Extraterrestrial Life In Media

"I refuse! I'd sooner go to Iscandar than fight and be killed by an Oni! (Episode 1)"

"on his game of tag with Lum: But to grab those horns, naturally I've gotta grab the body first... (Episode 1)"

"speaking English while flirting with a girl in Hawaii: Hi! I'm Ataru Moroboshi, Number One Japanese Boy! Please date with me!"

"Even if it takes a "lifetime", I'll make ya say it! (Movie 5)"

"You flirtatious scum!"

"When will you learn that I always do things without thinking of the consequences? (Movie 2)"

"I'm gonna run away from home! Will that make you happy?! WAAAAAAAAA!!!! [runs out the front door in his sock feet, then comes back for a second to put his shoes on] Damn it! [runs back out the door] WAAAAAAAA!!!! (Episode 2)"

"ORE WA ONNA DA!!!! ("I AM A WOMAN!!!!")"

"Move it! Outta my way!"

"I'll say it on my "deathbed"! (Movie 5)"

"Ran-chan shiawase! (Lil' Ran's so happy!)"

"Would you like some sherbert while you bathe?"

"I don't care if it's a lie. I just want you to say it. (Movie 5)"

"Darling, you IDIOT! Do ya wanna really forget about me!? (Movie 5)"

"So am I sarcastic, the stingiest person you know, or a cold-blooded businesswoman which is it...I am none of those, but that's quite alright with me."

"What's that look on yer face? Is that how you look at folks coming all the way from beyond the galaxy?! (Episode 2)"

"Where I come from, marriage is a sacred institution, so if you cheat on me... [shocks Ataru] (Episode 1)"

"Lum, you'd be better off if you dumped that idiot!"

"visiting Ataru in his classroom: Teacher, husbands and wives should always be together, whether it's raining or windy, in the house, or even at school!"

"[referring to Rei] Oooh! I will never marry such a tacky man! Tacky tacky tacky!!"

"repeated line: Boku ii ko! ("I'm a good boy!")"

"If you do not apologize...I shall be angry."

"Thank you, Ran. I will think hard about this..."

"DARLING NO BAKA!!! ("Darling, you idiot!")"

"to Ataru: You are the personification of the word "stupid"!"

"Umeboshi? GIVE ME UMEBOSHI!"

"The English localization of Contra III featured these infamous quotes:"

"The Japanese version featured these equally intimidating quotes:"

"February 14, 2636. You are about to learn what it takes to a descendent of commando legends Scorpion and Mad Dog. That is, now that Red Falcon would like to use your family tree as a toothpick. You're Jimbo and Sully, special forces comrades just like your fearsome forefathers were. Nowadays, your weapons and maneuvers are more advanced than they were when your ancestors saved the world from being skewered on Red Falcon's fangs. That brutal beast is still in his prime and has had plenty of time to plot his revenge."

"I believe there’s something inherently dangerous when something real becomes mythic. Because when faced with a myth? We can’t win. So the mythic must be exposed for what it is. So we can believe in ourselves. Because it’s only what’s in us…the drive to be mythic…that matters."

"But one thing’s clear, beyond the mask he wears… is his passion. A palpable thing, that’s almost greater then the man himself. And if there’s passion… there’s desire. And desire means there’s a hole in the man. (About Bruce Wayne/Batman)"

"A life, some would argue, is a series of problems. There’s no denying the truth in that – but why get lost in it? Why not rise above the truth… and lead a good life? Shouldn’t we all look at problems as a chance for us to find… solutions?"

"What gives measure to a man's choices is what he has to give up to make them."

"Siegel: I figured that the character would be so advanced that he would be invulnerable in other ways than physically. Secretly, I kind of enjoyed the thought that women, who just didn't care at all about somebody like Clark Kent, would go ape over somebody like Superman. I enjoyed the fact that he wasn't that affected by all their admiration. When you come down to it, some of the greatest lovers of all time simply aren't that crazy about women: It's the women who are crazy about them. Clark Gable was hard to get, and so were some of the other romantic heroes."

"Q: Were you influenced by the Edgar Rice Burroughs John Carter of Mars stories?"

"Siegel: You see, Clark Kent grew not only out of my private life, but also out of Joe's. As a high school student, I thought that some day I might become a reporter, and I had crushes on several attractive girls who either didn't know I existed or didn't care I existed. As a matter of fact, some of them looked like they hoped I didn't exist. It occurred to me: What if I was real terrific? What if I had something special going for me, like jumping over buildings or throwing cars around or something like that? Then maybe they would notice me. That night when all the thoughts were coming to me, the concept came to me that Superman could have a dual identity, and that in one of his identities he could be meek and mild, as I was, and wear glasses, the way I do. The heroine, who I figured would be a girl reporter, would think he was some sort of a worm; yet she would be crazy about this Superman character who could do all sorts of fabulous things. In fact, she was real wild about him, and a big inside joke was that the fellow she was crazy about was also the fellow whom she loathed. By coincidence, Joe was a carbon copy (of me)."

