Film Directors From The United States

"The truth is, the only thing I was inspired by was the fact that it's told from the point of view of two peasants, who get mixed up with a samurai and princess and a lot of very high-level people."

"One of the amazing things about 'Seven Samurai' is that there are a lot of characters. And considering you have so many, and they all have shaved heads, and you've got good guys and bad guys and peasants, you get to understand a lot of them without too much being said."

"As you go through history, I didn't think it was going to get quite this close. So it's just one of those recurring things… I hope this doesn't come true in our country. Maybe the film will wake people to the situation. … When I wrote it [Star Wars Episode III: Revenge of the Sith], Iraq didn't exist… We were just funding Saddam Hussein and giving him weapons of mass destruction. We didn't think of him as an enemy at that time. We were going after Iran and using him as our surrogate, just as we were doing in Vietnam… The parallels between what we did in Vietnam and what we're doing in Iraq now are unbelievable… [In ancient Rome,] why did the senate after killing Caesar turn around and give the government to his nephew? Why did France after they got rid of the king and that whole system turn around and give it to Napoleon? It's the same thing with Germany and Hitler. … You sort of see these recurring themes where a democracy turns itself into a dictatorship, and it always seems to happen kind of in the same way, with the same kinds of issues, and threats from the outside, needing more control. A democratic body, a senate, not being able to function properly because everybody's squabbling, there's corruption."

"There is no Episode VII...Not about Luke Skywalker, not about, you know, that group of people and that struggle to bring democracy back to the galaxy."

"Everybody has the choice of being a hero or not being a hero every day of their lives … and you can either help somebody, you can be compassionate toward people, you can treat some people with dignity — or not. And … one way you become a hero, and the other way … you’re part of the problem. And … it’s not a grand thing, you know; you don’t have to get into a giant laser-sword fight and blow up three spaceships to become a hero. I mean — it’s a very small thing that happens every day of your life."

"Sound is half the experience of seeing a film. That's why I have been bothered by the poor sound re-production in many theaters and most homes."

"People who alter or destroy works of art and our cultural heritage for profit or as an exercise of power are barbarians, and if the laws of the United States continue to condone this behavior, history will surely classify us as a barbaric society. The preservation of our cultural heritage may not seem to be as politically sensitive an issue as "when life begins" or "when it should be appropriately terminated," but it is important because it goes to the heart of what sets mankind apart. Creative expression is at the core of our humanness. Art is a distinctly human endeavor. We must have respect for it if we are to have any respect for the human race."

"Don't avoid the cliches — they are cliches because they work!"

"One of the fatal mistakes that almost every science-fiction film makes is that they spend so much time on the settings — you know, creating the environment — that they spend film time on it. And you don't have to spend too much film time to create an environment. What they're doing is showing off the amount of work that they generated, and it slows the pace of the film down. And the story is not the settings. The story is the stories, plot. You're always surprised with characters, I mean in film it's even more dramatic than it is in writing, because eventually you actually take a real person and stick them into that character. And that real person brings with him, or her, an enormous package of reality. I mean, Threepio is just a hunk of plastic, and without Tony Daniels in there it just isn't anything at all. In the first film we had maybe 20 colors to paint with, and this time we've had 40 colors to paint with. Well, that doesn't mean it's going to be a better painting. Visual effects are just a tool, a means of telling a story. People tend to confuse them as an end to themselves. A visual effect without a story is a pretty boring thing."

"We say, 'We think you are a talented, functioning person, and we are hiring you because of your abilities, and whatever you come up with, we're going to take.' If we make a mistake, it will be in picking the wrong person. What we're striving for is total freedom, where we can finance our pictures, make them our way, release them where we want them released and be completely free to express ourselves. That's very hard to do in the world of business. In this country, the only thing that speaks is money and you have to have the money to have the power to be free. So the danger is — in being as oppressive as the next guy to the people below you. We're going to do everything possible to avoid that pitfall. But if we fail, it's another saga in the history of man..."

"The Johnson film wasn't terrible. I just didn't agree with the politics. I'm not a fan of big government and propaganda films are distasteful."

"My primary concept in approaching the production of THX 1138 was to make a kind of theater verité film of the future — something that would look like a documentary crew had made a film about some character in a time yet to come. No film ever ends up exactly as you would like it to, but with minor exceptions, THX came out pretty much as I had visualized it, thanks to some excellent assistance — and a whole lot of luck."

