Essayists From The United States

"It cannot be too firmly realized that war…is the chief function of States. … War cannot exist without a military establishment, and a military establishment cannot exist without a State organization. War has an immemorial tradition and heredity only because the State has a long tradition and heredity. But they are inseparably and functionally joined. We cannot crusade against war without crusading implicitly against the State. And we cannot expect, or take measures to ensure, that this war is a war to end war, unless at the same time we take measures to end the State in its traditional form. … [W]ith the passing of the dominance of the State, the genuine life-enhancing forces of the nation will be liberated. … No one wlil deny that war is a vast complex of life-destroying and life-crippling forces. If the State's chief function is war, then it is chiefly concerned with coordinating and developing the powers and techniques which make for destruction. And this means not only the actual and potential destruction of the enemy, but of the nation at home as well. For the very existence of a State in a system of States means that the nation lies always under a risk of war and invasion, and the calling away of energy into military pursuits means a crippling of the productive and life-enhancing process of the national life."

"This little sparrowlike man, tiny twisted bit of flesh in black cape, always in pain and ailing, put a pebble in his sling and hit Goliath square in the forehead with it.War, he wrote, is the health of the state."

"Indeed, it is not too much to say that the normal relation of States is war."

"All of which goes to show that the State represents all the autocratic, arbitrary, coercive, belligerent forces within a social group, it is a sort of complexus of everything most distasteful to the modern free creative spirit, the feeling for life, liberty, and the pursuit of happiness. War is the health of the State. Only when the State is at war does the modern society function with that unity of sentiment, simple uncritical patriotic devotion, cooperation of services, which have always been the ideal of the State lover. … How unregenerate the ancient State may be…is indicated by the laws against sedition, and by the Government's unreformed attitude on foreign policy."

"War is the health of the State and it is during war that one best understands the nature of that institution."

"Randolph Bourne, horrified at the support of the war by so-called liberals and progressives, had insisted that an unconditionally defeated Germany would become a greater menace to European peace; the war itself, he charged, was the only real enemy of American freedom."

"The modern State is not the rational and intelligent product of modern men desiring to live harmoniously together with security of life, property, and opinion. It is not an organization which has been devised as pragmatic means to a desired social end. All the idealism with which we have been instructed to endow the State is the fruit of our retrospective imaginations."

"Frank Sinatra stopped his car. The light was red. Pedestrians passed quickly across his windshield but, as usual, one did not. It was a girl in her twenties. She remained at the curb staring at him. Through the corner of his left eye he could see her, and he knew, because it happens almost every day, that she was thinking, It looks like him, but is it? Just before the light turned green, Sinatra turned toward her, looked directly into her eyes waiting for the reaction he knew would come. It came and he smiled. She smiled and he was gone."

"When Sinatra sits to dine, his trusted friends are close; and no matter where he is, no matter how elegant the place may be, there is something of the neighborhood showing because Sinatra, no matter how far he has come, is still something of the boy from the neighborhood — only now he can take his neighborhood with him."

"It no longer matters what song he is singing, or who wrote the words — ​they are all his words, his sentiments, they are chapters from the lyrical novel of his life."

"The whole thing had lasted only about three minutes. And three minutes after it was over, Frank Sinatra had probably forgotten about it for the rest of his life — as Ellison will probably remember it for the rest of his life: he had had, as hundreds of others before him, at an unexpected moment between darkness and dawn, a scene with Sinatra."

"It was suddenly obvious to everybody in the studio that something quite special must be going on inside the man, because something quite special was coming out. He was singing now, cold or no cold, with power and warmth, he was letting himself go, the public arrogance was gone, the private side was in this song about the girl who, it is said, understands him better than anybody else, and is the only person in front of whom he can be unashamedly himself."

"He has everything, he cannot sleep, he gives nice gifts, he is not happy, but he would not trade, even for happiness, what he is...."

"He is a wholly unpredictable man of many moods and great dimension, a man who responds instantaneously to instinct — suddenly, dramatically, wildly he responds, and nobody can predict what will follow."

"Sinatra brings out the best and worst in people."

"All the Way; All or Nothing at All. This is the Sicilian in Sinatra; he permits his friends, if they wish to remain that, none of the easy Anglo-Saxon outs. But if they remain loyal, then there is nothing Sinatra will not do in turn — fabulous gifts, personal kindnesses, encouragement when they're down, adulation when they're up. They are wise to remember, however, one thing. He is Sinatra. The boss. Il Padrone."

