Essayists From The United States

"By any precise definition, Washington is a city of advanced depravity. There one meets and dines with the truly great killers of the age, but only the quirkily fastidious are offended, for the killers are urbane and learned gentlemen who discuss their work with wit and charm and know which tool to use on the escargots. On New York's East Side one occasionally meets a person so palpably evil as to be fascinatingly irresistible. There is a smell of power and danger on these people, and one may be horrified, exhilarated, disgusted or mesmerized by the awful possibilities they suggest, but never simply depressed. Depression comes in the presence of depravity that makes no pretense about itself, a kind of depravity that says, "You and I, we are base, ugly, tasteless, cruel and beastly; let's admit it and have a good wallow." That is how Times Square speaks. And not only Times Square. Few cities in the country lack the same amenities. Pornography, prostitution, massage parlors, hard-core movies, narcotics dealers — all seem to be inescapable and permanent results of an enlightened view of liberty which has expanded the American's right to choose his own method of shaping a life. Granted such freedom, it was probably inevitable that many of us would yield to the worst instincts, and many do, and not only in New York. Most cities, however, are able to keep the evidence out of the center of town. Under a rock, as it were. In New York, a concatenation of economics, shifting real estate values and subway lines has worked to turn the rock over and put the show on display in the middle of town. What used to be called "The Crossroads of the World" is now a sprawling testament to the dreariness which liberty can produce when it permits people with no taste whatever to enjoy the same right to depravity as the elegant classes."

"All politicians are humble, and seldom let you forget it. They go around the country boasting about their humility. They are proud of their humility. Many are downright arrogant about their humility and insist that it qualifies them to be President."

"Of all the people insistently expressing their mental vacuity, none has a better excuse for an empty head than the newspaperman: If he pauses to restock his brain, he invites onrushing headlines to trample him flat."

"The young cult of sociology, needing a language, invented one. There are many dead languages, but the sociologists' is the only language that was dead at birth."

"The odd thing is not that we are in the business of overthrowing other people's governments, but that we can still be surprised when somebody reminds us of it. In Asia, in Latin America, Africa, the Mediterranean and the Middle East we have been propping up and knocking down governments more or less openly for the past twenty-five years. It is an established policy. Everybody knows it. It is supposed to be done covertly, which is only sensible if you hope to succeed since publicity in matters of this sort can only make the natives restless and defeat the project. Imagine the chauvinistic rallying around President Nixon that would have occurred if Canada, say, had announced that her agents were going to destabilize United States society so that discontented Americans could heave the Nixon Administration out of office."

"Old people at the supermarket make you wonder about all those middle-aged people you see jogging the streets to preserve their vascular systems for another fifty years. And about all the people of all ages all over the country who are eating less, drinking less, smoking less, driving safer and in general looking for a death-proof safety suit to get them over the peak years and down into the valley of old age fit to enjoy the fruits of their abstention and labor. Will anybody care when they get there? Will they be able to afford an orange?"

"Watergate left Washington a city ravaged by honesty."

"I frankly admit to not knowing who I am. This is why I refuse to buy clothes that will tell people who I want them to think I am."

"Can't-do guys do all right in Washington, perhaps because lobbying is the one thing that can't-do guys almost always can do, and magnificently. Detroit may not be able to dispose of exhaust very neatly, but it can build a beautiful lobbying machine for selling Government the story of its own inadequacy. What is it in the Washington air that restores the energies of these once dynamic American manufacturers? Something there is that brings out all the latent half-forgotten ingenuity that seems to have abandoned them back in the home plant."

"Americans treat history like a cookbook. Whenever they are uncertain what to do next, they turn to history and look up the proper recipe, invariably designated "the lesson of history.""

"This may be why New Yorkers instinctively avoid making eye contact with each other in crowded places, why they "look right through you," as dismayed visitors often complain. They are not looking right through you at all; they are discreetly avoiding an intrusion into your space. They sense the danger in a place where a one-degree temperature rise can mean an explosion."

"Urban people, of course, are terribly scared nowadays. They may yearn for society, but it is risky to go around talking to strangers, for a lot of reasons, one being that people are so accustomed not to have many human contacts that they are afraid they may find out they really prefer life that way."

