Historians From Germany

"If by "democracy" we mean the form which the Third Estate as such wishes to impart to public life as a whole, it must be concluded that democracy and plutocracy are the same thing under the two aspects of wish and actuality, theory and practice, knowing and doing. It is the tragic comedy of the world‑improvers' and freedom‑teachers' desperate fight against money that they are ipso facto assisting money to be effective. Respect for the big number—expressed in the principles of equality for all, natural rights, and universal suffrage—is just as much a class‑ideal of the unclassed as freedom of public opinion (and more particularly freedom of the press) is so. These are ideals, but in actuality the freedom of public opinion involves the preparation of public opinion, which costs money; and the freedom of the press brings with it the question of possession of the press, which again is a matter of money; and with the franchise comes electioneering, in which he who pays the piper calls the tune. The representatives of the ideas look at one side only, while the representatives of money operate with the other. The concepts of Liberalism and Socialism are set in effective motion only by money. … the Jacobins had destroyed the old obligations of the blood and so had emancipated money; now it stepped forward as lord of the land. There is no proletarian, not even a Communist movement, that has not operated in the interests of money, in the directions indicated by money, and for the time being permitted by money—and that without the idealists among its leaders having the slightest suspicion of the fact. The great movement which makes use of the catchwords of Marx has not delivered the entrepreneur into the power of the worker, but both into that of the Bourse."

"Intelligence and sterility are allied in old families, old peoples, and old cultures, not merely because in each microcosm the overstrained and fettered animal-element is eating up the plant element, but also because the waking-consciousness assumes that being is normally regulated by causality. That which the man of intelligence, most significantly and characteristically, labels as "natural impulse" or "life-force", he not only knows, but also values, causally, giving it the place amongst his other needs that his judgment assigns to it. When the ordinary thought of a highly cultivated people begins to regard "having children" as a question of pros and cons, the great turning-point has come. For Nature knows nothing of pro and con. Everywhere, wherever life is actual, reigns an inward organic logic, an "it", a drive, that is utterly independent of waking-being, with its causal linkages, and indeed not even observed by it. The abundant proliferation of primitive peoples is a natural phenomenon, which is not even thought about, still less judged as to its utility or the reverse. When reasons have to be put forward at all in a question of life, life itself has become questionable. At that point begins prudent limitation of the number of births. In the classical world the practice was deplored by Polybius as the ruin of Greece, and yet even at his date it had long been established in the great cities; in subsequent Roman times it became appallingly general. At first explained by the economic misery of the times, very soon it ceased to explain itself at all. And at that point, too, in Buddhist India as in Babylon, in Rome as in our own cities, a man's choice of the woman who is to be, not mother of his children as amongst peasants and primitives, but his own "companion for life", becomes a problem of mentalities. The Ibsen marriage appears, the "higher spiritual affinity" in which both parties are "free"—free, that is, as intelligences, free from the plantlike urge of the blood to continue itself, and it becomes possible for a Shaw to say "that unless Woman repudiates her womanliness, her duty to her husband, to her children, to society, to the law, and to everyone but herself, she cannot emancipate herself." The primary woman, the peasant woman, is mother. The whole vocation towards which she has yearned from childhood is included in that one word. But now emerges the Ibsen woman, the comrade, the heroine of a whole megalopolitan literature from Northern drama to Parisian novel. Instead of children, she has soul-conflicts; marriage is a craft-art for the achievement of "mutual understanding". ..."

"And then, when being is sufficiently uprooted and waking-being sufficiently strained, there suddenly emerges into the bright light of history a phenomenon that has long been preparing itself underground and now steps forward to make an end of the drama—the sterility of civilized man. This is not something that can be grasped as a plain matter of causality (as modern science naturally enough has tried to grasp it); it is to be understood as an essentially metaphysical turn towards death. The last man of the world-city no longer wants to live—he may cling to life as an individual, but as a type, as an aggregate, no, for it is a characteristic of this collective existence that it eliminates the terror of death. That which strikes the true peasant with a deep and inexplicable fear, the notion that the family and the name may be extinguished, has now lost its meaning. The continuance of the blood-relation in the visible world is no longer a duty of the blood, and the destiny of being the last of the line is no longer felt as a doom. Children do not happen, not because children have become impossible, but principally because intelligence at the peak of intensity can no longer find any reason for their existence."

