! You're a monument to your mother! You never wore makeup, never wore false eyelashes!"), he makes it absolutely clear why he is the best film actor of all time. He may be a bore, he may be a creep, he may act childish about the Academy Awards -- but there is no one else who could have played that scene flat-out, no holds barred, the way he did, and make it work triumphantly."

"Pallid as a mushroom, smooth-skinned and scarred, with curved feminine lips and silky hair, he seems as unhealthy as a lame duck. Yet his ram-like profile has the harsh strength of the gutter."

"This fear of the single man is seen most viscerally in Hollywood films, with their images of dangerous, potentially violent men. The most famous of these were stars such as James Dean, Montgomery Clift, Marlon Brando, and Anthony Perkins, each embodying a different type of moody, sensitive rebel."

"Conviction of the myth is everything. We need myths, we live by myths, we die for myths."

"Brando used to go cha-cha dancing with us. He could dance his ass off. He was the most charming motherfucker you ever met. He’d fuck anything. Anything! He’d fuck a mailbox. James Baldwin. Richard Pryor. Marvin Gaye. [He slept with them? How do you know that?] Come on, man. He did not give a fuck!"

"I realized there was a part of him always churning with something, some problem he was dealing with. I got the impression of a man who was trying to solve the pain of something – perhaps he was gifted with or burdened with – that he didn't really want, or he didn't want so long as he didn't understand it. It kept him, whether he liked it or not, continually alert, seeking for a solution and continually alive, and connected with all of us who have things inside of us going on all the time, and we became fascinated, unconsciously, and watched his turmoil. And that's the word. Turmoil. It was a continuing deep and personal problem."

"No figure of his influence has so precariously balanced a handful of unforgettable achievements against a brimming barrelful of embarrassments. And yet the reverence in which he is held by his profession is unshakable. His sometime friend and co-star Jack Nicholson said it simply and best: "He gave us our freedom." By which he meant that Brando's example permitted actors to go beyond characterizations that were merely well made, beautifully spoken and seemly in demeanor; allowed them to play not just a script's polished text but its rough, conflicting subtext as well."

"I like Brando's acting … and James Dean … and Richard Widmark. Quite a few of 'em I like."

"Talking about Marlon is like dancing about architecture. When you tell the stories, the stories would be rich. And everybody would laugh a lot. And then say "where does it come from?""

"Mr. Brando can chew on a matchstick with more skill than many actors can summon up to create a whole character, and simply watching him work is a lesson in the art of acting."

"Simply put, in film acting, there is before Brando, and there is after Brando. And they are like different worlds."

"People like Brando are just kindergarten compared to Kinski."

"I mean, what the fuck is it with you guys? I thought this was supposed to be a lesbian party. Lesbian? Perhaps you'd like me to tear it off so you qualify." Guido protests. "I have a right to be here, this is the United States, you know, you can't discriminate." "I can't discriminate? Oh, that's ripe, coming from a straight white man. What's the matter, baby doesn't feel like he belongs? Well, why don't you try a place that was set up just for you? Like the world!"

"When I lie on the beach there naked, which I do sometimes, and I feel the wind coming over me and I see the stars up above and I am looking into this very deep, indescribable night, it is something that escapes my vocabulary to describe. Then I think: 'God, I have no importance. Whatever I do or don't do, or what anybody does, is not more important than the grains of sand that I am lying on, or the coconut that I am using for my pillow.' So I really don't think in the long sense."

"I suppose the story of my life is a search for love, but more than that, I have been looking for a way to repair myself from the damages I suffered early on and to define my obligation, if I had any, to myself and my species."

"The close-up says everything, it's then that an actor's learned, rehearsed behavior becomes most obvious to an audience and chips away, unconsciously, at its experience of reality. In a close-up, the audience is only inches away, and your face becomes the stage."

"If a studio offered to pay me as much to sweep the floor as it did to act, I'd sweep the floor. There isn't anything that pays you as well as acting while you decide what the hell you're going to do with yourself. Who cares about the applause? Do I need applause to feel good about myself?"

"Acting is the least mysterious of all crafts. Whenever we want something from somebody or when we want to hide something or pretend, we're acting. Most people do it all day long."

"This picture will try to show the Nazism is a matter of mind, not geography, and that there are Nazis — and people of good will — in every country. The world can't spend its life looking over its shoulder and nursing hatreds. There would be no progress that way."

"Hollywood is run by Jews. It is owned by Jews, and they should have a greater sensitivity. They should have greater sensitivity about the issue of people who are suffering because they've [been] exploited. We have seen the nigger, we've seen the greaseball, we have seen the chink, the slit-eyed dangerous Jap. We have seen the wily Filipino. We've seen everything, but we never saw the kike, because they know perfectly well that is where you draw the wagons around."

"There's a line in the picture where he snarls, "Nobody tells me what to do." That's exactly how I've felt all my life."

"I don't think I was constructed to be monogamous. I don't think it's the nature of any man to be monogamous. Men are propelled by genetically ordained impulses over which they have no control to distribute their seed."

"The power and influence of a movie star is curious: I didn't ask for it or take it; people gave it to me. Simply because you're a movie star, people empower you with special rights and privileges."

"On the day Kazan showed me the completed picture I was so depressed by my performance that I got up and left the screening room."