"Long words, fat talk — they may tell us something about ourselves. Has the passion for fat in the language increased as self-confidence has waned?"

"Early in life, most of us probably observe an unhappy relationship between labor and wealth — to wit, the heavier the labor, the less the wealth. The man doing heavy manual work makes less than the man who makes a machine work for him, and this man makes less than the man sitting at a desk. The really rich people, the kind who go around on yachts and collect old books and new wives, do no labor at all. The economic reasons for dividing the money this way are clear enough. One, it has always been done that way; and two, it's too hard to change at this late date. But the puzzling question is why, since the money is parceled out on this principle, young people are constantly being pummeled to take up a life of labor. In any sensible world, the young would be told they could labor if they wanted to, but warned that if they did so it would cost them."

"The Government cannot afford to have a country made up entirely of rich people, because rich people pay so little tax that the Government would quickly go bankrupt. This is why Government men always tell us that labor is man's noblest calling. Government needs labor to pay its upkeep."

"I went to the Rayburn Building the other day on trifling business. It was an appalling experience. I had forgotten how preposterous the thing is with its pretentious megatonnage of rock and steel spreading acre after acre down the slope of Capitol Hill in sullen defiance to eternity and man. It dwarfs the forum of the Caesars. Mussolini would have wept in envy. Inside, one is compelled to dwell upon the insignificance of humanity. Not a single tiny wisp of beauty, nothing that is graceful, or charming, or eccentric, or human presents itself to the senses. Trying to imagine Clay and Webster in this celebration to the death of the spirit, erected to the glory that was Congress, is an exercise in comic despair. What do we have? Banks of stainless-steel elevators. Miracles of plumbing. Corridors of cemetery marble stretching to far horizons under the most artificial light millions of dollars can create, a light that abides no shadow, grants no privacy, tolerates nothing that is interesting in the slightest degree. Occasionally a small figure appeared in the distance, grew larger, then larger, then assumed human proportion, then passed and became smaller, and smaller, and smaller. Two ants had passed in a pyramid."

"No less a philosopher than Chief Justice Burger was outraged by Ellsberg's publication of classified documents. They belonged to the Government, Burger reasoned, and Ellsberg had no more right to give them to the people than he would have to filch another man's property off a taxicab seat. The Government, of course, commonly leaks classified documents when it deems publication convenient to manipulate public opinion to its advantage. Only the Government, it seems, has a legal right to manipulate opinion with hot documents."

"Some years back, all the best people came to bipartisan agreement that the most shameful thing a person could do with power was not to use it. Since then everybody who wants to get ahead in Washington has made a great show of being a fierce fellow when left alone in the room with a little power. There seems to be a fear that if there is somebody around so low that it is all right to dump the garbage on him, and you hesitate, everybody will call you a sissy, and you will never be invited to lunch with Professor Kissinger. Strange values result. Great killers are esteemed for good citizenship. "Not afraid to use power," people say of them."

"Americans don't like plain talk anymore. Nowadays they like fat talk. Show them a lean, plain word that cuts to the bone and watch them lard it with thick greasy syllables front and back until it wheezes and gasps for breath as it comes lumbering down upon some poor threadbare sentence like a sack of iron on a swayback horse. "Facilitate" is typical of the case. A generation ago only sissies and bureaucrats would have said "facilitate" in public. Nowadays we are a nation of "facilitate" utterers. "Facilitate" is nothing more than a gout-ridden, overstuffed "ease." Why has "ease" fallen into disuse among us? It is a lovely little bright snake of a word which comes hissing quietly off the tongue and carries us on, without fuss and French horns, to the object which is being eased. This is English at its very best. Easing is not one of the great events of life; it does not call for Beethoven; it is not an idea to get drunk on, to wallow in, to engage in multiple oleaginous syllabification until it becomes a pompous ass of a word like "facilitate.""

"The best thing about being President is that it gets you out of American life. I don't know what the theory is behind this, but it is a fact. The first thing we do with a President is shunt him off to a siding where nothing American can ever happen to him."

"We watched some of the movie. It was shocking. Sex is apparently hard labor. Various persons supported crushing weights in agonizing positions for what seemed like endless blocks of time. Exhausted men grunted and toiled like movers trying to get a refrigerator into a fifth floor walk-up."

