Immigrants To The United States

"I sit here, as a Lieutenant Colonel in the United States Army, an immigrant. My family fled the Soviet Union when I was three and a half years old. Upon arriving in New York City in 1979, my father worked multiple jobs to support us, all the while learning English at night. He stressed to us the importance of fully integrating into our adopted country. ...In spite of our challenging beginnings, my family worked to build its own American dream. I have a deep appreciation for American values and ideals and the power of freedom. I am a patriot, and it is my sacred duty and honor to advance and defend OUR country, irrespective of party or politics."

"It is important to know that our countries' policy of supporting Ukrainian sovereignty and territorial integrity, promoting Ukrainian prosperity, strengthening a free and democratic Ukraine as a counter to Russian aggression has been a consistent, bipartisan foreign policy objective and strategy across various administrations, both Democratic and Republican, and that President Zelensky's election in April 2019 created an unprecedented opportunity to realize our strategic objectives."

"In the spring of 2019, I became aware of two disruptive actors... Ukraine's then-prosecutor , and former Mayor Rudolph Giuliani, the President's personal attorney, promoting false narratives that undermined the United States' Ukraine policy. The NSC and its interagency partners, including the State Department, grew increasingly concerned about the impact that such information was having on our country's ability to achieve our national security objectives."

"On July 10, 2019, , then Ukraine's National Security Advisor, visited Washington, D.C., for a meeting with National Security Advisor Bolton. ...Ambassadors Volker and Sondland and Secretary Rick Perry also attended the meeting. I attended with Dr. Hill. ...Ambassador Bolton cut the meeting short when Ambassador Sondland started to speak about the requirement that Ukraine deliver specific investigations in order to secure the meeting with President Trump. Following this meeting, there was a short debriefing, during which Ambassador Sondland emphasized the importance of Ukraine delivering the investigations into the 2016 elections, the Bidens, and Burisma. I stated to Ambassador Sondland that this was inappropriate, and had nothing to do with national security. Dr. Hill also asserted these comments were improper. Following the meeting, Dr. Hill and I agreed to report the incident to NSC's lead counsel, Mr. ."

"On July 21st, 2019, President Zelensky won a parliamentary election in another landslide victory. The NSC proposed that President Trump call President Zelensky to congratulate him. On July 25th, 2019, the call occurred. I listened in on the call in the Situation Room with White House colleagues. I was concerned by the call. What I heard was inappropriate, and I reported my concerns to Mr. Eisenberg. It is improper for the President of the United States to demand a foreign government investigate a U.S. citizen and a political opponent. I was also clear that if Ukraine pursued an investigation—it was also clear that if Ukraine pursued an investigation into the 2016 elections, the Bidens and Burisma, it would be interpreted as a partisan play. This would undoubtedly result in Ukraine losing bipartisan support, undermining U.S. national security, and advancing Russia's strategic objectives in the region."

"It all started to spiral out of control when the death threats from ISIS started coming in. That's when I stepped away. As soon as I started to gain popularity that's when I was like 'get the f*** out of this."

"It gets me so down when I get 'no's' from companies who don't want to work with me because of my past, but I also thought I would never find a man like my fiancé. The fact that he appreciated everything I've done since porn meant so much."

"I was just walking across the street . . . this guy [a porn producer] stops and he gets out his car and he gives me his card, and I thought about it for about two weeks. Then you made the mistake of saying yes and going in and . . . yeah, I did it for about three months, and as soon as I started to gain popularity, that's when I was like, "OK I need to get the F out of here, this is not what I was trying to do whatsoever." I just wanted to let loose and rebel."

"Women's rights in Lebanon are a long way from being taken seriously if a Lebanese American porn star that no longer resides there can cause such an uproar. What I once boasted to people as being the most Westernized nation in the Middle East, I now see as devastatingly archaic and oppressed."

"Perhaps better known as 'The hijab porn star', Khalifa hit the headlines in 2014 when she infamously humped on camera wearing the traditional Muslim garb. The BangBros film initially sparked outrage in her home country of Lebanon with haters claiming she had brought disgrace to the nation and insulted Islam. Khalifa stated in an interview with Loaded that she felt she is being made a scapegoat for internet censorship in her native land, and many others there have since demonstrated against the government, showing support for the American porn star. They claim that although she may have sex, 'She is still more decent than they are'."

"Wanden olstrum end kendesorum. Isen ne bejstrum."

"Kaz, this whole "shoot me" thing is starting to concern me."

"No mourners. No funerals."

"She always taught me, ‘Open your heart when times get tough, accept what happens, live in the moment and reach out to help others as there’s always someone worse off than you’. She believed, rightly, that gives you purpose and helps you heal. So I always do my best to forgive and move forward."

