Jews From The United Kingdom

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April 10, 2026

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April 10, 2026

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"Sydney Silverman will be remembered as one of the great backbenchers of the House of Commons. The respect he commanded, even among those who bitterly opposed his views, was total. As a parliamentarian, he was totally dedicated, and therefore dominating. As a politician, he was uncompromising and vehement in saying what he had to say—often a superbly lucid crystallisation of what others had been trying to present Nobody could put a lawyer's training in argument and grasp of essentials to better parliamentary use, but where Silverman differed from many Commons lawyers was that, when he reached the heart of the matter, it invariably had a heart. It also had sense, and a solid backing of relevant fact. He was a somewhat pompous figure but, in his case, this was accepted as a virtue. Pomposity is one of the first things to be laughed at in the Commons, but one would have to search far back in one's memory to recall anybody laughing at Sydney Silverman. Physically he was tiny; his shoes, as he sat on his familiar front bench below the gangway, scarcely touched the carpet. If he had been a Minister, there would have been no point in his trying to put his feet on the table in the orthodox manner of nonchalance. But his dignity was unassailable. and nonchalance, was not part of sis nature. He was one of the few remaining backbenchers, who could put many Ministers and Shadow Ministers utterly in the shade."

- Sydney Silverman

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"It seems to me that this problem of the distressed areas cannot be dealt with as though it were a problem existing by itself and divorced from the whole of the economic and social complex of affairs out of which it arises. I have heard during this Debate and during the Debates that have preceded it in the past week many gibes at this party because, as was alleged, it has refrained from endeavouring to apply its Socialistic faith to the problems that we were discussing. Therefore, I hope the House will not think me too doctrinaire or dogmatic if I endeavour to say how, in my view, those Socialistic ideas and principles, for which I and my friends stand and work, are the only principles which have any relevance to the problems which the House is discussing on this Motion. I am bound to say that, listening to the jibes during the past week and coming here for the first time straight from the open air and light which seem to come so rarely in this Chamber, either physically or otherwise, I felt a sense of deepening gloom as speaker after speaker from the Government Benches, beginning with the Prime Minister, made speech after speech the burden of which was, so far as I could see, purely a confession of impotence—they could not do anything, this course will not do, that measure will not do, no grand schemes will be of any effect and no particular schemes are worth pressing very hard."

- Sydney Silverman

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"Sims's four-week engagement at Ronnie Scott's Club represents something of an innovation in the comic-opera trade union practices of die jazz world. Before Sims was allowed to make club appearances here, the American and British Musicians' Unions wrangled for months, and the eventual achievement of a working arrangement is a considerable triumph for Scott. Sims, a taciturn tenor saxophonist in his middle thirties, is now at the very peak of his powers, and the one distinguishing feature about his playing in Scott's is the comparative humility of his tone. He plays roughly half as loud as his British counterparts without sacrificing anything in penetrative power, and those who take pains to catch every nuance of his style will discover a fundamentally simple approach, unadorned by any kind of frippery, and executed with superb articulation and assurance. He is no original either in the sound he produces or the harmonies he employs. The moment he starts to play, the name which springs to mind is Lester Young, for Sims produces a close variant of that catacoustlc tone with which Lester honked his way through the 1930s. What is more surprising is the fact that Sims, always considered modern, sticks to harmonies which would not be too outrageous in a dixieland ensemble. Like his ex-working partner Stan Getz, he apparently prefers those themes whose seventh chords resolve with a cheerful inevitability rather than those who fly off at chromatic tangents."

- Benny Green (saxophonist)

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"[On Jeremy Corbyn's leadership of the Labour Party.] Honestly, what a dumpster fire that whole period was, to the point that it’s almost hard to remember what actually happened. But just off the top of my head, here is a list of things I remember lefty non-Jews saying to me back then: 1. "I don’t think you should write about antisemitism because you obviously feel very passionately about it." 2. "What, exactly, are Jews afraid of here? It’s not like Corbyn is going to bring back pogroms." 3. "Jews have always voted right so of course, they don’t like Corbyn." 4. "It’s not that I don’t believe that you think he’s antisemitic. It’s just I think you’re being manipulated by bad-faith actors. So let me explain why you’re wrong ..." 5. "Come on, you don’t really think he really hates Jews." All of the above were said to me by progressive people, people who would proudly describe themselves as anti-racism campaigners. And yet. When Jews expressed distress at, say, Corbyn describing Hamas as "friends", or attending a wreath-laying ceremony for the killers at the Munich Olympics, or bemoaning the lack of English irony among Zionists, we were fobbed off with snarky tweets and shrugged shoulders. What we were seeing, they said, we were not actually seeing. You could not design an exercise more perfectly structured to cause madness. It was, to be blunt, gaslighting. Anyway, that’s all in the past now, right? Well it is for me, because I’m walking away. A lot of illusions were broken, and I lost a lot of respect for a lot of people I thought I knew, but it turned out I didn’t. Not really. Not at all. So I have left the garden. And it feels bloody great."

- Hadley Freeman

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