"He could have known this little girl when she was just a kid. Had an affair with her when she was eleven. … He hasn’t seen her in twelve years. Now she’s twenty-two. It’s a really strange relationship. …This is a resource that you can either mine or not. It's not as blatant as we're talking about. You don't think about it that much. You don't immediately realize how old she was at the time. It would be subtle. She could talk about it. "I was jail bait the last time we were together." She can flaunt it at him, but at the same time she never says, "I was fifteen years old." Even if we don't mention it, when we go to cast the part we're going to end up with a woman who's about twenty-three and a hero who's about thirty- five."

"It was insane, I wish I had filmed it. It was like bringing an audience to the Mona Lisa and asking, 'Do you know why she is smiling?' 'Sorry Leonardo, you'll have to make some changes.' At least the audience understood that THX was not a love story set in the 25th-century, which was the way Warners had planned to advertise it. Instead, the company settled for 'Visit the future, where love is the ultimate crime.'"

"Awards are not as important to me as when I meet a 10-year-old kid who says, "I love Captain Jack Sparrow.""

"We watched everything...A family favorite was Cry-Baby starring Johnny Depp. Whenever the John Waters film broke out in song, we would all scream and start singing, too."

"I like the Coen brothers. Their films are smart and disturbing. I am very impressed by what George Clooney is doing now. He is very political. I like the fact that he did Oceans Eleven and Oceans Twelve, made all that money and then leveraged the money and his success into interesting projects. Johnny Depp has also set up a production company and is showing an interest in risky projects that will not be easy. I am sorry that it is hard for the average person, and even for an above-average person, to see a film that is not a Hollywood production. You see those films only in the festivals. There are few people there. That is worrying. People don't think. My goal in work is to make them think. The media do the opposite."

"I’ve known that there have been a kind of select group of people, amazing die-hard supporters, even through some of the more, shall we say, odd films. These people, bless them, have stuck with me the whole length of the road. To say that you appreciate it is not nearly enough. It’s part of the essence, or fuel, of what keeps you going.These people are my boss; they’re the ones who keep me employed. A couple of times, they could have said, Let’s abandon him. And they haven’t. You don’t want to let them down."

"I just don’t quite understand it [the press], really. I don’t understand the animal. It’s a strange, roundabout way of selling something; it leaves a foul taste... The thing that fascinates me is: who cares what an actor thinks?"

"When I was a kid, we watched the Vietnam War on the six o'clock news, and it was desensitizing. You felt you were watching a war film; meanwhile you were really watching these guys getting blown to bits. Parents need to protect their kids from watching that stuff."

"Depp: I would never be disrespectful to my country, to the people, especially the kids who are over there serving in the armed forces. My uncle was wounded in Vietnam, paralyzed from the neck down. I would never say those things the way they claim I said them. Interviewer: What exactly did you say? Depp: I essentially said the United States is a very young country compared with Europe. We're still growing. That's it. I wouldn't say anything anti-American. I'm an American, and I love my country. Interviewer: What's your view of President Bush? Depp: What can I say? He's somebody's kid. He's somebody's father. God bless him. Good luck. You know what I mean? I don't agree with his politics, and I'm not going to pretend to, but I don't agree with a lot of people's politics."

"I do have an affinity for damaged people, in life, in roles. I don't know why. We're all damaged in our own way. Nobody's perfect. I think we are all somewhat screwy, every single one of us."

"The real movie stars were Humphrey Bogart, Lauren Bacall, Spencer Tracy, Montgomery Clift. How could I put myself in the same category as Clark Gable? Tom Cruise is a great movie star. Do I consider myself a movie star? I consider myself a guy with a good job, an interesting job."

"The ultimate for me would be to do a feature that didn't require any narrative structure."

"I always figured that once I wrapped a film, then anything beyond that is none of my business. If I can avoid seeing the final product, then all I have in my head is feeling good about the experience."

"I want to do kiddie movies now. I'm fed up with adult movies — most of them stink. At a certain point with movies it becomes all about mathematics: this has to lead up to this, this has to lead up to that — you're always bound by some kind of formula. But since having kids and watching lots of animated cartoons and all those great old Disney films, I think they're better, they're much better. They're more fun and they take more risks."

""Film star," "movie star" — whatever they want to try to call you is limiting, in the sense that I think an actor has to be able to play characters. To separate these things — you know: "leading man," "action hero," "character actor," stuff like that — I guess if I want to be close to anything, it would be a character actor, which is what I think an actor should be. So any of that "movie star" stuff, I just don't buy it. It just doesn't make sense to me."

