"[First lines] Legend has it that it was written by the Dark Ones: Necronomicon Ex-Mortis ― roughly translated, "Book of the Dead". The book served as a passageway to the evil worlds beyond. It was written long ago, when the seas ran red with blood. It was this blood that was used to ink the book. In the year 1300 AD, the book disappeared."

"2 Terrifying. 2 Frightening. 2 Much!"

"Kiss Your Nerves Goodbye"

"The Sequel to The Ultimate Experience in Grueling Terror."

"Scott Spiegel: We wrote the bulk of it in Silver Lake. Sam had rented a house with Joel and Ethan Coen. Fran McDormand and Holly Hunter were our roommates. Holly was just getting [her career] started. I'll never forget her in her sweatpants on the floor in her room, reading scripts. We wrote [the character of] Bobby Joe for her, but Rob Tapert said, "We need a babe for that role.""

"Robert Tapert: Our sales agent, Irvin Shapiro, who handled Evil Dead and taught us everything about getting a movie in front of an audience and get it promoted, he said, "Boys, I want to take an ad out for Evil Dead 2." And we said, "We're never going to make Evil Dead 2." But Sam had the name Medieval Dead. So Irving Shapiro had an artist do an ad. He kept the Evil Dead franchise in the overseas buyers' minds."

"Yeah, Evil Dead II and Army of Darkness were two of my favorite experiences, mainly because we were a group of young guys at the time. We didn’t have a care in the world, other than just loving what we were doing. I had loved the first Evil Dead. So when the sequel came around, Mark Shostrom, who I was working for at the time, brought me onboard. I was one of the key artists in the shop and supervising a lot for the film, so it was a great experience, because I was in charge of a lot. That kind of led to us opening our own shop. Greg had been supervising various shops around town, too."

"[being sucked into a vortex] For God's sake! How do you stop it?!"

"[upon gaining the chain saw in place of his lost right hand] Groovy."

"Then let's head on down into that cellar and carve ourselves a witch."

"There's something out there. That... that witch in the cellar is only part of it. It lives... out in those woods, in the dark... something... something that's come back from the dead."

"Old double-barrel here, blow your guts to Kingdom Come! [staggers backward, voice drops.] See if we don't."

"[to his freshly sawn off possessed hand] Here's your new home. [He then places a bucket and a stack of books on it to trap the hand; the top book reads "A Farewell to Arms"]"

"[when his sawn-off hand gives him the finger] Son of a...!"

"Got you, didn't I, you little sucker!"

"[Ash stabs his possessed hand with a kitchen knife, pinning it to the floor.] That's right... who's laughing now? [grabs the chainsaw and revs it.] Who's laughing now? ARRRGHH!!! [cuts the hand off at the wrist.]"

"[Ash's hand gains a life of its own.] You bastards. You dirty bastards. [sobs] Gimme back my hand... GIMME BACK MY HAND!"

"[Grappling with the possessed Linda's severed head.] Workshed."

"Denise Bixler - Linda"

"Ted Raimi — Possessed Henrietta"

"Sarah Berry — Annie Knowby"

"Bruce Campbell — Ash Williams"

"Dead by dawn"

"“You’ve done it all; you’ve won every award there is to win. You’ve got a room a room reserved in Cooperstown. I don’t know how much more you have to prove. Even if you make it back, you won’t be 100%, you won’t even be 50… ”"

"[Hearing Yankee fans boo and jeer him] I can always tell when I'm in New York."

"[writing on a baseball] Tell them I'm through, "for love of the game", Billy Chapel"

"[repeated line - his trick for concentration] Clear the mechanism."

"The game doesn't stink, Mr. Wheeler. It's a great game."

"[to himself, pitching to Sam Tuttle] Sam Tuttle. I can't think of a better reason not to be a Yankee."

"[consoling Mickey Hart after an embarrassing play in Fenway Park] There's a bunch of cameras out there right now waiting to make a joke of this, Mick. So you can either stop, give them the sound bite, do the dance. Or you can hold your head up and walk by, and the next time we're in Boston, we'll go out there and work the wall together. Don't help them make a joke out of you."

"God, I always said I would never bother You about baseball, always seemed silly. But if You could make this pain in my shoulder stop for ten minutes..."

"[while helping a traded teammate, Davis Birch, move] I ain't carryin' no books. Where's the pillows?"

"At 40 years old Billy Chapel is flirting with perhaps the greatest accomplishment in baseball and standing his way is Matt Crane hitting for Babe Nardini. Then Jesus Cabrillo and Ken Strout has a bat in his hands in the dug out and might very well get the call to bat for Jaimie Ruiz. And, you know, Steve, you get he feeling that Billy Chapel... isn't pitching against left-handers. He isn't pitching against pinch hitters.... He isn't pitching against the Yankees. He's pitching against time."

"The cathedral that is Yankee Stadium belongs to a Chapel."

"As so often happens in a ball game, there are so many other under currents, so much more that meets the eye… the owner of the beleaguered franchise selling their star player, and all the while, Billy Chapel had to make the biggest decision of his life…""

"You know, a lot of little bottles makes a big bottle, Chapy"

"The boys are all here for ya, we'll back you up, we'll be there, cause, Billy, we don't stink right now. We're the best team in baseball, right now, right this minute, because of you. You're the reason. We're not gonna screw that up, we're gonna be awesome for you right now. Just throw."

"Kevin Costner - Billy Chapel"

"Kelly Preston - Jane Aubrey"

"John C. Reilly - Gus Sinski"

"Jena Malone - Heather Aubrey"

"Vin Scully - himself"

"Steve Lyons - himself"

"Brian Cox - Gary Wheeler"

"J.K. Simmons - Frank Perry"

"Michael Papajohn - Sam Tuttle"

"William Newman - Fitch"

"Bob Sheppard - himself"