"He is what in traditional Sicily have long been called uomini rispettati — men of respect: men who are both majestic and humble, men who are loved by all and are very generous by nature, men whose hands are kissed as they walk from village to village, men who would personally go out of their way to redress a wrong."

"He never knows whether they want him for what he can do for them now — or will do for them later."

"Sinatra with a cold is Picasso without paint, without fuel — only worse."

"He seemed now to be also the embodiment of the fully emancipated male, perhaps the only one in America, the man who can do anything he wants, anything, can do it because he has money, the energy, and no apparent guilt. ... The man who had everything, lost it, then got it back, letting nothing stand in his way, doing what few men can do."

"One way to hold a woman is not to hold her."

"They stopped at The Sahara, taking a long table near the back, and listened to a baldheaded little comedian named , who is probably more caustic than any comic in the country. His humor is so rude, in such bad taste, that it offends no one — it is too offensive to be offensive."

"Sometimes it's good to be an outsider, especially as a journalist."

"Words that warmed women, wooed and won them, snipped the final thread of inhibition and gratified the male egos of ungrateful lovers; [...] for which they were eternally in his debt, for which they may eternally hate him."

"I think most journalists are pretty lazy, number one. A little lazy and also they're spoon-fed information, such as the weapons of mass destruction back in 2003.... you have these people who create a package of news, develop it as a story line, a scenario, and they find, as Mailer once said about the press, that they're like a donkey. You have to feed the donkey. The donkey every day has to eat. So [special interests] throw information at this damn animal that eats everything. Tin cans, garbage."

"You should be proud of your profession because there's less lying in journalism than in any other profession. They lie in education, they lie in politics, they lie in banking, they lie in labor; there's liars all over the place. Sports? Full of liars. And there are liars in journalism, but if there are liars, journalism will out them."

"If you're a child of store owners, if you're brought up in a store, you learn good manners. You have to be genial, well-liked. You're not going to sell a customer if you're rude. You also get with different age groups, and different types of people. So be respectful. Being respectful is very important. You have to learn this."

"[A]nybody who has served in combat in any way understands that words are weapons. And I'm in a war. The war hasn't stopped. I've always used the books as a blunt instrument."

"Journalism is the one thing that protects us. There's a history of crusading, let–the–chips–fall–where–they–may journalists. But that's given way to 'advocacy journalists,' who have left– or right–wing biases. That doesn't make sense. The only thing a journalist should worship is the truth."

"In his autobiography, former President Bill Clinton credits [Andrew] Vachss with [writing the National Child Protection Act] and notes how important it was to him and wife Hillary. But there's a catch, according to Vachss: 'It's never been funded.'"

"[C]an you be noble as you practice violence, extortion, blackmail, even mass murder? The struggle to be free from oppression is, in my mind, per se noble. But noble causes attract a wide range of participants, and many would fall far short of nobility."

"I don't love kids. I hate their predators. It's a burning hatred I feel to this day."

"We don't distinguish between the various forms of child abuse. Emotional abuse ... is pretty much ignored. When someone spends their life being told, 'You're stupid, you're a disgrace, I should have aborted you, you ruined my life,' it scars them in ways that are almost impossible to describe with words. And yet, such a person describing their life would be told, 'Oh, you weren't an incest victim? Oh, you weren't burned with cigarettes? So, how abused were you really?"

"My goal was not to raise consciousness, but to raise anger. Ours is a country where anything can be accomplished if enough people get angry... because, in America, we act on our collective anger. If you want proof of how that works, just take a look at how New York State finally closed the hated (and virtually unknown) 'incest exception."

"I promise you, there are people in America whose only problem with the Taliban is that they did it for the wrong god. Whether it's incest, rape, terrorism or Nazism, it's all the same thing—accumulating and abusing power."

"Our reasons for critiquing the [child protection] system [are] pointless. To analyze the system and point out what's wrong with it, without the power to alter it, is masturbatory. The whole concept behind analysis is the concept behind consciousness–raising. Which is, if I show you that something is terrible, you will do something about it. That's not reality. Reality is, it's about power. It's not about education, and knowledge is not power."

"Plenty of states, like Florida, still don't have [law guardians]. What does that tell you? Because with non-attorney guardians there's no attorney-client privilege. There's no ability to cross–examine witnesses, to subpoena evidence, to appeal. Basically you serve completely at the pleasure of the judge. And if you don't please the judge, you're history. What more of a message do kids need?""

