Feminists

"The talkies are the only art that would attract Leonardo da Vinci were he alive to-day. It is the only art that excites a scientist's curiosity, the only art that challenges the engineer, the only art that offers the great artist a medium capable of expressing every human thought and emotion, as well as the pure aesthetic effects of color and music. It is a baby giant, as clumsy as all babies are. Its noises are, we grieve to admit, often as inartistic as the squalling of a baby. But squalling babies have a way of growing up into soft-voices women and great singers. This is why we, the authors, have gladly played the role of nursemaids. We don't know what the baby will be doing and saying when it grows up. But we are sure it will make its mark in the world."

"The creation of children is not justifiable in a majority of unions between the sexes; but when the creation responses are justifiably undertaken, there is sound psychological ground for advising the woman to provide, beforehand, sufficient funds of her own to carry both herself and the child through the period of her physical incapacity for appetitive work. There is sound psychological ground, also, for requiring the male to share equally at least, in the home work and the care of children."

"Appetite emotion must first, last and always be adapted to love."

"If, as psychologists, we follow the analogy of the other biological sciences, we must expect to find normalcy synonymous with maximal efficiency of function. Survival of the fittest means survival of those members of a species whose organisms most successfully resist the encroachments of environmental antagonists, and continue to function with the greatest internal harmony. In the field of emotions, then, why would we alter this expectation? Why should we seek the spectacularly disharmonious emotions, the feelings that reveal a crushing of ourselves by environment, and consider these affective responses as our normal emotions? If a jungle beast is torn and wounded during the course of an ultimately victorious battle, it would be a spurious logic indeed that attributed its victory to its wounds. If a human being be emotionally torn and mentally disorganized by fear or rage during a business battle from which, ultimately, he emerges victorious, it seems equally nonsensical to ascribe his conquering strength to those emotions symptomatic of his temporary weakness and defeat. Victory comes in proportion as fear is banished. Perhaps the battle may be won with some fear still handicapping the victor, but that only means that the winner's maximal strength was not required."

"Men actually submit to women now, they do it on the sly with a sheepish grin because they're ashamed of being ruled by weaklings. Give them an alluring woman stronger than themselves to submit to and they'll be proud to become her willing slaves."

"Women now fly heavy planes successfully; they help build planes, do mechanics' work. In England they've taken over a large share of all material labor in fields and factories; they've taken over police and home defence duties. In China a corps of 300,000 women under the supreme command of Madame Chiang Kai-shek perform the dangerous function of saving lives and repairing damage after Japanese air raids. This huge female strong- arm squad is officered efficiently by 3,000 women. Here in this country we've started a Women's Auxilary Army and Navy Corps that will do everything men soldiers and sailors do except the actual fighting. Prior to the First World War nobody believed that women could perform these feats of physical strength. But they're performing them now and thinking nothing of it. In this far worse: war, women will develop still greater female power; by the end of the war that traditional description the weaker sex" will be a joke-it will cease to have any meaning."

"Oh yes, but not until women control men. Wonder Woman – and the trend toward male acceptance of female love power, which she represents, indicates that the first psychological step has actually been taken. Boys young and old satisfy their wish thoughts by reading comics. If they go crazy for Wonder Woman it means they're longing for a beautiful exciting girl who's stronger than they are. These simple, highly imaginative picture stories satisfy longings that ordinary daily life thwarts and denies. Superman and the army of male comics characters who resemble him satisfy the simple desire to be stronger and more powerful than anybody else. Wonder Woman satisfies the subconscious, elaboratedly disguised desire of males to be mastered by a woman who loves them."

