Immigrants To The United States

"[Hitchcock quoted] "I'm on a diet. And I don't do crazy tricks in my pictures any more. You know what a good time I used to have in the old days, with violent cuts and dissolves and wipes, everything in the room spinning round, standing on its head, all that sort of thing. But I've stopped all that. I haven't time to waste any more on technical tricks. I like my screen well filled, every corner used, but I've no fancy theories I want the cutting and continuity to be as inconspicuous as possible. All I'm concerned with is to get the characters developed and the story clearly told, without wasting any footage. I've turned technical ascetic, kid, without either fun or luxuries.""

"When I first met Hitchcock he was writing and ornamenting sub-titles for silent pictures. He used to announce "Came the dawn" in black letters on a while ground, or tell us that "Heart spoke to heart in the hush of the evening" in white letters on a black ground. His title cards were both elegant and original, because the man simply could not help drawing. All his instincts were towards visualisation, and all his training towards draughtsmanship."

"Actually Hitch, like most heavy men, is the gentlest creature you could meet in a month of Sundays. He has done more kindly turns to out of work actors, assistants, secretaries, and mere sponging acquaintances than anyone I know in this industry. Off set he is many people's angel. On, he is frequently a fiend. Hitch has a tiny wife, who helps him with all his scenarios, and a tiny fairylike daughter, who bobs an old-fashioned curtsey to you when she speaks. These are the people who really rule his life. He is an old-fashioned person at heart, believing in the ordinary things of life, the small common decencies, the trivial events that alone make the big ones extraordinary. That is why, I am convinced, he is a good film-maker."

"During my ten-year friendship with Hitch the full name is unthinkable to anyone who knows him I have never known him fail to impress strangers with a start of surprise. He has always been chubby, but to-day he is a mellow, exuberant mountain of a man in the late thirties, whose passion is music, whose pleasure is good living, and whose genius is for visual imagery. He is a man who visualises both by instinct and training. He cannot help drawing. As he talks to you his broad, draughtsman's pencil sneaks out, and he blocks in groups and figures on the napkin or table top. When he signs his name to a letter the flourish under the signature slips into a cartoon. His Christmas cards are self-portraits, broadly satiric."

"[Explaining her initial silence on his behaviour] sexual harassment and stalking were terms that didn't exist [at the time]."

"I've made it my mission ever since to see to it that while Hitchcock may have ruined my career, I never gave him the power to ruin my life."

"[Hitchcock, on the set of Marnie] I've never gone into detail about this, and I never will. I'll simply say that he suddenly grabbed me and put his hands on me. It was sexual, it was perverse. The harder I fought him, the more aggressive he became."

"The man with the navy-blue voice."

"Like Freud, Hitchcock diagnosed the discontents that chafe and rankle beneath the decorum of civilization. Like Picasso or Dali, he registered the phenomenological threat of an abruptly modernised world."

"Here is someone … who has an enormous, inordinate, neurotic fear of disorder. And that's from which he makes his art. He always has his people in a moment of disorder. They think they're in control, they think they have power, they think they have order, and then he just slips the rug out from under them to see what they're going to do."

"I'd like to know more about his relationships with women. No, on second thought, I wouldn't."

"Hitch is a gentleman farmer who raises goose flesh."

"There is no terror in the bang, only in the anticipation of it."

"The silent pictures were the purest form of cinema."

"In the documentary the basic material has been created by God, whereas in the fiction film the director is a God; he must create life."

"I’m not against the police; I'm just afraid of them."

"I beg permission to mention by name only four people who have given me the most affection, appreciation, and encouragement, and constant collaboration. The first of the four is a film editor, the second is a scriptwriter, the third is the mother of my daughter Pat, and the fourth is as fine a cook as ever performed miracles in a domestic kitchen. And their names are . Had the beautiful Miss Reville not accepted a lifetime contract without options as Mrs. Alfred Hitchcock some 53 years ago, Mr. Alfred Hitchcock might be in this room tonight, not at this table but as one of the slower waiters on the floor."

"[This award is] meaningful because it comes from my fellow dealers in celluloid."

"Blondes make the best victims. They're like virgin snow that shows up the bloody footprints."

"Self-plagiarism is style."

"Give them pleasure – the same pleasure they have when they wake up from a nightmare."

"Puns are the highest form of literature."

"Dialogue should simply be a sound among other sounds, just something that comes out of the mouths of people whose eyes tell the story in visual terms."

"I’m frightened of eggs, worse than frightened, they revolt me. That white round thing without any holes … have you ever seen anything more revolting than an egg yolk breaking and spilling its yellow liquid? Blood is jolly, red. But egg yolk is yellow, revolting. I’ve never tasted it."

"You can't direct a Laughton picture. The best you can hope for is to referee."

"The Birds could be the most terrifying motion picture I have ever made."

"Drama is life with the dull bits cut out."

"I am a typed director. If I made Cinderella, the audience would immediately be looking for a body in the coach."