"The child most at risk [to be accessed by a predatory pedophile] is the child not bonded deeply to anything or anybody. Children who are most deeply bonded with parents, parents who are protective, it's almost like, I don't know if you've seen predatory animals that put a kind of smell on their young to protect them? Okay? I think your 'luck' was much more likely due to your parent[s] than it was to any blind confluence of the planets."

"I don't believe this country will ever come to grips with child abuse until they make the obvious, simple connection between today's victim and tomorrow's predator. As long as they believe a Ted Bundy or a John Wayne Gacy is a biogenetic mistake as opposed to a beast that was built and a monster that was made, they'll continue to blithely walk around, saying, 'I'm against child abuse.'""

"It's an extremely profitable thing to be 'concerned' about drugs. You don't just have treatment programs, you have law enforcement programs, you have entire industries that could not function but for drugs. Including the prison industry. I think America has gone psychotic ... there are human beings—even as we speak—dying, in the kind of shrieking, tormenting pain you couldn't inflict on a P.O.W., because America doesn't want them to be drug addicts."

"When someone asks me, 'Why do you write comics?' I tell them, for the same reason I write editorials, essays, and articles; the same reason I give speeches; the same reason I appear on TV programs, and give interviews. Same message; different forum. There is no universal forum, so the more outreach we can do, the better the chance of forming coalitions."

"If you look at Burke closely, you'll see the prototypical abused child: hypervigilant, distrustful. He's so committed to his family of choice—not his DNA-biological family, which tortured him, or the state which raised him, but the family that he chose—that homicide is a natural consequence of injuring any of that family. He's not a hit man. But he shares the same religion I do, which is revenge."

"I believe that many people who were abused as children do themselves—and the entire struggle—a disservice when they refer to themselves as "survivors." A long time ago, I found myself in the middle of a war zone. I was not killed. Hence, I "survived." That was happenstance ... just plain luck, not due to any greatness of character or heroism on my part. But what about those raised in a POW camp called "childhood?" Some of those children not only lived through it, not only refused to imitate the oppressor (evil is a decision, not a destiny), but actually maintained sufficient empathy to care about the protection of other children once they themselves became adults and were "out of danger." To me, such people are our greatest heroes. They represent the hope of our species, living proof that there is nothing bio–genetic about child abuse. I call them transcenders, because "surviving" (i.e., not dying from) child abuse is not the significant thing. It is when chance becomes choice that people distinguish themselves. Two little children are abused. Neither dies. One grows up and becomes a child abuser. The other becomes a child protector. One "passes it on." One "breaks the cycle." Should we call them both by the same name? Not in my book. (And not in my books, either.)"

"I think that what drives the American public, which is like a huge, lumbering beast, is anger; and the other thing that drives it is self–interest. What I'm trying to do in my books is different from other people writing about child abuse. I'm not trying to engender sympathy so much as to say to the public, 'Today's victim is tomorrow's predator.' The things that you fear have a genesis, and the price of being safe in this world is early intervention. It costs you something to look away, not just in moral terms, but in practical terms."

"My position on pornography is quite simple. You can argue about Penthouse or Playboy or things of that ilk. But child pornography, a picture of a child engaged in a sexual act, is a photograph of a crime and you cannot argue about that. It is, per se, illegal, illicit and immoral. It is unfortunate that my work is taken up by people with whom I am not allied."

"Everything that's in [my] books comes out of what I've seen, or touched, or felt, or smelt, and if I had one wish it would be that the books were fiction."

"There's a very specific formula for creating a monster. It starts with chronic, unrelenting abuse. There's got to be societal notification and then passing on. The child eventually believes that what's being done is societally sanctioned. And after a while, empathy – which we have to learn, we're not born with it – cracks and dies. He feels only his own pain. There's your predatory sociopath." That's why Vachss posed for a recent publicity photo cradling his pit bull puppy. "You know what pit bulls are capable of, right?" he asks, referring to the animal's notorious killer reputation. "But they're also capable of being the most wonderful, sweet pets in the world, depending on how you raise them. That's all our children.""

"The biggest threat to children is always inside their houses. The predator with the ski-mask who grabs the kid out of a van, while a real thing, is a tiny percentage of those who prey upon children. Most victimization of children is within the Circle of Trust—not necessarily a parent, but somebody who was let into that circle, who can be a counselor, or a coach, or someone at a day-care center. The biggest danger to children is that they're perceived as property, not human beings."

"What moral obligation do you have to those who willfully refuse to open their eyes and deem you mad for seeing?"

"I want to take you as close as you can get, I want to feel your ecstasy as you feel mine, I want to bridge the final gap between us, I want us to come together in a place where each can know the other does not lie."