"QUESTION: Are there any specific characteristics you believe are essential to the voice?"

"Q: What do you think has made Superman so popular for over 40 years?"

"QUESTION: Where do you start as an actor when trying to create a voice for Superman?"

"[P]erhaps Superman’s most important war contribution was his direct connection to the troops. The scene of a soldier or sailor passing time with a comic book in hand was common overseas, and Superman was the superhero of choice for most of the servicemen and women. In fact, one of four magazines shipped to troops overseas was a comic book, and 35,000 copies of “Superman” alone went abroad each month. The U.S. War Department and USO made sure that copies of “Superman” magazine were distributed to soldiers, sailors, and marines throughout the war. Military leaders hoped to provide a little entertainment and escape until the troops could come back home for good. As “Time” reported, “Superman got a high priority rating last week: the Navy Department ruled that the Superman comic books should be included among essential supplies destined for the marine garrison at Midway Islands. For the tough Marines, as for all U.S. Armed Forces, the Man of Steel is still super-favorite reading.”"

"What if they used Superman to teach children the values of tolerance and fair play and the importance of accepting other kids regardless of race, religion, or national origin? What if Superman could teach a generation of children to reject those who preached prejudice and hate? After all, the entire country had banded together to win the war. Now most everyone was banding together to build a peaceful and prosperous future. Those grim photographs and films of mass graves and starving concentration camp prisoners had made an indelible mark on the public mind. Could Superman lead the way?"

"QUESTION: As different as they are, what is it that you think creates the dynamic for Batman and Superman to essentially be each other’s best friend?"

"Shuster: I was mild-mannered, wore glasses, was very shy with women."

"The radio show was no more immune to criticism than the comic books were. Some critics claimed that Superman reflected the concept of “der Ubermensch”, a German term that could be translated into “the Superman.” The term was coined by 19th century German philosopher Friedrich Nietzsche, who argued that certain people could transcend the influences of religion, culture, and conformity to become enlightened supermen. According to Nietzsche, the person could reach this pinnacle by rising above the pestering of the masses, who buzz like “flies in the marketplace.” After Nietzsches death, the German Nazis twisted his words to mean that their ideal of the blond, blue-eyed German (what they called Aryan) could rise above all “inferiors” to create a dominant race of supermen. The criticism that Superman manifested a Nazi concept showed a complete lack of understanding of the character. While striving to create a popular superhero who would attract a mass audience Jerry and Joe had forged Superman to embody the best parts of the American way of life and to raise awareness of un-American” attitudes. The notion of un-American behavior applied not only to gangsters who broke the law, crooked politicians who violated the public trust, and wealthy industrialists who exploited workers, but also to foreign powers that threatened democracy. So Superman’s creators-too busy to be sidetracked by the critics-aimed their superhero at the looming Nazi threat in Europe."

"THE CREATORS of the superman character had been firing their initial salvos at the then undeclared enemy even before the United States entered the war. At first the creators kept their attacks subtle-by comic book standards. Superman writers never mentioned German chancellor Adolf Hitler, Japanese emperor Hirohito, and Italian dictator Benito Mussolini by name, even though it was clear that the jabs and barbs were aimed at these Axis leaders, as well as their ruthless lieutenants, devious spies, and formidable combat troops. Furthermore, Superman’s team sought to hammer home to their readers that the foreign dictators followed a philosophy of racial and religious superiority and that their quest for world domination included plans to conquer America. At about that time, nationally circulated “Look” magazine commissioned Siegal and Shuster to create a strip entitled “How Superman Would End the War.” For that special assignment, the collaborators took off their gloves and actually named Hitler as the target. So in the pages of “Look” the caped crusader grabbed the Fuhrer by the scruff of the neck and growled, “I’d like to land a strictly non-Aryan sock on your jaw.” Instead of taking justice into his own hands, however, Superman delivers Hitler to a tribunal of world leaders to face justice. In another direct challenge in a Superman strip the caped crusader demolishes part of the German Westwall with France. That’s when Superman’s fictionalized triumphs over the Nazis came to the attention of the German ministerial bureau that tracked foreign press commentary. The German propagandists did not respond well to the Superman stories, and the U.S. press covered their response. U.S. news paper reports that infamous minister Joseph Goebbels exploded ina meeting over the Superman anti-Nazi crusades were almost certainly exaggerated if not outright false. But it is true that “Das Shwarze Korps”, the weekly newspaper of the infamous Nazi Secret Service, denounced Superman. In April 1940 the paper ran the proclamation, “Superman “ist ein Jude”! (“Superman is a Jew!”) The sarcastic, mocking piece referred to Superman’s primary creator as Jerry “Israel” Siegel and accused him of sowing “hate, suspicion, evil, laziness, and criminality in young hearts”: Jerry Siegel, an intellectually and physically circumcised chap who has hid headquarters in New York, is the inventor of a colorful figure with an impressive appearance, a powerful body, and a red swim suit who enjoys the ability to fly through the ether. The inventive Israelite named this pleasant guy with an overdeveloped body and underdeveloped mind “Superman.” He advertised widely Superman’s sense of justice, well-suited for imitation by the American youth. As you can see, there is nothing the Sadduccees [an ancient Jewish sect] won’t do for money! Jerry Siegellack stinks. Woe to the American youth who must live in such a poisonous environment and don’t even notice the poison they are swallowing daily. Superman “did” reflect the culture of his Jewish creators. The Jewish American story was baked into the personality of his character and his exploits. Superman also seemed to reflect the more modern-and frightening-Jewish realities of the time. The story of baby Superman’s journey from Krypton seemed to foreshadow the saga of the Kindertransports-the emergency evacuations of hundreds of Jewish children, without their parents, from Nazi Germany to safety in Great Britain prior to the war."