"What the myth of Götterdämmerung signified of old, the irreligious form of it, the theory of Entropy, signifies to-day—world's end as completion of an inwardly necessary evolution."

"The interlaced borders of the "Late-Roman" mosaic pavements and sarcophagus-edges, and even geometrical plane-patterns are introduced, and finally, throughout the Persian-Anatolian world, mobility and bizarrerie culminate in the Arabesque. This is the genuine Magian motive—anti-plastic to the last degree, hostile to the pictorial and to the bodily alike. Itself bodiless, it disembodies the object over which its endless richness of web is drawn."

"Something dies within the woman when she conceives—hence comes that eternal hatred of the sexes, child of world-fear. The man destroys, in a very deep sense, when he begets—by bodily act in the sensuous world, by "knowing" in the intellectual. Even in Luther the word "know" has the secondary genital sense."

"The stone statue and the scientific system deny life. Mathematical number, the formal principle of an extension-world of which the phenomenal existence is only the derivative and servant of waking human consciousness, bears the hall-mark of causal necessity and so is linked with death as chronological number is with becoming, with life, with the necessity of destiny. This connexion of strict mathematical form with the end of organic being, with the phenomenon of its organic remainder the corpse, we shall see more and more clearly to be the origin of all great art. We have already noticed the development of early ornament on funerary equipments and receptacles. Numbers are symbols of the mortal. Stiff forms are the negation of life, formulas and laws spread rigidity over the face of nature, numbers make dead …"

"The philosophy of this book I owe to the philosophy of Goethe, which is practically unknown to-day, and also (but in a far less degree) to that of Nietzsche. The position of Goethe in West-European metaphysics is still not understood in the least; when philosophy is being discussed he is not even named. For unfortunately he did not set down his doctrines in a rigid system, and so the systematic philosophy has overlooked him. Nevertheless he was a philosopher. His place vis-à-vis Kant is the same as that of Plato—who similarly eludes the would-be-systematizer—vis-à-vis Aristotle. Plato and Goethe stand for the philosophy of Becoming, Aristotle and Kant the philosophy of Being. Here we have intuition opposed to analysis. Something that it is practically impossible to convey by the methods of reason is found in individual sayings and poems of Goethe, e.g., in the Orphische Urworte, and stanzas like "Wenn im Unendlichen" and "Sagt es Niemand," which must be regarded as the expression of a perfectly definite metaphysical doctrine. I would not have one single word changed in this: "The Godhead is effective in the living and not in the dead, in the becoming and the changing, not in the become and the set-fast; and therefore, similarly, the reason (Vernunft) is concerned only to strive towards the divine through the becoming and the living, and the understanding (Verstand) only to make use of the become and the set-fast" (to Eckermann). This sentence comprises my entire philosophy."

"Socialism means power, power, and more power. Thoughts and schemes are nothing without power. The path to power has already been mapped: the valuable elements of German labor in union with the best representatives of the Old Prussian state idea, both groups determined to build a strictly socialist state to democratize our nation in the Prussian manner; both forged into a unit by the same sense of duty, by the awareness of a great obligation, by the will to obey in order to rule, to die in order to win, by the strength to make immense sacrifices in order to accomplish what we were born for, what we are, what could not be without us."

"The meaning of socialism is that life is dominated not by the contrast of rich and poor but by rank as determined by achievement and ability."

"Marx wished to deprive capital of the right to private profit, but the only thing he could think of as a substitute was the worker's right to private profit. That is unsocialistic, but it is typically English. Marx became an Englishman on one other score as well: in his mind the state does not exist. He thought statelessly, in terms of "society". Like parliamentary practice in England, his economic world functions as a two-party system with nothing above the parties. Within his scheme there can be only combat and no arbitration, only victory or defeat, only the dictatorship of one of the two parties. The Communist Manifesto calls for a dictatorship of the "good" proletarian party over the "evil" capitalist party. Marx saw no alternatives."

"Work was for him a commodity, not an obligation. That is the core of his political economics. His ethics were the ethics of big business. Not that business is unethical; but we can read between the lines his opinion that the laborer is a fool not to engage in it. And laborers have understood him. The battle for higher wages became a kind of investment speculation: the worker was now a merchant selling his product, work. The trick about Marx's famous "surplus value" thesis is that it was considered as spoils to be carried off by the successful merchant from the opponent's stores. It was not to be presented to him for nothing. Class egoism thus became a universal principle. The laborer not only wanted to do business, he wanted to corner the whole market. The true Marxist is hostile to the state, and for the very same reason as the Whig: it hinders him in the ruthless exercise of his private business interests. Marxism is the capitalism of the working class."