"Comics, they say, are not literature – adventure strips lack artistic form, mental substance, and emotional appeal to any but the most moronic of minds. Can it be that 100,000,000 Americans are morons? Possibly so; but there seems to be a simpler explanation. Nine humans out of ten react first with their feelings rather than with their minds; the more primitive the emotion stimulated, the stronger the reaction. Comics play a trite but lusty tune on the C natural keys of human nature. They rouse the most primitive, but also the most powerful, reverberations in the noisy cranial sound-box of consciousness, drowning out more subtle symphonies. Comics scorn finesse, thereby incurring the wrath of linguistic adepts."

"If children will read comics [...] isn't it advisable to give them some constructive comics to read? [...] The wish to be super strong is a healthy wish, a vital compelling, power-producing desire. The more the Superman-Wonder Woman picture stories build this innner compulsion by stimulating the child's natural longing to battle and overcome obstacles, particularly evil ones, the better the better chance your child has for self-advancement in the world. Certainly there can be no argument about the advisability of strengthening the fundamental human desire, too often buried beneath stultifying divertisments and disguises, to see good overcome evil."

"The picture story fantasy cuts loose the hampering debris of art and artifice and touches the tender spots of universal human desires and aspirations. Comics speak, without qualm or sophistication to the innermost ears of the wishful self."

"A woman character without allure would be like a Superman without muscle."

"The only hope for civilization is the greater freedom, development and equality of women in all fields of human activity."

"If you conclude, as I do, that the only hope of a permanent peace and happiness for humanity on this planet is an increased expression of love, and that women are the primary carriers of this great force, one of the problems we face is to provide women with more opportunity for using their love powers. The last six thousand years have demonstrated quite conclusively, I believe, that woman under the domination of man can increase but meagerly the world's total love supply. Our obvious goal, than must be to devise social mechanisms whereby man is brought under the love domination of woman."

"There are one or two rules of thumb which are useful in distinguishing sadism from exciting adventure in the comics. Threat of torture is harmless, but when the torture it’s self is shown it becomes sadism. When a lovely heroine is show bound to the stake, comics followers are sure that the rescue will arrive just in the nick of time. The readers wish is to see save the girl, not to see her suffer. A bound or chained person does not suffer even embarrassment in the comics, and the reader, therefore is not being taught to enjoy suffering."

"Tolerant people are the happiest, so why not get rid of prejudices that hold you back?"

"The next 100 years will see the beginning of an American matriarchy—a nation of amazons in the psychological rather than the physical sense. In 500 years there will be a serious sex battle. And in 1000 years women will definitely rule this country."

"Not even the church is so powerfully equipped to serve the public psychologically as is the motion picture company."

"Sound and talking undoubtedly increase the entertainment value of a picture. There is a distinct conflict, however, between a pictorial and sound elements, which cannot be entirely avoided until third dimensional pictures are made."

"A motion picture must be true to life. If a picture portrays a false emotion it train people seeing it to react abnormally."

"In the majority of cases which are brought to me as a consulting psychologist for love and marital adjustment, there are self-deceptions to be uncovered as well as attempts to deceive other people. Beneath such love conflicts there is almost always a festering psychological core of dishonesty."

"I'm bringing booty back Go ahead and tell them skinny bitches hey"

"If I was you, I'd wanna be me too"

"In [the story of Jesus] I found ... a center for my being. Behind the supernatural framework of the first century, behind the language of myth, magic, and superstition, I discovered a life I wanted to know; a life that possessed a power I wanted to possess; a freedom, a wholeness for which I had yearned for years."

"Christianity is, I believe, about expanded life, heightened consciousness and achieving a new humanity. It is not about closed minds, supernatural interventions, a fallen creation, guilt, original sin or divine rescue."

"All religion seems to need to prove that it's the only truth."

"The question must also be raised as to whether we have the actual words of Jesus in any Gospel."

"Jesus could not have imagined such an idea as Albert Einstein's theory of relativity."

"What the mind cannot believe the heart can finally never adore."