"Deep inside, I am a shy man. And in the presence of colorful characters, I am a clam. I never try to out-eccentric the eccentricsǃ"

"Actors are cattle. I've always said actors are cattle. In fact, Carole Lombard once built a corral on set and put three live calves into it, in recognition of my feelings. I tell them that, and treat them as such, and we get along fineǃ"

"The lower lip definitely states that all actors are cattle—including the authorǃ"

"It still goes. But Pat is the nicest cattle I've ever seen."

"[T]he director passed off the phrase as one of his "Machiavellian quips," not to be taken seriously. "Let us say, rather, that actors are a necessary evil," he cautioned, with a straight face. "As a matter of fact, I couldn't work if I weren't on friendly terms with them; I'll bend over backward every time. Besides, I get into each picture I make, if only for a couple of seconds—so I'm probably a frustrated actor at heart myself.""

"Hitchcock: You know that I think all actors are cattle? George Raft: Yes, I know—but I'm no actor."

"The final result of our researches has widened the class of substances sensitive to light vibrations, until we can propound the fact of such sensitiveness being a general property of all matter."

"he was the type of inventor whose interest flags when he has solved his problem. Let somebody else take care of the development. He would be off on a new voyage of discovery."

"At that time Mr. Bell was giving his nights to trying to "make iron talk"...He was up and began his day around four to six. Often there were guests for dinner, for everybody of note the world over who came to Washington wanted to meet him. On Wednesdays after dinner there usually gathered a group of scientists and public men to talk things over. Mr. Bell was something to see at these dinners and gatherings, the finest social impresario I ever saw in action, so welcoming, appreciative, eager, receptive. I thought then I had never seen anybody so generous about what others were doing. He loved to draw out great stories of adventure and discovery and would silence all talkers when once such narrating was started."

"Years later I told Alexander Graham Bell of my introduction to the telephone. "Nobody," he said, "can estimate what the teachers of science in colleges and high schools were doing in those days not only to spread knowledge of the telephone but to stir youth to tackle the possibilities in electricity." What I best remember is not the telephone but Professor Tingley's amazing enthusiasm for the telephone. This revelation of enthusiasm, its power to warm and illuminate was one of the finest and most lasting of my college experiences. The people I had known, teachers, preachers, doctors, business men, all went through their day's work either with a stubborn, often sullen determination to do their whole duty, or with an undercurrent of uneasiness, if they found pleasure in duty. They seemed to me to feel that they were not really working if they were not demonstrating the Puritan teaching that labor is a curse. It had never seemed so to me, but I did not dare gloat over it. And here was a teacher who did gloat over his job in all its ramifications. Moreover, he did his best to stir you to share his joy."

"Bell had his own theories about the threat that people with disabilities represented to the future of the species. His mother and wife had both been born deaf, and in 1883 he warned the National Academy of Sciences that unless the use of sign language was vigorously discouraged in schools for the deaf, society ran the risk of engendering "a race of deaf-mutes.""

"Leave the beaten track occasionally and dive into the woods. Every time you do so you will find something you have never seen before. Follow it up, explore around it, and before you know it, you will have something to think about to occupy your mind. All really big discoveries are the result of thought."

"Leave the beaten track occasionally and dive into the woods. Every time you do so you will be certain to see something you have never seen before. Of course it will be a little thing, but do not ignore it. Follow it up, explore around it, and before you know it, something worth thinking about to occupy your mind."

"Don't keep forever on the public road. Leave the beaten path occasionally and dive into the woods. You will be certain to find something you have never seen before, and something worth thinking about to occupy your mind. All really big discoveries are the result of thought."

"Don't keep forever on the public road, going only where others have gone. Leave the beaten track occasionally and dive into the woods. You will be certain to find something you have never seen before. Of course it will be a little thing, but do not ignore it. Follow it up, explore around it; one discovery will lead to another, and before you know it you will have something worth thinking about to occupy your mind. All really big discoveries are the result of thought."

"Don't keep forever on the public road, going only where others have gone. Leave the beaten track behind occasionally and dive into the woods. You will be certain to find something you have never seen before, and something worth thinking about to occupy your mind. All really big discoveries are the result of thought."

"Don't keep forever on the public road. Leave the beaten track behind occasionally and dive into the woods. You will be certain to find something you have never seen before, and something worth thinking about to occupy your mind. All really big discoveries are the result of thought."

"A man, as a general rule, owes very little to what he is born with — a man is what he makes of himself."

"If a man is not bound down, he is sure to succeed."

"The most successful men in the end are those whose success is the result of steady accretion. That intellectuality is more vigorous that has attained its strength gradually. It is the man who carefully advances step by step, with his mind becoming wider and wider — and progressively better able to grasp any theme or situation — persevering in what he knows to be practical, and concentrating his thought upon it, who is bound to succeed in the greatest degree."

"Man is the result of slow growth; that is why he occupies the position he does in animal life. What does a pup amount to that has gained its growth in a few days or weeks, beside a man who only attains it in as many years."

"Mr. Watson — Come here — I want to see you."