"Lily-Rose is 2-1/2, and each day is a new discovery for her. I want to be there and live it with her. When she was 6 months old, I held a paint brush in her hand. By the time she was 1, I was guiding her hand to paint with acrylics. Also, I showed how to keep her brushes clean. Now, she's intrigued by pastels and going through her 'purple phase.' "She's developing from abstract into more figurative. [showing a fax of his daughter's latest effort: a picture of daddy] See the shape of my head, my hair, my shoulder? An exact likeness. If I had my wish, she'd be a painter. That's why I'm keeping her sketches, even this fax. Someday, if she becomes famous, I can take it to the bank."

"I'd like to think I was reborn May 27, 1999 [when his daughter Lily-Rose was born]. Everything changed once I held [her] in my arms, and those innocent eyes stared into mine. Until that moment, I had been possessed with 'me' and 'my career.' Suddenly, there was someone who depended on me, who I was responsible for."

"I had an incident with a really dumb magazine called Voici where they printed a photograph of Lily-Rose, a long-lens shot from very far away, and I just went ballistic. You can sue them — I've sued a couple of times, Vanessa's sued and we win every time — but this time I was beyond suing. I just wanted to beat whoever was responsible into the earth — I just wanted to rip him apart.So I tracked him down and gave him a few suggestions about how to live life and stay healthy and he took my advice. Because that's just unacceptable. They can do anything they want to me — and most tabloids have — but not my kid, not my pure, innocent little baby. She didn't ask to be in this circus."

"I'm not a Blockbuster boy, I never wanted to be. I just don't want to look back in 30 or 40 or 50 years and have my grandkids say, "You did a lot of stupid shit, Granddad. What an idiot you were, smiling for the cameras and playing the game.""

"I see kids who are complete cynics. They're not dreaming. They're out there with high-powered weapons, smoking crack behind the 7-Eleven. They've seen it all. These kids are going to take us into 2000 and beyond. That's scary, man. I wouldn't say I'm pessimistic or optimistic. I'm more realistic, I guess. But not cynical. I look. I watch."

"I despise those prick actors who say, "I was in character," and "I became the character," and all that stuff. It's hideous. It's just masturbation at the highest level."

"We're all a mishmash of extremes. I know that I have demons. I don't know if I want to get rid of them altogether, but I would like to experience them in a different way. Maybe go face to face with them. I've never really had the time to go to therapy. Well, here and there. But not enough to help me."

"When I was a kid back in Kentucky, we went to this church where my uncle preached. It was kind of a weird Baptist, full-on kind of place. People kept running up to the pulpit and grabbing his ankles and being saved. Lots of crying. Even then, at six or seven, I questioned how pure the emotion could be if it were on such display."

"I've also gotten weird letters, suicide letters, girls threatening to jump if I don't get in touch with them. So you think, "This is bullshit," but then you think, "What if it's not? Who wants to take that chance?" I write them back, tell them to hang in there, if things are that bad, they have to get better. But I'm not altogether stable myself, so who am I to give advice?"

"These problems do not disappear just because we do not hear about them. There is so much more happening around the world than what is communicated to us about the top stories we do hear. We all need to look deeper and discover for ourselves.... What is the problem? Where is it? How can we help to solve it?"

"… an off-screen persona of Globally Conscious Earth Mother and an aggressive on-screen embodiment of Kali, Goddess of Destruction."

"Since her appointment as a Goodwill Ambassador, Angelina has more than fulfilled my expectations. She has proven to be a close partner and a genuine colleague in our efforts to find solutions for the world’s refugees. Above all, she has helped to make the tragedy of refugees real to everyone who will listen. Angelina’s interest in helping refugees, her personal generosity, and her truly compassionate spirit are an inspiration to us all."

"“Brad will continue to respond in court as he has consistently done,” she added."

"“My body reacts very strongly to stress"

"I've been reckless, but I'm not a rebel without a cause"

"Know Your Rights And Claim Them"

"We want to help young people to identify who or what is blocking them from accessing their human rights, and how to try to overcome that. The message to young people is, no one has the right to harm you, to silence you."

"“If you don’t get out of the box you’ve been raised in, you won’t understand how much bigger the world is.”"

"We come to love not by finding the perfect person, but by learning to see an imperfect person perfectly."

". “I’ve realized that being happy is a choice. You never want to rub anybody the wrong way or not be fun to be around, but you have to be happy.”"

"Figure out who you are separate from your family and the man or woman you're in a relationship with, Find who you are in this world and what you need to feel good alone. I think that's the most important thing in life. Find a sense of self because with that, you can do anything else."

"It's not going to accomplish anything to cry."

"Every day we chose who we are by how we define ourselves."