"There are passages in the Gospels that portray Jesus of Nazareth as narrow-minded, vindictive, and even hypocritical. Jesus exhorted people to love their enemies and to pray for their persecutors (Matt. 5:44) and never to call others by demeaning or hurtful names (Matt. 5:22), yet he called his enemies a "brood of snakes" (Matt. 12:34), "sons of vipers" (Matt. 23:33), "blind fools" (Matt. 23:17). ... How divine is the message that says for your finite failings you will be cast into the outer darkness, where there will be weeping and gnashing of teeth (Matt. 25:30)?"

"The Christian story did not drop from heaven fully written. It grew and developed year by year over a period of forty-two to seventy years. That is not what most Christians have been taught to think, but it is factual. Christianity has always been an evolving story. It was never, even in the New Testament, a finished story."

"True religion is not about possessing the truth. No religion does that. It is rather an invitation into a journey that leads one toward the mystery of God. Idolatry is religion pretending that it has all the answers."

"If the resurrection of Jesus cannot be believed except by assenting to the fantastic descriptions included in the Gospels, then Christianity is doomed. For that view of resurrection is not believable, and if that is all there is, then Christianity, which depends upon the truth and authenticity of Jesus' resurrection, also is not believable."

"[T]he discovery of an empty tomb would never have issued in an Easter faith. If there had been a tomb, and if that tomb had been found empty, it would have meant only that one more insult had been delivered to the leader of the tiny Jesus movement. The disciples, whoever they were, would have concluded that not even the dead body of this Jesus had been spared degradation. No Easter faith would have resulted from an empty tomb. Therefore such a tradition could not have been primary. It was but a story incorporated later into the narrative."

"Integrity and honesty, not objectivity and certainty, are the highest virtues to which the theological enterprise can aspire. From this perspective, all human claims to possess objectivity, certainty, or infallibility are revealed as nothing but the weak and pitiable pleas of frantically insecure people who seek to live in an illusion because reality has proved to be too difficult."

"Above all, words must be recognized as symbolic pointers to truth, not objective containers of truth."

"I prefer to be on the side of losers, the misunderstood or lonely people rather than writing about the strong and powerful."

"Anyone could see that this woman is living a nightmare. Except that she goes through her daily life wide awake, knowing that she could make a mistake at any moment."

"She could just pack up and leave, but she does not visualize what's beyond ahead."

"The land of easy mathematics where he who works adds up and he who retires subtracts."

"A Jewish woman in exile in the 1930s is an antihero."

"To all the young people who discover they are gay: Don't be afraid to come out of the closet right now."

"Adrianne Wadewitz exemplifies the early-career professional HASTAC Scholars is designed to mentor . . . because she represents the best of academe."

"When Wadewitz showed Wikipedia's main page to her class one day, she found that the women featured were largely sexualised or portrayed as victims of a crime, while people of colour were represented as perpetrators of a crime."

"We brought in an innovative group of young digital humanists led by Adrianne Wadewitz."

"When we’re talking both to Wikipedians and people outside of Wikipedia, we say, 'Look, if we want to include all of these other narratives besides the typical narrative that we usually tell of dead white men, we’ve gotta get it in there now.'"

"I know something about how the first encyclopedias were developed in the 18th century. And those encyclopedias almost completely excluded the history of women. And it’s one argument that we make all the time."

"So in one respect, I would say that we need to add the voice of feminists to Wikipedia who are going to talk about– women as underrepresented groups."

"So I think one thing that Wikipedia has to do as a culture is ask itself, 'Are we willing– to be this– this self-selecting– and– and be this small?' We can have many more people if we’re willing to be a more welcoming community."

"We definitely wanna increase the number of women. But just increasing the number of women isn’t necessarily going to– improve the– the fact that content on Wikipedia itself is skewed."

"When I used my real name, all of a sudden there was a lot of commentary. 'Oh, you're a woman' or 'You can't really be a woman' or 'You don't write like a woman.' Or all of a sudden my arguments were not taken as seriously or were judged as hysterical or emotional.... So I got much more interested in why this was happening."