"Usually, terrible things that are done with the excuse that progress requires them are not really progress at all, but just terrible things."

"A group of politicians deciding to dump a President because his morals are bad is like the Mafia getting together to bump off the Godfather for not going to church on Sunday."

"Inanimate objects can be classified scientifically into three major categories: those that don't work, those that break down and those that get lost. The goal of all inanimate objects is to resist man and ultimately to defeat him, and the three major classifications are based on the method each object uses to achieve its purpose. As a general rule, any object capable of breaking down at the moment when it is most needed will do so."

"A railroad station? That was sort of a primitive airport, only you didn't have to take a cab 20 miles out of town to reach it."

"In America, it is sport that is the opiate of the masses."

"People seem to enjoy things more when they know a lot of other people have been left out of the pleasure."

"In America nothing dies easier than tradition."

"It seems to be a law of American life that whatever enriches us anywhere except in the wallet inevitably becomes uneconomic."

"The cruel law of life is that a solved problem creates two new problems, and the best prescription for happy living is not to solve any more problems than you have to."

"Being solemn has almost nothing to do with being serious, but on the other hand, you can't go on being adolescent forever, unless you are in the performing arts, and anyhow most people can't tell the difference. In fact, though Americans talk a great deal about the virtue of being serious, they generally prefer people who are solemn over people who are serious. In politics, the rare candidate who is serious, like Adlai Stevenson, is easily overwhelmed by one who is solemn, like General Eisenhower. This is probably because it is hard for most people to recognize seriousness, which is rare, especially in politics, but comfortable to endorse solemnity, which is as commonplace as jogging. Jogging is solemn. Poker is serious. Once you grasp that distinction, you are on your way to enlightenment."

"You can't sweep other people off their feet, if you can't be swept off your own."

"Information's pretty thin stuff unless mixed with experience."

"We must make the best of those ills which cannot be avoided."

"The world of books is the most remarkable creation of man. Nothing else that he builds ever lasts. Monuments fall; nations perish; civilizations grow old and die out; and, after an era of darkness, new races build others. But in the world of books are volumes that have seen this happen again and again, and yet live on, still young, still as fresh as the day they were written, still telling men’s hearts of the hearts of men centuries dead. And even the books that do not last long, penetrate their own times at least, sailing farther than Ulysses even dreamed of, like ships on the seas. It is the author’s part to call into being their cargoes and passengers,—living thoughts and rich bales of study and jeweled ideas. And as for the publishers, it is they who build the fleet, plan the voyage, and sail on, facing wreck, till they find every possible harbor that will value their burden."

"The rich are not really a bad lot. We must not judge by appearances. If it weren't for their money they would be indistinguishable from the rest of us. But money brings out their weaknesses, naturally. Would it not bring out ours? A moderate addiction to money may not always be hurtful; but when taken in excess it is nearly always bad for the health, it limits one's chance of indulging in nice simple pleasures, and in many cases it lowers the whole moral tone. The rich admit this — of each other; but what can they do? Once a man has begun to accumulate money, it is unnatural to stop. He actually gets in a state where he wants more and more. This may seem incomprehensible to those who have never suffered from affluence, and yet they would feel the same way, in a millionaire's place. A man begins by thinking that he can have money without being its victim. He will admit that other men addicted to wealth find it hard to be moderate, but he always is convinced that he is different and has more self-control. But the growth of an appetite is determined by nature, not men, and this is as true of getting money as of anything else. As soon as a man is used to a certain amount, no matter how large, his ideas of what is suitable expand. That is the way men are made."

"When eras die, their legacies Are left to strange police. Professors in New England guard The glory that was Greece."

"I was writing for businesses. I think my mother was a little skeptical in the beginning, but fortunately, as a free-lance writer I was successful almost immediately. And so she was very proud, because she measured success in terms of money, which is what I started to do as well. My goal then, became to increase the amount of money that I made each month. Not simply each year, but each month — I mean, talk about pressure — to have more billable hours each month. So that by the end of my third year of being a free-lance writer, I was billing 90 hours a week. I had no time to sleep. I had no life. People said I was crazy, that I was a workaholic. And I couldn't understand how it was that I had these wonderful clients, and I was making all this money, and I wasn't happy and I didn't feel successful. That's when I started to write fiction."