"As a former pulp writer himself, Maxwell knew he had to make sure that the writers wove liberal doses of good old-fashioned “blood and thunder” into each story arc. At the same time he walked a delicate line as he balanced Superman’s thirst for action with his good intentions. Maxwell knew that the show’s young listeners-and their parents-prized the wholesome qualities of honesty and fair play. So Superman-by now referred to as the Big Blue Boy Scout by other, edgier comic book superheroes-remained squeaky-clean on the radio."

"SUPERMAN was introduced to the world in 1938 as the Champion of the Oppressed. In time his moniker morphed into the defender of Truth, Justice, and the American Way. In his journey through comic books, comic strips, radio and TV programs, movies, and more, the character has kept a careful watch over the less fortunate and the downtrodden. From defending coal miners against unsafe working conditions (1938) to supporting protestors opposing the oppressive regime in Iran (2011), Superman has maintained a social conscience that is as strong as steel."

"Despite their success, Jerry and Joe had a beef with the world. Back in 1938 they had signed away the Superman copyright to Harry Donenfeld for $130-$10 for each of the 13 pages of “Action Comics” No. 1. True, they were not making well above the standard industry rate and had a ten-year contract that assured them steady work and a good income. But they knew that millions were flowing in from the merchandise sales and media ventures, and most of it was ending up in the pockets of other people. And why should Harry Donenfeld get rich off Superman? He hadn’t envisioned the character and spent years perfecting it. As the Cleveland collaborators churned out page after page, week after week, month after month, Donenfeld continued to build the Superman empire, even as he added new superheroes and comic books to his stable. Before long, friends would greet the party-loving publisher in fancy restaurants with the line “Hiya, Superman,” at which point he would tear open his shirt and throw out his chest to expose his blue T-shirt with the big red S on the front."

"So Jerry and Joe plucked elements from the world around them to stir into their Superman stew. For the most part however, Superman’s millions of fans would ignore his origins. For them the Man of Steel would simply be the defender of the little man and woman-and a big problem for the forces of evil in the world."

"Like most Americans, the Superman creative team foresaw the long road ahead and knew that victory hinged on the effectiveness of the nation’s leadership and the bravery and blood of its fighting men. The creators wanted to use Superman to support the war effort, but there was a problem, which “Time” dubbed “Superman’s Dilemma.” Given the character’s power to soar to the sky, to change the course of mighty rivers, to turn back tidal waves, and to survive massive explosions without a scratch, it only stood to reason that he could single-handedly defeat the enemy in short order. More specifically, Superman ought to be able to drop thousand-pound bombs from the sky on German troops, flick Japanese Zeros out of the air, and drag battleships to the bottom of the ocean. In the end the editors decided against publishing what would certainly be several years of highly implausible Superman combat adventures. Instead Superman would be stationed at home in Metropolis and would make only periodic visits to the front lines to support the troops or to handle delicate, secret missions for the top brass. In Metropolis he would serve as a model for life on the home front, and his encounters with villains like Lex Luthor, the Prankster, the Toyman, and the Insect Master would provide readers with an escape from the weighty issues of the war. Once the home-front strategy was set, the writers needed a plot device to explain why the Man of Steel was not joining the Army, Navy, or Marines and going off to war with the rest of the troops. The solution appeared in the “Superman” newspaper strips that ran from February 15 to February 19, 1942. The story begins with Clark Kent arriving at his recruitment center to sign up for duty. The bumbling reporter is so excited about joining the armed forces that he inadvertently botches his eye exam. The reason: His x-ray vision kicks in, and he accidenatly reads the eye chart in an adjacent room. The doctors declare him 4-F (undraftable) and send him packing. As a result, in the pages of “Superman” comics, Kent does not don a military uniform for the duration, and Superman is free to influence the war as an outsider."