"The concepts "bourgeoisie" and "proletariat" reflect the typically English preference for business rather than manual work. (But of course not over mental work. Just as the English intellectual was by choice either a Tory or a Whig, he has had to choose between the two new economic parties. Being a "gentleman", he has naturally opted for big business.) The former is a blessing, the latter a calamity; the one is noble, the other base. But with their hatred the misfortunate ones say, "Business is the evil occupation, manual labor the good." This is the explanation for the mental attitude which gave rise to Marx's social criticism and which has made him so catastrophic for true socialism. He knew the nature of work only from the English viewpoint, as a means of getting rich, as a means lacking in all moral depth. Only success and money, the visible and tangible signs of God’s grace, were of ethical import. The Englishman has no inkling of the dignity of hard work. For him, work is a debasing thing, an ugly necessity. Pity the poor soul who has nothing but work, who owns nothing without more and more work, but who above all will never have wealth in the future! Had Marx understood the meaning of Prussian work, of activity for its own sake, of service in the name of the totality, for "all together" and not for oneself, of duty that ennobles regardless of the kind of work performed—had he been able to comprehend these things, his Manifesto would probably never have been written."

"To the new International that is now in the irreversible process of preparation we can contribute the ideas of worldwide organization and the world state; the English can suggest the idea of worldwide exploitation and trusts; the French can offer nothing. ..."

"It is the heritage of anguished centuries, and it distinguishes us from all other people—us, the youngest and last people of our culture. ..."

"He has completely mastered ten or fifteen sciences. He has a penetrating judgment on the whole historical process, as far as history reaches. And he also has something which men of today almost never have, a sound eye for the phenomena of decline in the civilizations of the present day. There is a fundamental difference between Spengler and those who do not grasp the nature of the impulses of decline and who try all kinds of arrangements for extracting from the decayed ideas some appearance of upward motion. Were it not heart-rending it might be humorous to see how people with traditional ideas all riddled with decay meet today in conferences and believe that out of decay they can create progress by means of programs. Such a man as Oswald Spengler, who really knows something, does not yield to such a deception. He calculates like a precise mathematician the rapidity of our decline and comes out with the prediction (which is more than a vague prophecy) that by the year 2200 this Occidental culture will have fallen into complete barbarism."

"Today this unquestioned faith in the machine has been severely shaken. The absolute validity of the machine has become a conditioned validity: even Spengler, who has urged the men of his generation to become engineers and men of fact, regards that career as a sort of honorable suicide and looks forward to the period when the monuments of the machine civilization will be tangled masses of rusting iron and empty concrete shells. While for those of us who are more hopeful both of man's destiny and that of the machine, the machine is no longer the paragon of progress and the final expression of our desires: it is merely a series of instruments, which we will use in so far as they are serviceable to life at large, and which we will curtail where they infringe upon it or exist purely to support the adventitious structure of capitalism."

"Alongside the vibrant radical literary culture of Berlin there was another literary world, appealing to the conservative nationalist part of the middle classes, rooted in nostalgia for the lost Bismarckian past and prophesying its return with the longed-for collapse of the Weimar Republic. Particularly popular was Oswald Spengler's The Fall of the West, which divided human history into natural cycles of spring, summer, autumn and winter, and located early twentieth-century Germany in the winter phase, characterized by 'tendencies of an irreligious and unmetaphysical urban cosmopolitanism', in which art had suffered a 'preponderance of foreign art-forms.' In politics, according to Spengler, winter was recognizable by the rule of the inorganic, cosmopolitan masses and the collapse of established state forms. Spengler won many adherents with his new claim that this heralded the beginning of an imminent transition to a new spring, that would be 'agriculture-intuitive' and ruled by an 'organic structure of political existence', leading to the 'mighty creations of an awakening, dream-laden soul'. Other writers gave the coming period of revival to a new name that was soon to be taken up with enthusiasm by the radical right: the Third Reich."