"I was surprised as anyone when T-shirts, jeans and leather jackets suddenly became symbols of rebellion. In the film there was a scene in which somebody asked my character, Johnny, what I was rebelling against, and I answered 'Whaddya got?' But none of us involved in the picture ever imagined that it would instigate or encourage youthful rebellion."

"Even today I meet people who think of me automatically as a tough, insensitive, coarse guy named Stanley Kowalski. They can't help it, but, it is troubling."

"A lot of the old movie stars couldn't act their way out of a box of wet tissue paper, but they were successful because they had distinctive personalities. They were predictable brands of breakfast cereal: on Wednesdays we had Quaker Oats and Gary Cooper; on Fridays we had Wheaties and Clark Gable. They were off-the-shelf products you expected always to be the same, actors and actresses with likable personalities who played themselves more or less the same role the same way every time out."

"I have always considered my life a private affair and the business of no one beyond my family and those I love. Except for moral and political issues that aroused in me a desire to speak out, I have done my utmost throughout my life, for the sake of my children and myself, to remain silent … But now, in my seventieth year, I have decided to tell the story of my life as best I can, so that my children can separate the truth from the myths that others have created about me, as myths are created about everyone swept up in the turbulent and distorting maelstrom of celebrity in our culture."

"Acting serves as the quintessential social lubricant and a device for protecting our interests and gaining advantage in every aspect of life."

"It is a simple fact that all of us use the techniques of acting to achieve whatever ends we seek."

"The principal benefit acting has afforded me is the money to pay for my psychoanalysis."

"Acting is the expression of a neurotic impulse. It's a bum's life."

"You are very attractive, but the coat you're wearing makes me think you are either a very rich woman or a very rich man's mistress."

"Bob Hope will go to the opening of a phone booth in a gas station in Anaheim, providing they have a camera there and three people. He'll go to the opening of a market to receive an award. He'd get an award from Thom McCan for wearing their shoes. It's pathetic. It's a bottomless pit. A barrel that has no floor. He must be a man who has an ever-crumbling estimation of himself. He's constantly filling himself up. He's like a junkie – an applause junkie. What happens to those people when they can't get up and do their shtick, God only knows. Bob Hope, Christ, instead of growing old gracefully or doing something with his money, be helpful, all he does is he has an anniversary with the President looking on. It's sad. He gets on an airplane every two minutes always going someplace. It didn't bother him at all to work the Vietnam War. Oh, he took that in his stride. He did his World War II and Korean War act. "Our boys" and all that. He’s a pathetic guy."

"Kazan is a performer's director, the best director I ever worked with... Most actors don't get any help from directors. Emotional help, if you're playing an emotional part. Kazan is the only one I know who really gives you help."

"Chaplin you got to go with. Chaplin is a man whose talents is such that you have to gamble. First off, comedy is his backyard. He's a genius, a cinematic genius. A comedic talent without peer."

"Bertolucci is extraordinary in his ability to perceive, he's a poet...he is very easy to work for."

"Homosexuality is so much in fashion it no longer makes news. Like a large number of men, I, too, have had homosexual experiences and I am not ashamed. I have never paid much attention to what people think about me. But if there is someone who is convinced that Jack Nicholson and I are lovers, may they continue to do so. I find it amusing."

"I think awards in this country at this time are inappropriate to be received or given until the condition of the American Indian is drastically altered. If we are not our brother's keeper, at least let us not be his executioner."

"When they laid down their arms, we murdered them. We lied to them. We cheated them out of their lands. We starved them into signing fraudulent agreements that we called treaties which we never kept. We turned them into beggars on a continent that gave life for as long as life can remember. And by any interpretation of history, however twisted, we did not do right. We were not lawful nor were we just in what we did. For them, we do not have to restore these people, we do not have to live up to some agreements, because it is given to us by virtue of our power to attack the rights of others, to take their property, to take their lives when they are trying to defend their land and liberty, and to make their virtues a crime and our own vices virtues."

"Privacy is not something that I’m merely entitled to, it’s an absolute prerequisite."

"That scene. Let me see. There were seven takes because Rod Steiger couldn't stop crying. He's one of those actors who loves to cry. We did it over and over again."

"An actor's a guy, who if you ain't talking about him, ain't listening."

"You know the people I'm talking about, you see them at every pride rally, they get up on stage and go, "We're just like everyone else! We are like them and they are like us. Straights are like us and we are like them! We - are like - EV - eryone - else!" And then a seven-and-a-half-foot-tall drag queen walks by with three feet spangled platforms and he opens up his butterfly wings, f-f-f-f-f-f-f! Oh, we're just like everyone else, all right! We have our own culture and our own way of doing things and we should celebrate that and stop licking straight ass!"

"[An anti-abortion conference goer] says, "Well, don't you believe that life begins at inception?" I say, "No. I believe that life begins when you mind your own fucking business!""

"I'm at West Virginia University to do a show, right, and they've done all this fucking publicity about it...so when I get to my show, who's waiting for me but five hundred Christian protestors with great big signs. "Lea DeLaria is going to hell." Not generic "gay is not good:" "Lea DeLaria is going to hell." Which is what I need five hundred strangers to tell me, like twelve years of Catholic fuckin' school wasn't enough, right?!"

"They are preserving the sanctity of marriage, so that two gay men who've been together for twenty-five years can't get married, but a guy can still get drunk in Vegas and marry a hooker at the Elvis chapel! The sanctity of marriage is saved!"