"Today, great writers from minority groups in the U.S. are finding their voice in the wonderful, rich imagery of magic realism. Writers such as Louise Erdrich, Toni Morrison, Alice Walker, and Amy Tan all have a unique, rich way of writing that can be described as magic realism. These women are among those who have broken away from the style of writing that defines most of the fiction coming from industrialized countries: that pragmatic, minimalist style and way of facing reality in which the only things one dares talk about are those things one can control. What cannot be controlled is denied."

"External success has to do with people who may see me as a model, or an example, or a representative. As much as I may dislike or want to reject that responsibility, this is something that comes with public success. It's important to give others a sense of hope that it is possible and you can come from really different places in the world and find your own place in the world that's unique for yourself."

"I loved the early Amy Tan and her novel The Joy Luck Club."

"I've long thought about how life is influenced by death, how it influences what you believe in and what you look for. Yes, I think I was pushed in a way to write this book by certain spirits — the yin people — in my life. They've always been there, I wouldn't say to help, but to kick me in the ass to write. ...Yin people is the term Kwan uses, because "ghosts" is politically incorrect. People have such terrible assumptions about ghosts — you know, phantoms that haunt you, that make you scared, that turn the house upside down. Yin people are not in our living presence but are around, and kind of guide you to insights. Like in Las Vegas when the bells go off, telling you you've hit the jackpot. Yin people ring the bells, saying, "Pay attention." And you say, "Oh, I see now." Yet I'm a fairly skeptical person. I'm educated, I'm reasonably sane, and I know that this subject is fodder for ridicule. ... To write the book, I had to put that aside. As with any book. I go through the anxiety, "What will people think of me for writing something like this?" But ultimately, I have to write what I have to write about, including the question of life continuing beyond our ordinary senses."

"People look at me as this very, I don't know, Confucius-like wise person — which I'm not. They don't see all the shit that I've been through."

"A further measure of the importance of the feminism of women of color was the tremendous efflorescence in their fiction. The writings of Toni Morrison, Sandra Cisneros, Amy Tan, and Louise Erdrich, among others, played a major role in bringing the feminist message and perspective to the masses of American women."

"Reading for me was a refuge. I could escape from everything that was miserable in my life and I could be anyone I wanted to be in a story, through a character. It was almost sinful how much I liked it. That's how I felt about it. If my parents knew how much I loved it, I thought they would take it away from me. I think I was also blessed with a very wild imagination because I can remember, when I was at an age before I could read, that I could imagine things that weren't real and whatever my imagination saw is what I actually saw. Some people would say that was psychosis but I prefer to say it was the beginning of a writer's imagination. If I believed that insects had eyes and mouths and noses and could talk, that's what they did. If I thought I could see devils dancing out of the ground, that's what I saw. If I thought lightning had eyes and would follow me and strike me down, that's what would happen. And I think I needed an outlet for all that imagination, so I found it in books."

"Everyone must dream. We dream to give ourselves hope. To stop dreaming — well, that’s like saying you can never change your fate. Isn’t that true?"

"I don't feel the need to be a role model, it's just something that's been thrust upon me. Teachers and a lot of Asian-American organizations, for example, say to me, "We need you to come and speak to us because you're a role model." ... Placing on writers the responsibility to represent a culture is an onerous burden. Someone who writes fiction is not necessarily writing a depiction of any generalized group, they're writing a very specific story."

"My sister Kwan believes she has yin eyes. She sees those who have died and now dwell in the World of Yin, ghosts who leave the mists just to visit her kitchen on Balboa Street in San Francisco. "Libby-ah," she'll say to me. "Guess who I see yesterday, you guess." And I don't have to guess that she's talking about someone dead."

"Other Asian-American writers just shudder when they are compared to me; it really denigrates the uniqueness of their own work. I find it happening less here partly because people are more aware now of the flaws of political correctness — that literature has to do something to educate people. I don't see myself, for example, writing about cultural dichotomies, but about human connections. All of us go through angst and identity crises. And even when you write in a specific context, you still tap into that subtext of emotions that we all feel about love and hope, and mothers and obligations and responsibilities."

"Whenever I'm with my mother, I feel as though I have to spend the whole time avoiding land mines."