"Romanticism is no sign of powerful instincts, but, on the contrary, of a weak, self-detesting intellect. They are all infantile, these Romantics; men who remain children too long (or for ever), without the strength to criticize themselves, but with perpetual inhibitions arising from the obscure awareness of their own personal weakness; who are impelled by the morbid idea of reforming society, which is to them too masculine, too healthy, too sober. ..."

"The principle of inorganic equality was for them crucial. Men of the stamp of Jahn and Arndt had no notion that it was Equality that had first sounded the cry of "Vive la nation" in the September massacres of 1792."

"Optimism is cowardice."

"And now to the decisive factor: our boundless urge to follow and serve, to worship anyone or anything, to believe blindly and with doglike loyalty, all advice to the contrary notwithstanding."

"The press to-day is an army with carefully organized arms and branches, with journalists as officers, and readers as soldiers. But here, as in every army, the soldier obeys blindly, and war-aims and operation-plans change without his knowledge. The reader neither knows, nor is allowed to know, the purposes for which he is used, nor even the role that he is to play. A more appalling caricature of freedom of thought cannot be imagined. Formerly a man did not dare to think freely. Now he dares, but cannot; his will to think is only a willingness to think to order, and this is what he feels as his liberty."

"There is no longer any religion when there is no longer any privileged religion. Take from religion its exclusive power and it will no longer exist."

"Some of us read Anne Frank's diary on Robben Island and derived much encouragement of it."

"Dealing with this discomfort only involves censoring Anne Frank's diary if you're quite, quite odd. For the rest of us, the answer might be a little more free-flowing boob, some brazen Mooncup sterilisation, hairy legs sprinting through the summer grasses and, to use a pun that is intended as the highest compliment, Frankness about masturbation, sexuality and our bodies. Because it isn't just the Horaleks of this world who teach girls to be shameful rather than celebratory."

"Anne is going through puberty, and she describes her changed vagina in honest detail, saying, "until I was 11 or 12, I didn't realise there was a second set of labia on the inside, since you couldn't see them. What's even funnier is that I thought urine came out of the clitoris." (Oh Anne, we've all been there.) She continues: "In the upper part, between the outer labia, there's a fold of skin that, on second thought, looks like a kind of blister. That's the clitoris." It's beautiful, visceral writing, and it's describing something that most young women experience. And yet I can understand that the junior Ms Horalek would have squirmed and wished herself elsewhere when this was read in class. We live in a society in which young women are taught to be ashamed of the changes that their bodies undergo at puberty – to be secretive about them, and even to pretend that they don't exist. Breasts, the minute they bud, are strapped into harnesses, and the nipples disguised from view. Period paraphernalia must be discreet, with advertisers routinely boasting that their tampons look enough like sweets to circumvent the social horror of discovery. For my generation, removal of post-pubescent hair on the legs and underarms was mandatory. For Ms Horalek's generation, it is mandatory for pubic hair too. Anne writes: "When you're standing up, all you see from the front is hair. Between your legs there are two soft, cushiony things, also covered with hair, which press together when you're standing, so you can't see what's inside." How must reading this feel for pubescent girls who've already internalised the message that they must spend the rest of their lives maintaining the illusion that their body hair doesn't exist."

"Horalek is, of course, wrong to call the passages pornographic. Pornography is material intended to arouse sexual excitement, and I very much doubt that was Anne's intention when she wrote to her imaginary confidant Kitty about her journeys of self-discovery."

"Gail Horalek, the mother of a 7th-grade child in Michigan in the US, has made international headlines by complaining that the unabridged version of Anne Frank's diary is pornographic and should not be taught at her daughter's school. At issue for Horalek is a section detailing Anne's exploration of her own genitalia, material originally omitted by Anne's father, Otto Frank, when he prepared the manuscript for publication in the late 40s I had to look up what age kids are in the 7th grade. They're 12 to 13! They're only about a year younger than Anne was when she wrote of her vagina: "There are little folds of skin all over the place, you can hardly find it. The little hole underneath is so terribly small that I simply can't imagine how a man can get in there, let alone how a whole baby can get out!" There cannot be a 13-year-old girl on the planet who hasn't had a root around and arrived at this exact stage of bafflement."

"One single Anne Frank moves us more than the countless others who suffered just as she did, but whose faces have remained in the shadows. Perhaps it is better that way: If we were capable of taking in the suffering of all those people, we would not be able to live."

"Of the multitude who throughout history have spoken for human dignity in times of great suffering and loss, no voice is more compelling than that of Anne Frank."