"When you get older, as a leading lady it gets harder…You try not to have someone else upstage or take the shine. When I play character roles I am usually playing people who are slightly over the top, so that goes fine."

"I was always left out when I was a little girl. I was different from everyone…People were jealous but I didn’t realise. I had a reunion with some school friends recently and they said, 'We were mean to you because you got special attention because you were so beautiful.’ I said, 'I wasn’t beautiful. I was gawky.’ I never ever imagined myself to look nice."

"Over the years, I’ve learnt that out of challenge comes opportunity and I know if I hadn’t been tested, I wouldn’t have pushed myself or been able to discover my abilities."

"Coming to the theater humanizes people…Culture informs perspective, and the world is a complicated place. Telling the story on stage increases understanding…"

"…The base of every good play is an unanswerable question. It’d be very pompous of me to say “I have the answer.” But they are a driving questions for me, and how I live my life and I look at the world."

"…The Latino characters that are shown on TV or in movies seem to be pretty one-dimensional. They’re gang members or cleaning stuff in the background. Here’s a college education family that talks about art. That’s not something you see often but it’s real. It’s something that exists. People are like, “That’s so universal!” And I’m like, “Of course it is! What did you think?” It’s a human story. I believe there can be harmony. I believe we can be different and still have that. Hopefully my plays reflect this idea."

"…There’s momentum about making our presence known. We’re here. We’re Latino playwrights and theatre professionals. Eventually there’s going to be a tipping point and more of our stories will become part of the American canon. I write what I know and for now I focus on Latinos because going through school, I longed to read about my experience…"

"I am constantly recharged by the different artists I work with, by the new challenges we face, and by listening to my inner voice. My trip to the ocean every year gives me great peace, and now that I am a grandfather for the first time, I am thrilled and inspired every day that I see my granddaughter because I have great hope for the future generation."

"…I believe that the more specific you write, the more universal it becomes. I see plays that aren’t Latino all the time. Why shouldn’t my work speak to a broad audience? What if theatre becomes a little more balanced? I believe that as the Latino middle class grows, they’ll buy tickets if there’s theatre for them."

"…For me, interviewing was like being a detective and listening for cues into a story. Ana Deavere Smith says that as an actor she listens for emotions. As a writer I listen for both emotions and details. People sometimes get emotional and sometimes they get descriptive when recalling a memory. Sometimes it seems people are visualizing what they see. Other times memories involve the senses, like the smell of burnt beans, or nana’s eucalyptus leaves…"

"…telenovelas are a populace form of entertainment, and what intrigued me was the idea of taking this form of storytelling and marrying it with high art, as theater is thought of being."

"…This play is not only about memory, but also a shout for freedom and a testimony to the inhumanity of war anywhere and at any time. Many of our artists and audience members have lived through the horrors of the war in El Salvador, the dirty little war in Argentina, and the long Chilean dictatorship, so this play speaks to them personally."

"My play attempts to put a human face on the immigration debate. It argues that the undocumented Mexican worker and the American working man have more in common with each other than they do with the businessmen and politicians who profit from their plight…"

"I wrote the play in English because I wanted non-Latinos to see it. I tried to draw Americans into the world of the play and to have them realize that, but for an accident at birth, they, too, might have found themselves crossing a terrible desert in search of a better life…"

"Myths die hard. We humans define ourselves by the ideological teams we join. We are liberals or conservatives, Christians or atheists, Yankee fans or Red Sox fans. We filter facts to conform to our group’s ideology and then defend that ideology to the death. Only a truly momentous event can make us change teams…"

"As an Argentine artist I had to leave my country during the time that many of my artist friends were being “disappeared.” I travelled to Spain and spent my formative years studying and working with leading directors in Madrid. I have been faced with censorship and threats not only in my own country but actually with a play I produced here in DC early in our history that criticized the military dictatorship that was in power in Argentina in the late 1960s…I am just glad that I did not have to become a martyr and that I am able to produce work that helps raise social consciousness about war an oppressive regimes all over the world, and about the need to preserve memory so that we don’t repeat history’s devastating events."

"Nonfiction requires logic and more careful thinking; sometimes I have to remind myself to be less self-conscious when I’m writing fiction. You have to turn off the part of your brain that tells you things don’t make sense or aren’t any good. Whereas that voice can be useful in nonfiction writing."

"Memory is everywhere, in the ways we think of ourselves and tell our stories. There are certain kinds of people who have more of a sense of who they are and their whole life story."

