"I don’t have a problem singing our lyrics with two daughters at home. [...] If one of my daughters went to college and was raped or something, first off, rape songs wouldn’t even be what I was thinking of. I’d be thinking of our other songs. Because I’d be going there to find who did it, and make them pay. But would I then want to play those songs on stage? I don’t know. I’d have to cross that bridge. I can understand how some people would be like, “If it’s happening with you and your daughters, you should feel that uncomfortable with everybody,” and I don’t have a problem with at least listening to people’s opinions about it."

"I don’t want people to think I’m the maniac that people think I am, think all of us are. We’re five guys in a band, touring, living our dreams, playing metal. We could sing about politics, but we’d get into way more fights and arguments way more than we do now. We could be a Satanic evil band, you know, or a super religious band, you know, really getting both sides of the coin there. Metalheads don’t give a fuck, we accept everybody."

"I thought Barnes was irreplaceable. I had no idea who could take his place, but occasionally, amid the drama and confusion, Rob Barrett would speak up and say, "Let's bring in George." Rob was the easiest to get on board with the decision. I'll stress this: The decision to remove Barnes was ultimately the band's. Alex and the guys knew I didn't think Barnes's performance was up to par, but kicking out a band member was not my territory. I wasn't thinking about George at the time. I worried about getting the album done and didn't see how we would do it without Barnes. I remember the Cannibal guys saying they didn't care if Metal Blade dropped them. They wanted to make one record where they were as happy with the vocals as the music. It took a lot of courage to make that call."

"It’s a pain in the ass [...] A woman saw someone wearing one of our shirts, I think she is a schoolteacher, and she just caused this big stink about it. So [now] we can't play anything from the first three records. And it really sucks because kids come up and they want us to play all the old songs — and we would — but they know the deal. We can't play 'Born in a Casket' but can play 'Dismembered and Molested.' Talk about getting lucky, because I can’t see why they wouldn’t want to ban that."