"Here's how much people love dead Jews: Anne Frank's diary, first published in Dutch in 1947 via her surviving father, Otto Frank, has been translated into seventy languages and has sold more than 30 million copies worldwide, and the Anne Frank House now hosts well over a million visitors each year"

"Anne Frank's legacy is still very much alive and it can address us fully, especially at a time when the map of the world is changing and when dark passions are awakening within people."

"(Have you related to any other stories of children or adolescents, of young people growing up?) There was The Catcher in the Rye, the Diary of Ann Frank... Yes, actually I have, definitely."

"Anne Frank is each of us, and beyond what each of us is and will be. Her diary does not contain photographs of trains pulling into the last smoke-filled station. She dared to speak of springtime's light, and the body of a girl becoming a woman. I like Anne Frank because she was no more nor less than ourselves, a schoolgirl. She spoke of awakening to excitement, of the rain in Europe. Even so, there was something more in Anne, beyond that first innocence, as if she were submerged in transparencies."

"Look at how a single candle can both defy and define the darkness."

"Everyone has inside of him a piece of good news. The good news is that you don't know how great you can be! How much you can love! What you can accomplish! And what your potential is!"

"Who knows, perhaps one day people will listen more to “the little piece of God”, which we call a conscience, than to their own desires!."

"No one has ever become poor by giving. If you act that way, then after a few generations people will no longer have to feel sorry for child beggars, because there will no longer be any!"

"How wonderful it is that no one has to wait, but can start right now to gradually change the world! How wonderful it is that everyone, great and small, can immediately help bring about justice by giving of themselves! [...] You can always — always — give something, even if it's a simple act of kindness!"

"We all know that a good example is more effective than advice. So set a good example, and it won't take long for others to follow."

"All people are born equal, all people die in the end and keep nothing of their worldly status. All riches, all power and all greatness exist only for so few years, why then is that mortality clung to so strongly?"

"We took her in, but she was not as pleasant a tenant as the fat gentleman had been. To start with she was very sloppy and tossed her things all around, and secondly, and this was the main thing, she had a fiancé who often drank too much and that was not very pleasant to have around the house. One night, for example, we awoke with a start at the sound of the doorbell and when my father answered it he found the drunken fiancé, who slapped him on the shoulder and kept repeating: “We’re good friends! Yes, we are good friends!” Boom... the door was slammed in his face."

"Where there's hope, there's life. It fills us with fresh courage and makes us strong again."

"Vergeef me, ik heb niet voor niets de naam een bundeltje tegenspraak te zijn!"

"Ouders kunnen alleen raad of goede aanwijzingen meegeven, de uiteindelijke vorming van iemands karakter ligt in zijn eigen hand."

"Dat is het moeilijke in deze tijd: idealen, dromen, mooie verwachtingen komen nog niet bij ons op of ze worden door de gruwelijke werkelijkheid getroffen en zo totaal verwoest. Het is een groot wonder, dat ik niet al mijn verwachtingen heb opgegeven, want ze lijken absurd en onuitvoerbaar. Toch houd ik ze vast, ondanks alles, omdat ik nog steeds aan de innerlijke goedheid van den mens geloof. Het is me ten enenmale onmogelijk alles op te bouwen op de basis van dood, ellende en verwarring. Ik zie hoe de wereld langzaam steeds meer in een woestijn herschapen wordt, ik hoor steeds harder de aanrollende donder, die ook ons zal doden, ik voel het leed van millioenen mensen mee en toch, als ik naar de hemel kijk, denk ik, dat alles zich weer ten goede zal wenden, dat ook deze hardheid zal ophouden, dat er weer rust en vrede in de wereldorde zal komen. Intussen moet ik mijn denkbeelden hoog en droog houden, in de tijden die komen zijn ze misschien toch nog uit te voeren."

"Wij leven allen, maar weten niet waarom en waarvoor, wij leven allen met het doel gelukkig te worden, we leven allen verschillend en toch gelijk."

"Luiheid mag aantrekkelijk schijnen, werken geeft bevrediging."

"Ik geloof dat het inzicht, dat het de plicht van de vrouw is dat zij kinderen krijgt, zich in de loop van de volgende eeuw wel zal veranderen en plaats zal maken voor waardering en bewondering voor haar, die zonder mopperen en grote woorden de lasten op haar schouders neemt!"