"People are so obsessed over this question of what is and isn’t autobiography—and I think the question is especially popular with people who don’t read much fiction, because a novel seems so mysterious: “Where did this story come from?…"

"My fingers are turning red, my nose is turning red, and that kind of cold, I was, of course, also unfamiliar with. And snow has always had an awe for me. The silence that takes over the world, and just. . . the absolute miracle of snow. I’ve never gotten over it, I have to confess."

"I came to understand that there are far more stories in the world than my own, and that there was a richness and a profound resilience in the lives of these women that I was working with that just astonished me. It just floored me. And witnessing that resilience, witnessing their strength, their warmth, their generosity despite horrible acts of violence perpetrated against them, I walked away from that job with a very clear idea of who I was as a writer and what I needed to write. And it hasn’t changed. It’s just a fist inside of me. It just sits there."

"I wanted the book to inhabit quieter moments, and to be about these smaller interactions that reflect the way life often is. A tidy, definitive ending wouldn’t have been right for this book or the people in it; I wanted to leave the suggestion that life goes on, for all of these characters, even after the last page."

"I do believe that inside each of us, inside our imaginative lives, dwells every possibility in the human journey. It is a matter of access, I suppose. And the courage to access. I think we all have the same weapons: patience, imagination, hope, and the ability to be crucified and yet resurrect. I strive to be open to all of these."

"I think the only responsibility that writers have is to our own truth. If that happens to merge with contemporary issues, then yes, write that truth. But what we are haunted by is not a thing we choose. And that choice is most certainly not made by the latest headlines."

"…I think Disney personifies some of the American ideals in art and in culture in total, because what he was trying to do and specifically with Fantasia. And it was the spirit of the thirties, I believe; it was the post-Depression period, where people were trying to think popular art, art that was consumable by the masses high art that could be put in a tin or another form, a package…"

"At some point in our lives, each of us realizes how really finite we are. For me this realization has been a driving force in my creativity and in my life in general. I paint with a new abandonment almost trying to deny the fact that I too will someday pass on and the only thing remaining will be the images that I leave behind."

"…there was the portrait of John the Baptist draped in furs, with a long furry beard, long hair, bushy eyebrows, and so covered in hair. Well, to a child of I must have been, I'm like four or five now, and this would have been one of our return trips because to a child of that age, it could very easy look like a gorilla. And one of the reasons I mention this story is that, for me, my first impression of art was both horrifying and absolutely magical, because I really believed that was a gorilla…"

"I became the protagonist of my story and the protagonist of my life. I realized we’ve all been left out of this story. We are always the supporting characters, and we have to say no. My job is to show people that everyone belongs in the theater, everyone belongs making films, everybody has something important to teach someone else. And that’s why stories are so important."

"A privileged position can help you to think that you are entitled to everything, and are above others. Reverse that and you can see how it isn’t true."

"Oral tradition is really how Chicano literature came to be. I was not exposed to the written word, but I had the greatest teacher. I always tell people that my mother was my inspiration because she was the best chismosa, and she had the best stories. And if anyone taught me about drama, it was my mother because she knew how to tell a story. And my grandfather also told stories. One of the reasons why I waned to be a writer was because I was fascinated by stories of La Llorona, supernatural stories and things like that and I love hearing chisme (gossip)…"

"In the beginning I felt like I wasn’t represented on stage or on film. As Latinos, we have been told in every which way that we don’t matter, that we are invisible — especially people who are indigenous, people who value their Native American roots. We’ve been eradicated, made invisible, and that’s one way that we’ve been disempowered. So, I realized the most powerful thing you can do is to own your humanity…"

"I think that's beautiful when you also find contradictions, or you find ambiguity with your character. Ambiguity is a good word in the world of art."

"I can only respond as an artist, because that’s what I am. I’m not going to become a politician all of a sudden. I am a politician in terms of the plays that I write, the way I embrace culture, the way I embrace characters that, in my particular case, have to do with the Latino world. And I embrace the Latino experience…"

"I believe it’s something that happens when one is around art, and when one is close to books: they seep into your system, into your blood, and start to activate something in your life. We start living in the way that some of these characters live, with some sense of their sensibility. It’s almost as if the reader becomes the writer and the writer becomes the reader…"

"I am interested in beauty. I think with beauty comes poetry, comes the lyrical. I think beauty is concerned with justice…"

"For me, research is very important. But I do not begin with research. I begin with writing the story, which for me is the relationship between the characters. It is after I have written or pretty much have a sense of the story that I go and do research. I am conscious that I am writing about poor people for the most part. They don’t have much other than their space or dirt. I want to do my best to represent that well. I am also conscious that I am writing about other countries. I want to make sure I understand those cultures as best as possible and represent them well…"